111 results on '"Coffey, Mary K."'
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2. Hemispheric Integration: Materiality, Mobility, and the Making of Latin American Art by Niko Vicario (review)
3. Index
4. Bibliography
5. Conclusion
6. Notes
7. 3. American Modernity and the Play of Mourning
8. List of Illustrations
9. 4. “Modern Industrial Man' and the Melancholy of Race in America
10. 2. Colonial Melancholy and the Myth of Quetzalcoatl
11. 1. Orozco’s Melancholy Dialectics
12. Preface
13. Title Page, Copyright, Dedication
14. Acknowledgments
15. From Idols to Antiquity: Forging the National Museum of Mexico by Miruna Achim (review)
16. Introduction to Contemporary Art and the Deconstruction of Heritage: Preservation By Other Means: Contemporary Art and Contested Heritage
17. Gifting the Cultural-Capitalist State: Consuming Popular Art and Performing Citizenship in Mexico’s Museums
18. Index
19. Notes
20. Illustration Credits
21. Bibliography
22. Conclusion
23. Acknowledgments
24. 3. The Womb of the Patria
25. 1. A Palace for the People
26. 2. A Patriotic Sanctuary
27. Title, Copyright, Dedication
28. José Clémente Orozco's Dancing Indians: Performing Mexicanness for the Trans-American Market
29. In Conversation : Art Is Not the Archive
30. Introduction to Contemporary Art and the Deconstruction of Heritage. Preservation By Other Means: Contemporary Art and Contested Heritage
31. Orozco's American Epic
32. Myth, Melancholy, and History: Figural Dialectics and José Clemente Orozco's Epic of American Civilization
33. New (and a Few Old) Directions in Latin American Visual Cultural Studies
34. Feeling Brown or Acting White?
35. Review: Revolution in Development: Mexico and the Governance of the Global Economy, by Christy Thornton
36. Orozco's American Epic : Myth, History, and the Melancholy of Race
37. New (and a Few Old) Directions in Latin American Visual Cultural Studies
38. Banking on Folk Art: Banamex-Citigroup and Transnational Cultural Citizenship
39. Angels and Prostitutes: José Clement Orozco's "Catharsis" and the Politics of Female Allegory in 1930s Mexico
40. From Idols to Antiquity: Forging the National Museum of Mexico Achim Miruna
41. 3. “All Mexico on a Wall”: Diego Rivera’s Murals at the Ministry of Public Education
42. How a Revolutionary Art Became Official Culture
43. MARKETING MEXICO’S GREAT MASTERS
44. Marketing Mexico's Great Masters
45. Stephanie J. Smith, The Power and Politics of Art in Postrevolutionary Mexico (Chapel Hill, NC: University of North Carolina Press, 2017), pp. xiii +275, $29.95, pb.
46. Picturing the Proletariat: Artists and Labor in Revolutionary Mexico, 1908–1940
47. Corporate Patronage at the Crossroads: Situating Diego Rivera’s “Rockefeller Mural” Then and Now
48. Review: From Idols to Antiquity: Forging the National Museum of Mexico by Miruna Achim
49. How a Revolutionary Art Became Official Culture : Murals, Museums, and the Mexican State
50. Great Masters of Mexican Folk Artin Los Angeles: transnational exhibition, diasporic emplacement, and the expedient politics of display
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