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The article offers information on Péter Eötvös' new opera "Valuschka," which premiered at the Theater Regensburg. Topics include Eötvös' 80th birthday celebration and his status as one of the most influential contemporary music-theater composers. The article also mentions Eötvös' career as an internationally renowned conductor, including conducting Stockhausen's opera "Donnerstag aus Licht" at La Scala in Milan.

The article presents the discussion on Paris, where Peter Eötvös conducted the inaugural concert of IRCAM and led the Ensemble Intercontemporain for twelve years, could not overlook the eightieth anniversary of one of the most important figures in contemporary music.

The article focuses on the career and artistic journey of Peter Eötvös, a renowned composer and conductor, particularly highlighting his love for literature reflected in his opera "Sleepless." It delves into Eötvös's background, his experiences working with Karlheinz Stockhausen and Pierre Boulez, and his significant contributions to contemporary classical music.

The article offers information on Peter Eötvös's opera "Tri sestry," based on Chekhov's play "Three Sisters," highlighting its melancholic themes and the composer's use of music to reflect the characters' inner lives.

The article reviews the performance of Peter Eötvös' opera "Angels in America" in Bremen, Germany focusing on its interpretation, precise character portrayals, and musical direction under William Kelley, showcasing a compelling blend of Broadway flair, vocal complexity, and orchestral treatment.

The article reviews two operas, including "Sleepless" by Peter Eötvös premiered at the Staatsoper Berlin, Germany, and "Girl with a Pearl Earring" by Stefan Wirth premiered at the Opernhaus Zurich, Switzerland.

The article focuses on the operatic adaptation of Jon Fosse's "Sleepless" by Peter Eötvös, depicting the tragic story of a pregnant woman and her partner's struggle for shelter, resulting in violence and despair. Topics include the departure from Fosse's subtle literary nuances in Eötvös' adaptation, the mismatch between the bleak narrative and Mundruczó's direction, and the operatic rendition's lack of depth in conveying human emotions.

The article offers a review of a premier performance in Frankfurt, Germany of the opera "Der goldene Drache" composed by Peter Eötvös.

The article reports that operatic works of Hungarian composer Péter Eötvös 's Music theater is up to date again has Roland Schimmelpfennig's Golden Dragon, a play social with music in mind disappeared from the scene is one concise chamber opera with brilliance.

An interview with composer and conductor Peter Eötvös is presented. The main focus of the interview is the political situation in Hungary with special attention to the Hungarian right wing party Fidesz. Other topics mentioned in this article include the intellectual life and cultural policy of Hungary, Hungarian president Viktor Orbán, and contemporary music in Hungary.

The article offers music related news brief as of January 2014. Students at the music conservatory in Mannheim, Germany were given the task by the German television channels ZDF and ARTE to compose music for the silent film "Das heilige Schweigen." Composer Peter Eötvos celebrated his 70th birthday on January 2, 2014, and his piece "Paradise reloaded" premiered in Vienna, Austria, in November 2013. The coalition agreement of the German political parties SPD and CDU included cultural issues.

The article discusses the insights by László Krasznahorkai and Péter Eötvös on the concept of evil and the opera "The Tragedy of the Devil." Topics include the differentiation between the terms demonic and Satanic, the concepts of good and evil in the opera, and the personalities of the characters in the opera.

The article profiles Hungarian-born German composer and conductor Péter Eötvös. It details his education in music composition in Hungary and his move to Cologne, Germany, to study conducting in 1966, his subsequent collaboration with German composer Karlheinz Stockhausen, and his penchant for composing operas in several languages. It also discusses his career as a conductor and his activities as a conducting teacher and mentor to young conductors.

The article reports on the life and career of composer and conductor Peter Eötvös. The article provides biographical information about the Hungarian-born Eötvös and his role in contemporary European music. Eötvös is working on a production of the opera "Love and Other Demons" at the Glyndebourne theater in East Sussex, England. Other topics include bel canto opera, the novella, and bilingual talent in collaborating on works of opera.

The article reviews multiple operatic performances held by the Almeida Opera in London, England on July 5, 9 and 13, 2007. Titles include Errollyn Wallen's "The Silent Twins," Peter Eotvos' "As I Crossed a Bridge of Dreams," and Roger Bourland's "Three Water Plays."

The article offers information on a performance of Peter Eotvos' "Angels in America" in Braunschweig, focusing on the production's reception and thematic depth.

The article presents the discussion on Peter Eötvös' chamber opera "The Golden Dragon," based on the play of the same name by Roland Schimmelpfennig. Topics include illegal labor in the gastronomy industry, focusing on a cheap Asian eatery in the Western world bearing the titular name; and suggesting additional settings such as the restaurant's dining area and various apartment interiors.

The article presents the discussion on Russian premiere of Peter Eötvös' opera, based on Anton Chekhov's "Three Sisters." Topics include enveloping Chekhov's characters, reflecting the oppressive weight that still burdens rural life, albeit under different circumstances, nearly 120 years after the play's conception; and disillusionment felt by many as such events become increasingly co-opted by militaristic agendas.

An interview with Hungarian composer and conductor Peter Eötvös is presented. When asked about a description of him as an ideal type of universal creative musician, Eötvös refers to his grandfather and his mother, who were both music teachers, and his own love for teaching the younger generation. Other topics discussed include the role of music in his childhood, the influence of composer Béla Bartók on his music, and the impact of communism on his musical upbringing. INSET: WIEN MODERN 2013.

The article reviews the theatrical production "Three Sisters" composed by Hungarian composer Peter Eotvos.

The article reviews the opera Tri Sestri by Peter Eotvos, running on March 12, 14 & 17, 2020, at the Wiener Staatsoper in Vienna, Austria.

The article reviews the opera Tri Sestri by Peter Eotvos, running on March 12, 14 & 17, 2020, at the Wiener Staatsoper in Vienna, Austria.

The article reviews a performance of opera "Senza sangue," composed by Péter Eötvös and "Herzog Blaubarts Burg," composed by Béla Bartók at Erkel-Theater in Budapest, Hungary from May 24, 2018.

The article previews various concerts and opera performances worldwide in 2018 including one by pianist Benjamin Grosvenor, featuring the works of composer Ludwig van Beethoven, the concert from conductor Simon Rattle and members of the Berlin Philharmonic, and composer Peter Eötvös.

The article reviews a production of Peter Eöotvöos's opera "Angels in America," performed by the New York City Opera with Andrew Garland, Wayne Tigges and Kirsten Chambers at the Lincoln Center's Rose Theater in New York City in 2017.

The article reviews the "Senza sangue" opera by composer Peter Eötvös.

The article features Hungarian composer Peter Eötvös. Topics discussed include education at the Franz Liszt Academy of Music, his operatic version of the play "Angels in America," by Tony Kushner from 2002-2004, and production of his works such as "Intervalles-intérieurs" for instrumental quintet and tape and "Windsequenzen" for woodwind sextet.

The article reviews the theatrical performance of "Aurora" by Matthew McDonald (double bass), composed by Peter Eötvös, at the Karajan Academy in Berlin, Germany on December 8, 2019.

The article reviews the theaterical "Senza Sangue," by composer Péter Eötvös and "Herzog Blaubarts Burg," by composer Béla Bartók at Staatsoper in Hamburg, Germany on November 6, 2016.