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The emotional content of several databases are annotated with continuous-time (CT) annotations, providing traces with frame-by-frame scores describing the instantaneous value of an emotional attribute. However, having a single score describing the global emotion of a short segment is more convenient for several emotion recognition formulations. A common approach is to derive sentence-level (SL) labels from CT annotations by aggregating the values of the emotional traces across time and annotators. How similar are these aggregated SL labels from labels originally collected at the sentence level? The release of the MSP-Podcast (SL annotations) and MSP-Conversation (CT annotations) corpora provides the resources to explore the validity of aggregating SL labels from CT annotations. There are 2,884 speech segments that belong to both corpora. Using this set, this study (1) compares both types of annotations using statistical metrics, (2) evaluates their inter-evaluator agreements, and (3) explores the effect of these SL labels on speech emotion recognition (SER) tasks. The analysis reveals benefits of using SL labels derived from CT annotations in the estimation of valence. This analysis also provides insights on how the two types of labels differ and how that could affect a model. [ABSTRACT FROM AUTHOR]

Copyright of Przegląd Elektrotechniczny is the property of Przeglad Elektrotechniczny and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In the automotive industry, products must be tested and verified before being launched; currently, products such as automotive radio are usually tested with expensive metrology equipment, such as the Rohde & Schwarz SFE100, which produces radio frequency signals. This study assessed the feasibility of replacing the SFE100 with two inexpensive devices, Adalm-Pluto and LimeSDR usb, which are software-defined radios. For this evaluation, a study was carried out to determine specific metrological characteristics and then to compare with those of metrological equipment. Based on the results and tests of the study, we conclude that SDRs can generate test signals (FM, DAB, DVB, ISDB and SXM) with uncertainties of 0.5dBm and a spectral density ratio comparable to SFE100, thereby enabling their replacement. Furthermore, the evaluation datasets of all equipment have been publicly available [1] , enabling the scientific community to extract the metrological uncertainties for all signal carriers generated by the device. The result of this study proposes a methodology for testing auto radios that is innovative and can be applied to a production line based on the principles of Industry 4.0. [ABSTRACT FROM AUTHOR]

With convergence of broadband access, computing and telephony, smartphones have empowered listeners to break free from the constraints of schedules and take control of their listening experiences. As a result, podcasts have gained popularity globally and many new people are finally tuning in. In the United Arab Emirates (UAE), the podcast community thrives with stories ranging from tech, culture and music to Middle East affairs, hosted by a diverse group of expatriates and local Emiratis. This study investigates the burgeoning podcast landscape in UAE, examining content creators' motivations, challenges and opportunities in this emerging media space. Through in-depth interviews with key stakeholders, including pioneers and newcomers in the UAE podcasting industry, the research explores factors driving podcasting's rise in the region, such as the need for localized content, the changing media landscape and the significance of community-building and interactivity in podcast creation and distribution. Furthermore, the study delves into podcasting as a horizontal medium, offering insights into how content creators push the boundaries of democratized culture on the World Wide Web. The findings highlight growth and monetization potential within the UAE podcasting market and the challenges and opportunities presented by decentralized podcast distribution. Finally, the research touches upon regulation and standardization in podcasting, examining the freedom of expression afforded by this relatively unregulated medium compared to traditional media forms. Overall, this study provides valuable insights into the emerging podcasting landscape in the UAE and sets the stage for future research exploring the motivations and challenges faced by individual creators and podcast networks in the region. [ABSTRACT FROM AUTHOR]

The main issue in the development of precise positioning is the way in which to send GNSS corrections. To handle this case, a terrestrial broadcast mechanism based on DAB+ (digital audio broadcasting) signals was chosen to overcome the scalability challenges, as it would allow a service provider to transfer assistance data based on a "one-to-many" scheme. DAB is easily widely deployed, with large coverage predictions carried using ATDI's HTZ simulator. The DAB+ reception demonstrator uses SSRZ, a compressed and compact state space representation corrections format developed by Geo++. SSRZ corrections were generated using data from Teria's CORS network and have been broadcasted over the air with DAB+ signals. To validate the SSRZ corrections, the "Record&Replay" technique was used. It consists of digitizing GNSS signals during a normal field test. Once data were collected and validated, replays were executed in the laboratory. Different scenarios were set up to validate the accuracy of the position with SSRZ corrections sent via DAB+ and the convergence to the corrected position after ambiguity loss. The results show that the accuracy was acceptable when the user remained close to the transmitting DAB+ antenna (<10 km). The lower performance might result from broadcast limitations in urban environments. [ABSTRACT FROM AUTHOR]

In October 2018, local digital radio was launched to cover the agglomeration of Wroclaw. The implementation of this undertaking required many tests, including qualitative ones, that refer to both music and speech. This paper presents the results of subjective tests based on the evaluation of speech quality of signals recorded at various points in Wroclaw. Measurements were carried out in accordance with the recommendations of the International Telecommunication Union as well as in ordinary acoustic conditions in listeners’ flats. The rating was made for male and female voices. The most important conclusion is that for speech signal assessment in meaning of the quality the test conditions do not influence the obtained results. The other fact confirmed in the experiment was that the receiving place of DAB+ signal in the Single-Frequency Network also does not affect the perceived voice quality.

Self‐attention has been successfully leveraged for long‐range feature‐wise similarities in deep learning super‐resolution (SR) methods. However, most of the SR methods only explore the features on the original scale, but do not take full advantage of self‐similarities features on different scales especially in generative adversarial networks (GAN). In this paper, self‐similarity generative adversarial networks (SSGAN) are proposed as the SR framework. The framework establishes the multi‐scale feature correlation by adding two modules to the generative network: downscale attention block (DAB) and upscale attention block (UAB). Specifically, DAB is designed to restore the repetitive details from the corresponding downsampled image, which achieves multi‐scale feature restoration through self‐similarity. And UAB improves the baseline up‐sampling operations and captures low‐resolution to high‐resolution feature mapping, which enhances the cross‐scale repetitive features to reconstruct the high‐resolution image. Experimental results demonstrate that the proposed SSGAN achieve better visual performance especially in the similar pattern details. [ABSTRACT FROM AUTHOR]

Copyright of Austral Comunicacion is the property of Austral Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In October 2018, local digital radio was launched to cover the agglomeration of Wroclaw. The implementation of this undertaking required many tests, including qualitative ones, that refer to both music and speech. This paper presents the results of subjective tests based on the evaluation of speech quality of signals recorded at various points in Wroclaw. Measurements were carried out in accordance with the recommendations of the International Telecommunication Union as well as in ordinary acoustic conditions in listeners' flats. The rating was made for male and female voices. The most important conclusion is that for speech signal assessment in meaning of the quality the test conditions do not influence the obtained results. The other fact confirmed in the experiment was that the receiving place of DAB+ signal in the Single-Frequency Network also does not affect the perceived voice quality. [ABSTRACT FROM AUTHOR]

This paper presents the research and implementation of a China Digital Radio (CDR) experimental network in Hubei, China with two FM-CDR transmitting stations and four FM-band channels. To study the coverage discontinuity problem in a large service area, the experimental network employs an intelligent networking solution that incorporates multiple service channels carrying Broadcast and Data Services (BADS) and a Common-Regional-Information Channel (CRIC) carrying both service data and system information. The electronic service guide (ESG) carried by CRIC can inform the receivers about the available contents from current and adjacent stations, which can significantly improve the service quality in the overlapping areas, especially under mobile reception environment. Two RF tuners are used in the receiving terminals to access the CRIC, and the BADS channel, respectively. This paper first presents the frequency analysis and coverage tests of the experimental network, and then summarizes the coverage performances with different transmission parameter combinations. The goal is to gain experience in frequency planning, coverage prediction, as well as supportable services of CDR digital audio broadcasting. [ABSTRACT FROM AUTHOR]

With the development of electronics and communication technology, digital audio processing technologies such as digital audio broadcasting and multimedia communication have been widely used in society, and their influence on people's lives has become increasingly profound. At present, the real-time and accuracy of musical instrument tuners on the market need to be improved, which hinders the design of vocal music teaching system. Based on the BP neural network algorithm and fast Fourier transform algorithm in FPGA, this paper designs a real-time and efficient audio spectrum analysis system, which realizes the spectrum analysis function of music signal. The methods to calculate fast discrete Fourier transform are the FFT algorithm based on time extraction and the FFT algorithm based on frequency extraction. The characteristic of BP neural network algorithm is that it can not only obtain the corresponding estimation results by forward propagation of the input data but also carry out back propagation from the output layer according to the error between the estimation results and the actual results, so as to optimize the connection weight between each layer. This paper proposes to add Nios II system to FPGA processor and adopt cyclone IV in the hardware design of the system, which can be better compatible with the system designed in this paper. In the software part, WM8731 is used to process the audio data. WM8731 consumes very little power to the system, which will effectively improve the processing efficiency of the system. Compared with the original system, the data model obtained after screening and processing of the system model designed in this paper has an algorithm accuracy of more than 90%, among which the audio spectrum clarity of vocal music can reach 95%. Based on the above, the circuit of each module is tested, and in the specific experimental process, the audio frequency spectrum under different conditions is analyzed and data processed. The system can complete the collection and analysis of various music signals in real time, overcome the limitation of single function of traditional tuner, improve the utilization rate of tuner and the clarity of timbre, and also tune a variety of musical instruments and greatly improve the intonation of musical instruments and the utilization rate of tuner, which has a certain practical value. [ABSTRACT FROM AUTHOR]

Digital Audio Broadcasting (DAB) and all similar systems for digital radio and television broadcasting are inevitably associated with lossy psychoacoustic audio compression. The coding algorithms are continuously being improved. To achieve high sound quality a lower bitrate, required by the broadcasters, is now sufficient. This paper compares the relevant digital audio codecs: MPEG 2 and AAC in three profiles (AAC LC, HE-AAC v1 and HE-AAC v2). The well-known MP3 format is also added for a better comparison. A brief description of the basic functional principles of the codecs is followed by a comparison of their efficiency keeping in mind the subjectively comparable sound quality. The main contribution of this paper is the verification of the relationship of the bitrate level and sound quality in broadcasting environment and the finding out the influence of other, often more significant factors, such as the primary quality of the input recordings and the concatenation of non-entropic coding, on the subjective perception in the digital broadcasting chain. These findings are supported by the results of a unique research analysis providing an insight into which specific audio encoding configurations are used for DAB+ radio broadcasting in practice, in Europe as a whole and in individual European countries.

Digital Audio Broadcasting (DAB+) is becoming a reality in the Czech Republic. The first nationwide DAB+ network, based on the regular broadcasting, is being completed. This paper presents the principles that were used to achieve a quick and efficient penetration of the DAB+ signal in the Czech population and the highways. Attention is focused on practical experience with the use of High-Efficiency Advanced Audio Coding (HE-AAC) emphasizing maximum efficiency of the multiplex. This is done with respect to the subjective perception of sound quality by the audience. Final audio processing and appropriate signal pre-processing are considered. The paper also focuses on how to use Forward Error Correction (FEC) coding to increase the reach of transmitters and the reasons for employing the specific transmitter network configuration, including indoor reception. The results of this complex method are demonstrated on the network rollout in particular periods, while the key assumptions were verified. The entire development process can be monitored on the maps of coverage.

This paper describes the complex experiences and the results of the Digital Audio Broadcasting (DAB+) implementation in the conditions of the Czech Republic. It analyses the background of the EUREKA 147 program, its targets, and to what extent they were reached. The main focus is concentrated on the evaluation of the real steps which had to be done during the implementation process before the first regular broadcasting could be started and the difficulties encountered. The key point became experimental broadcasting “DAB Prague”. It demonstrated the advantages of this new platform and gave the opportunity to test its functions and physical behavior in real conditions, under the different parameter settings. The important issue is the allocation of the band III by National Regulatory Authority and the capacity of DAB+ multiplexes. The paper also demonstrates the experience from the setup of the DAB+ headend. It describes the content solution in context of using non-entropic audio coding, setting the codec algorithms and the way to use accompanying multimedia services. The results of the tests and measurements presented in this paper were used in the real project of the regular nationwide DAB+ network.

Digital Audio Broadcasting (DAB) and all similar systems for digital radio and television broadcasting are inevitably associated with lossy psychoacoustic audio compression. The coding algorithms are continuously being improved. To achieve high sound quality a lower bitrate, required by the broadcasters, is now sufficient. This paper compares the relevant digital audio codecs: MPEG 2 and AAC in three profiles (AAC LC, HE-AAC v1 and HE-AAC v2). The well-known MP3 format is also added for a better comparison. A brief description of the basic functional principles of the codecs is followed by a comparison of their efficiency keeping in mind the subjectively comparable sound quality. The main contribution of this paper is the verification of the relationship of the bitrate level and sound quality in broadcasting environment and the finding out the influence of other, often more significant factors, such as the primary quality of the input recordings and the concatenation of non-entropic coding, on the subjective perception in the digital broadcasting chain. These findings are supported by the results of a unique research analysis providing an insight into which specific audio encoding configurations are used for DAB+ radio broadcasting in practice, in Europe as a whole and in individual European countries. [ABSTRACT FROM AUTHOR]

Digital Audio Broadcast (DAB) transmitters can be successfully used as illumination sources in Passive Coherent Location (PCL). However, extending the integration time in such a configuration leads to the occurrence of periodical artifacts in the bistatic range/Doppler plots, resulting from the time structure of the DAB signal. In this paper, we propose some methods of signal preprocessing (based on symbol removal, substitution by noise, and duplication) that operate on the DAB transmission frame level and improve the received signal’s correlation properties. We also demonstrate that two of these methods allow us to avoid the mentioned artifacts and thus to improve the quality of the range/Doppler plots with detection results. We evaluate the performance of the proposed methods using real DAB signals acquired in an experimental PCL platform. We also provide the analysis of the Signal to Noise Ratio (SNR) during the detection of a moving target which shows that the proposed solution, based on symbol duplication, can offer around 3 dB of gain in SNR. Finally, we carry out the computational complexity analysis showing that the proposed method can be implemented with a minimal cost after some optimizations.

The history of pirate radio in Ireland remains understudied by comparison with other countries with histories of unlicensed broadcasting. This is surprising given the extent and longevity of a large pirate radio scene which was at its zenith between 1978 and 1988. Drawing on our own archive of Irish pirate radio recordings, interviews with those involved and pirate paraphernalia, we contend that the cultural, social, political, economic., and technological influence of Irish pirate radio was far-reaching. However, although the pirates were influential and left a lasting legacy, they ultimately lost out in the new licensed regime rolled out from 1989. [ABSTRACT FROM AUTHOR]

African-American podcasting's ascent marks a potent articulation of Black identity and experience in media history, one reaching an unprecedented range of audiences, dialogs, and online communities. This study examines how content, production practices, and digital audiences for Black podcasting generate a metaphorical curriculum for blackness, a set of discursive cultural guides for listeners. Case studies representative of major genres and publishing sectors where Black podcasting flourished from 2010 to 2020 include humorous commentary on popular entertainment in The Read (2013-), independent media's exploration of Black life in The Nod (2014–2020), and legacy media's in-depth cultural criticism and analysis in Still Processing (2016-). [ABSTRACT FROM AUTHOR]

Radio is on the brink of a digital wave brought about by the introduction of digital audio broadcasting (DAB+). Despite market success in a few European countries, there remains little evidence of industry support and consumer demand. By means of a stakeholder analysis, the article identifies the main stakeholders in the implementation of digital radio in the region of Flanders, to recognise tensions between public and private interests and to discuss possible government policies aimed at promoting the standard among all stakeholders. By seeing DAB+ as a systemic innovation, it offers a structural approach to address the ongoing dynamics of the organisational and institutional system around DAB+ and other media distribution technologies in other European markets (or beyond). [ABSTRACT FROM AUTHOR]

Single Frequency Networks (SFN) of transmitters are currently used in television and digital broadcasting to effectively cover large areas using minimal spectral resources and using transmitters with much lower power than if the same area were covered using one transmitter. It is therefore a very ecological solution. In this way, much better reception conditions are obtained in large city areas, as the signal reaches the receiving antenna from different directions, reducing the risk of shading. However, in this type of network one should take into account the loss of signal caused by signal interference. Using the appropriate propagation model, it is possible, with appropriate assumptions, to check how the operation of the third transmitter affects the distribution and size of the deepest fades in relation to the network in which there are two transmitters. [ABSTRACT FROM AUTHOR]

Paper presents the results of quality assessment of speech and music signals transmitted via DAB+ system with the use of Single Frequency Network (SFN). The musical signals were evaluated in overall quality domain. The subjective research was provided with the use of Absolute Category Rating procedure according to the ITU recommendation and the results have been presented as the MOS values for various bit rates. The speech signals were additionally examined with PESQ method. The results have shown that the assumed quality of 4 MOS, for this kind of broadcasting could be achieved at 48 kb/s for speech and 64 kb/s for music. This fact was confirmed by both: subjective and objective research. The comparison between the results obtained for SFN broadcasting with three emitters with singleemitter broadcast was presented. [ABSTRACT FROM AUTHOR]

Digital Audio Broadcasting (DAB+) is becoming a reality in the Czech Republic. The first nationwide DAB+ network, based on the regular broadcasting, is being completed. This paper presents the principles that were used to achieve a quick and efficient penetration of the DAB+ signal in the Czech population and the highways. Attention is focused on practical experience with the use of High-Efficiency Advanced Audio Coding (HE-AAC) emphasizing maximum efficiency of the multiplex. This is done with respect to the subjective perception of sound quality by the audience. Final audio processing and appropriate signal pre-processing are considered. The paper also focuses on how to use Forward Error Correction (FEC) coding to increase the reach of transmitters and the reasons for employing the specific transmitter network configuration, including indoor reception. The results of this complex method are demonstrated on the network rollout in particular periods, while the key assumptions were verified. The entire development process can be monitored on the maps of coverage. [ABSTRACT FROM AUTHOR]

Copyright of Media Research / Zeszyty Prasoznawcze is the property of Jagiellonian University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In the age of digital media, delivering broadcast content to customers at an acceptable level of quality is one of the most challenging tasks. The most important factor is the efficient use of available resources, including bandwidth. An appropriate way of managing the digital multiplex is essential for both the economic and technical issues. In this paper we describe transmission quality measurements in the DAB+ broadcast system. We provide a methodology for analysing parameters and factors related with the efficiency and reliability of a digital radio link. We describe a laboratory stand that can be used for transmission quality assessment on a regional and national level.

Digital Audio Broadcasting (DAB) is an amazing technology, achieving its promise of certainly delivering high quality digital audio in the most vindicate mobile and fixed receiver environments. The radio signal processing capability can be provided by Universal software radio peripheral (USRP) hardware. The received signal frequency can be controlled and transmitting the signal through wireless is possible by installing NI USRP utility configuration. The programmable USRP was running the VI snippet program in block diagram panel with radio companion integrated through USB cable on windows 7 64. With the parameters such as IQ rate, transmitter gain, carrier frequency along with device name which is given as ni2901_1 the students can able to tune the radio signal. DAB technology is integrated with USRP device using prominent orthogonal frequency division multiplexing (OFDM) technique for promise delivery of high quality audio signal. DAB works under four transmission modes in this paper. In this paper RF0 module is used USRP device is connected with dual band vertical antenna with 2.4 and 5GHz frequency as Tx1. This transmitting VI snippet program will support all file formats such as.wav, mp3, etc. the intention of the paper is to transmit the real time data through long distance using DAB technology in remote laboratory. The proposed system is implemented in virtual lab so that it can be accessed by any user from anywhere. This system is successfully tested on institute of aeronautical engineering virtual lab for the purpose of exposing the Radio frequency tools and signal processing operations for students. [ABSTRACT FROM AUTHOR]