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The world's foremost expert on the English language takes us on an entertaining and eye-opening tour of the history of our vernacular through the ages.In The Story of English in 100 Words, an entertaining history of the world's most ubiquitous language, David Crystal draws on one hundred words that best illustrate the huge variety of sources, influences and events that have helped to shape our vernacular since the first definitively English word—“roe”—was written down on the femur of a roe deer in the fifth century. Featuring ancient words (“loaf”), cutting edge terms that reflect our world (“twittersphere”), indispensable words that shape our tongue (“and,” “what”), fanciful words (“fopdoodle”) and even obscene expressions (the “c word”), David Crystal takes readers on a tour of the winding byways of our language via the rude, the obscure and the downright surprising.“From pre-eminent British linguist Crystal... comes this delightful history of the words we use (and some we've forgotten) and how we came to use them.... Crystal's enthusiasm for—and wealth of knowledge about—the ever-evolving English language makes this a must-read for word lovers.” —Publishers Weekly (starred review)

The fact that English has always borrowed heavily from other languages is well known. However, the systemic long-term effects of the processes involved in such contacts are under-researched. This collection of articles takes a more wide-spanning approach, looking at various periods and phenomena across the centuries. The volume focusses on language contact seen as cultural contact, especially with Scandinavia and France, as well as on specific text types from times ranging from Old English to the twentieth century.The volume aims at advancing insight on the ways in which contacts with other languages and cultures influenced the English language as a whole. The book provides new reflections on borrowing and lexical innovation as cultural choices bound to different textual traditions.

What are words? Where do words come from? How are they used?Answering these questions and more, this book guides you through the key concepts in the lexicology of modern English. Providing an overview which encompasses all aspects of English vocabulary, this book explains the sources of modern English words and shows how the vocabulary has developed over time. Thoroughly updated throughout to keep pace with recent developments in the field, this third edition features:- Enhanced chapters on vocabulary, dictionaries and investigative lexicology- New sections on contemporary topics such as internet language, social media and youth culture- Guides to new electronic resources and tools of analysis- Exercises throughout each chapter, with an updated answer key- A revised list of suggestions for further readingAssuming no prior knowledge of linguistics, and featuring exercises and a fully updated glossary of lexicological terms to support your learning, An Introduction to English Lexicology is the only book you need to understand the basics of English lexicology.

Textbooks inform readers that the precursor of Standard English was supposedly an East or Central Midlands variety which became adopted in London; that monolingual fifteenth century English manuscripts fall into internally-cohesive Types; and that the fourth Type, dating after 1435 and labelled ‘Chancery Standard', provided the mechanism by which this supposedly Midlands variety spread out from London. This set of explanations is challenged by taking a multilingual perspective, examining Anglo-Norman French, Medieval Latin and mixed-language contexts as well as monolingual English ones. By analysing local and legal documents, mercantile accounts, personal letters and journals, medical and religious prose, multiply-copied works, and the output of individual scribes, standardisation is shown to have been preceded by supralocalisation rather than imposed top-down as a single entity by governmental authority. Linguistic features examined include syntax, morphology, vocabulary, spelling, letter-graphs, abbreviations and suspensions, social context and discourse norms, pragmatics, registers, text-types, communities of practice social networks, and the multilingual backdrop, which was influenced by shifting socioeconomic trends.

Hawaii is without parallel as a crossroads where languages of East and West have met and interacted. The varieties of English (including neo-pidgin) heard in the Islands today attest to this linguistic and cultural encounter.'Da kine talk'is the Island term for the most popular of the colorful dialectal forms--speech that captures the flavor of Hawaii's multiracial community and reflects the successes (and failures) of immigrants from both East and West in learning to communicate in English.

English Vocabulary Today: Into the 21st Century offers an innovative perspective on the ways in which contemporary English language vocabulary continues to adapt and grow in light of emerging technologies and ideas. The book begins with a concise history of the English language, followed by chapters covering key topics including lexical change, semantic change and word-formation. Additional chapters highlight unique topics not often covered in English language studies, including the mental lexicon, inclusive language and the importing and exporting of words between English and other languages. Chapter discussions are enhanced by dynamic examples from a wide range of varieties of English, including American, British, Australian, New Zealand, Canadian, South African and South Asian. Taken together, English Vocabulary Today: Into the 21st Century offers students a clear and comprehensive understanding of the multi-faceted nature of English vocabulary today as well as new insights into its continued development.

Fjaka: the sublime state of aspiring to do absolutely nothing. Warmduscher: a'warm showerer', meaning a bit of a wimp. Tener mano izquierda: literally'to have a left hand'; to be skilfully persuasive. For all the richness of the English language there are some nuances that other languages capture much better, whether it's a phrase that beautifully articulates a feeling, a wonderfully understated insult that just hits the spot, or a curious idiom. From the melancholic to the funny to the downright peculiar, From Amourette to Żal takes us on a fascinating journey around Europe in twelve languages, celebrating our cultural similarities and differences along the way.

This textbook is based on a survey of the main descriptive linguistic research that has been done over the past 40 years or so. It is not written in the perspective of a particular theoretical framework, but draws on insights from various research traditions, with a view to clarifying terminology and putting it to practice in the empirical analysis of language facts. We rely both on introductory sources, such as introductions to linguistics, textbooks, linguistic encyclopaedias and dictionaries of linguistic terms, as well as, on more advanced studies, such as handbooks, monographs and articles. The book is structured as follows.

This volume explores the lexical influence of English on European languages, a topical theme with linguistic and cultural implications. It provides an extensive introductory background to a cross-national view of English-induced lexical borrowing, posing crucial analytical questions such as what counts as an Anglicism. It also offers a typology of borrowings with examples from the languages represented: Armenian, Danish, French, German, Italian, Norwegian, Polish, Serbian, Spanish, and Swedish. The articles in this volume address general and language-specific issues related to the analysis and collection of Anglicisms, extending the scope to the largely unexplored area of phraseology and bringing new insights into corpus-based and corpus-driven methodologies. This volume fits into a well-established and constantly developing research field and will appeal to scholars interested in the spread of English as an international language, contact and contrastive linguistics, lexicology and lexicography, and computer corpus lexicography.

This book provides the fullest account ever published of the external influences on English during the first thousand years of its formation. In doing so it makes profound contributions to the history of English and of western culture more generally. English is a Germanic language but altogether different from the other languages of that family. Professor Miller shows how and why the Anglo-Saxons began to borrow and adapt words from Latin and Greek. He provides detailed case studies of the processes by which several hundred of them entered English. He also considers why several centuries later the process of importation was renewed and accelerated. He describes the effects of English contacts with the Celts, Vikings, and French, and the ways in which these altered the language's morphological and syntactic structure. He shows how loanwords from French, for example, not only increased the richness of English derivation but resulted in a complex competition between native and borrowed suffixes. Gary Miller combines historical, cultural, and linguistic perspectives. His scholarly, readable, and always fascinating account will be of enduring value to everyone interested in the history of English.

Featuring Latinate and Celtic words, weasel words and nonce-words, ancient words ('loaf') to cutting edge ('twittersphere') and spanning the indispensable words that shape our tongue ('and','what') to the more fanciful ('fopdoodle'), Crystal takes us along the winding byways of language via the rude, the obscure and the downright surprising. In this unique new history of the world's most ubiquitous language, linguistics expert David Crystal draws on words that best illustrate the huge variety of sources, influences and events that have helped to shape our vernacular since the first definitively English word was written down in the fifth century ('roe', in case you are wondering).

A survey of the quirks and quandaries of the English language, focusing on our strange and wonderful grammarWhy do we say “I am reading a catalog” instead of “I read a catalog”? Why do we say “do” at all? Is the way we speak a reflection of our cultural values? Delving into these provocative topics and more, Our Magnificent Bastard Language distills hundreds of years of fascinating lore into one lively history.Covering such turning points as the little-known Celtic and Welsh influences on English, the impact of the Viking raids and the Norman Conquest, and the Germanic invasions that started it all during the fifth century ad, John McWhorter narrates this colorful evolution with vigor. Drawing on revolutionary genetic and linguistic research as well as a cache of remarkable trivia about the origins of English words and syntax patterns, Our Magnificent Bastard Tongue ultimately demonstrates the arbitrary, maddening nature of English— and its ironic simplicity due to its role as a streamlined lingua franca during the early formation of Britain. This is the book that language aficionados worldwide have been waiting for (and no, it's not a sin to end a sentence with a preposition).

With increasing frequency, readers of literature are encountering barely intelligible, sometimes unrecognizable languages created by combining one or more languages with English. Evelyn Ch'ien argues that weird English constitutes the new language of literature, implicitly launching a new literary theory.Weird English explores experimental and unorthodox uses of English by multilingual writers traveling from the canonical works of Nabokov and Hong Kingston to the less critiqued linguistic terrain of Junot Díaz and Arundhati Roy. It examines the syntactic and grammatical innovations of these authors, who use English to convey their ambivalence toward or enthusiasm for English or their political motivations for altering its rules. Ch'ien looks at how the collision of other languages with English invigorated and propelled the evolution of language in the twentieth century and beyond.Ch'ien defines the allure and tactical features of a new writerly genre, even as she herself writes with a sassiness and verve that communicates her ideas with great panache.