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The article explains how to use a native-type computer recording systems to manage latency and processor performance while recording sound. He notes that the native-type system is a basic type of audio interface which does not provide its own processing power but instead works with the software to make use of the microprocessors built into the computer. He further notes that because of good sound and flexible features in a cost-effective package, this type of hardware-software combination offers composers many advantages.

The article talks about the elimination of the mixing board from the process of composing music. The author interviewed several working composers to get their perspective on the question whether a mixing board is no longer necessary for the well-equipped composer. He reports that the answers he received varied widely as did the degree of sophistication of their rigs and their approach to technology. He explains what will happen if the mixing board is eliminated from the computer software.

The article discusses various hand-related diseases that could be acquired by composers. As many as a third of symphony and studio musicians will deal with pain or injuries to the hands at some point in their career. They could experience carpal tunnel syndrome, tendonitis or osteoarthritis. Repetitive motion injuries can even threaten their career. Tips are given on how to prevent such injuries. Ergonomic accessories are also recommended.

Several letters to the editor are presented in response to the article "Wanted: Safe Beef," in the October 2015 along with response from the editor; "Is Your Financial Planner Getting Rich at Your Expense?" in the October 2015 issue; and "10 Old-Car Red Flags" in the June 2015 issue.

The article evaluates music composing tools Tascam MX-2424 hard-drive multitrack digital recorder and the Yamaha DM-2000 mixing console and offers information on their advantages, capabilities and prices

The article presents several letters to the editor from readers regarding articles previously published in the magazine, including "Tech's Files: The Kit Revival," by Eddie Giletti, "The Limits of Compression," by Gavin Lurssen, and a response to the revised format of the magazine discussed in the "Talkback" column published in the December 2008 issue.