423 results on '"EVERIST, MARK"'
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2. Le Prophète: Edition, Konzeption, Rezeption by Giacomo Meyerbeer (review)
3. 'Il n'y a qu'un Paris au monde, et j'y reviendrai planter mon drapeau!': Rossini's Second Grand opéra
4. Dictionnaire de la musique en France au xixe siècle (review)
5. The Diaries of Giacomo Meyerbeer, iv: 1857-1864 (review)
6. Fromental Halévy, La Magicienne—dossier de presse parisienne (1858), and: Michele Carafa, Le solitaire—dossier de presse parisienne (1822) (review)
7. The Horse, the Clerk and the Lyric: The Musicography of the Thirteenth and Fourteenth Centuries
8. Jacques Offenbach and the Paris of his Time (review)
9. Il viaggio a Reims (review)
10. Meyerbeer Studies: A Series of Lectures, Essays, and Articles on the Life and Work of Giacomo Meyerbeer (review)
11. Liturgy and Sequences of the Sainte-Chapelle: Music, Relics, and Sacral Kingship in Thirteenth-Century France
12. Fromental Halévy: From Opéra Comique to Grand Opéra
13. Parisian Music Drama, 1806–64: Social Structures and Artistic Contexts
14. The Name of the Rose: Meyerbeer's Opéra Comique Robert Le Diable
15. Meyerbeer's Margherita D'Anjou
16. Lindoro in Lyon: Rossini's Le Barbier De Séville
17. Giacomo Meyerbeer, The Théâtre Royal De L'odéon and Music Drama in Restoration Paris
18. Gluck, Berlioz and Castil-Blaze: The Poetics and Reception of French Opera
19. ‘Der Lieblingswunsch Meines Lebens’: Contexts and Continuity in Meyerbeer's Opéras Comiques
20. Translating Weber's Euryanthe: German Romanticism at the Dawn of French Grand Opera
21. Meyerbeer's Il Crociato in Egitto: Mélodrame, Opera, Orientalism
22. Donizetti and Wagner: Opéra de Genre at the Théâtre de la Renaissance
23. ‘Tutti I Francesi Erano Diventati Matti’: Bellini and the Duet for Two Basses
24. Reconstructing the Creative Process
25. The Empire at the Opéra: Theatre, Power and Music in Second Empire Paris
26. Genealogies of Music and Memory
27. Gluck in Performance
28. Towards ‘Rediscovery’
29. Introduction
30. Gluck in the Theatre
31. Conclusion
32. Paris Imagines Gluck
33. JUPITER: Reading the “Viennese Classics” in Nineteenth-Century Britain
34. 7 The Variable-Voice Conductus
35. The Variable-Voice Conductus
36. Aux origines des collections musicales de la Bibliothèque nationale de France (1680–1815). Ed. Laurence Decobert and Denis Herlin.
37. Motets, French Tenors, and the Polyphonic Chanson ca. 1300
38. Theatres of Litigation: Stage Music at the Théâtre de la Renaissance, 1838-1840
39. Wagner and Paris : The Case of Rienzi (1869)
40. Translating Weber's Euryanthe: German Romanticism at the Dawn of French Grand Opéra
41. Discovering Medieval Song: Latin Poetry and Music in the Conductus
42. Cosmopolitanism and music for the theatre
43. Reception and Recomposition in the Polyphonic "Conductus cum caudis": The Metz Fragment
44. Meyerbeer's "Il crociato in Egitto": mélodrame, Opera, Orientalism
45. The Polyphonic 'rondeau' c. 1300: Repertory and Context
46. Ouverture
47. Wagner and Paris
48. ‘Il n’y a qu’un Paris au monde, et j’y reviendrai planter mon drapeau!’
49. Jacques Offenbach
50. Strette
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