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The article reviews the engraving exhibition dedicated to the works of the late French master printer, painter, engraver, and publisher Georges Visat at the workshop-gallery Atelier-Galerie Alain Piroir in Montréal, Québec, from February 18th to March 22, 2014.

The article reviews various exhibitions in the south-east of France in the summer of 2012, including "Parmesan : Gravures en clair-obscur" at the Palais Fesch in Ajaccio, "Peter Saul" at the Fondation Salomon in Alex, and "The Slide Show" at the Frac Auvergne in Clermont-Ferrand.

The article reviews an exhibition featuring works by the French artist Érik Desmazières, on display at the Musée des Beaux-Arts de Montréal in Montréal, Québec, from September 10, 2009 until January 3, 2010.

The article reviews the exhibition "Le goût de l'encre," at the Grande Bibliothèque in Montréal, Québec from February 24 to August 16, 2009, featuring works by the Québecois artist Monique Charbonneau.

The article reviews the exhibition "The Bei Shan Tang Legacy: Rubbings of Stone Engraving and Model Calligraphy," on view at Gallery I, Art Museum at The Chinese University of Hong Kong, china until January 31, 2016.

The article reviews the exhibition "William Blake: Apprentice and Master" at the Ashmolean Museum in Oxford, England through March 1, 2015 which features works by painter, poet and image maker William Blake.

The article reviews the exhibition featuring the works of Giovanni Battista Piranesi at the Columbia University in Manhattan, New York City in April 1972.

Reviews the art exhibition "Americana" held during November 1-3, 1916.

The article reviews the exhibition "Albrecht Du¨rer: The Age of Reformation and Renaissance" featuring etchings, engravings and woodcuts at the Frist Art Museum in Nashville, Tennessee until February 7, 2021.

The article reviews the exhibition "A Strange New Beauty," featuring the photo-engravings of Troy Brauntuch on view at Petzel Gallery in New York City until March 4, 2020.

The reviews the exhibition "Louise Bourgeois: Stitches in Time" at the Irish Museum of Modern Art in Dublin, Ireland from November 26, 2003 to February 22, 2004.

The article presents a calendar of art exhibitions and art previews in New York, N.Y. in September 1962. List includes Medieval and Renaissance sculptures at the Duveen commercial art museum, a selection of paintings from the Solomon R. Guggenheim Museum's permanent collection, and an exhibit of engravings at the Brooklyn Museum.

The article reviews several exhibition to be held in October 2019 in great Britain which include An English Lady's Wardrobe features clothing and accessories purchased by Mrs Emily Margaret Tinne, Unexpected Tales of David Harper and paintings and engravings by William Hogarth.

The article focuses on Spanish artist Pablo Picasso. The engravings of Picasso, which represent an exhaustive study of genitals, mainly female, have been assembled into an exhibit titled "347 Gravures" in Paris, France and Chicago, Illinois that was extended by popular demand The Art Institute of Chicago. He is an 87-year-old man who often merges various techniques, such as etching, aquantint and drypoint, on the same plate.

The article reviews the exhibition "William Birch, ingenious artist: His life, his Philadelphia views and his legacy," featuring works by miniaturist and engraver William Birch, at the Library Co. of Philadelphia until October 19, 2018.

The article reviews the art exhibitions by artists David Jones in England including "David Jones: Vision and Memory" at the Pallant House Gallery in Chichester and The Animals of David Jones at the Ditchling Museum of Art and Craft in West Sussex.

The article presents a review of two art exhibitions highlighting the work of Wah Wing Chan and other artists "Noir sur Noir" at the Centre d'exposition de Repentigny, Québec from July 25, 2015 to August 23, 2015 and "Print and Beyond" at the Arbor Gallery in Vankleek Hill, Ontario from March 25, 2015 to May 3, 2015.

The article reviews the exhibition PSI 2014 featuring promotional content, printing and finishing techniques in Dusseldorf, Germany on January 8 to 10, 2014.

The article reviews the eighth edition of the contemporary engraving art festival Biennale internationale d'estampe contemporaine de Trois-Rivières, held at the art center Centre d'exposition Raymond-Lasnier in Trois-Rivières, Québec, from June 16, 2013 to September 8, 2013.

The article reviews the eighth edition of the art festival Biennale internationale d'estampe contemporaine de Trois-Rivières, featuring engravings by contemporary artists, held in several museums and galleries in Trois-Rivières, Québec, from June 16, 2013 to September 8, 2013.

The article reviews the exhibition “David C. Umholtz: Gravures” at the Wilder & Davis Gallery in Montréal, Canada, from November 12, 2010 to January 28, 2011, featuring engravings by the artist and art teacher David C. Umholtz.

The article reviews the exhibitions "Charlotte's Web," which involved glass artist Charlotte Potter's exhibition about social media featuring hand-engraved cameos of her Facebook Friends and "Message Received," in which Potter produced a sequence of pendants and lockets containing text messages.

The article reviews the exhibition "Bruce Conner: It's All True," featuring engravings, films and other works by the American artist Bruce Conner, at the Museum of Modern Art in New York from July 3 to October 2, 2016 and at the San Francisco Museum of Modern Art in California from October 29, 2016 to January 22, 2017.

The article reviews the exhibition "Giovanni Battista Piranesi: Architecture and the Spaces of Imagination," featuring the etchings and engravings by Piranesi, presented at the Carnegie Museum of Art in Pittsburgh, Pennsylvania through February 15, 2009.

The article reviews the exhibition "Wild Girl: Gertrude Hermes" to be held at Hepworth Wakefield gallery in West Yorkshire, England until January 28, 2016, which features the work of artist Gertrude Hermes including wood engravings and sculptures.

This article features the opera "The Rake's Progress," written by Igor Stravinsky. The inspiration for the opera came from a series of engravings from an exhibit in Chicago, Illinois, in 1947. Stravinsky hired W. H. Auden and Charles Kallman to write a libretto for the opera. In 1951, the opera was premiered in Vienna, Austria.

The article reviews several art exhibitions in 1994 including Snow Goose Associates' "Native Basketry" in Seattle, Washington from February 12 to March 20, "A Kabloonak View of the Inuit" at The Isaacs/Innuit Gallery in Toronto in January 29, and "Beauty in Flight: Sculpture and Prints from the Arctic" at Arctic Artistry in Hastings-on-Hudson, New York in April 9.

The article presents several art exhibitions taking place in New York City as of July-August 1977. They include 26 drawings and watercolors by Paul Klee at the Guggenheim Museum on July 30, stainless-steel kinetic sculptures by George Rickey at Hammarskjold Plaza Sculpture Garden on August-September 24, and etchings, engraving from the 18th century at the Associated American Artists on August 5.

The article previews the art exhibition "Michel Lasne: engraver to Louis XIII," which will feature various prints by the engraver and draughtsman Michel Lasne, to be held at the Musee des Beaux Art de Caen in Caen, France, from December 14, 2013 through March 16, 2014.

An image of René Derouin's engraving "Printemps baroque IV" is presented.

The article reviews the exhibition "Antoine Watteau and the Art of Engraving" at Musée du Louvre in Paris, France from July 8 to October 11, 2010.

The article reviews an exhibition featuring engravings by the Québec artist Érik Desmazières, on display at the Atelier-Galerie Alain Piroir in Montréal, Québec from October 6 until November 7, 2009.

The article reviews exhibitions featuring works by the Canadian artist Talleen Hackyan, on view at the Maison de la culture du plateau Mont-Royal, the Atelier-galerie Alain Piroir, and the Atelier Circulier in Montréal, Québec until March 28, 2009.

The article reviews the art exhibition "Lucie Jolicoeur Côté: Introspection: Gravures" at the Atelier/Galerie Alain Piroir in Montréal, Québec, from September 26 to November 1, 008.

The article reviews the exhibition "Daphne Odjig: Quatre décennies de gravures," at the Canadian museum of civilizations in Quebec, Quebec, from January 16, 2008 to April 20, 2008.

Offers information on the collection of portrait engravings entitled `Look, Love and Follow,' on show until September 16, 1996 at Duff House in Banff, Scotland. Engraved portraits of the Stuart family and their closest supporters.

The article reviews the etching and engraving exhibition by Lucian Freud at the Mira Godard Gallery in Toronto, Ontario in 1993.

The article previews the exhibition "Exploring Rome: Piranesi and His Contemporaries" at the Canadian Centre for Architecture in Montreal, Quebec, from August 16 to January 3, 1994. It will feature a series of engravings created in 1745 by artist Giovanni Battista Piranesi. The show will also display Imaginary Tombs on the Via Appia 1756-61, along with work by Giuseppe Vasi and numerous contemporaries. The works fascinated Coleridge, infected Giger's 1979 mothership conception for Alien, and inspired Zeffirelli's 1985 Tosca.

The article offers information on the one-man engraving exhibition of hand engraver Larry A. Parker at the Cabela's Gun Library in Wheeling, West Virginia on February 27, 2014 through March 4, 2014.