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64 results on '"Contemporary American fiction"'

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1. A WORLD OF OBJECTS. THE INHERENT BEAUTY OF "BEING-THERE".

2. BIOPOLITICS IN THE BRIEF AND FRIGHTENING REIGN OF PHIL, BY GEORGE SAUNDERS.

4. Going to Extremes: Post-9/11 Discrimination in Fiction.

5. The Sentence Is Most Important: Styles of Engagement in William T. Vollmann’s Fictions

7. A thematic analysis of Palahniuk’s fiction in light of Epicureanism

8. "I would prefer not to": Routine and Agency in Office Fiction.

9. The Ontology of an Anthology: Contemporary American Prose according to W.W. Norton & Co

11. The Sentence Is Most Important: Styles of Engagement in William T. Vollmann's Fictions.

12. Transhumanism and the Anthropocene in Becky Chambers’A Closed and Common Orbit

13. A thematic analysis of Palahniuk's fiction in light of Epicureanism.

14. Displaying words in narrative configurations, reimagining print narrative: William H. Gass, Mark Z. Danielewski, Vanessa Place

15. Orbit

16. California Traverses: Lines of Resistance in Pynchon’s Vineland and Against the Day

17. The Artist as Scavenger: Inconclusiveness and Reflexivity in 'Low-Lands'

18. Pynchon’s Indicative Naming: Onomatomania? Onomatophobia? Or, None of the Above?

19. Introduction

20. Feeling God on Certain Days: The Kenosis of The Crying of Lot 49 after the Death of God

21. Langue-en-joue: Bilingual Jokes in Mason & Dixon

22. Pynchon and Wittgenstein: Ethics, Relativism and Philosophical Methodology

23. 'Between Hell and Purgatory': From Baudelaire’s Allegory of Commodified Female to Pynchon’s Neobaroque in V

24. Storyworld and Historiographic Metafiction: Belgium in Against the Day

25. Thomas Pynchon

26. V. as Archive

27. The Spectre of Faust in the Early Works of Thomas Pynchon

28. 'A Beat Late'—Rhythmical Oddities in Thomas Pynchon’s Mason & Dixon

29. Approaching Presence in Thomas Pynchon’s Novels

30. Virtual Structures and Virtuality in The Crying of Lot 49 and Inherent Vice

31. Noise and Parasitism in Thomas Pynchon’s V

34. No Quantum of Eden: The Apocalyptic Frontier and Endtime Ecology in Peter Heller’s The Dog Stars

35. The ghost in the mirror: Notes on Paul Auster's Ghosts.

36. Being "Stresslessly Invisible": The Rise and Fall of Videophony in David Foster Wallace's Infinite Jest.

37. “Why I am writing from where you are not”: Absence and presence in Jonathan Safran Foer's Extremely Loud & Incredibly Close.

38. 'I would prefer not to': Routine and Agency in Office Fiction

39. Potraga za novcem u suvremenoj američkoj književnosti

40. A conversation with Lynne Tillman.

41. The Intext of 'Superfluous Man' in Contemporary American Fiction

42. Исторические реалии при метафорическом моделировании концепта «чужой» в рамках дихотомии «свой — чужой» в художественной литературе на спанглише и афроамериканском английском

44. A few notes on the novel after September 11, 2001

45. The rubble of history: counternarrative and the ethics of fiction in Don DeLillo

46. An Interview with Lance Olsen

47. Performing the ‘fiction-writer’s reader’: David Foster Wallace and critical rhetoric

48. Stephen King and the Construction of Authorship as a Mass-Mediated Process

49. The turn of the screw in McGrath's asylum

50. James Ellroy

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