158 results on '"Caselli, Daniela"'
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2. The Ivory Tower and Harry Potter: Perspectives on a Literary Phenomenon by <given-names>Lana A.</given-names> <surname>Whited</surname> (review)
3. Modernist Articulations: A Cultural Study of Djuna Barnes, Mina Loy, and Gertrude Stein (review)
4. Insufferable: Beckett, Gender and Sexuality
5. Modernist Dante
6. Insufferable: Beckett, Gender and Sexuality
7. Introduction
8. Dante's Pilgrimage in Dorothy Richardson
9. 'Tendency to Precocity' and 'Childish Uncertainties' of a 'Virago at Fourteen': Djuna Barnes's 'The Diary of a Dangerous Child'
10. Dante and Beckett : authority constructing authority
11. The 'Indecent' Eternal’: Eroticism in Djuna Barnes’s Nightwood
12. Beckett’s Dantes: Intertextuality in the Fiction and Criticism
13. Reading Intertextuality. The Natural and the Legitimate: Intertextuality in ‘Harry Potter’
14. Twentieth-Century Poetic Translation: Literary Cultures in Italian and English
15. THE PROMISE OF DANTE IN THE BECKETT MANUSCRIPTS
16. INTRODUCTION TO "The Child in Beckett's Work"
17. TINY LITTLE THINGS IN BECKETT'S "COMPANY"
18. Literary and Sexual Experimentalism in the Interwar Years
19. 'Elementary, my dear Djuna': Unreadable Simplicity in Barnes's "Creatures in an Alphabet"
20. BELACQUA'S SHADOWS IN "DREAM OF FAIR TO MIDDLING WOMEN" AND "HOW IT IS"
21. Introduction
22. “The Florentia Edition in the Ignoble Salani Collection“ : A Textual Comparison
23. "GOD THAT OLD FAVOURITE": Issues of Authority in "How It Is"
24. Looking It Up in My Big Dante : A Note on “Sedendo et Quiesc[i]endo”
25. Beckett’s Intertextual Modalities of Appropriation : the Case of Leopardi
26. Contents
27. Staging the Inferno in How It Is
28. Déjà vu beyond reach
29. Dantes in Limbo
30. Strata and mysteries
31. Acknowledgements
32. ‘In the words of the poet’
33. Fatigue and disgust
34. Introduction
35. Who is the third beside you?
36. Belacqua does not observe ‘the rule of the road’
37. ‘The wives of geniuses I have sat with’
38. Bibliography
39. Front matter
40. 12. Beckett and Leopardi
41. ‘The wives of geniuses I have sat with’1: body hair, genius and modernity
42. ‘In the words of the poet’: The Lost Ones
43. Dantes in Limbo
44. Strata and mysteries: intratextuality in More Pricks Than Kicks
45. Who is the third beside you? Authority in Mercier and Camier
46. Introduction
47. Fatigue and disgust: Murphy and Watt
48. Déjà vu beyond reach: from the Novellas to the Three Novels
49. Staging the Inferno in How It Is
50. Farewell to the old lutist
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