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Teaching Creative Writing in Canada maps the landscape of Creative Writing programmes across Canada. Canada's position, both culturally and physically, as a midpoint between the two major Anglophone influences on Creative Writing pedagogyy—the UK and the USA—makes it a unique and relevant vantage for the study of contemporary Creative Writing pedagogy.Showcasing writer-professors from Canada's major Creative Writing programmes, the collection considers the climate-crisis, contemporary workshop scepticism, curriculum design, programme management, prize culture, grants and interdisciplinarity. Each chapter concludes with field-tested writing advice from many of Canada's most influential professors of fiction, poetry, creative nonfiction and drama.This authoritative volume offers an important national perspective on contemporary and timeless issues in Creative Writing pedagogy and their varied treatment in Canada. It will be of valuable to other creative teachers and practitioners, those with an interest in teaching and learning a creative art and anyone working on cultural and educational landscapes.

This book examines the dynamic landscape of creative educations in Asia, exploring the intersection of post-coloniality, translation, and creative educations in one of the world's most relevant testing grounds for STEM versus STEAM educational debates.Several essays attend to one of today's most pressing issues in Creative Writing education, and education generally: the convergence of the former educational revolution of Creative Writing in the anglophone world with a defining aspect of the 21st-century—the shift from monolingual to multilingual writers and learners. The essays look at examples from across Asia with specific experience from India, Singapore, China, Hong Kong, the Philippines and Taiwan.Each of the 14 writer-professor contributors has taught Creative Writing substantially in Asia, often creating and directing the first university Creative Writing programs there. This book will be of interest to anyone following global trends within creative writing and those with an interest in education and multilingualism in Asia.

It's 1998 and Antony Williams is about to meet his match. A native of Windsor, Ontario, Antony is the child of a demanding single mother and an absconding Vietnam War resister who got too used to leaving home, country, and family. With a keen eye on the hybrid Windsor-Detroit landscape, backhanded affection for his hometown, and a growing understanding of his own family's place in its bootleg history, Antony makes his living as a house painter by day before catapulting loads of Canadian weed across the river to Detroit by night.Then he meets Kate Chan, a beautiful, street-smart law student, who calls his bluff and picks apart his personal mythology. Ultimately she presents him with his own hard choice and forces him to realize he's been smuggling much more than he knows. Keeping Things Whole recounts the arc of their relationship and is cut with Antony's entertaining manifestoes on marijuana, legality, art, theatre, sex, money, and lineage.