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Talents that selectively facilitate the acquisition of high levels of skill are said to be present in some children but not others. The evidence for this includes biological correlates of specific abilities, certain rare abilities in autistic savants, and the seemingly spontaneous emergence of exceptional abilities in young children, but there is also contrary evidence indicating an absence of early precursors for high skill levels in young people. An analysis of positive and negative evidence and arguments suggests that differences in early experiences, preferences, opportunities, habits, training and practice are the real determinants of excellence.

In what ways can a community music education project based on historical re-enactment be a vehicle for transformational learning, empowerment and reconnection with community? In 2018, Serenading Adela was performed to celebrate and remember the 100th anniversary of a moment in history when women sang under the prison cell window of Adela Pankhurst, an anti-conscriptionist. The operatic work, which recruited 100 adult participants, was conceived and developed over almost 2 years and rehearsed for 5 months. The researchers were interested in participants' motivations and their experiences of engagement with a story of historical injustice. Data were collected by holding interviews and focus groups and analysed using thematic analysis informed by Freirean concepts. Five themes emerged, indicating that the pedagogical approach and ideologies of the directors enabled and nurtured collaborative connections, personal growth, new perspectives, meaning-making and empowerment for a diverse group of adults.

Research over the past decades has demonstrated the explanatory power of emotions, feelings, motivations, moods, and other affective processes when trying to understand and predict how we think and behave. In this consensus article, we ask: has the increasingly recognized impact of affective phenomena ushered in a new era, the era of affectivism?

In Australia, access to music education is inequitable due to the challenges of distance, different state education systems and a lack of resources in schools. As a means to address this social justice issue, we explore here the viability and effects of a digitally based music outreach programme undertaken in collaboration with Hands on Learning (HOL), an alternative education provider. The programme was delivered over 6 weeks using GarageBand to children in a small rural town who were experiencing difficulties in upper primary and lower secondary school years. A qualitative approach was taken, holding focus groups, observing sessions and accessing HOL daily notes. The programme had a significant impact on the teachers and children involved, showing promise for a larger scale project in the future.