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Our life narratives are intertwined and entangled with/in art, research and teaching. As digital a/r/tographers, our place stories have connections that have connected us further across spaces and sites. These are multiplicitous and invite new inter-actions and intra-actions across times. We-searching (Holman Jones & Harris, 2019) with Haraway digitally is an experiment that we followed as a series of propositions during 2020. A turn in our life narratives that hold us, yet opens us to living and working with and through the human, non-human and more-than-human interests us as re-searchers. This a/r/tographic blueprint for walking in four propositions explores making kin as a/r/tographers that work in often contested spaces of conservative educational research and across disciplinary boundaries.

This book offers global perspectives on art education as a distinctive practice that emerges from community relationships.

This article details how and why we have developed a flexible and responsive process-based rubric exemplar for teaching, learning, and assessing critical and creative thinking. We hope to contribute to global discussions of and efforts toward instrumentalising the challenge of assessing, but not standardising, creativity in compulsory education. Here, we respond to the key ideas of the four interrelated elements in the critical and creative thinking general capability in the Australian Curriculum learning continuum: inquiring; generating ideas, possibilities, actions; reflecting on thinking processes; and analysing, synthesising and evaluating reasoning and procedures. The rubrics, radical because they privilege process over outcome, have been designed to be used alongside the current NAPLAN tests in Years 5, 7 and 9 to build an Australian-based national creativity measure. We do so to argue the need for local and global measures of creativity in education as the first round of testing and results of the PISA Assessment of Creative Thinking approach and to contribute to the recognition of creative thinking (and doing) as a core twenty-first century literacy alongside literacy and numeracy.

COVID-19 has continued to effect higher education globally in significant ways. During 2020, many institutions shifted learning online overnight as the sector closed its doors and opened new sites for remote teaching. This article reports on an international study [Phillips et al., 2021] that sought to capture how cross-sectoral teachers experienced these emergency changes during the first months of restrictions. The data, analysed using narrative identity theory, revealed concerns that fall into two broad categories: technologies and relationships. Significantly, it was not a loss of content delivery or changes to assessment that prompted the greatest anxiety for our colleagues, but that they held significant concerns about their students' mental health; inequities of access to a range of services including technological; and challenges connecting emotionally with their students at a distance. The results provide actionable strategies for higher education institutions to apply in future emergencies where remote teaching is necessary.

Something changed during the pandemic; we attuned to a call. A call to action, breathing, support, activism, care, well-being, community, minimised mobilities, planetary health and our relations to all these things, and more. We are women working in education spaces across multiple communities, responsive to ongoing matters of concern (Latour, 2008), aware that our rhizomic connections have no middle or end. We use the method and metaphor of the quilt in this collaboration and hold quilting as a Feminist intervention, a return to her-stories and ways of knowing through story as we stitch together cultural and material stories of place. Our COVID-19 chronicles are a creative, collaborative exploration of the initial impact of the COVID-19 pandemic on learning and teaching across our respective countries. This paper is a collaboration of critical auto-ethnographies (Holman Jones, 2016), quilted and stitched together by a group of education scholars who united to research the impact of online emergency teaching that forced education site closures globally. Through this collaborative image quilting, we curated responses to our initial 100-word stories of pandemic life in 2020, that we had posted on a collaborative Padlet. Feminist, storying, and ethnographic theory inform alignment and stitching of each 100-word patch.

The Dreams for Digital Spaces joint symposium paper was co-written to accompany the Dreams for Digital Spaces Representative Symposia presented at the American Educational Research Association (AERA) annual meeting held in Chicago, US, 14th April 2023. The paper provides further details of each of the four interrelated contributions and full, combined reference list. Abstract: Dreams for Digital Spaces Symposium explores the array of so-called truths that shape the digital worlds of children, educators, researchers, imaginaries, data, AI, algorithms and more through a series of four interconnected presentations involving research that takes up the digital as a focus and/or mode of inquiry. Together the presentations demonstrate the power of combining data science with philosophy, artistry, co-design, and educational research through interdisciplinary collaborations – collaborations which have folded in and out of each other as ideas, methods and even people have travelled. The symposium offers the audience an opportunity to consider how digital practices become the stuff of dreams and nightmares, making room for a multiplicity of potentially transformative truths to take place across virtual and physical sites.

The Dreams for Digital Spaces Representative Symposium was presented at the American Educational Research Association (AERA) annual meeting held in Chicago, US, 14th April 2023. These are the slides that accompanied the presentation. Note that Part 1. (whole contribution) and Part 3 (video walk-through of metaverse) contain pop-up video material from the presentation, pre-recorded by colleagues unable to travel to the event. For full details of each of the four interrelated contributions and a full, combined reference list see the The Dreams for Digital Spaces joint symposium paper, co-written to accompany the symposium. Abstract: Dreams for Digital Spaces Symposium explores the array of so-called truths that shape the digital worlds of children, educators, researchers, imaginaries, data, AI, algorithms and more through a series of four interconnected presentations involving research that takes up the digital as a focus and/or mode of inquiry. Together the presentations demonstrate the power of combining data science with philosophy, artistry, co-design, and educational research through interdisciplinary collaborations – collaborations which have folded in and out of each other as ideas, methods and even people have travelled. The symposium offers the audience an opportunity to consider how digital practices become the stuff of dreams and nightmares, making room for a multiplicity of potentially transformative truths to take place across virtual and physical sites.

This chapter examines the challenges and possibilities of assessment practices in Initial Teacher Education (ITE) programs. Informed by Bakhtin (1986), speech genres, dialogic approaches and a democratic lens to assessment, the chapter questions the nature and purpose of assessment considering the COVID-19 pandemic. New understanding of the concept of ‘relationality’ through pandemic experience provides opportunities for ‘democratic’ assessment is perceived as a point of departure in the learning process for both students and teachers, and not a destination. This perspective incorporates students’ diverse voices and agency and encourages assessment practices to promote not only instrumental aspects of learning, but also the epistemological and ontological layers of learning and being. Though this conceptual interrogation can be applied to any educational context across programs locally and globally, the focus is on ITE in the Australian context, due to the important role of pre-service teachers in creating and designing assessment practices. The chapter provides case study a example that enabled pre-service teachers to play an active and influential role in the development of assessment artefacts and practices. It concludes by projecting opportunities and challenges to teaching and research practices, locally and globally.

This collaborative autoethnographic story of #DataCreativities articulates data traces found within the rapid move online in education and creative sectors in Melbourne, Australia. As a result of the lockdowns imposed to combat the initial spread of COVID-19, this collaboratory began within the anxieties of 2020. #DataCreativities takes a data-related approach to understanding the fast-paced shift to making, learning, teaching, and living in a crisis through research and art. Twelve months on, we figure (out) our own data and practice. We ask: What does CO-llaborative VI-rtual D-esign look like, how can it be established, and how can it be sustained?