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Copyright of Goya is the property of Fundacion Lazaro Galdiano and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Studia Universitatis Babes-Bolyai, Theologia Catholica is the property of Babes-Bolyai University, Cluj-Napoca, Romania and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

El Libro de los Juramentos del Ayuntamiento de Toledo es considerado uno de los códices más importantes custodiados en el Archivo Municipal de la ciudad, si bien, aunque los estudios referentes a su contenido se han tenido en cuenta desde hace décadas, no ha sido el caso en lo referente a su aportación artística. Los folios iluminados y enmarcados con bellas orlas han fascinado a todos los que, por alguna razón, se acercaron al manuscrito toledano, por lo que nuestro principal objetivo ha sido analizar desde el punto de vista estético, estilístico e iconográfico el conjunto de repertorios iluminados. En el proceso de estudio ha sido fundamental el análisis comparativo con otros códices que hemos considerado contemporáneos, pues en base a la fecha de renovación del volumen manuscrito, la diligencia del último folio apunta al año de 1594. De igual manera hemos podido concluir una importante conexión estilística y técnica con las nuevas fórmulas de iluminación, iniciadas en el scriptorium del monasterio de El Escorial desde el último cuarto del quinientos. Abstract The Book of Vows of the City Hall of Toledo is considered one of the most important codex kept in the Archive of the city. The studies regarding its content have been already analyzed for decades, but its artistic contribution has been neglected. The illuminated pages, beautifully framed, have fascinated all those who have approached the Toledo manuscript. Our main objective has been to analyze from the aesthetic, stylistic and iconographic point of view the set of illuminated repertoires. This article will stablish new relations with other codices that we have considered contemporary, according to the date of renewal of the book: the year 1594. We have been able to link this work stylistically and technically with the new formulas of illumination, started at the scriptorium of the monastery of El Escorial during the last quarter of the five hundred.

With the Principate legal literature gained in importance as consequence of the democratization of knowledge. An unlearned character in Petronius’ Satyricon sought to buy aliquot libra rubricata (law-texts), in order to enable his son to acquire sufficient knowledge to embark upon a profitable profession (46.7).Membranae (parchments) was the title given by Neratius Priscus (cos. suff. 97) to one of his works.During the second and third centuries legal literature expanded in line with the need to provide a frame of reference.It is remarkable that in the same time, already in the earliest centuries, Christians were heavily involved in writing, copying, reading, exchanging, and disseminating a great number of texts as it is proven in the passage from the roll to the codex with the very construction of early Christian scriptural documents so as to render them more easily accessible to sub-elite readers. By the late second century, at least in some circles, Christian identity was connected with the possession of books, and various material evidence suggest that reading practices were developed and textual communities formed, in spite of what appears to have been the relatively low educational level of the majority of Christ believers. By the fourth century, a «media revolution» was in full swing.

Copyright of Trace: Travaux et Recherches dans les Amériques du Centre is the property of Centro de Estudios Mexicanos & Centroamericanos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

El artículo analiza y describe el manuscrito 229 (PN7) de la Bibliothéque Nationale de París, que ha sido la base de todas las ediciones modernas del Laberinto de Fortuna de Juan de Mena desde la de John Cummins en 1968. El análisis constituye una muy pormenorizada descripción de todos los ángulos ecdóticos necesarios para comprender y apreciar este valioso códice, desde tipos de letra, los posibles copistas, el soporte de pergamino, las filigranas, las capitulares, la disposición del texto central y textos menores que lo acompañan, así como la trayectoria textual del códice, entre otros aspectos.

Copyright of Acta Comportamentalia is the property of Instituto de Psicologia y Educacion de la Universidad Veracruzana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Itinerarios (1507-7241) is the property of University of Warsaw and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Goya is the property of Fundacion Lazaro Galdiano and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Il codice di procedura penale italiano del 1988, varato dopo un travaglio di sei legislature, mirava, tra l’altro, a potenziare la tutela della libertà personale dell’imputato e a separare definitivamente le funzioni inquisitorie e giurisdizionali. Il risultato più evidente di questo sforzo fu l’istituzione del Giudice per le Indagini Preliminari. Tuttavia, dall’analisi delle riforme immediatamente posteriori e della giurisprudenza, emerge l’essenziale fragilità di tale controllo, e la sostanziale sopravvivenza di schemi inquisitori nella forma mentis giuridica italiana.

Copyright of Espacio, Tiempo y Forma. Serie VII, Historia del Arte is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The paper analyzes the manuscript 229 (PN7) of the National Library in Paris, which is the basis of all Juan de Mena's Laberinto de Fortuna modern editions, the first one of them was John Cummins' in 1968. The article offers a detailed description of this codex from many ecdotic angles, such as the paleographic type of letter, the possible copyists, the texts included in this codex, besides Juan de Mena's poem, the filigree works and watermarks, the capital letters heading some texts and parts, the textual trajectory or path followed by the codex, etc. [ABSTRACT FROM AUTHOR]

Los aproximadamente 600 fragmentos de cerámica de estilo códice recuperados por el Proyecto Arqueológico Calakmul, corresponderían a un mínimo de 86 vasijas. La mayoría proviene de contextos asociados al palacio, Estructura XX, de la Gran Acrópolis donde, probablemente, se celebraban importantes eventos sociales y políticos entre la aristocracia maya, como se ha planteado. Los análisis químicos de pasta de cerámica códice han dado como resultado divisiones principales dentro de ésta, aunque se ha propuesto como único foco de fabricación la región de la cuenca de El Mirador. Los nuevos hallazgos en Calakmul nos permiten cuestionar el origen único de este estilo. Mientras que se generan datos comparativos para una caracterización de las huellas químicas de pasta, proponemos un análisis con base en modas cerámicas y en el sistema Tipo-variedad.This paper, primarily, addresses the approximately 600 codex style sherds recovered during the Calakmul Archaeological Project. These sherds make up a minimum of 86 vessels. The majority of these come from archaeological contexts associated with the palace structure known as Structure XX in the Great Acropolis, where important social and political events took place among maya aristocracy. Paste chemical analysis of codex style ceramics have resulted in several divisions. Nevertheless it was proposed that they formed an homogeneous group, with one focus of production, El Mirador Basin. New discoveries in Calakmul permit us to question the premise of a single origin for this style. While new comparative data is generated from paste characterization of chemical fingerprints, we propose an analysis based on concepts of ceramic modes and the Type-variety system.

The purpose of this paper is to examine the crucial contribution of Petar I Petrović Njegoš (later canonized as St. Petar of Cetinje) to the state, civilizational and civil development of the Montenegrin society as well as to look into the links and influences of other states on the historical period of the rule of Petar I. In this paper we use the historical-pedagogical method of research. The historical method was used to establish the facts necessary for the interpretation of significance, thoughts, ideas, personalities and social, historical and cultural circumstances in Montenegro at the time of St. Petar of Cetinje. St. Petar of Cetinje (1748-1830) was a great Montenegrin statesman, politician and diplomat, a high church fi gure, but also a prominent illuminator, a man of culture and a poet. A lot of attention has been paid to him in research papers. In our opinion, there is a need to analyze and show his personality again, with a special focus on his educational work. Within his enlightment work, we included: his thoughts and ideas that refer exclusively to education; his aspirations to establish schools and printing presses in Montenegro; and his patriotic, ethical, humanistic, internationalistic and other ideas and thougths expressed in his letters, epistles, code, poems and other documents. Owing to his work and achievements, he was a very prominent fi gure in the Balkan and European area. [ABSTRACT FROM AUTHOR]

Copyright of Revista Iberoamericana de Lingüística is the property of Universitas Castellae and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ab Initio: Revista Digital para Estudiantes de Historia is the property of Ab Initio: Revista Digital para Estudiantes de Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper is a research instrument presenting the codex E-278 - Ordens Régias 1681-1809, from the archives of the Rio de Janeiro Metropolitan Curia. Preceded by an introduction about the documentation, and an overview of the contents, the core of the work consists in an index of decrees, charters, and letters sent on behalf of the King of Portugal to the Bishop of Rio de Janeiro between 1681 and 1809. It is part of a larger research project of the Federal University of Rio de Janeiro -- Brotherhoods, Chapels and Rituals in Eighteenth-Century Rio de Janeiro - that selected three codices for publication and further historical research on the role of Rio in the Portuguese Empire during the Ancient Regime. [ABSTRACT FROM AUTHOR]

Copyright of Revista Iberoamericana de Lingüística is the property of Universitas Castellae and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Eric Chevillard é um romancista com um longo percurso no mundo da publicação tradicional e que mantém um blogue, L'autofictif (http://l-autofictif.over-blog.com/). Esta prática suscita duas questões essenciais. A primeira diz respeito ao contraste entre as características dos textos publicados em papel e no blogue, dado que neste último a escrita se torna mais fragmentada, a forma mais breve e incisiva e os temas mais pessoais. A segunda remete-nos para a relação entre L'Autofictif, documento digital, e L'Autofictif, livro impresso, dado que o autor publica os textos do blogue em papel e os dois suportes proporcionam experiências de leitura radicalmente diferentes. Assim, o leitor da obra online é confrontado com um texto em mutação, a que tem acesso por fragmentos e de acordo com uma ordem aleatória. Em contrapartida, no livro em papel, o texto é apresentado como um todo, ordenado por ordem cronológica e com uma forma definitiva.

[Segue da Parte seconda: il fantasma dell'autore] La rete fa interagire i testi tramite i link. Li fa interagire fra loro ma soprattutto con il lettore e fra i lettori. Gli autori scrivono frasi, i tipografi stampano pagine, mentre i libri sono fatti dai rilegatori. Le loro proprietà formali non derivano dalla stampa, ma dalla [...]

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article discusses the history of Italian legal discourse, with reference to the formation of the Italian nation-state, in the period between the beginning of the 19th century and the beginning of the unified Italian state. Topics discussed include the concept of the law and legal discourse in the space between discourse and the creation of order, the intersections between Italian legal discourse, Italianness, and patriotism; and the effect of political projections of Italian national identity on Italian legal discourse.