159 results on '"Cinematographers -- Works"'
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2. PIONEER CINEMATOGRAPHERS OF BRASILIA: Home Movies and Newsreels during the Construction of the New Capital of Brazil
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3. 'WE'RE TRYING TO REBEL AGAINST THE SYSTEM, BUT IT'S A GOOD REBELLION': Cinematographers Alice Brooks (Tick, Tick ... Boom! and In the Heights), Chung Chung-hoon (Last Night in Soho), Bruno Delbonnel (The Tragedy of Macbeth), Greig Fraser (Dune), Janusz Kaminski (West Side Story), Ari Wegner (The Power of the Dog) and Haris Zambarloukos (Belfast) talk about subjects from rest periods to gun safety in the aftermath of the tragedy on the set of Rust
4. One Cinematographer but Two Very Different Looks
5. A Cinematic Image That Boasts of Creative Collaboration: The Mandalorian DP Dean Cundey details how he worked in tandem with VFX artists to capture an intense scene
6. A Rousing Call to Action Via Hologram: For a key moment in Star Wars series Andor, cinematographer Damian Garcia had to capture a crowd looking at nothing
7. How Dead Ringers Created Haunting Doubles of Rachel Weisz: DP Jody Lee Lipes breaks down the cinematic reference behind this moment in the Prime Video limited series
8. A Comedy With a Dash of Film Noir: Touch of Evil and Vertigo inspired the look of the final sequence of Only Murders in the Building's second season
9. Making That '70s Movie: The Holdovers DP Eigil Bryld on how he pulled off Alexander Payne's directive that the movie, set at a New England boarding school, needed to be more than set in that era--it had to look, feel and sound as if it were actually made then
10. 'We Only Had One Shot at It': Ferrari's Oscar-winning cinematographer Erik Messerschmidt Combined aggressive race scenes with a painterly look for the Italian automaker's personal story
11. 'I'm Still as Excited as When I Did My First Movie': Darius Khondji on DPing for Bong Joon Ho and Alejandro G. Inarritu
12. 'One of the Most Beautiful Endings': Cinematographer Autumn Durald Arkapaw describes how she and Ryan Coogler approached capturing the emotions and themes of Black Panther: Wakanda Forever
13. 'Beautiful But Brutal': Director Antoine Fuqua and cinematographer Robert Richardson explain how they settled on a unique color palette to help portray the perspective of enslaved people in Apple TV+'s Emancipation
14. Top Gun: Maverick's Inventive Camera Tech: DP Claudio Miranda helped develop a lightweight camera system to capture the actors inside the jets, which will be further refined as he reteams with director Joseph Kosinski on their upcoming Formula One drama
15. GOING BACK IN TIME TO CAMELOT: Moving away from medieval 'gritty' and 'grainy,' The Green Knight cinematographer Andrew Droz Palermo and production designer Jade Healy employed an expressive color palette for writer-director David Lowery's contemporary take on an Arthurian tale
16. How Insecure's Cinematographer Framed the Show's Most Intimate Moments: 'I thought of it as a piece of music being put carefully together,' says Ava Berkofsky about the raw scenes in the HBO series' final season
17. How Stylistic Restraint Unleashed Powerful Moments in Tar: DP Florian Hoffmeister describes how using one continuous take fueled the emotion of a pivotal scene
18. All Shook Up: DP Mandy Walker re-created iconic performances down to the camera angles for Baz Luhrmann's Elvis
19. How to make a summer blockbuster? Start with one of these (unsung) stars: from little fish (Finding Dory) to men in leggings (Captain America: Civil War): meet the cinematographers, editors, costume designers and visual effects whizzes who help Hollywood audiences suspend their disbelief
20. Their aim is true: Variety's 10 cinematographers to watch display high aesthetic standards without sacrificing practical solutions
21. Controlling audience perspective
22. Make scenes cinematic: what does it take to make your work look cinematic and feel like a movie?
23. 'Cinematograms' of a Balkan conflict: Charles Rider Noble in Bulgaria, 1903-1904
24. Movement in moving pictures: an interview with Gilbert Warrenton, ASC
25. HOW CYRANO CAPTORED ROMANTIC SICILIAN LIGHT: For Joe Wright's musical retelling of Cyrano de Bergerac, cinematographer Seamus McGarvey took inspiration from the film's Italian location
26. Exhilaration and invisible edits: how Birdman was imagined and executed as a 'single take'
27. A Documentary Style That Is 'All Indebted to the Warhol Films': In Apple TV+'s The Velvet Underground, director Todd Haynes and cinematographer Edward Lachman immerse viewers in the New York counterculture of the '60s by taking inspiration from the avant-garde cinema of the era
28. 'We Wanted to Pay Homage to the Era':' Cinematographer Jeff Cronenweth and production designer Jon Hutman brought back the golden age of television for Aaron Sorkin's behind-the-scenes drama Being the Ricardos
29. Filmography
30. Cinematographer Roger Deakins' Films Are Artistic Yet Unpretentious
31. 'Did the cameraman film you?' Finding the folk in H. Lee Water's movies of local people
32. Lights, camera leap of faith: few know more of what it takes to direct a film than the cinematographer, but the job can prove overwhelming
33. Rachel Morrison Wants More Women Behind The Camera
34. The top 10 cinematographers: a celebration of the industry's finest
35. In their own words: top cinematographers discuss their aesthetic
36. Reading local histories of early film exhibition: Sylvester Quinn Breard's 'A History of the Motion Pictures in New Orleans, 1896-1908.'
37. Sixty fathoms under the sea
38. Rosewater: Jon Stewart and Bobby Bukowski team for this tense true story
39. Shifting perspectives: recording and revealing the complex narrative of the affair
40. Hey, ladies! Achieving the delightful, dreamy look on Garfunkel and Oates
41. Castles, candlelight & digital cinematography: the reality of producing the fantasy series Outlander
42. Camera movement and conversation: capturing the loosely scripted series family tree
43. Power struggle: realizing J.J. Abrams' post-apocalyptic series, Revolution
44. Lensing Dramatic Tension: For these two limited series and one drama series, the directors of photography were tasked with capturing the intensity of prison escapes, chaotic military missions and a dark family drama
45. Smoking images: top d.p.s sound off on the year's most compelling work
46. 'My Entire Career I've Been Chasing This Target': Rachel Morrison, the first woman nominated for cinematography, talks shooting Mudbound in flash rainstorms and her work on Black Panther, 'something so completely outside my wheelhouse'
47. 5 Ways to use the give and take of light and lenses: cinematographers on these notable series played with light and composition to look deeper into a character, or literally keep viewers in the dark
48. Katia Lund: her torch is her camera, and she's shining a light on the Brazil no one wants to see. (Action)
49. Epic journey: DP Denis Crossan shoots for Lincoln LS
50. Behind the camera
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