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2. Sum or Total? The Case of the Cistercian Monastery in Miami

Author

D'Amelio, Mg, Colonnese, F, and Grieco, L

Subjects
william randolph hearst, N1-9211, moving architecture, creative restoration, art collections, William Randolph Hearst, Miami Spanish Monastery, Moving Architecture, Creative Restoration, Settore ICAR/18, Psychology, William Randolph Hearst, Miami Spanish monastery, miami spanish monastery, Visual arts, BF1-990
Abstract

As an architecture is moved, the relationship with the place it was designed for is lost. Its original functions are altered and it acquires novel meanings, concerning with not only the new context but the act of transfer itself. Its authenticity seems, on the one hand, to be guaranteed by the original materials, while, on the other hand, it is challenged by the different form and reception, which is somehow mediated by the idea of its previous, pure existence. The story of the ancient Spanish monastery purchased by William Randolph Hearst in 1925, dismantled, shipped and rebuilt in Miami, Florida decades later is here described, analysed and discussed as a sort of borderline of the idea of ‘fake’, by focusing on the historical, epistemological and symbolic value of interventions that challenge the ‘nature’ of architecture itself., img journal, No. 4 (2021): Copy / False / Fake

Published
2021
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10. Introduzione

Author

D'Amelio, Mg

Subjects
Architettura, Sacrari, Architettura, Novecento, Novecento, Sacrari, Settore ICAR/18 - Storia dell'Architettura
Published
2019

13. El tele-transporte de la arquitectura. Deslocalizar los edificios (siglos XV-XX)

Author

D'Amelio, Mg and De Cesaris, F

Subjects
Transporte de edificios, cantiere storico, delocalizzazioni, Trasportare edifici, Storia della Costruzione, Transporte de edificios, Historia de la construcción, tele-trasporto, dislocazioni, restauri, trasformazioni, traslazioni, Settore ICAR/18, Storia della Costruzione, Trasportare edifici, Historia de la construcción
Published
2019

14. «La calunnia è un venticello ...»: Giovan Lorenzo Bernini e le Logge delle reliquie nella basilica di San Pietro a Roma

Author

D'Amelio, Mg

Subjects
Bernini’s fault lied in having weakened too much the piers supporting the dome, in his later years, Settore ICAR/18, In 1636 the cracks in St. Peter’s dome were attributed to the works on the Loggias of the Relics, which are today ascribed to some defects in its construction as well as to the tension produced by the ground instability in the vicinity of the pier of the Veronica. In a life of triumphs, corridors and rooms for the giant reliquaries in their section. All these works were supposed to have produced the several fissures of the dome, he used his biography to contrast and deny the accusation, In 1636 the cracks in St. Peter’s dome were attributed to the works on the Loggias of the Relics, to a design by Gian Lorenzo Bernini: the resulting scandal produced a serious discredit to his reputation of architect. This works constitutes an addendum to the studies on the projects of Bernini for the crossing of St. Peter’s Basilica. According to his enemies, Bernini’s fault lied in having weakened too much the piers supporting the dome, by carving bigger niches and excavating staircases, corridors and rooms for the giant reliquaries in their section. All these works were supposed to have produced the several fissures of the dome, which are today ascribed to some defects in its construction as well as to the tension produced by the ground instability in the vicinity of the pier of the Veronica. In a life of triumphs, the charge of having compromised the stability of the dome was for Bernini a painful distress. To the point that, in his later years, he used his biography to contrast and deny the accusation, frequently referring to the technical and constructive difficulties he had found in his professional life, to a design by Gian Lorenzo Bernini: the resulting scandal produced a serious discredit to his reputation of architect. This works constitutes an addendum to the studies on the projects of Bernini for the crossing of St. Peter’s Basilica. According to his enemies, by carving bigger niches and excavating staircases, the charge of having compromised the stability of the dome was for Bernini a painful distress. To the point that, frequently referring to the technical and constructive difficulties he had found in his professional life
Published
2019

19. The bridge of the Badia in Vulci. History, survey plan and structural restoration

Author

D'Amelio, Mg, De Cesaris, F, and Mataloni, G

Subjects
bridge of the badia, structural restoration, Bridge of Vulci, Architecture, Settore ICAR/18 - Storia dell'Architettura, fiora, archaeological park of Vulci, Settore ICAR/17 - Disegno, Engeneering, Settore ICAR/19 - Restauro, Bridge of Vulci, Architecture, Engeneering
Published
2018

26. Di cieli e di palchi: soffitti lignei a lacunari

Author

Conforti, C and D'Amelio, Mg

Subjects
Palazzi, Rinascimento, Soffitti a lacunari, Cassettoni, intagli, specie legnose, restauro, Settore ICAR/18 - Storia dell'Architettura
Published
2016

27. Alle porte di Roma: il progetto di Gino Peressutti per Cinecittà (1935-1937)

Author

D'Amelio, Mg and Lazzarini, D

Subjects
Architettura fascista, Roma, Gino Peressutti, Rome, Cinecittà, Roma, Cinecittà, Architettura fascista, Gino Peressutti, Settore ICAR/18 - Storia dell'Architettura, fascist architecture, Rome, Cinecittà, fascist architecture, Gino Peressutti
Published
2015

29. Prima di Cristo Re

Author

Arrighini, A, Conforti, C, Marandola, M, D'Amelio, Mg, Colombo, N, and Dulio, R

Subjects
Roma, Chiesa, unità nazionale, fascismo, Roma, unità nazionale, fascismo, Settore ICAR/18 - Storia dell'Architettura, Chiesa
Published
2014

31. La Fontana dei Quattro Fiumi a Piazza Navona: iconologia e costruzione

Author

D'Amelio, Mg and Marder, T

Subjects
Giovan Lorenzo Bernini, Athanasius Kircher, Francesco Borromini, Roma, Piazza Navona, Fontana dei Quattro Fiumi, Giovan Lorenzo Bernini, Fontana dei Quattro Fiumi, Roma, Settore ICAR/18 - Storia dell'Architettura, Francesco Borromini, Athanasius Kircher, Piazza Navona
Published
2014

32. Cristo Re di Marcello Piacentini 1934/2014

Author

D'Amelio, Mg, Conforti, C, Dulio, R, and Marandola, M

Subjects
Roma, Roma, Tempio Cristo RE, Marcello Piacentini, Tempio Cristo RE, Settore ICAR/18, Marcello Piacentini
Published
2014

33. Perugia dopo l’unità d’Italia. Materiali e tecniche costruttive

Author

D'Amelio, Mg and De Cesaris, F

Subjects
tecniche, Architettura postunitaria, restauro, materiali, Perugia, Settore ICAR/18 - Storia dell'Architettura, Settore ICAR/19 - Restauro, Tecniche costruttive, Perugia, Architettura postunitaria, Tecniche costruttive
Published
2013

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