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4. Treatment with tocilizumab or corticosteroids for COVID-19 patients with hyperinflammatory state: a multicentre cohort study (SAM-COVID-19)

Author

Aznar Muñoz, Esther, Gil Divasson, Pedro, González Muñiz, Patricia, Muñoz Aguirre, Clara, Díaz Menéndez, Marta, de la Calle Prieto, Fernando, Arsuaga Vicente, Marta, Trigo Esteban, Elena, Pérez Valero, Ignacio, de Miguel Buckley, Rosa, Cadiñaños Loidi, Julen, Diaz Pollan, Beatriz, Martín Carbonero, Luz, Ramos Ramos, Juan Carlos, Loeches Yagüe, Belén, Montejano Sánchez, Rocío, González García, Juan, García Rodríguez, Julio, Berenguer, Juan, Ramírez, Margarita, Gutiérrez, Isabel, Tejerina, Francisco, Aldámiz-Echevarría, Teresa, Díez, Cristina, Fanciulli, Chiara, Pérez-Latorre, Leire, Pinilla, Blanca, López, Juan Carlos, Such Diaz, Ana, Álvaro Alonso, Elena, Torres Macho, Juan, Cuevas Tascon, Guillermo, Jiménez González de Buitrago, Eva, Brañas Baztán, Fátima, Valencia de la Rosa, Jorge, Pérez Butragueño, Mario, Fernández Jiménez, Inés, Muñiz Nicolás, Gemma, Sepúlveda Berrocal, Antonia, Gato Díez, Alberto, Toledano Sierra, María Pilar, García Butenegro, María Paz, Peláez Ballesta, Ana Isabel, Morcillo Rodríguez, Elena, Fernández Romero, Isidoro, Peláez Ballesta, Cristina, Guirado Torrecillas, María Isabel, Goikoetxea Agirre, Josune, Bereciartua Bastarrica, Elena, Guio Carrión, Laura, Rodríguez Álvarez, Regino, Ibarrola Hierro, Marta, Pérez Hernández, Isabel A., Pérez Zapata, Inés, Román Soto, Sergio, Kallouchi, Mohamed, Domínguez Vicent, Juan Ramón, Silvariño Fernández, Rafae, Ugalde Espiñeira, Jon, Sanjuan López, Ainhoa, García Martínez, Silvia, Temprano Gogenola, Mikel, Asensi, Víctor, Suárez, Silvia, Suárez, Lucia, Yllera, Carmen, Rivas-Carmenado, María, Romero-Palacios, Alberto, Ruiz Aragón, Jesús, Jiménez Aguilar, Patricia, Fernández Ávila, Ma Luisa, Castilla Ortiz, Rosario, Alende Castro, Vanesa, Pérez García, Cristina, Fernández Morales, Marta, Valle Feijoo Begoña Rodríguez Ferreira, María Lorena María, Gómez-Junyent, Joan, Villar-García, Judit, López-Montesinos, Inmaculada, Arrieta-Aldea, Itziar, Rial-Villavecchia, Abora, García Vázquez, Elisa, Roura Piloto, Aychel Elena, Moral Escudero, Encarnación, Hernández Torres, Alicia, Albendín Iglesias, Helena, Vinuesa García, David, Martínez Montes, Clara, De la Hera Fernández, Francisco Javier, Anguita Santos, Francisco, Ruiz Sancho, Andrés, Díaz de Brito Fernández, Vicens, Sanmarti Vilamala, Montserrat, España Cueto, Sergio, Molina Morant, Daniel, González-Cuevas, Araceli, Chara Cervantes, Joel Elías, Policarpo Torres, Guillem, Ortega Montoliu, Meritxell, Angerri Nadal, Mònica, De Genover Gil, Ariadna, Patera, Eleni, Godoy Lorenzo, Rita, Zioga, Evangelia Anna María, Isern Fernández, Virginia, Sabbagh Fajardo, Carlos Enrique, Ferrer Ribera, Ana, Bea Serrano, Carlos, Oltra Sempere, Rosa, Vela Bernal, Sara, Albiol Viñals, Paloma, Pedromingo Kus, Miguel, Garcinuño, María Ángeles, Fiorante, Silvana, Pérez Pinto, Sergio, de la Vega, Alexandra, Fariñas Álvarez, María Carmen, González Rico, Claudia, Arnaiz de las Revillas, Francisco, Giménez, Teresa, Calvo, Jorge, Meije Castillo, Yolanda, Duarte Borges, Alejandra, Pareja Coca, Júlia, Clemente Presas, Mercedes, Sanz Salvador, Xavier, Pérez Rodríguez, Ma Teresa, Sousa, Adrián, Pérez González, Alexandre, Longueira, Rebeca, Araujo, Alejandro, Alonso Martínez, Blanca, García Escudero, Laura, Lidia Kamel Rey, Sara, Roa Alonso, David, Avilés Parra, Juan Pablo, Pelegrín Senent, Iván, Rouco Esteves Marques, Rosana, Raich Montiu, Laia, Souto Higueras, Jessica, Gálvez Bobadilla, Manuel Alejandro, Parra Ruiz, Jorge, Ramos Sesma, Violeta, Velasco Fuentes, Sara, García Pereña, Laura, Lluna Carrascosa, Alfonso, Gilaberte Reyzábal, Sergio, Liébana Gómez, Mónica, Salillas Hernando, Juan, Serrano Martínez, Alberto, Torralba González de Suso, Miguel, Martínez Martín, Patricia, Rábago Lorite, Isabel, González-Ruano Pérez, Patricia, Pérez-Monte Mínguez, Beatriz, García Flores, Ángeles, Comas Casanova, Pere, Martín Plata, Andrea, Santana Báez, Sergio Manuel, Sanz Peláez, Oscar, Mohamed Ramírez, Karim, Robaina Bordón, José María, Vílchez Rueda, Helem Haydeé, Riera Jaume, Melchor, Mut Ramon, Gemma, Gavalda Manso, Meritxell, Planas Bibiloni, Lluis, Castelo Corral, Laura, Ramos Merino, Lucía, Sánchez Vidal, Efrén, Rodríguez Mayo, María, Míguez Rey, Enrique, García de Lomas Guerrero, José M., De la Torre Lima, Javier, Correa Ruiz, Ana, Fernández Sánchez, Fernando, Jiménez-García, Nicolás, Sierra-Monzón, José Luis, Gracia-Tello, Borja, Hernández-Bonaga, María, Pellejero, Galadriel, Asín-Corrochano, Marta, Boix Palop, Lucia, Calbo, Esther, Badía, Cristina, Dietl, Beatriz, Lucía, Gómez, Domínguez-Castellano, Ángel, Ríos-Villegas, María José, del Toro, María D., Palacios Baena, Zaira R., Salamanca-Rivera, Elena, Marín, Elena, Almadana, Virginia, Pérez-Galera, Salvador, González-Iglesias, Luisa, Abelenda-Alonso, Gabriela, Álvarez-Pouso, Claudia, Escrihuela, Francesc, Gudiol, Carlota, Lorenzo-Esteller, Laia, Niubó, Jordi, Podzamczer, Daniel, Pujol, Miquel, Rombauts, Alexander, Salvert Lletí, Miguel, Gil Sánchez, Ricardo, Jiménez Escrig, Marta, Parra Gómez, Laura, Tasias Pitarch, Mariona, Navarro Vilasaró, Marta, Machado Sicilia, María Luisa, Gomila Grange, Aina, Calzado Isbert, Sonia, Carrasco Antón, Nerea, Petkova-Saiz, Elizabet, Cabello Úbeda, Alfonso, Górgolas Hernández-Mora, Miguel, Sánchez-Pernaute, Olga, Dueñas Gutiérrez, Carlos, Martin Guerra, Javier, Castrodeza Sanz, José Javier, Fernández Espinilla, Virginia, Rodríguez Fernández, Laura, González-Moreno, Juan, Villoslada Gelabert, Aroa, Ribot Sanso, María Antonia, Fernández-Baca, María Victoria, Hernández Milian, Almudena, Morán Rodríguez, Miguel Ángel, Ortiz de Zárate Ibarra, Zuriñe, Portu Zapirain, José Joaquin, Saez de Adana Arroniz, Ester, Gainzarain Arana, Juan Carlos, Meca Birlanga, Olga, del Amor Espín, Ma Jesús, Viqueira González, Montserrat, García García, Josefina, Martínez Madrid, Onofre, Bernal Morell, Enrique, Alcaraz, Antonia, Muñoz, Ángeles, Pina, Ignacio, de la Rosa, Vicente, Caínzos Romero, Tamara, Sánchez Trigo, Sabela, Mariño Callejo, Ana Isabel, Álvarez Díaz, Hortensia, Valcarce Pardeiro, Nieves, Sánchez Serrano, Adriana, Piñar Cabezos, Diana, García Villalba, Eva Pilar, Aguayo Jiménez, Carmen, Ruíz Campuzano, María, Naranjo Velasco, Virginia, Santos Peña, Marta, Mora Delgado, Juan, Sevilla Moreno, Israel, Lojo Cruz, Cristina, Kortajarena Urkola, Xabier, Iribarren Loyarte, José Antonio, Bustinduy Odriozola, María Jesús, Ibarguren Pinilla, Maialen, Álvarez Rodríguez, Ignacio, Martínez Marcos, Francisco Javier, Rodríguez Gómez, Francisco Javier, Asschert Agüero, Isabel, Muñoz Beamud, Francisco, Ruiz Reina, Antonio José, Llenas-García, Jara, González-Cuello, Inmaculada, Hellín-Valiente, Elena, Martínez Birlanga, Esther, Tafalla Torres, José Manuel, Calderón Parra, Jorge, Escudero López, Gabriela, Gutiérrez Martín, Isabel, Andrés Eisenhofer, Ane, García Prieto, Sonia, Álvarez Franco, Raquel, Roger Zapata, Daniel, Martínez Cifre, Blanca, Aranda Rife, Elena, Martín Rubio, Irene, Barbosa Ventura, André, Garrido, Javier, Gonzalo, Concepción, Piñero, Iván, de la Cruz Felipe, Nieves, Talavera García, Eva, Lamata Subero, Marta, Mendoza Roy, Paula, García de Carlos, María Soledad, Lajusticia Aisa, Justo, Arteche Eguizabal, Lorea, Urrutia Losada, Ainhoa, Domingo Echaburu, Saioa, Cuadros Tito, Pedro Ángel, Orbe Narváez, Gurutz, Liébana Martos, Ma del Carmen, Roldán Fontana, Carolina, Herrero Rodríguez, Carmen, Duro Ruiz, Gaspar, Pérez Parra, Santiago, Mera Fidalgo, Arantzazu, Hortos Alsina, Miquel, Alberich Conesa, Ana, Bladé Vidal, Lourdes, Merchante Gutiérrez, Nicolás, León Jiménez, Eva, Espíndola Gómez, Reinaldo, Erostarbe Gallardo, María, Martínez Pérez-Crespo, Pedro, Cisneros, José Miguel, Aguilar-Guisado, Manuela, Aldabó, Teresa, Bueno, Claudio, Cordero-Matía, Elisa, Escoresca, Ana, Infante, Carmen, Guillermo, Martín, Salto, Sonsoles, Gioia, Francesca, Vizcarra, Pilar, Fortún Abete, Jesús, Martín Dávila, Pilar, Moreno Guillén, Santiago, Oteo Revuelta, José A., García-García, Concepción, Santibañez Sáenz, Paula, Cervera Acedo, Cristina, Azcona Gutiérrez, José M., Reguera Iglesias, José María, Plata Ciezar, Antonio, Valiente de Santis, Lucia, Sobrino Diaz, Beatriz, Ruiz Mesa, Juan Diego, Rodríguez-Baño, Jesús, Pachón, Jerónimo, Carratalà, Jordi, Ryan, Pablo, Jarrín, Inmaculada, Yllescas, María, and Arribas, José Ramón

Published
2021
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5. 'Let's sharpen the blades': ecofeminism in American COVID literature.

Author

Fernández-Morales, Marta

Subjects
*ECOFEMINISM, *COVID-19 pandemic, *RACISM, *FEMINISM, *LITERATURE
Abstract

During the spring of 2020, literary responses to the COVID-19 pandemic were quick to appear. Poetry, essays and diaries proliferated, and collective initiatives sprang up, with authors delving into a crisis that was national as well as global; political as well as health-based. In their lockdown works, US-based authors tackled their experience in the context of the country, chronicling the virus alongside inequality, racism and environmental challenges. Sheltering in place on either side of the Continental Divide, Pam Houston and Amy Irvine maintained an intense correspondence that was later published as Air Mail. Letters of Politics, Pandemics, and Place, which this article approaches as representative of ecofeminist COVID literature. It tracks their epistolary journey from the self to the social and back, discussing their narrative of the pandemic within the framework of their shared stance. Their letters are read as heirs to second-wave feminism and analysed as one instance of the current permeation of ecofeminist theories, specifically the material perspective. Through the study of Houston and Irvine's correspondence, this article aims to illuminate the cultural work done by American ecofeminist writers during an extraordinary period. [ABSTRACT FROM AUTHOR]

Published
2024
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6. Survivor Memory and Rape Memoir: Chanel Miller's Know My Name.

Author

Fernández-Morales, Marta

Subjects
KNOW My Name: A Memoir (Book : Miller), MILLER, Chanel, 1992-
Abstract

The life-writing genre, and more specifically the memoir subgenre, are fertile ground for survivors of sexual violence wanting to share their plight and/or to raise awareness about rape. Chanel Miller is an Asian American artist educated in California. In 2015 she attended a Stanford campus party and was sexually assaulted by Brock Turner, a White undergraduate student and athlete. Four years later, she wrote a memoir about her experience entitled Know My Name. Building on previous works on Miller's text from the field of trauma studies, and acknowledging the memory turn in lifewriting scholarship, this article tackles the dialectic between the presence and absence of memories in the narrative, and the gendered implications of this dialectic. It analyses how the book critically exposes the workings of rape culture and illustrates how Miller creates a counternarrative where the absence of memories of the rape triggers alternative narratisation strategies. I argue that Miller activates an authoritative voice that can be inserted in the feminist tradition of life writing, while at the same time building an alternative frame of justice that stems from the author-reader relationship rather than from a particular understanding of the law. [ABSTRACT FROM AUTHOR]

Published
2024
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8. Sarah Polley's take on the Me Too moment: adapting Women Talking to the big screen.

Author

Fernández-Morales, Marta and Menéndez-Ménendez, María Isabel

Subjects
MENNONITES, SEXUAL assault, FEMINISM, FILM adaptations, RAPE, HUMAN sexuality, SOCIAL change, VIOLENCE in motion pictures, ACTIVISM
Abstract

This article discusses Sarah Polley's 2022 film adaptation of Miriam Toews' novel Women Talking (2018), inspired by a case of mass rapes in a Mennonite colony in Bolivia, as part of the Me Too moment; a new zeitgeist that has modified the conditions of reception for survivor testimony. We examine it as an audiovisual product that amplifies the resonance of the original text and contributes to the current wave of feminist testimonial practices about sexual violence, constituting an instance of narrative activism that promotes social change. Through our analysis of the dynamics of storytelling in the film, we prove that Polley's cinematic strategies place emphasis on the women's lived experiences and points of view, distilling the words of the book to capture the key elements of their discussion (forgiveness, justice, obedience, trauma, and structural violence) and, rarely but significantly, deviating from the original text to achieve her goal of female-centred focalisation. While scholars and survivors have described the battle over the narrative in rape cases, Polley does not leave room for it. In line with #MeToo, the movie takes an ethical listening stand, presenting female testimony as valid evidence. The question at stake is not whether the protagonists have been raped by the men of the colony, but what they are going to do about it; and, by extension, what the viewers are going to make of their story as told by themselves. [ABSTRACT FROM AUTHOR]

Published
2024
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10. Dama contra peón: la genialidad femenina en Gambito de dama

Author

Menéndez Menéndez, María Isabel, Fernández Morales, Marta, Menéndez Menéndez, María Isabel, and Fernández Morales, Marta

Abstract

The miniseries The Queen’s Gambit, whose protagonist is an orphaned chess player with emotional problems and a dependence on drugs and alcohol, was the most watched fictional drama in the history of the Netflix platform in 2020. This article develops a feminist analysis thereof with an interpretive approach and a qualitative methodology, in order to elucidate to what extent it disrupts the mainstream paradigm of female representation, which is characterized by sexist stereotyping, an emphasis on the body and beauty, or the instrumentalization of sexual violence. Our study reveals that the series displays an imperfect heroine who disrupts gender stereotypes, yet is not wholly free of problems, such as the description of the concept of genius, which is trapped between the male pattern and a mental deviation typically seen as feminine., La miniserie Gambito de dama, protagonizada por una ajedrecista huérfana, con problemas emocionales y dependencia de los fármacos y el alcohol, fue la ficción más vista en la historia de la plataforma Netflix en 2020. En este artículo se realiza un análisis feminista de ella mediante un enfoque interpretativo y con una metodología cualitativa, con el objetivo de dilucidar hasta qué punto la serie rompe con el paradigma mainstream de representación femenina, caracterizado por la estereotipia sexista, el énfasis en el cuerpo y la belleza o la instrumentalización de la violencia sexual. El estudio revelará que esta ficción brinda una heroína imperfecta, que rompe estereotipos de género, aunque no exenta de algunos problemas, como la descripción de la genialidad, a caballo entre el patrón masculino y el extravío mental estereotípicamente femenino.

Published
2023

13. Alianzas inesperadas: amistad y agencia en el teatro estadounidense sobre el cancer de mama

Author

Fernández-Morales, Marta

Subjects
Friendship -- Analysis, Plays -- Criticism and interpretation, Cancer patients -- Social aspects, Breast cancer -- Social aspects, Languages and linguistics, Literature/writing
Abstract

As theorists from different fields have proved, the hegemonic discourse has excluded women from the grammar of friendship, pitching them as rivals as a requisite for the survival of patriarchy. However, real life and cultural products provide evidence that women are capable of friendship, even in isolating contexts like life-threatening disease. With an interdisciplinary approach that bridges female illness and feminist friendship via drama, this paper analyzes three plays in which bonding in the context of breast cancer is placed center stage. Friendship is presented as a form of agency that allows for the construction of a network within which the cancer patient finds tools to resist the androcentric medical discourse and to recover her capacity to decide and act. This process echoes the philosophy of the Women's Health and Breast Cancer movements in a productive feedback loop between social movements and their related cultural repertoires. Keywords: theater; breast cancer; friendship; agency; empowerment; medical discourse Como teóricos/as de diferentes campos han demostrado, el discurso hegemónico ha excluido a las mujeres de la gramática de la amistad, colocándolas como rivales como prerrequisito para la supervivencia del patriarcado. Sin embargo, la vida real y los productos culturales dan prueba de que las mujeres sí están capacitadas para la amistad, incluso en contextos que tienden a aislar, como es el de enfermedades potencialmente letales. Con un enfoque interdisciplinar que enlaza la enfermedad femenina y la amistad feminista a través del teatro, este artículo analiza tres obras en las que los lazos en el contexto del cáncer de mama se sitúan en primer plano. La amistad se presenta como una forma de agencia que permite la construcción de una red en la que la paciente de cáncer encuentra herramientas para resistirse al discurso médico androcéntrico y recuperar la capacidad para decidir y actuar. Este proceso se hace eco de la filosofía del Movimiento por la Salud de las Mujeres y Contra el Cáncer de Mama, en un productivo proceso de retroalimentación entre los movimientos sociales y sus repertorios culturales. Palabras clave: teatro; cáncer de mama; amistad; agencia; empoderamiento; discurso médico, Unexpected Alliances: Friendship and Agency in US Breast Cancer Theater I. INTRODUCTION: FRIENDSHIP WITH/OUT WOMEN In her essay on women and complicity, Carmen Alborch stated that mainstream narratives have contributed [...]

Published
2017

22. Breast cancer photography and the turn-of-the-century studium. Two case studies to illustrate a paradigm shift.

Author

Fernández-Morales, Marta and Menéndez-Menéndez, María Isabel

Subjects
*BREAST cancer, *PHOTOGRAPHY, *WOMEN'S health, *ACTIVISM, *FEMINISM, *POSTFEMINISM
Abstract

In 1993, The New York Times Magazine published a story entitled 'The anguished politics of breast cancer.' The image on the cover was a self-portrait of artist and model Matuschka showing the physical consequences of a radical mastectomy. The picture elicited heated reactions, and the protagonist became an icon of the Women's Health Movement. Twelve years later, another model and photographer, Lynn Kohlman, published Front to back, which included portraits of her body after treatments for breast and brain cancer. Although free of the marks of pink ribbon culture, Kohlman's work was framed within the dominant discourse of breast cancer in the twenty-first century, characterized by individualism, positive thinking, and the idea of consumer's choice. This paper discusses Matuschka's and Kohlman's cancer photography within a comparative diachronic framework, focusing on the turn-of-the-century politics of representation. We argue that, despite their common traits, their respective productions are signs of a radical shift in the cultural paradigm of breast cancer. Through an analysis of the studium of their photographs and the preferred meaning that they suggest, we conclude that Matuschka's project feeds into the feminist battle for equity in health initiated by the early Breast Cancer Movement, whereas Kohlman's strengthens the postfeminist stance that is prevalent in the current panorama of neoliberal capitalism. [ABSTRACT FROM AUTHOR]

Published
2022
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24. Treatment with tocilizumab or corticosteroids for COVID-19 patients with hyperinflammatory state: a multicentre cohort study (SAM-COVID-19)

Author

Rodríguez-Baño, Jesús, primary, Pachón, Jerónimo, additional, Carratalà, Jordi, additional, Ryan, Pablo, additional, Jarrín, Inmaculada, additional, Yllescas, María, additional, Arribas, José Ramón, additional, Berenguer, Juan, additional, Aznar Muñoz, Esther, additional, Gil Divasson, Pedro, additional, González Muñiz, Patricia, additional, Muñoz Aguirre, Clara, additional, Díaz Menéndez, Marta, additional, de la Calle Prieto, Fernando, additional, Arsuaga Vicente, Marta, additional, Trigo Esteban, Elena, additional, Pérez Valero, Ignacio, additional, de Miguel Buckley, Rosa, additional, Cadiñaños Loidi, Julen, additional, Diaz Pollan, Beatriz, additional, Martín Carbonero, Luz, additional, Ramos Ramos, Juan Carlos, additional, Loeches Yagüe, Belén, additional, Montejano Sánchez, Rocío, additional, González García, Juan, additional, García Rodríguez, Julio, additional, Ramírez, Margarita, additional, Gutiérrez, Isabel, additional, Tejerina, Francisco, additional, Aldámiz-Echevarría, Teresa, additional, Díez, Cristina, additional, Fanciulli, Chiara, additional, Pérez-Latorre, Leire, additional, Pinilla, Blanca, additional, López, Juan Carlos, additional, Such Diaz, Ana, additional, Álvaro Alonso, Elena, additional, Torres Macho, Juan, additional, Cuevas Tascon, Guillermo, additional, Jiménez González de Buitrago, Eva, additional, Brañas Baztán, Fátima, additional, Valencia de la Rosa, Jorge, additional, Pérez Butragueño, Mario, additional, Fernández Jiménez, Inés, additional, Muñiz Nicolás, Gemma, additional, Sepúlveda Berrocal, Antonia, additional, Gato Díez, Alberto, additional, Toledano Sierra, María Pilar, additional, García Butenegro, María Paz, additional, Peláez Ballesta, Ana Isabel, additional, Morcillo Rodríguez, Elena, additional, Fernández Romero, Isidoro, additional, Peláez Ballesta, Cristina, additional, Guirado Torrecillas, María Isabel, additional, Goikoetxea Agirre, Josune, additional, Bereciartua Bastarrica, Elena, additional, Guio Carrión, Laura, additional, Rodríguez Álvarez, Regino, additional, Ibarrola Hierro, Marta, additional, Pérez Hernández, Isabel A., additional, Pérez Zapata, Inés, additional, Román Soto, Sergio, additional, Kallouchi, Mohamed, additional, Domínguez Vicent, Juan Ramón, additional, Silvariño Fernández, Rafae, additional, Ugalde Espiñeira, Jon, additional, Sanjuan López, Ainhoa, additional, García Martínez, Silvia, additional, Temprano Gogenola, Mikel, additional, Asensi, Víctor, additional, Suárez, Silvia, additional, Suárez, Lucia, additional, Yllera, Carmen, additional, Rivas-Carmenado, María, additional, Romero-Palacios, Alberto, additional, Ruiz Aragón, Jesús, additional, Jiménez Aguilar, Patricia, additional, Fernández Ávila, Ma Luisa, additional, Castilla Ortiz, Rosario, additional, Alende Castro, Vanesa, additional, Pérez García, Cristina, additional, Fernández Morales, Marta, additional, Valle Feijoo Begoña Rodríguez Ferreira, María Lorena María, additional, Gómez-Junyent, Joan, additional, Villar-García, Judit, additional, López-Montesinos, Inmaculada, additional, Arrieta-Aldea, Itziar, additional, Rial-Villavecchia, Abora, additional, García Vázquez, Elisa, additional, Roura Piloto, Aychel Elena, additional, Moral Escudero, Encarnación, additional, Hernández Torres, Alicia, additional, Albendín Iglesias, Helena, additional, Vinuesa García, David, additional, Martínez Montes, Clara, additional, De la Hera Fernández, Francisco Javier, additional, Anguita Santos, Francisco, additional, Ruiz Sancho, Andrés, additional, Díaz de Brito Fernández, Vicens, additional, Sanmarti Vilamala, Montserrat, additional, España Cueto, Sergio, additional, Molina Morant, Daniel, additional, González-Cuevas, Araceli, additional, Chara Cervantes, Joel Elías, additional, Policarpo Torres, Guillem, additional, Ortega Montoliu, Meritxell, additional, Angerri Nadal, Mònica, additional, De Genover Gil, Ariadna, additional, Patera, Eleni, additional, Godoy Lorenzo, Rita, additional, Zioga, Evangelia Anna María, additional, Isern Fernández, Virginia, additional, Sabbagh Fajardo, Carlos Enrique, additional, Ferrer Ribera, Ana, additional, Bea Serrano, Carlos, additional, Oltra Sempere, Rosa, additional, Vela Bernal, Sara, additional, Albiol Viñals, Paloma, additional, Pedromingo Kus, Miguel, additional, Garcinuño, María Ángeles, additional, Fiorante, Silvana, additional, Pérez Pinto, Sergio, additional, de la Vega, Alexandra, additional, Fariñas Álvarez, María Carmen, additional, González Rico, Claudia, additional, Arnaiz de las Revillas, Francisco, additional, Giménez, Teresa, additional, Calvo, Jorge, additional, Meije Castillo, Yolanda, additional, Duarte Borges, Alejandra, additional, Pareja Coca, Júlia, additional, Clemente Presas, Mercedes, additional, Sanz Salvador, Xavier, additional, Pérez Rodríguez, Ma Teresa, additional, Sousa, Adrián, additional, Pérez González, Alexandre, additional, Longueira, Rebeca, additional, Araujo, Alejandro, additional, Alonso Martínez, Blanca, additional, García Escudero, Laura, additional, Lidia Kamel Rey, Sara, additional, Roa Alonso, David, additional, Avilés Parra, Juan Pablo, additional, Pelegrín Senent, Iván, additional, Rouco Esteves Marques, Rosana, additional, Raich Montiu, Laia, additional, Souto Higueras, Jessica, additional, Gálvez Bobadilla, Manuel Alejandro, additional, Parra Ruiz, Jorge, additional, Ramos Sesma, Violeta, additional, Velasco Fuentes, Sara, additional, García Pereña, Laura, additional, Lluna Carrascosa, Alfonso, additional, Gilaberte Reyzábal, Sergio, additional, Liébana Gómez, Mónica, additional, Salillas Hernando, Juan, additional, Serrano Martínez, Alberto, additional, Torralba González de Suso, Miguel, additional, Martínez Martín, Patricia, additional, Rábago Lorite, Isabel, additional, González-Ruano Pérez, Patricia, additional, Pérez-Monte Mínguez, Beatriz, additional, García Flores, Ángeles, additional, Comas Casanova, Pere, additional, Martín Plata, Andrea, additional, Santana Báez, Sergio Manuel, additional, Sanz Peláez, Oscar, additional, Mohamed Ramírez, Karim, additional, Robaina Bordón, José María, additional, Vílchez Rueda, Helem Haydeé, additional, Riera Jaume, Melchor, additional, Mut Ramon, Gemma, additional, Gavalda Manso, Meritxell, additional, Planas Bibiloni, Lluis, additional, Castelo Corral, Laura, additional, Ramos Merino, Lucía, additional, Sánchez Vidal, Efrén, additional, Rodríguez Mayo, María, additional, Míguez Rey, Enrique, additional, García de Lomas Guerrero, José M., additional, De la Torre Lima, Javier, additional, Correa Ruiz, Ana, additional, Fernández Sánchez, Fernando, additional, Jiménez-García, Nicolás, additional, Sierra-Monzón, José Luis, additional, Gracia-Tello, Borja, additional, Hernández-Bonaga, María, additional, Pellejero, Galadriel, additional, Asín-Corrochano, Marta, additional, Boix Palop, Lucia, additional, Calbo, Esther, additional, Badía, Cristina, additional, Dietl, Beatriz, additional, Lucía, Gómez, additional, Domínguez-Castellano, Ángel, additional, Ríos-Villegas, María José, additional, del Toro, María D., additional, Palacios Baena, Zaira R., additional, Salamanca-Rivera, Elena, additional, Marín, Elena, additional, Almadana, Virginia, additional, Pérez-Galera, Salvador, additional, González-Iglesias, Luisa, additional, Abelenda-Alonso, Gabriela, additional, Álvarez-Pouso, Claudia, additional, Escrihuela, Francesc, additional, Gudiol, Carlota, additional, Lorenzo-Esteller, Laia, additional, Niubó, Jordi, additional, Podzamczer, Daniel, additional, Pujol, Miquel, additional, Rombauts, Alexander, additional, Salvert Lletí, Miguel, additional, Gil Sánchez, Ricardo, additional, Jiménez Escrig, Marta, additional, Parra Gómez, Laura, additional, Tasias Pitarch, Mariona, additional, Navarro Vilasaró, Marta, additional, Machado Sicilia, María Luisa, additional, Gomila Grange, Aina, additional, Calzado Isbert, Sonia, additional, Carrasco Antón, Nerea, additional, Petkova-Saiz, Elizabet, additional, Cabello Úbeda, Alfonso, additional, Górgolas Hernández-Mora, Miguel, additional, Sánchez-Pernaute, Olga, additional, Dueñas Gutiérrez, Carlos, additional, Martin Guerra, Javier, additional, Castrodeza Sanz, José Javier, additional, Fernández Espinilla, Virginia, additional, Rodríguez Fernández, Laura, additional, González-Moreno, Juan, additional, Villoslada Gelabert, Aroa, additional, Ribot Sanso, María Antonia, additional, Fernández-Baca, María Victoria, additional, Hernández Milian, Almudena, additional, Morán Rodríguez, Miguel Ángel, additional, Ortiz de Zárate Ibarra, Zuriñe, additional, Portu Zapirain, José Joaquin, additional, Saez de Adana Arroniz, Ester, additional, Gainzarain Arana, Juan Carlos, additional, Meca Birlanga, Olga, additional, del Amor Espín, Ma Jesús, additional, Viqueira González, Montserrat, additional, García García, Josefina, additional, Martínez Madrid, Onofre, additional, Bernal Morell, Enrique, additional, Alcaraz, Antonia, additional, Muñoz, Ángeles, additional, Pina, Ignacio, additional, de la Rosa, Vicente, additional, Caínzos Romero, Tamara, additional, Sánchez Trigo, Sabela, additional, Mariño Callejo, Ana Isabel, additional, Álvarez Díaz, Hortensia, additional, Valcarce Pardeiro, Nieves, additional, Sánchez Serrano, Adriana, additional, Piñar Cabezos, Diana, additional, García Villalba, Eva Pilar, additional, Aguayo Jiménez, Carmen, additional, Ruíz Campuzano, María, additional, Naranjo Velasco, Virginia, additional, Santos Peña, Marta, additional, Mora Delgado, Juan, additional, Sevilla Moreno, Israel, additional, Lojo Cruz, Cristina, additional, Kortajarena Urkola, Xabier, additional, Iribarren Loyarte, José Antonio, additional, Bustinduy Odriozola, María Jesús, additional, Ibarguren Pinilla, Maialen, additional, Álvarez Rodríguez, Ignacio, additional, Martínez Marcos, Francisco Javier, additional, Rodríguez Gómez, Francisco Javier, additional, Asschert Agüero, Isabel, additional, Muñoz Beamud, Francisco, additional, Ruiz Reina, Antonio José, additional, Llenas-García, Jara, additional, González-Cuello, Inmaculada, additional, Hellín-Valiente, Elena, additional, Martínez Birlanga, Esther, additional, Tafalla Torres, José Manuel, additional, Calderón Parra, Jorge, additional, Escudero López, Gabriela, additional, Gutiérrez Martín, Isabel, additional, Andrés Eisenhofer, Ane, additional, García Prieto, Sonia, additional, Álvarez Franco, Raquel, additional, Roger Zapata, Daniel, additional, Martínez Cifre, Blanca, additional, Aranda Rife, Elena, additional, Martín Rubio, Irene, additional, Barbosa Ventura, André, additional, Garrido, Javier, additional, Gonzalo, Concepción, additional, Piñero, Iván, additional, de la Cruz Felipe, Nieves, additional, Talavera García, Eva, additional, Lamata Subero, Marta, additional, Mendoza Roy, Paula, additional, García de Carlos, María Soledad, additional, Lajusticia Aisa, Justo, additional, Arteche Eguizabal, Lorea, additional, Urrutia Losada, Ainhoa, additional, Domingo Echaburu, Saioa, additional, Cuadros Tito, Pedro Ángel, additional, Orbe Narváez, Gurutz, additional, Liébana Martos, Ma del Carmen, additional, Roldán Fontana, Carolina, additional, Herrero Rodríguez, Carmen, additional, Duro Ruiz, Gaspar, additional, Pérez Parra, Santiago, additional, Mera Fidalgo, Arantzazu, additional, Hortos Alsina, Miquel, additional, Alberich Conesa, Ana, additional, Bladé Vidal, Lourdes, additional, Merchante Gutiérrez, Nicolás, additional, León Jiménez, Eva, additional, Espíndola Gómez, Reinaldo, additional, Erostarbe Gallardo, María, additional, Martínez Pérez-Crespo, Pedro, additional, Cisneros, José Miguel, additional, Aguilar-Guisado, Manuela, additional, Aldabó, Teresa, additional, Bueno, Claudio, additional, Cordero-Matía, Elisa, additional, Escoresca, Ana, additional, Infante, Carmen, additional, Guillermo, Martín, additional, Salto, Sonsoles, additional, Gioia, Francesca, additional, Vizcarra, Pilar, additional, Fortún Abete, Jesús, additional, Martín Dávila, Pilar, additional, Moreno Guillén, Santiago, additional, Oteo Revuelta, José A., additional, García-García, Concepción, additional, Santibañez Sáenz, Paula, additional, Cervera Acedo, Cristina, additional, Azcona Gutiérrez, José M., additional, Reguera Iglesias, José María, additional, Plata Ciezar, Antonio, additional, Valiente de Santis, Lucia, additional, Sobrino Diaz, Beatriz, additional, and Ruiz Mesa, Juan Diego, additional

Published
2021
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27. 'And That’s the Story…' Auto/biographical praxis in La mio vida ye una novela

Author

Fernández Morales, Marta

Abstract

Nel caberu cambiu de sieglu, cuando la so güela paterna diba facer los 100 años, la filóloga y escritora asturiana afincada en Nueva York Paquita Suárez Coalla sintió «una necesidad urgente de recuperar [su] memoria y dejar un testimonio de [sus] raíces». Pa facelo entrevistó, amás d’a la so pariente, a un piñu de vecines de la redolada, d’edaes y esperiencies asemeyaes. El resultáu asoleyóse nel añu 2001 col títulu La mio vida ye una novela, que se toma equí como elementu principal del corpus. Los oxetivos d’esti trabayu son dos: per un llau, analizar la tematización del saber femenín nel llibru de Suárez Coalla, esplorando cómo les muyeres qu’insisten en que nun saben nada o más bien poco pola so falta d’educación formal, demuestren sicasí tener conocimientos mui válidos pa la cotidianeidá del so entornu; dalgo asina como una capacidá destacable pa facer análisis con perspectiva de xéneru interseicional, mesmo del pasáu de la memoria que recuperen que del presente nel que falen. D’otra banda, adiéntrase en cuestiones formales de les narratives de vida cola idea de demostrar que la dinámica ente entrevistadora ya informantes tien como consecuencia’l cuestionamientu de les llendes tradicionales del xéneru que mos ocupa. Al traviés d’una interaición sutil cola compiladora, que bien poques vegaes se dexa ver nel testu, estes muyeres adopten una política de llocalización (más o menos consciente) tresgresora, y asitien en territoriu híbridu. Combinen de manera activa elementos constitutivos de subxéneros como l’auto/biografía, la escritura de vida collaborativa y la rellacional, la hestoria oral, el testimoniu y la l’autoxinografía; contradiciendo cola so praxis narrativa la idea de resignación y falta d’axencia que percuerre esplícitamente la mayor parte de los sos testimonios.

Published
2018

28. Every flight begins with a fall: Aproximación a la violencia sexual en Juego de tronos.

Author

Menéndez Menéndez, María Isabel and Fernández Morales, Marta

Subjects
SEXUAL assault, RAPE culture, LATIN American history, ROMANTIC love, FEMINISM
Abstract

Copyright of Cuadernos.info is the property of Pontificia Universidad Catolica de Chile, Facultad de Comunicaciones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2020
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29. Postmillennial cancer narratives: feminism and postfeminism in Eve Ensler's In the Body of the World.

Author

Fernández-Morales, Marta

Subjects
POSTFEMINISM, FEMINISM, UTERINE cancer, TWENTY-first century, CANCER, ACTIVISM
Abstract

In the context of a new wave of women's activism for equality, the body is once again at the centre of the discussion today, in the USA and globally. Analysing American discourses about health and illness at the turn of the twenty-first century, Tasha Dubriwny has argued that the current narratives are dominated by neoliberal and postfeminist philosophies that have thrived in a framework of biomedicalisation and self-surveillance. What happens, then, when a successful feminist artist is diagnosed with uterine cancer? How does Eve Ensler, author of The Vagina Monologues and founder of V-Day, face the fact that her life may have a painful ending? How does a woman so aware of her physical and psychological self come to terms with illness? Is she willing to put her political project aside to become a patient? Through a close reading of Ensler's uterine cancer memoir In the Body of the World, and focusing particularly on its structure and narrative strategies, this article situates her work within the corpus of female literature about health and illness in the twenty-first century, exploring her meaning-making process in the light of the current tensions between feminism and postfeminism. [ABSTRACT FROM AUTHOR]

Published
2020
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33. Procesos de construcción identitaria femenina en la ficción televisiva actual: las mujeres de Person of Interest

Author

Fernández Morales, Marta and Fernández Morales, Marta

Abstract

Since the beginning of the Third Golden Age of TV fiction, numerous experts have commented on the appearance of male characters in crisis. There seems to be an agreement on the fact that today’s men question the values of traditional narratives on the small screen, offering gender performances that navigate between black and white with a certain degree of nuance. In the tumultuous beginning of the 21st century, and as part of a socio-political earthquake that is generating very diverse narratives on television (9/11, the 2008 recession), it would be logical to expect the canonical gender models to have been raised for discussion; not only to reflect the male protagonists’ existential crises, but also to open windows onto uncharted paths for the heroines that accompany them. Within the field of cultural studies, with a gender perspective, and in the framework of feminist epistemology, this paper tackles the following questions, using Person of Interest as a case study: Are 21st-century women new women in any sense? Has there been any progress in the politics of representation, or do we see mechanisms of compensation and recuperation that restore the status quo? Does Person of Interest show female identities in process, like other series do with male identities? What performative options do the incorruptible Carter, brilliant Root, courageous Shaw, shy Grace, and the soon dead but very present Jessica suggest?, Desde el nacimiento de la Tercera Edad de Oro de la ficción televisiva, numerosas personas expertas han comentado la aparición de personajes de varones en crisis. Parece haberse alcanzado un consenso sobre el hecho de que los hombres de hoy ponen en cuestión los valores de las narrativas tradicionales de la pequeña pantalla, ofreciendo performances de género que juegan entre el blanco y el negro con cierta variedad de matices. En el convulso inicio del siglo XXI, y como parte de un corrimiento de tierras sociopolítico que está originando narrativas muy diversas en el panorama televisivo (11S, recesión de 2008), sería lógico pensar que los modelos de género canónicos también se hubieran puesto sobre la mesa, no solo para reflejar las crisis existenciales de los protagonistas, sino también para abrir la puerta a caminos inexplorados para las heroínas que los acompañan. Desde los estudios culturales con perspectiva de género y en el marco de la epistemología feminista, este artículo plantea las siguientes preguntas, tomando como estudio de caso Person of Interest: ¿Son las del siglo XXI nuevas mujeres en algún sentido? ¿Hay avance en cuanto a las políticas de representación, o se dan fenómenos de compensación y recuperación que nos devuelven al statu quo imperante? ¿Muestra Person of Interest identidades femeninas en proceso, como otras series lo hacen con las masculinas? ¿Qué opciones para la performatividad del género plantean la incorruptible Carter, la brillante Root, la valiente Shaw, la tímida Grace o la pronto fallecida pero muy presente Jessica?

Published
2017

34. The Discourse of Fear in American TV Fiction: A Furedian Reading of Person of Interest

Author

Fernández Morales, Marta, Menéndez Menéndez, María Isabel, Fernández Morales, Marta, and Menéndez Menéndez, María Isabel

Abstract

Inserted in the ongoing discussion about the post-9/11 cultural archive, this paper analyzes the TV series Person of Interest (CBS, 2011–2016), created by Jonathan Nolan, through Frank Furedi’s theories about the discursive formation of fear as presented in his texts Politics of Fear. Beyond Left and Right (2005), Invitation to Terror. The Expanding Empire of the Unknown (2007), The Only Thing We Have to Fear Is the ‘Culture of Fear’ Itself (2007), and Precautionary Culture and the Rise of Possibilistic Risk Assessment (2009). We make these works converse with several American and European sociological views, offering a transnational perspective over the issues at hand. With an interdisciplinary approach and with a critical-cultural methodology supported by selected instances from the first four seasons of the show, we argue that, despite timid hints at a critique of the flawed American democracy, the show feeds into an ever-growing array of media proposals of a citizenship based on precaution, contributing to the reinforcement of the post-9/11 atmosphere of fear through a logic predicated on inevitability and a deflated sense of agency on the part of common people that discourages practices of resistance.

Published
2017

35. About gender and genres: a feminist reading of The Hunger Games

Author

Menéndez Menéndez, María Isabel and Fernández Morales, Marta

Subjects
young adult literature, Los juegos del hambre, subversión, The Hunger Games, literatura juvenil, adaptación, gender, subversion, adaptation, género
Abstract

The beginning of the 21st century has witnessed the success of young adult literature, particularly in the form of sagas adapted to the screen which, with their expanded universes, have turned into mass phenomena with the capacity to reach a globalized audience. This paper reflects on literature for young adults through the case study of Suzanne Collins’ The Hunger Games and its film versions. Our work is based on the contribution of the gender perspective and feminist epistemology, since the text incorporates interesting elements both from a political point of view and in relation to its subversion of gender stereotypes. El inicio del siglo XXI asiste al éxito del género literario juvenil, especialmente las sagas adaptadas al cine que, con sus universos expandidos, se convierten en fenómenos de masas con capacidad de llegar a un público globalizado. Este artículo reflexiona sobre la literatura para jóvenes a través de la trilogía Los juegos del hambre de Suzanne Collins y sus versiones cinematográficas mediante las aportaciones de la perspectiva de género y la epistemología feminista, dado que la obra contiene interesantes elementos tanto desde el punto de vista político como desde su apuesta por la subversión de los estereotipos de género.

Published
2015

38. «Y así es la historia…» La praxis auto/biográfica de La mio vida ye una novela / «And That's the Story…».

Author

FERNÁNDEZ MORALES, MARTA

Abstract

Copyright of Lletres Asturianes is the property of Academia de la Llingua Asturiana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2018

39. 'We Are not the Same Person': (Auto)Biography, (Self)Representation, and Brechtian Performativity in Lisa Kron's 'Well'

Author

Fernández-Morales, Marta

Subjects
(auto)representación, Teatro, Autobiografía, salud y enfermedad, Feminismo, Literatura anglosajona, performatividad, (auto)biografía, Teatro brechtiano, Literatura norteamericana, Enfermedad
Abstract

La protagonista de well define la obra como una exploración teatral con varios personajes sobre asuntos de salud y enfermedad, tanto a nivel individual como comunitario (12). Iniciativa poco frecuente para lisa kron, que ha construido su carrera a partir Well is defined by its protagonist as a multicharacter theatrical exploration of issues of health and illness both in the individual and in a community (12). An unusual initiative for lisa kron, whose career has grown through one-woman shows and her parti

Published
2012

40. 'No somos la misma persona': (auto)biografía, (auto)representación y la performatividad brechtiana en 'Well', de Lisa Kron

Author

Fernández-Morales, Marta

Subjects
(auto)representación, Teatro, Autobiografía, salud y enfermedad, Feminismo, Literatura anglosajona, performatividad, (auto)biografía, Teatro brechtiano, Literatura norteamericana, Enfermedad
Abstract

La protagonista de well define la obra como una exploración teatral con varios personajes sobre asuntos de salud y enfermedad, tanto a nivel individual como comunitario (12). Iniciativa poco frecuente para lisa kron, que ha construido su carrera a partir Well is defined by its protagonist as a multicharacter theatrical exploration of issues of health and illness both in the individual and in a community (12). An unusual initiative for lisa kron, whose career has grown through one-woman shows and her parti

Published
2012

41. Voices against Inequality. Emily Mann´s and Eve Ensler´s Theatre of Testimony Resumen

Author

Fernández Morales, Marta

Subjects
feminism, consciousness-raising, feminismo, teatro documental, gender, testimonio, toma de conciencia, testimony, género, documentary theatre
Abstract

En su trabajo sobre la historia del teatro documental del año 1999, Gary Fisher Dawson hablaba de tres grandes fases: el movimiento de la Nueva Objetividad en la Alemania de los años veinte, las propuestas del Federal Theatre Project en EE.UU. durante los treinta y el renacimiento del estilo con la versión de The Deputy dirigida por Piscator en los sesenta. En el cambio de siglo XX al XXI, varias dramaturgas norteamericanas han recogido el testigo de estos documentalistas, desarrollando lo que Emily Mann, inspirada por las tradiciones orales sudafricanas, ha llamado «teatro testimonial». Mann, junto con Eve Ensler, Anna Deavere Smith o Heather Raffo, cultiva una forma dramática basada en recuperar las voces silenciadas de la historia y en proporcionarles unos oídos atentos que escuchen sus experiencias y aprendan de ellas. Así, en Annulla Mann repasa los horrores de la Segunda Guerra Mundial desde un punto de vista feminista, y en Still Life coloca en el centro de un drama sobre la Guerra de Vietnam, enfrentadas a un veterano, a dos mujeres que nunca lucharon en el frente asiático, demostrando que el home front debe ser un concepto a tener en cuenta en la historiografía sobre los conflictos bélicos. Yendo un paso más allá, Eve Ensler elimina las voces masculinas de sus trabajos monologados sobre violencia, presentando historias plurales de mujeres muy distintas unidas por su condición femenina violentada. En este artículo se analiza una parte del teatro de ambas autoras desde la perspectiva de género para determinar la validez que las técnicas documentales y testimoniales pueden tener en un momento dominado por los medios de comunicación, la hiperrealidad y la (des)información. In his 1999 work about the history of Documentary Theatre, Gary Fisher Dawson wrote about three main phases: the New Objectivity Movement in 1920s Germany, the Federal Theatre Project in 1930s USA, and the revival of the style thanks to Piscator’s version of The Deputy in the 1960s. In the 20th-to-21st turn of the century, several North American female playwrights have become inheritors to these documentarians, developing what Emily Mann –inspired by South African oral traditions– has called «theatre of testimony». Together with Eve Ensler, Anna Deavere Smith or Heather Raffo, Mann cultivates a dramatic form based on recovering silenced voices from history, and on providing them with an attentive ear that will listen to their experiences and learn from them. Thus, in Annulla Mann revises World War II from a feminist point of view, and in Still Life she places centre stage, facing a veteran, two women who never fought in the Asian battlefield, proving that the «home front» is a concept that must be acknowledged in the construction of history about war. Going further, Eve Ensler eliminates the male voice from her monologues about violence, presenting stories of very different women united by their violated female condition. This article analizes part of the theatrical production of these two authors from a gender perspective to try and determine the validity that documentary and testimonial techniques may have in a time dominated by the mass media, hyper-reality and (mis)information.

Published
2012

42. Voces contra la desigualdad. El teatro testimonial de Emily Mann e Eve Ensler

Author

Fernández Morales, Marta

Abstract

En su trabajo sobre la historia del teatro documental del año 1999, Gary Fisher Dawson hablaba de tres grandes fases: el movimiento de la Nueva Objetividad en la Alemania de los años veinte, las propuestas del Federal Theatre Project en EE.UU. durante los treinta y el renacimiento del estilo con la versión de The Deputy dirigida por Piscator en los sesenta. En el cambio de siglo XX al XXI, varias dramaturgas norteamericanas han recogido el testigo de estos documentalistas, desarrollando lo que Emily Mann, inspirada por las tradiciones orales sudafricanas, ha llamado «teatro testimonial». Mann, junto con Eve Ensler, Anna Deavere Smith o Heather Raffo, cultiva una forma dramática basada en recuperar las voces silenciadas de la historia y en proporcionarles unos oídos atentos que escuchen sus experiencias y aprendan de ellas. Así, en Annulla Mann repasa los horrores de la Segunda Guerra Mundial desde un punto de vista feminista, y en Still Life coloca en el centro de un drama sobre la Guerra de Vietnam, enfrentadas a un veterano, a dos mujeres que nunca lucharon en el frente asiático, demostrando que el home front debe ser un concepto a tener en cuenta en la historiografía sobre los conflictos bélicos. Yendo un paso más allá, Eve Ensler elimina las voces masculinas de sus trabajos monologados sobre violencia, presentando historias plurales de mujeres muy distintas unidas por su condición femenina violentada. En este artículo se analiza una parte del teatro de ambas autoras desde la perspectiva de género para determinar la validez que las técnicas documentales y testimoniales pueden tener en un momento dominado por los medios de comunicación, la hiperrealidad y la (des)información.

Published
2012

44. Sobre el género y géneros: una lectura feminista de los Juegos del Hambre

Author

Menéndez Menéndez, Isabel, Fernández Morales, Marta, Menéndez Menéndez, Isabel, and Fernández Morales, Marta

Abstract

The beginning of the 21st century has witnessed the success of young adult literature, particularly in the form of sagas adapted to the screen which, with their expanded universes, have turned into mass phenomena with the capacity to reach a globalized audience. This paper reflects on literature for young adults through the case study of Suzanne Collins’ The Hunger Games and its film versions. Our work is based on the contribution of the gender perspective and feminist epistemology, since the text incorporates interesting elements both from a political point of view and in relation to its subversion of gender stereotypes., El inicio del siglo XXI asiste al éxito del género literario juvenil, especialmente las sagas adaptadas al cine que, con sus universos expandidos, se convierten en fenómenos de masas con capacidad de llegar a un público globalizado. Este artículo reflexiona sobre la literatura para jóvenes a través de la trilogía Los juegos del hambre de Suzanne Collins y sus versiones cinematográficas mediante las aportaciones de la perspectiva de género y la epistemología feminista, dado que la obra contiene interesantes elementos tanto desde el punto de vista político como desde su apuesta por la subversión de los estereotipos de género.

Published
2015

46. Foucauldian Biopower in Contemporary Anglo-American Theater: Margaret Edson and Nell Dunn

Author

Fernández Morales, Marta

Abstract

French philosopher Michel Foucault’s theories of biopower as presented in The Birth of the Clinic (1963) and other works appear as extremely relevant today. In a moment when debates about euthanasia, palliative care and the limits of medical research are opened and alive in many developed countries, Foucault’s analyses of the modern clinic, the use of medical discourse as a site of power, and hospital technologies understood as tools of surveillance and control can be introduced into the social dialogue. In their theater, contemporary playwrights like American Margaret Edson and British Nell Dunn use different dramatic techniques to stage illness (especially women’s terminal illness) and the hospital setting, in an effort to raise consciousness about the necessity of a humane treatment of the sick, the right to decide over one’s pain, life or death, and the difficulties of the medical profession in the face of real people’s suffering and dying.

Published
2006

47. Communicating the experience of war: the 'us' vs. 'them' dialectic in Eve ensler's 'Necessary Targets'

Author

Fernández Morales, Marta and Ediciones Universidad de Valladolid

Subjects
Filología Inglesa
Abstract

During the 1990s, the Ex -Yugoslavia was involved in a series of armed conflicts. The debate was opened about the need for an intervention on the part of the U.s. and the NATO. When the intervention finally carne, the damage to the civil population had already been done: raped women, dead men and children, displaced people. American Playwright Eve Ensler visited a refugee camp in Bosnia in 1993. What she saw and experienced there she put on stage in Necessary Targets, a play where the protagonists un-learn the concepts of "us" and "them" and build a new community based on solidarity and respect.

Published
2005

48. Los iconos populares como instrumentos de violencia simbólica: el caso de Mad Men

Author

Menéndez Menéndez, Isabel, Fernández Morales, Marta, Menéndez Menéndez, Isabel, and Fernández Morales, Marta

Abstract

The TV series Mad Men (AMC 2007- ) has become a prestigious product, widely praised for its historical and aesthetic faithfulness, as well as for its smart scripts. Focused on the 1960s world of advertising, it is a dialogic collage which combines references to "high" and "popular" culture. Built on the premises of cultural and gender studies, this paper analyzes the use of female icons in the show to try and prove that it instrumentalizes the popular to launch a conservative message that contributes to the perpetuation of symbolic violence against women. This is done mainly through the implementation of an intra- and extra-diegetic male gaze which turns Mad Men into a text that objectifies the female and celebrates the male in their most traditional sense., La serie televisiva Mad Men (AMC 2007- ) se ha convertido en un producto de prestigio, alabado por su fidelidad histórica y estética y por la inteligencia de sus guiones. Centrada en el mundo de la publicidad de los años sesenta, es un collage dialógico que combina referencias a la alta cultura y a la cultura popular. Apoyándose en los estudios culturales y de género, en este artículo se analiza la utilización de iconos femeninos para demostrar que Mad Men instrumentaliza lo popular para lanzar un mensaje conservador que contribuye a perpetuar el fenómeno de la violencia simbólica contra las mujeres. Ello se consigue sobre todo a través de la implementación de la mirada masculina extra- e intradiegética, que convierte Mad Men en un texto reificador de lo femenino y celebratorio de lo varonil en su sentido más tradicional.

Published
2014

49. Matthew Weiner’s MAD MEN as Meta-advertising

Author

Menéndez Menéndez, María Isabel, Fernández Morales, Marta, Menéndez Menéndez, María Isabel, and Fernández Morales, Marta

Abstract

Considering TV serialized fiction as a new media phenomenon, this paper reflects about the elements which characterize the series considered «quality TV», focusing on a paradigmatic production: Mad Men. It can be affirmed that Mad Men is a meta-advertising discourse. Not only is it situated in the world of advertising, it also deals with advertising as a topic. Not only does it talk about advertising, it is advertising in itself. Since the academic or divulgative literature produced to date has not dealt with Mad Men from the point of view of advertising as such, this paper provides an original perspective that will enrich the scientific reflection about the show and that will contribute new materials to the process of educating about the media., Partiendo de la consideración de la ficción seriada televisiva como nuevo fenómeno mediático, el presente trabajo reflexiona sobre los principales elementos que identifican las obras que se han considerado de calidad a través del análisis de una producción paradigmática: Mad Men. De ella puede afirmarse que es una discurso metapublicitario. No solo está ambientada en el mundo de la publicidad, sino que versa sobre la propia publicidad. No solo habla de publicidad, sino que es publicidad. Teniendo en cuenta que la literatura académica o de divulgación publicada hasta este momento no ha abordado Mad Men desde el punto de vista de la propia publicidad, el presente texto ofrece una perspectiva original que podrá enriquecer la reflexión científica sobre la serie y que aportará nuevos materiales para la educación en medios.

Published
2013

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