176 results on '"Eremin, Katherine"'
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2. Can Deep Learning Assist Automatic Identification of Layered Pigments From XRF Data?
3. Forensic examination of a fragmentary funerary portrait in the collection of the Harvard art museums
4. Tracking Color Through Time: Polychromy on Etruscan Urns from Ancient Creation to Modern Intervention
5. The Production of Smalt and Other Cobalt Compounds at the Blaafarveværket, Modum, Norway
6. Application of Uniform Manifold Approximation and Projection (UMAP) in spectral imaging of artworks
7. Pigments and Binders Used in Bark Paintings by Aboriginal Artists from Across the Northern Territory and the Kimberly Region in Western Australia.
8. An Achaemenid God in Color
9. A unique recipe for glass beads at Iron Age Sardis
10. THE NABATAEAN TEMPLE AT KHIRBET ET-TANNUR, JORDAN: VOLUME 2 — CULTIC OFFERINGS, VESSELS, AND OTHER SPECIALIST REPORTS
11. The Amulets from the Carthaginian tophet
12. THE NABATAEAN TEMPLE AT KHIRBET ET-TANNUR, JORDAN: VOLUME 1—ARCHITECTURE AND RELIGION
13. An Achaemenid God in Color.
14. The making of Mark Rothko’s Harvard Murals
15. Metamorphic conditions within the Eclogite Zone, Tauern Window, Austria
16. Delacroix's 'Bacchus and Ariadne'
17. Imitating Nature: The Materials and Preservation Needs of the Blaschka Glass Models
18. Materials and techniques of Islamic manuscripts
19. Technical examination of the Emerson-White Book of Hours: observations on pigment preferences and media application in a Flemish manuscript
20. Can deep learning assist automatic identification of layered pigments from XRF data?
21. GASTON LACHAISE'S BRONZE SCULPTURES IN THE FOGG MUSEUM
22. A Technical Analysis of Three Paintings Attributed to Jackson Pollock
23. Can deep learning assist automatic identification of layered pigments from XRF data?
24. Alteration of soda silicate glasses by organic pollutants in museums: Mechanisms and kinetics
25. Micro reflectance imaging spectroscopy for pigment identification in painting cross sections
26. Preliminary Investigations into the Alteration of Cadmium Orange Restoration Paint on an Ancient Greek Terracotta Krater
27. Trace element discriminants between Egyptian and Mesopotamian Late Bronze Age glasses
28. Understanding Glass Deterioration in Museum Collections through Raman Spectroscopy and SIMS analysis
29. Understanding Bronze Age Faience in Britain and Ireland
30. Glass
31. The Ugly Duckling of Iranian Metalwork? Initial Remarks On Qajar Copper and Copper-Alloy Objects In The National Museums of Scotland
32. Numbered Jun Ware – a technical study
33. X-ray Fluorescence Analysis of Frédéric Flachéron’s Paper Negatives, 1848–1852
34. Géricault’s Lion Devouring a Horse Stone Paper Matrix: Technical Study
35. Re-Discovering a Roman Wall Painting at Harvard: New Research on a Fragment from the Villa at Boscotrecase
36. Numbered Jun Ware – a technical study.
37. Materials and Techniques of Thai Painting
38. Non-destructive analysis of Nineteenth century Scottish calotype negatives and salt prints
39. Géricault’s Lion Devouring a HorseStone Paper Matrix: Technical Study
40. Glass
41. The 17th Dynasty gold necklace from Qurneh, Egypt
42. Understanding glass deterioration in museum collections: a multi-disciplinary approach
43. Conservation and Analysis of Deteriorating 19th and 20th Century British Glass
44. Copper and antimony isotopic analysis via multi-collector ICP-mass spectrometry for provenancing ancient glass
45. Technical examination of enamels from the Botkin collection
46. X-ray fluorescence applied to overglaze enamel decoration on eighteenth- and nineteenth-century porcelain from central Europe
47. Poster summaries
48. Lithol Red: A Systematic Structural Study on Salts of a Sulfonated Azo Pigment
49. A Later Prehistoric Settlement and Metalworking Site at Seafield West, near Inverness, Highland
50. West Pans: excavations at a ceramic production site in Musselburgh, East Lothian
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