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159 results on '"Cinematographers -- Works"'

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1. Lives Witnessed Through New Eyes

2. PIONEER CINEMATOGRAPHERS OF BRASILIA: Home Movies and Newsreels during the Construction of the New Capital of Brazil

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3. 'WE'RE TRYING TO REBEL AGAINST THE SYSTEM, BUT IT'S A GOOD REBELLION': Cinematographers Alice Brooks (Tick, Tick ... Boom! and In the Heights), Chung Chung-hoon (Last Night in Soho), Bruno Delbonnel (The Tragedy of Macbeth), Greig Fraser (Dune), Janusz Kaminski (West Side Story), Ari Wegner (The Power of the Dog) and Haris Zambarloukos (Belfast) talk about subjects from rest periods to gun safety in the aftermath of the tragedy on the set of Rust

4. One Cinematographer but Two Very Different Looks

5. A Cinematic Image That Boasts of Creative Collaboration: The Mandalorian DP Dean Cundey details how he worked in tandem with VFX artists to capture an intense scene

6. A Rousing Call to Action Via Hologram: For a key moment in Star Wars series Andor, cinematographer Damian Garcia had to capture a crowd looking at nothing

7. How Dead Ringers Created Haunting Doubles of Rachel Weisz: DP Jody Lee Lipes breaks down the cinematic reference behind this moment in the Prime Video limited series

8. A Comedy With a Dash of Film Noir: Touch of Evil and Vertigo inspired the look of the final sequence of Only Murders in the Building's second season

9. Making That '70s Movie: The Holdovers DP Eigil Bryld on how he pulled off Alexander Payne's directive that the movie, set at a New England boarding school, needed to be more than set in that era--it had to look, feel and sound as if it were actually made then

10. 'We Only Had One Shot at It': Ferrari's Oscar-winning cinematographer Erik Messerschmidt Combined aggressive race scenes with a painterly look for the Italian automaker's personal story

11. 'I'm Still as Excited as When I Did My First Movie': Darius Khondji on DPing for Bong Joon Ho and Alejandro G. Inarritu

12. 'One of the Most Beautiful Endings': Cinematographer Autumn Durald Arkapaw describes how she and Ryan Coogler approached capturing the emotions and themes of Black Panther: Wakanda Forever

13. 'Beautiful But Brutal': Director Antoine Fuqua and cinematographer Robert Richardson explain how they settled on a unique color palette to help portray the perspective of enslaved people in Apple TV+'s Emancipation

14. Top Gun: Maverick's Inventive Camera Tech: DP Claudio Miranda helped develop a lightweight camera system to capture the actors inside the jets, which will be further refined as he reteams with director Joseph Kosinski on their upcoming Formula One drama

15. GOING BACK IN TIME TO CAMELOT: Moving away from medieval 'gritty' and 'grainy,' The Green Knight cinematographer Andrew Droz Palermo and production designer Jade Healy employed an expressive color palette for writer-director David Lowery's contemporary take on an Arthurian tale

16. How Insecure's Cinematographer Framed the Show's Most Intimate Moments: 'I thought of it as a piece of music being put carefully together,' says Ava Berkofsky about the raw scenes in the HBO series' final season

17. How Stylistic Restraint Unleashed Powerful Moments in Tar: DP Florian Hoffmeister describes how using one continuous take fueled the emotion of a pivotal scene

18. All Shook Up: DP Mandy Walker re-created iconic performances down to the camera angles for Baz Luhrmann's Elvis

19. How to make a summer blockbuster? Start with one of these (unsung) stars: from little fish (Finding Dory) to men in leggings (Captain America: Civil War): meet the cinematographers, editors, costume designers and visual effects whizzes who help Hollywood audiences suspend their disbelief

21. Controlling audience perspective

23. 'Cinematograms' of a Balkan conflict: Charles Rider Noble in Bulgaria, 1903-1904

24. Movement in moving pictures: an interview with Gilbert Warrenton, ASC

25. HOW CYRANO CAPTORED ROMANTIC SICILIAN LIGHT: For Joe Wright's musical retelling of Cyrano de Bergerac, cinematographer Seamus McGarvey took inspiration from the film's Italian location

26. Exhilaration and invisible edits: how Birdman was imagined and executed as a 'single take'

27. A Documentary Style That Is 'All Indebted to the Warhol Films': In Apple TV+'s The Velvet Underground, director Todd Haynes and cinematographer Edward Lachman immerse viewers in the New York counterculture of the '60s by taking inspiration from the avant-garde cinema of the era

28. 'We Wanted to Pay Homage to the Era':' Cinematographer Jeff Cronenweth and production designer Jon Hutman brought back the golden age of television for Aaron Sorkin's behind-the-scenes drama Being the Ricardos

29. Filmography

30. Cinematographer Roger Deakins' Films Are Artistic Yet Unpretentious

31. 'Did the cameraman film you?' Finding the folk in H. Lee Water's movies of local people

32. Lights, camera leap of faith: few know more of what it takes to direct a film than the cinematographer, but the job can prove overwhelming

33. Rachel Morrison Wants More Women Behind The Camera

34. The top 10 cinematographers: a celebration of the industry's finest

35. In their own words: top cinematographers discuss their aesthetic

37. Sixty fathoms under the sea

38. Rosewater: Jon Stewart and Bobby Bukowski team for this tense true story

39. Shifting perspectives: recording and revealing the complex narrative of the affair

40. Hey, ladies! Achieving the delightful, dreamy look on Garfunkel and Oates

41. Castles, candlelight & digital cinematography: the reality of producing the fantasy series Outlander

42. Camera movement and conversation: capturing the loosely scripted series family tree

43. Power struggle: realizing J.J. Abrams' post-apocalyptic series, Revolution

44. Lensing Dramatic Tension: For these two limited series and one drama series, the directors of photography were tasked with capturing the intensity of prison escapes, chaotic military missions and a dark family drama

45. Smoking images: top d.p.s sound off on the year's most compelling work

46. 'My Entire Career I've Been Chasing This Target': Rachel Morrison, the first woman nominated for cinematography, talks shooting Mudbound in flash rainstorms and her work on Black Panther, 'something so completely outside my wheelhouse'

47. 5 Ways to use the give and take of light and lenses: cinematographers on these notable series played with light and composition to look deeper into a character, or literally keep viewers in the dark

49. Epic journey: DP Denis Crossan shoots for Lincoln LS

50. Behind the camera