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Bangladeshi Novels in English: Cultural Contact and Migrant Subjectivity is the first comprehensive study of Bangladeshi migration and diasporas through eight seminal Bangladeshi novels in English from the late twentieth and twenty-first centuries: Adib Khan's Seasonal Adjustments and Spiral Road, Farhana H. Rahman's The Eye of the Heart, Monica Ali's Brick Lane, Manzu Islam's Burrow, Nashid Kamal's The Glass Bangles, Zia H. Rahman's In the Light of What We Know, and Tahmima Anam's The Bones of Grace. The book situates the study within the English-language literary history and linguistic ethnography of Bangladesh while unveiling the complexities of Bangladeshi Muslim migration from men, women, and children's perspectives. It challenges the stereotyping of Bengali Muslim migrants as a failure of immigration and multiculturalism and offers a fresh view on cultural contact and the formation of migrant subjectivity at the intersections of gender, race, religion, class, culture, ethnicity, history, politics, and personality.

Israel's cultural space is frequently studied as if it were synonymous with the Hebrew-Israeli one. But within the borders of Israel, a fascinating culture was (and continues to be) created in many languages other than Hebrew, reflecting its reality from angles that the makers of Hebrew-Israeli culture did not know and all too often lacked the tools to express. I Am Your Dust: Representations of the Israeli Experience in Yiddish Prose, 1948–1967 expands the boundaries of current studies of Israel's cultural history by presenting and analyzing Yiddish-Israeli prose written during the country's first two decades as an independent state. It offers a comprehensive study of that unique, and hitherto little understood, literature, a detailed historical documentation of the contexts of its production, and an eye-opening comparison of its themes to the more familiar outputs of Hebrew-Israeli prose. I Am Your Dust is the first socioliterary investigation of Yiddish-Israeli culture, and it explores how Yiddish-Israeli writers played a vital role in shaping the country's cultural identity in its early years.

This book examines contemporary stories of migration belonging to multiple literary genres such as nonfiction, memoir, novel, and essay, and explores the futures they envision for migrants and their surrounding societies. The primary material ranges from personal experiences of migration for professional purposes and of being undocumented without access to citizenship, to novels that provide fictional representations of migrants and their complex lives. This study asks how migration, as portrayed in contemporary writing, addresses personal, social, and political consequences of being on the move. The book is organised around central themes such as the status of being undocumented, or aspirations and expectations of both migrants themselves as well as their new environs. The material examined has been published from 2016 onwards, addressing the aftermath of the migrant crisis 2015-2016 as well as the Trump administration 2017-2021.

The Routledge Companion to Migration Literature offers a comprehensive survey of an increasingly important field. It demonstrates the influence of the “age of migration” on literature and showcases the role of literature in shaping socio-political debates and creating knowledge about the migratory trajectories, lives, and experiences that have shaped the post-1989 world.The contributors examine a broad range of literary texts and critical approaches that cover the spectrum between voluntary and forced migration. In doing so, they reflect the shift in recent years from the author-centric study of migrant writing to a more inclusive conception of migration literature. The book contains sections on key terms and critical approaches in the field; important genres of migration literature; a range of forms and trajectories of migration, with a particular focus on the global South; and on migration literature's relevance in social contexts outside the academy. Its range of scholarly voices on literature from different geographical contexts and in different languages is central to its call for and contribution to a pluriversal turn in literary migration studies in future scholarship.This Companion will be of particular interest to scholars working on contemporary migration literature, and it also offers an introduction to new students and scholars from other fields.Chapter 15 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.

The Palgrave Handbook of European Migration in Literature and Culture engages with migration to, within, and from Europe, foregrounding migration through the lenses of historical migratory movement and flows associated with colonialism and postcolonialism. With essays on literature, film, drama, graphic novels, and more, the book addresses migration and media, hostile environments, migration and language, migration and literary experiment, migration as palimpsest, and figurations of the migrant. Each section is introduced by one of the handbook's contributing editors and interviews with writers and film directors are integrated throughout the volume. The essays collected in the volume move beyond the discourse of the “refugee crisis” to trace the historical roots of the current migration situation through colonialism and decolonization.

Temporalities and Subjectivities in Migration Literature in Europe examines migrant stories through the lens of temporality as seen in the role of such issues as integration, waiting, detention, trauma, crisis, and imagined futures. This book argues that a focus on different time scales and perceptions of time will help us understand how the intimate and affective subjectivities of more complex narratives of migration, as articulated in literature, cross into the public sphere and challenge political ‘bubbles.'This collection showcases new approaches to and innovative readings of different forms of literary and cultural migration narratives. In addition to developing theoretical tools for the study, the authors present innovative case studies addressing topics such as the European refugee crisis, migration narratives and border crossings in Britain, Spain, and Morocco, as well as experiences of migration in Finland and Norway.

Arab-Brazilian relations have been largely invisible to area studies and Comparative Literature scholarship. Arab Brazil is the first book of its kind to highlight the representation of Arab and Muslim immigrants in Brazilian literature and popular culture since the early twentieth century, revealing anxieties and contradictions in the country's ideologies of national identity. Author Waïl S. Hassan analyzes these representations in a century of Brazilian novels, short stories, and telenovelas. He shows how the Arab East works paradoxically as a site of otherness (different language, culture, and religion) and solidarity (cultural, historical, demographic, and geopolitical ties). Hassan explores the differences between colonial Orientalism's binary structure of Self/Other, East/West, and colonizer/colonized, on the one hand; and on the other hand Brazilian Orientalism's ternary structure, which defines the country's identity in relation to both North and East.

Examines how current novels dealing with African migration address social issues, immigrant subjectivity, and the politics of migration.African Migration and the Novel: Exploring Race, Civil War, and Environmental Destruction explores pressing social and political issues such as racial identity, environmental devastation, human trafficking, and political violence through the lens of novels of African migration. The book details how authors such as Chika Unigwe, Chris Abani, Dinaw Mengestu, In Koli Jean Bofane, Boubacar Boris Diop, and others develop'the migratory imagination': the creative means mobilized within their novels to expose the reader to contemporary social issues. Drawing on and synthesizing a multitude of theoretical frameworks including ecocriticism, postcolonial theory, genre studies, Black studies, paratextual reading, and political economy, the book argues for the flexibility of the migration novel as a genre.African Migration and the Novel traces migratory routes such as Nigeria to London and Belgium, Congo to Paris, Ethiopia to Washington, DC, and internal migration resulting from environmental destruction in Sierra Leone, while paying deep attention to the historical and political conditions described in the novels. The subjectivities and livelihoods of immigrants, refugees, those living in exile, and asylum seekers are all represented in the migration novels under discussion. Ultimately, this work demonstrates the promise of the African migration novel to awaken a sense of justice in the reader.

American Borders: Inclusion and Exclusion in US Culture provides an overview of American culture produced in a range of contexts, from the founding of the nation to the age of globalization and neoliberalism, in order to understand the diverse literary landscapes of the United States from a twenty-first century perspective. The authors confront American exceptionalism, discourses on freedom and democracy, and US foundational narratives by reassessing the literary canon and exploring ethnic literature, culture, and film with a focus on identity and exclusion. Their contributions envision different manifestations of conviviality and estrangement and deconstruct neoliberal slogans, analyzing hospitable inclusion in relation to national history and ideologies. By looking at representations of foreignness and conditional belonging in literature and film from different ethnic traditions, the volume fleshes out a new border dialectic that conveys the heterogeneity of American boundaries beyond the opposition inside/outside.

This collection explores the relationships between acts of translation and the movement of peoples across linguistic, cultural, and physical borders, centering the voices of migrant writers and translators in literatures and language cultures of the Global South.To offer a counterpoint to existing scholarship, this book examines translation practices as forms of both home-building and un-homing for communities in migration. Drawing on scholarship from translation studies as well as eco-criticism, decolonial thought, and gender studies, the book's three parts critically reflect on different dimensions of the intersection of translation and migration in a diverse range of literary genres and media. Part I looks at self-translation, collaboration, and cocreation as modes of expression born out of displacement and exile. Part II considers radical strategies of literary translation and the threats and opportunities they bring in situations of detention and border policing. Part III looks ahead to the ways in which translation can act as a powerful means of fostering responsibility, solidarity, and community in building an inclusive, multilingual public sphere even in the face of climate crisis.This dynamic volume will be of particular interest to students and scholars in translation studies, migration and mobility studies, postcolonial studies, and comparative literature.

Eine Studie zur Aktualität einer alten Fabel: die Geschichte der Heimkehr, wie sie das 19. Jahrhundert erzählt. Ein Fremder steht vor der Tür und gibt sich als ein seit Langem verschollenes Familienmitglied zu erkennen. Wo er die Jahre verbracht hat, ist kaum zu erfahren. In der Welt der Daheimgebliebenen kommt er nicht mehr zurecht. Diese spannungsvolle Konstellation bildet, bisher nicht systematisch bearbeitet, einen häufigen Erzählanlass in der Literatur des deutschsprachigen Realismus. Sie wirft so ein Schlaglicht auf eine Epoche der Massenauswanderung aus Europa, die jedoch nicht nur in eine Richtung verlief, sondern auch das Problem des sozial ortlos gewordenen Remigranten mit sich brachte. Während sich die jüngere Realismus-Forschung vor allem auf Prozesse der kolonialen Expansion konzentrierte, lenkt Eva Eßlingers Buch den Blick zurück auf das Heimatgeschehen. Die Figur des Heimkehrers hat eine lange, in die Antike zurückreichende literarische Tradition. Anders aber als Odysseus und der biblische verlorene Sohn finden die Weitgereisten des 19. Jahrhunderts nicht mehr in die Welt ihrer Herkunft zurück. Als Literaturprogramm der Moderne erzählt die Heimkehr von Sprachverlust, unüberwindlicher Fremdheit und persönlichem Scheitern.

In 2010, when The New Yorker published a list of twenty writers under the age of forty who were “key to their generation,” it included five Jewish-identified writers, two of whom—American Gary Shteyngart and Canadian David Bezmozgis—were Soviet-born. This publicity came after nearly a decade of English-language literary output by Soviet-born writers of all genders in North America. Soviet-Born: The Afterlives of Migration in Jewish American Fiction traces the impact of these now numerous authors—among others, David Bezmozgis, Boris Fishman, Keith Gessen, Sana Krasikov, Ellen Litman, Gary Shteyngart, Anya Ulinich, and Lara Vapnyar—on major coordinates of the Jewish American imaginary. Entering an immigrant, Soviet-born standpoint creates an alternative and sometimes complementary pattern of how the Eastern and Central European past and present resonate with American Jewishness. The novels, short stories, and graphic novels considered here often stage strikingly fresh variations on key older themes, including cultural geography, the memory of World War II and the Holocaust, communism, gender and sexuality, genealogy, and finally, migration. Soviet-Born demonstrates how these diasporic writers, with their critical stance toward identity categories, open up the field of what is canonically Jewish American to broader contemporary debates. This book is also freely available online as an open-access digital edition.

This collection explores our fascination with homes across time, cultures, and disciplines while unpacking the relationship between private yearning and public belonging, illustrating the limitations and fluidity of identity and affiliation through the idea of homes and ancestral homelands.While rooted in comparative literature and critical art history in the context of diaspora studies, the book's approach intersects with cultural geography, gender and sexuality studies, critical race theory, architecture, urban studies, film studies, nationalism, postcolonial theory, sociology, and migration studies. Conceived as relational and changing, the collection emphasizes that home/homeland studies are plural and fluctuating concepts encompassing multi-local affiliations, places, gender roles, languages, practices, relations, and power.In this tangled site of contesting national discourses, affiliations, nostalgias, and ideologies, we can uncover valuable insight into how we construct the story of ourselves through traveling bodies, spaces, homes, and mixed geographies.

This book aims to provide a detailed study of young adult fiction concentrating on Mexican teenage (im)migrants to the United States and their search for identity. In its quest to define young adult (im)migration literature as a genre, the first chapter combines and questions classifications provided by literary scholars and educational scientists. The second chapter explores crucial factors which impact the protagonists'transcultural identity construction. The third chapter engages in theory mixing: Louise Rosenblatt's reader-response theory, the critical literacy approach of the New London Group, influences from the field of cultural studies and a model of literary competences are merged into an innovative theoretical framework that forms the basis of the teaching sequence presented.

This book argues for the importance of adopting a postcolonial perspective in analysing contemporary Italian culture and literature. Originally published in Italian in 2018 as Riscrivere la nazione: La letteratura italiana postcoloniale, this new English translation brings to light the connections between the present, the colonial past and the great historical waves of international and intranational migration. By doing so, the book shows how a sense of Italian national identity emerged, at least in part, as the result of different migrations and why there is such a strong resistance in Italy to extending the privilege of italianità, or Italianness, to those who have arrived on Italian soil in recent years. Exploring over 100 texts written by migrant and second-generation writers, the book takes an intersectional approach to understanding gender and race in Italian identity. It connects these literary and cultural contexts to the Italian colonial past, while also looking outwards to a more diffuse postcolonial condition in Europe.

Afropean Female Selves: Migration and Language in the Life Writing of Fatou Diome and Igiaba Scego examines the corpus of writing of two contemporary female authors. Both writers are of African descent, live in Europe and write about lives across Europe and Africa in different languages (French and Italian). Their work involves episodes from their lived experience and complicates Western understandings of life writing and autobiography. As Hogarth shows in this study, the works of Diome and Scego encapsulate the new and complex identities of contemporary'Afropeans.'As an identity coined and used frequently by prominent authors and critics across Europe, Africa and North America, the notion of'Afropean'is at the cutting edge of cultural analyses today. Yet each writer occupies unique and different positions within this debated category. While Scego is a'post-migratory subject'in postcolonial Europe, Diome is an African writer who has migrated to Europe in her adult life. This book examines the different trajectories and packaging of these two specific postcolonial writers in the Francophone and Italophone contexts, pointing out how and where each author practices life writing strategies and scrutinizing the trend that emphasizes the life writing, autofictional, or autoethnographic strategies of African diasporic writers. Afropean Female Selves offers a comparative study across two languages of a notion that has so far been explored mainly in English. It explores the contours of this new discursive category and positions it in regard to other notions of Afrodiasporic identity, such as Afropolitan and Afro-European.

What can the life writing of post-famine Irish immigrants tell us about Irish diasporic memory? Of Memory and the Misplaced considers the endurance and nature of Irish American memory across the twentieth century. Guided by 30 memoirs written between 1900 and 1970, Sarah O'Brien shows the prevalence of intimate and taboo themes in ordinary immigrants'writing, such as domestic violence, same-sex love, and famine-induced trauma. Importantly, Of Memory and the Misplaced critiques the role of the Irish landscape as a site of memory and shows how the interiority of the domestic world has provided Irish women with the language needed to reclaim their own lives.Combining literary and historical theory, Of Memory and the Misplaced highlights voices that have traditionally been silenced and offers a rare and unexplored collection of primary source autobiographical texts to better understand the experiences of Irish immigrants in the United States.

El libro estudia la relación de la literatura con distintos conceptos de desplazamiento. Así, trata sobre autores, como George Steiner, que por circunstancias históricas deben abandonar su lugar de origen, aunque vuelven siempre a él mediante la lectura de sus clásicos. También estudia obras escritas en una lengua distinta a la materna porque están destinadas a un público externo (los libros de escritoras árabes que publican en inglés). Igualmente un trabajo, dedicado a una poeta social española, analiza la presencia de personajes desplazados. También se incluyen dos capítulos sobre literatura de viajes, en género lírico (los Cuadernos de Rusia de Ridruejo) y en narrativa (testimonios de viajeros alemanes por Extremadura).

Le flux ininterrompu des migrations contemporaines, en particulier celles qui ont atteint l'Europe en 2015, pose des interrogations vitales sur notre humanité en marche. Réfugiés climatiques, migrants économiques ou fuyant les guerres, naufragés de la Méditerranée, apatrides, exilés, ces figures aiguës des crises mondiales de notre planète heurtent notre conscience de l'altérité, nos valeurs, nos idéologies, notre tolérance, nos démocraties. Comment parler de ces invisibles, de ces humains en errance, de leurs projets, de leurs vies, de leurs inscriptions, provisoires ou définitives, dans un pays européen, sur un sol qui ne les désire pas? Relayées par les médias, les migrations sont devenues des sujets d'écriture à part entière dans tous les genres littéraires, pour les adultes comme pour les enfants. Leur réélaboration des littératures francophones post-coloniales et migrantes ainsi que leur hybridité imposent l'idée d'une dynamique de la déterritorialisation. Ce volume tente d'interroger les formes d'écriture et les discours qui définissent les trajectoires individuelles, mais aussi les conceptions de la nation, du divers et de l'universel. Qui voit? Qui raconte? Qui accueille? Qui dénonce? Du côté du roman pour adultes et pour enfants, ce sont les formes polyphoniques, dystopiques ou hospitalières qui tentent de saisir la figure du migrant, tandis que l'album pose la question de la représentation par l'image, stylisée ou référencée, à hauteur d'enfant. Pour le cinéma, l'interrogation porte sur l'esthétisme des images chargées de dire l'à- côté et l'à-présent, tandis que le théâtre nous plonge dans une errance géopoétique. Le migrant est-il dès lors une figure de la conquête et de l'aventure? Ou l'expression des tragiques contemporains?

This open access book brings together storytelling and self-narrative, creative writing and narrative enquiry to explore a variety of topics in migration from an experiential lens. The volume is hybrid and multi-genre as it contains both scholarly chapters grounded in academic perspectives, as well as personal essays and creative non-fiction. In addition to critical reflections on key migration topics and concepts – like, identity and diversity, integration and agency, transnationalism and return – the scholarly chapters also propose a particular methodology for ‘workshopping'migration narratives, and writing about (personal) lived experiences through iterations of scientific reflection, narrative enquiry, and creative imagination. The book explores the potential of a new conceptual paradigm and methodological process to learn more, and also `differently,'about the migration experience. Finally, this volume asks a bigger question too – how do we define the boundaries of research;is it possible to entirely separate the spatial, temporal and methodological parameters in which projects are developed and pursued; and how can the specifics of these multiple contexts contribute to shaping the knowledge being produced?

Co-winner, 2024 Matei Calinescu Prize, Modern Language AssociationBy most accounts, immigrant literature deals primarily with how immigrants struggle to adapt to their adopted countries. Its readers have come to expect stories of identity formation, of how immigrants create ethnic communities and maintain ties to countries of origin. Yet such narratives can center exceptional stories of individual success or obscure the political forces that uproot millions of people the world over.Glenda R. Carpio argues that we need a new paradigm for migrant fiction. Migrant Aesthetics shows how contemporary authors—Teju Cole, Dinaw Mengestu, Aleksandar Hemon, Valeria Luiselli, Julie Otsuka, and Junot Díaz—expose the historical legacies and political injustices that produce forced migration through artistic innovation. Their fiction rejects the generic features of immigrant literature—especially the acculturation plot and the use of migrant narrators as cultural guides who must appeal to readerly empathy. They emphasize the limits of empathy, insisting instead that readers recognize their own roles in the realities of migration, which, like climate change, is driven by global inequalities. Carpio traces how these authors create literary echoes of the past, showing how the history of (neo)colonialism links distinct immigrant experiences and can lay the foundation for cross-ethnic migrant solidarity. Revealing how migration shapes and is shaped by language and narrative, Migrant Aesthetics casts fiction as vital testimony to past and present colonial, imperial, and structural displacement and violence.

Migration and Creation in Aztec and Maya Literature provides a new perspective on migration and creation episodes in the Popol Vuh of the Quiché Maya Indians of highland Guatemala, demonstrating that they are largely borrowed from Aztec sources. These findings upend previous interpretations resulting from the widely held belief that the Popol Vuh is the most'authentic'Maya book. Victoria Bricker's careful historical analysis explains the origin of these borrowings, which stemmed from the expansion of the Aztec empire southward from the Central Valley of Mexico into the highlands of what is today the Mexican state of Chiapas and continuing into highland Guatemala as far south as the town of Utatlan, whose rulers then intermarried with members of the Aztec royal family. This innovative volume explores new ground, comparing Aztec pictorial representations of migration with Maya written descriptions of the same events and showing that they have much in common. Bricker's exploration of creation narratives demonstrates that the Aztec treatment of multiple creations is more coherent than the Popol Vuh version because it describes the end of each creation before embarking on a new creation, whereas the Popol Vuh version refers to the end of all creations only once. Bricker also provides a new interpretation of creation texts from the archaeological sites of Quirigua and Palenque that challenges models suggesting that the Precolumbian Maya, like the Aztec, believed in multiple creations. Students of Latin American history will find fresh insights regarding interactions and cultural contact in Late Prehispanic Mesoamerica in Bricker's study.

This book investigates the practice of writing and self - translating phenomenon within the context of mobility, through the analysis of a corpus of narratives written by authors who were born in Italy and then moved to English-speaking countries. Emphasizing Writing and self-translating as practices, which exist in conjunction with a process of redefinition of identity, the book illustrates how these authors use language to negotiate and voice their identity in (trans)migratory contexts. (Trans)migration refers to a process through which mobile subjects are “firmly rooted in their new country,” but at the same time maintain “multiple linkages to their homeland” (Schiller, Basch, and Szanton Blanc 1995: 48). The (trans)migrant experience is at the core of the writing and self-translating performances of the authors. It constitutes the reason behind their writing and self-translating. The need to express their voice in both languages leads them to produce a double text. Indeed, they attempt to achieve a simultaneous existential embeddedness, by means of a simultaneous linguistic embeddedness. On the other hand, the (trans)migrant experience constitutes the object of their activity. It is recreated in the text, on both the level of content and language. From a thematic perspective, it appears in the rethinking of a number of traditional tropes. From a linguistic perspective, it emerges through code-switching, as well as through a specific form of self-translation, which is located at the juncture between writing and translating. The book investigates the experience of transmigration in relation to what Yildiz calls “the monolingual paradigm” (2012). According to this paradigm, individuals possess one exclusive mother tongue—the language we learn from our parents and grow up with. The mother tongue ties individuals to specific linguistic, cultural, and physical spaces, defining their identity within precise borders and boundaries. Nonetheless, transmigration challenges the monolingual paradigm, as transmigrants forge associations with multiple spaces. Experiencing the “impossibility of the monolingual paradigm” (Yildiz 2012), the authors resort to writing and Self-translating to recreate their transmigrant experience on the page and challenge monolingual assumptions about language and identity. Indeed, their literary productions express and exploit the creative and existential possibilities of a life at the crossroads.

Comics and human mobility have a long history of connections. This volume explores these entanglements with a focus on both how comics represent migration and what applied uses comics have in relation to migration. The volume examines both individual works of comic art and examples of practical applications of comics from across the world.Comics are well-suited to create understanding, highlight truthful information, and engender empathy in their audiences, but are also an art form that is preconditioned or even limited by its representational and practical conventions. Through analyses of various practices and representations, this book questions the uncritical belief in the capacity of comics, assesses their potential to represent stories of exile and immigration with compassion, and discusses how xenophobia and nationalism are both reinforced and questioned in comics. The book includes essays by both researchers and practitioners such as activists and journalists whose work has combined a focus on comics and migration. It predominantly scrutinises comics and activities from more peripheral areas such as the Nordic region, the German-language countries, Latin America, and southern Asia to analyse the treatment and visual representation of migration in these regions.This topical and engaging volume in the Global Perspectives in Comics Studies series will be of interest to researchers and students of comics studies, literary studies, visual art studies, cultural studies, migration, and sociology. It will also be useful reading for a wider academic audience interested in discourses around global migration and comics traditions.

This book presents diverse, composite, non-exclusive and non-hierarchical perspectives on displacement of people as represented in literature. It examines the experiences of migration as a result of wars, natural disasters, religious strife, loss of livelihoods and shifts in local and global economies and the vulnerabilities they expose. Bringing together scholarly insights into literature about displacement and migration from Africa, Europe, Asia, and the Middle East, the book interrogates the development frames of Western modernity and situates displacement within the discourse of disenfranchisement of citizens by nation-states. It explores the experiences, memories and expressions of displacement in literature and how literary works critique ethical and moral responsibilities of states and communities that often do not account for the loss which displacement causes to the health, education, career, or relationships of displaced people. The volume will be of great interest to scholars and researchers of literature, philosophy, migration and diaspora studies, development studies, African studies and Asian studies.

Introduces a new concept of'kinopoetics'to transform how we read migrancy and literary formCoins a new concept and offers a ‘poetics'(i.e. a method and theory) of migrancy and literary form that adheres to a movement-oriented perspectiveSynthesises a variety of fields in order to interest readers not only in literary studies, but cultural theory, philosophy, political science, linguistic, and border studies, and the synergies between themRemains in dialogue with the dominant strands of migrant literary studies, showing how they can be expanded and enhanced through a philosophy of movementSince the 1980s, readers and scholars alike have celebrated migrant literature for not only depicting migration, but for inspiring reflections on class, race, gender, nations, and mobility. But, beyond depicting migration, is it possible for migrant literature to be a force of movement itself? Poetics of the Migrant calls upon the philosophy of movement and a counter-history of migration to invent a theory and method for analysing migrant literature. The text uncovers patterns of movement that migrant texts enact and create – in other words, a movement-oriented poetics. Poetics of the Migrant understands movement as the defining force of human history; and the migrant is the primary figure of cultural and political transformation. Migrant literature makes it possible to transform how we process and interpret social history through social motion. Perhaps, from here, we can imagine a different world: one where movement and migrancy are legible and thinkable.

This book explores the issues faced by immigrant children through the lens of children's literature. The authors employ the UN convention of the Rights of the Child, the lens of equity, and Freire's principles of critical consciousness as a framework for analysing children's literature and immigration. They focus on circumstances and experiences of immigration from the perspective of young children who are leaving their homelands and growing up as immigrants. The book focuses primarily on children from birth to 8 years old but with crossover and implications for older children. The chapters reveal the social, economic, and political issues faced by child immigrants, refugees and asylees throughout the global context, viewed through and alongside children's literature. The book provides suggestions for the implementation of children's literature in the curriculum and provides tools for educators and researchers working with immigrant and refugee children, showing how they can better understand their students and families. A variety of children's literature is covered, including analysis of works by Jairo Buitrago, Yanksook Choi, Sandra leGuen, Rosemary McCartney, Bao Phi and Jeanette Winter.

This volume brings together research on the forms, genres, media and histories of refugee migration. Chapters come from a range of disciplines and interdisciplinary approaches, including literature, film studies, performance studies and postcolonial studies. The goal is to bring together chapters that use the perspectives of the arts and humanities to study representations of refugee migration. The chapters of the anthology are organized around specific forms and genres: life-writing and memoir, the graphic novel, theater and music, film and documentary, coming-of-age stories, street literature, and the literary novel. Chapter(s) “Chapter 1.” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

This book makes a significant addition to the field of literary criticism on African Diaspora literatures. In one volume, it brings together the novels of eight transnational African Diaspora women writers, Yaa Gyasi, Chika Unigwe, Chimamanda Adichie, Imbole Mbue, NoViolet Bulawayo, Aminatta Forna, Taiye Selasi, and Leila Aboulela, and positions them as chroniclers of African immigrant experiences. The book inspires critical readings of these writers'works by revealing emerging trends in women's literature as they are being determined and redefined by immigration. As transnational subjects, the writers engage various meanings of mobility and exhibit innovative aesthetic styles; they create awareness on gender identities and transformations, constructions of home and belonging, as well as the politics of citizenship in the hostland. The book also highlights the importance of reverse migrations and performance returns to the homeland as an expression of human desire for home and belonging, and taken as a whole, it enhances our understanding of how migration and transnational existence are (re)shaping immigrant subjects. This book will be of interest to scholars, students, and researchers of African Diaspora literatures and gender studies, who will find this book beneficial for investigating critical trends, approaches to transnational literature, and for comprehending the diasporic burdens that transnational immigrants bear.

A look at how ideas of translation, migration, and displacement are embedded in the works of prominent artists, from Ovid to Tacita DeanOn Belonging and Not Belonging provides a sophisticated exploration of how themes of translation, migration, and displacement shape an astonishing range of artistic works. From the possibilities and limitations of translation addressed by Jhumpa Lahiri and David Malouf to the effects of shifting borders in the writings of Eugenio Montale, W. G. Sebald, Colm Tóibín, and many others, esteemed literary critic Mary Jacobus looks at the ways novelists, poets, photographers, and filmmakers revise narratives of language, identity, and exile. Jacobus's attentive readings of texts and images seek to answer the question: What does it mean to identify as—or with—an outsider?Walls and border-crossings, nomadic wanderings and Alpine walking, the urge to travel and the yearning for home—Jacobus braids together such threads in disparate times and geographies. She plumbs the experiences of Ovid in exile, Frankenstein's outcast Being, Elizabeth Bishop in Nova Scotia and Brazil, Walter Benjamin's Berlin childhood, and Sophocles's Antigone in the wilderness. Throughout, Jacobus trains her eye on issues of transformation and translocation; the traumas of partings, journeys, and returns; and confrontations with memory and the past.Focusing on human conditions both modern and timeless, On Belonging and Not Belonging offers a unique consideration of inclusion and exclusion in our world.

This monograph explores the concept of mobility in Zimbabwean works of fiction published in English between the introduction of the controversial Fast Track Land Reform Programme and the end of the Mugabe era.Since 2000, Zimbabwe has experienced unprecedented levels of transnational out-migration in response to the political conflicts and economic downturn often referred to as the Zimbabwe Crisis. This, in turn, has led to an increased outpouring of literary texts about migration, both in locally produced texts and in works by authors based in the diaspora. Situating Zimbabwe's recent literary developments in a wider context of Southern African writing and history, this book focuses on texts that portray movement within Zimbabwe's cities, between village and city, to South Africa, and overseas. The author examines important developments and trends in recent Zimbabwean literature, investigating the link between state authoritarianism and control of mobility, and literature's potential to intervene into dominant political discourses. The book includes in-depth analyses of ten recent works of fiction published in the post-2000 era and develops mobility as a key category of literary analysis of Zimbabwe's contemporary literatures. Setting out a rich dialogue between literary criticism and mobility studies, this book will be of interest to researchers of African literature, Southern Africa, migration, and mobility.

La presente monografía es el resultado de las actividades realizadas en el marco del Proyecto “Notas al margen: encuentros sobre migración, mestizaje e identidad” (2018-2019), organizado por el profesor Antonio Valdecantos Alcaide y por quien firma estas líneas. Financiado por el Departamento de Humanidades: Filosofía, Lenguaje y Literatura de la Universidad Carlos III de Madrid, durante su desarrollo reflexionamos sobre distintos aspectos derivados del fenómeno migratorio, así como sobre cuestiones relacionadas con las nociones de frontera y de límite, entendidas desde una perspectiva amplia. Se atendió a la frontera espacial, también psicológica y simbólica; al mestizaje, la otredad, la identidad?generacional, social, económica, nacional, colectiva, de género, sexual, etc.?, la hibridación, el exilio, la idea de la liminalidad?límites identitarios, sociales, por ejemplo?, pero también a la exclusión, la errancia o la marginalidad, y su proyección en distintos imaginarios, prácticas artísticas y culturales: en la literatura, singularmente el teatro, y en otras manifestaciones performativas o artísticas, como la fotografía... de la presentación de Guadalupe Soria Tomás.

Narratives of Mediterranean Space: Literature and Art across Land and Sea presents a comparative analysis of contemporary literary and visual narratives of movement and migration produced in Italian, Arabic and French. It analyzes how these works create a dialogue across the Mediterranean Sea. By paying attention to the multiple ways in which the Mediterranean is being narrated by contemporary writers and artists, Silvia Caserta aims to propose a reconceptualization of the Mediterranean as a polyphonic space of movement and resistance. The Mediterranean space that emerges from this study is a space that, by virtue of the instability and porosity of its geographical and cultural borders, is able to overcome normative dichotomies between north and south, east and west, local and global. This book proposes the Mediterranean is a fruitful area from which to investigate the wider contradictions of the contemporary global world while avoiding the traps of “Mediterraneanism”. For this reason, the book highlights the contradictions and dissonances that emerge from reading Mediterranean works, opening up multiple perspectives on the Sea and on the different lands that surround it.

Images of southern Italy as a place of arrival for migrants with different origins and backgrounds have in recent years proliferated in Italian media as well as in contemporary Italian literature and cinema. The unprecedented perspective which presents the mezzogiorno as a place where people arrive, and not only as a place of departure, constitutes a major change in the collective imaginary on the region and fosters new engagements with its migratory histories. This book presents one of the first studies to focus entirely, through in-depth readings of a range of contemporary literary and cinematic texts, on the representation of contemporary migration to southern Italy, and on the concomitant changes in the tradition of representation of the region. Informed by translation theory, and by decolonial, queer and feminist critique, this innovative study zeroes in on the mutual construction of race, gender and sexuality, and on the translation and hybridization of languages and cultures at the southern border. By giving a rich and compelling account of texts which tell multiple stories of mobility from, to and through the South, this book traces the emergence of a transnational imaginary of the mezzogiorno which offers useful tools for an urgent reconfiguration of collective and individual identities.

Explores the dimensions of the coming-of-age novel in the Spanish-speaking Caribbean and Brazil, focusing on works by eight major Afro-Latin American writersThe centuries-old European genre of the coming-of-age story has been transformed by contemporary Afro-Latin American novelists to address key aspects of the diaspora in various nations of the Caribbean and Latin America. While attention to Afro-Hispanic and Afro-Brazilian literature has increased in recent decades, few critics have focused specifically on the Afro-Latin American Bildungsroman, and fewer still have addressed novels from both Spanish- and Brazilian-speaking regions, as author Bonnie Wasserman does in this study.The memory and continuing impact of slavery especially shape these coming-of-age stories. Often interwoven with race is a focus on religion, particularly the importance of African folk religions and traditions in the lives of young people. Immigration-and the return journey-is another important theme in the novels.Coming of Age in the Afro-Latin American Novel discusses works&emdash;all published around the turn of the 21st century&emdash;by such important writers as Dahlma Llanos-Figueroa and Mayra Santos-Febres (from Puerto Rico), Conceição Evaristo and Paulo Lins (from Brazil); Teresa Cardenas and Pedro Pérez Sarduy (from Cuba); and Junot Diaz and Rita Indiana (from the Dominican Republic). Wasserman's far-reaching analysis is both rigorous and compassionate, shedding a clear light on ways in which descendants of Africans have experienced life in the New World.

Cet ouvrage naît du constat d'un vide dans le domaine de la critique littéraire haïtienne. Il n'entend pas le combler mais apporte quelques pistes permettant d'y remédier à certains égards. En effet, en mettant les notions philosophiques au service de l'analyse littéraire, le livre tente de dépasser les oppositions de « termes spécifiques » considérés généralement comme antagoniques, à savoir : la mémoire et l'imagination, la fiction et la réalité, le réel et l'imaginaire. Ces quelques réflexions sur la littérature haïtienne contemporaine portent les empreintes d'un appel à des concepts philosophiques permettant de dégager une étude critique et rigoureuse de l'activité littéraire ; d'où l'intérêt attribué à l'esthétique, c'est-à-dire à la poétique des œuvres examinées. C'est ainsi qu'un travail de décryptage allant du constatif à l'interprétatif, a permis d'aboutir à une théorie de la fictionnalisation de la réalité, autrement dit à une approche scientifique de la fiction.

Francophone Sephardic Fiction:Writing Migration, Diaspora, and Modernity approaches modern Sephardic literature in a comparative way to draw out similarities and differences among selected francophone novelists from various countries, with a focus on North Africa. The definition of Sepharad here is broader than just Spain: it embraces Jews whose ancestors had lived in North Africa for centuries, even before the arrival of Islam, and who still today trace their allegiance to ways of being Jewish that go back to Babylon, as do those whose ancestors spent a few hundred years in Iberia. The author traces the strong influence of oral storytelling on modern novelists of the twentieth and early twenty-first centuries and explores the idea of the portable homeland, as exile and migration engulfed the long-rooted Sephardic communities. The author also examines diaspora concepts, how modernity and post-modernity threatened traditional ways of life, and how humor and an active return into history for the novel have done more than mere nostalgia could to enliven the portable homeland of modern francophone Sephardic fiction.

How do upwardly mobile Latinx Caribbean migrants leverage their cultural heritage to buy into the American Dream? In the neoliberal economy of the United States, the discourse of white nationalism compels upwardly mobile immigrants to trade in their ties to ethnic and linguistic communities to assimilate to the dominant culture. For Latinx Caribbean immigrants, exiles, and refugees this means abandoning Spanish, rejecting forms of communal inter-dependence, and adopting white, middle-class forms of embodiment to mitigate any ethnic and racial identity markers that might hinder their upwardly mobile trajectories. This transactional process of acquiring and trading in various kinds of material and embodied practices across traditions is a phenomenon author Israel Reyes terms “transcultural capital,” and it is this process he explores in the contemporary fiction and theater of the Latinx Caribbean diaspora. In chapters that compare works by Lin-Manuel Miranda, Nilo Cruz, Edwin Sánchez, Ángel Lozada, Rita Indiana Hernández, Dolores Prida, and Mayra Santos Febres, Reyes examines the contradictions of transcultural capital, its potential to establish networks of support in Latinx enclaves, and the risks it poses for reproducing the inequities of power and privilege that have always been at the heart of the American Dream. Embodied Economies shares new perspectives through its comparison of works written in both English and Spanish, and the literary voices that emerge from the US and the Hispanic Caribbean.

Si les notions d'exil, d'immigration ou de diaspora se sont imposées dans le champ des études sur les mouvements des populations ou des individus dans l'espace, aussi bien en sociologie, en philosophie qu'en littérature, la question de la déterritorialisation, qui en est l'une des conséquences, induit à évaluer, sous un nouvel angle la complexité du groupe social dans sa dynamique culturelle, historique voire idéologique. Le groupe social, en perpétuelle reconstruction, redéfinit les rapports entre le Moi et l'Altérité, l'individu et le collectif, la mémoire et l'espace mais surtout entre société et communauté. La déterritorialisation soulève donc un enjeu fondamental dans la production et la réception de l'imaginaire littéraire notamment dans l'espace francophone d'Afrique et des Caraïbes, plus enclin au phénomène. À partir de trois grandes figures de la francophonie littéraire Tierno Monénembo, Sami Tchak et Émile Ollivier, cette recherche questionne, dans la conscience et le projet littéraire des sujets déterritorialisés, les mécanismes de reconstruction et de reconstitution de la communauté dans le territoire autre, les modes d'élaboration de leur double narratif dans l'espace du texte.

Cultural texts born out of migration frequently defy easy categorization as they cross borders, languages, histories, and media in unpredictable ways. Instead of corralling them into identity categories, whether German or otherwise, the essays in this volume, building on the influential work of Leslie A. Adelson, interrogate how to respond to their methodological challenge in innovative ways. Investigating a wide variety of twentieth- and twenty-first-century texts that touch upon'things German'in the broadest sense—from print and born-digital literature to essay film, nature drawings, and memorial sites—the contributions employ transnational and multilingual lenses to show how these works reframe migration and temporality, bringing into view antifascist aesthetics, refugee time, postmigrant Heimat, translational poetics, and post-Holocaust affects. With new literary texts by Yoko Tawada and Zafer Şenocak and essays by Gizem Arslan, Brett de Bary, Bettina Brandt, Claudia Breger, Deniz Göktürk, John Namjun Kim, Yuliya Komska, Paul Michael Lützeler, B. Venkat Mani, Barbara Mennel, Katrina L. Nousek, Anna Parkinson, Damani J. Partridge, Erik Porath, Jamie Trnka, Ulrike Vedder, and Yasemin Yildiz.

In the field of Translation Studies no book-length work in English has yet been dedicated to the translation and circulation of migration literature. The authors of this volume seek to contribute to filling this gap through a detailed study of texts belonging to a variety of literary genres and engaging with the phenomenon of migration in different parts of the world. Not only will the challenges met by translators be discussed, but the different ways in which the translated texts travel from one cultural sphere to another will also be explored. The focus lies on the themes “migration and politics”, “migration and society”, as well as “the experience of migration in words, music and images”.

This book analyses diasporic literatures written in Indian languages written by authors living outside their homeland and contextualize the understanding of migration and migrant identities.Examining diasporic literature produced in Bengali, Hindi, Malayalam, Indian Nepali, Odia, Punjabi, Marathi, and Tamil, the book argues that writers in the diaspora who choose to write in their vernacular languages attempt to retain their native language, for they believe that the loss of the language would lead to the loss of their culture. The author answers seminal questions including: How are these writers different from mainstream Indian writers who write in English? Themes and issues that could be compared to or contrasted with the diasporic literatures written in English are also explored.The book offers a significant examination of the nature and dynamics of the multilingual Indian society and culture, and its global readership. It is the first book on Indian diasporic literature in Indian and transnational languages, and a pioneering contribution to the field. The book will be of interest to academics in the field of South Asian Studies, South Asian literature, Asian literature, diaspora and literary studies.

“Becoming Home: Diaspora and the Anglophone Transnational” is a collection of essays exploring national identity, migration, exile, colonialism, postcolonialism, slavery, race, and gender in the literature of the Anglophone world. The volume focuses on the dispersion or scattering of people in exile, and how those with an existing homeland and those displaced, without a politically recognized sovereign state, negotiate displacement and the experience of living at home-abroad. This group includes expatriate minority communities existing uneasily and nostalgically on the margins of their host country. The diaspora becomes an important cultural phenomenon in the formation of national identities and opposing attempts to transcend the idea of nationhood itself on its way to developing new forms of transnationalism. Chapters on the literature or national allegories of the diaspora and the transnational explore the diverse and geographically expansive ways in which Anglophone literature by colonized subjects and emigrants negotiates diasporic spaces to create imagined communities or a sense of home. Themes explored within these pages include restlessness, tensions, trauma, ambiguities, assimilation, estrangement, myth, nostalgia, sentimentality, homesickness, national schizophrenia, divided loyalties, intellectual capital, and geographical interstices. Special attention is paid to the complex ways identity is negotiated by immigrants to Anglophone countries writing in English about their home-abroad experience. The lived experiences of emigrants of the diaspora create a literature rife with tensions concerning identity, language, and belongingness in the struggle for home. Focusing on writers in particular geopolitical spaces, the essays in the collection offer an active conversation with leading theorizers of the diaspora and the transnational, including Edward Said, Bill Ashcroft, William Safran, Gabriel Sheffer, Stuart Hall, Homi Bhabha, Frantz Fanon, and Benedict Anderson. This volume cuts across the broad geopolitical space of the Anglophone world of literature and cultural studies and will appeal to professors, scholars, graduate, and undergraduate students in English, comparative literature, history, ethnic and race studies, diaspora studies, migration, and transnational studies. The volume will also be an indispensable aid to public policy experts.

This edited book offers a collection of fresh and critical essays that explore the representation of the migrant subject in modern and contemporary Arabic literature and discuss its role in shaping new forms of transcultural and transnational identities. The selection of essays in this volume offers a set of new insights on a cluster of tropes: self-discovery, alienation, nostalgia, transmission and translation of knowledge, sense of exile, reconfiguration of the relationship with the past and the identity, and the building of transnational identity. A coherent yet multi-faceted narrative of micro-stories and of transcultural and transnational Arab identities will emerge from the essays: the volume aims at reversing the traditional perspective according to which a migrant subject is a non-political actor.In contrast to many books about migration and literature, this one explores how the migrant subject becomes a specific literary trope, a catalyst of modern alienation, displacement, and uncertain identity, suggesting new forms of subjectification. Multiple representations of the migrant subject inform and perform the possibility of new post- national and transcultural individual and group identities and actively contribute to rewriting and decolonizing history.

One of the lasting legacies of colonialism is the assumption that families should conform to a kinship arrangement built on normative, nuclear, individuality-based models. An alternate understanding of familial aspiration is one cultivated across national borders and cultures and beyond the constraints of diasporas. This alternate understanding, which imagines a category of “trans-” families, relies on decolonial and queer intellectual thought to mobilize or transform power across borders. In Transforming Family Jocelyn Frelier examines a selection of novels penned by francophone authors in France, Morocco, and Algeria, including Azouz Begag, Nina Bouraoui, Fouad Laroui, Leïla Sebbar, Leïla Slimani, and Abdellah Taïa. Each novel contributes a unique argument about this alternate understanding of family, questioning how family relates to race, gender, class, embodiment, and intersectionality. Arguing that trans- families are always already queer, Frelier opens up new spaces of agency for both family units and individuals who seek representation and fulfilling futures. The novels analyzed in Transforming Family, as well as the families they depict, resist classification and delink the legacies of colonialism from contemporary modes of being. As a result, these novels create trans- identities for their protagonists and contribute to a scholarly understanding of the becoming trans- of cultural production. As international political debates related to migration, the family unit, and the “global migrant crisis” surge, Frelier destabilizes governmental criteria for the “regrouping” of families by turning to a set of definitions found in the cultural production of members of the francophone, North African diaspora.

Women and Migration(s) II draws together contributions from scholars and artists showcasing the breadth of intersectional experiences of migration, from diaspora to internal displacement. Building on conversations initiated in Women and Migration: Responses in Art and History, this edited volume features a range of written styles, from memoir to artists'statements to journalistic and critical essays. The collection shows how women's experiences of migration have been articulated through art, film, poetry and even food. This varied approach aims to aid understanding of the lived experiences of home, loss, family, belonging, isolation, borders and identity—issues salient both in experiences of migration and in the epochal times in which we find ourselves today. These are stories of trauma and fear, but also stories of the strength, perseverance, hope and even joy of women surviving their own moments of disorientation, disenfranchisement and dislocation. This collection engages with current issues in an effort to deepen understanding, encourage ongoing reflection and build a more just future. It will appeal to artists and scholars of the humanities, social sciences, and public policy, as well as general readers with an interest in women's experiences of migration.

Abbas Khider (b. 1973) has established himself as one of the leading literary voices of refugees and marginalised communities in Germany today. Born in Baghdad, Iraq, Khider was at a young age a vocal critic of Saddam Hussein's regime, during which he was jailed and tortured before fleeing the country. As a refugee, he crossed many countries before arriving in Germany, where he was eventually granted asylum. His own life experiences have served as a departure point for his novels, which similarly explore the refugee experience and the challenges that migrants to Europe face. This volume represents the first collection of essays devoted to Khider's works to date. The contributions analyse his narrative works and probe important questions relating to political, cultural, and linguistic identity in Germany today. While his works explore what it means to be an immigrant, they do so with a wry sense of humour and an insight into the human condition that also reflect on the political situation in Germany today. His award-winning novels, including Der falsche Inder (2008, The Village Indian, 2013) and Ohrfeige (2016, A Slap in the Face, 2019), which have been translated into English, are discussed in detail. Additionally, an original interview with the author offers insight into his writing process and influences.

This volume aims to address kinship in the context of global mobility, while studying the effects of technological developments throughout the 20th century on how individuals and communities engage in real or imagined relationships. Using literary representations as a spectrum to examine kinship practices, Lamia Tayeb explores how transnational mobility, bi-culturalism and cosmopolitanism honed, to some extent, the relevant authors'concerns with the family and wider kinship relations: in these literatures, kinship and the family lose their familiar, taken-for-granted aspect, and yet are still conceived as ‘essential'spheres of relatedness for uprooted individuals and communities. Tayeb here studies writings by Hanif Kureishi, Zadie Smith, Monica Ali, Jhumpa Lahiri, Khaled Housseini and Nadia Hashimi, working to understand how transnational kinship dynamics operate when moved beyond the traditional notions of the blood relationship, relationship to place and identification with community.

Title in English: From the Shores of the Others: New Narratives, New Aesthetics: Contemporary Authors of Subsaharan Francophone Africa from the Perspective of Migrations, Hybridity and World Globalization The aim of the book is to look closely at writings of contemporary Francophone African authors from Sub-Saharan Africa by providing their critical analysis in an appropriate historical, social, cultural and literary context. More specifically, on a well-delimited and logically justified corpus of texts it tries to shed some light on crucial contemporary issues of this writing such as postmodern hybridity, métissage, migrations and exiles on the background of contemporary globalized and increasingly interconnected world.