143 results on '"Brückle, Irene"'
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2. Analysis of red chalk drawings from the workshop of Giovanni Battista Piranesi using fiber optics reflectance spectroscopy
3. Paper Splitting: History and Modern Technology
4. Cyclododecane: Technical Note on Some Uses in Paper and Objects Conservation
5. Didactic Panel Illustrating Light Exposure Effects
6. Restaurierung
7. Cold Storage?
8. Do’s and Don’ts
9. Conversion of Discoloured Lead White: Effects of Hydrogen Peroxide on Paint and Paper
10. Pressure-sensitive Tape Removal in Paper Conservation: A Review
11. Iron Gall Ink Corrosion on Parchment. Preliminary Evaluation of Treatment Methods Using Aqueous Solutions
12. Analysis of Agarose, Carbopol, and Laponite Gel Poultices in Paper Conservation
13. Microfibrillated cellulose films for mending translucent paper: an assessment of film preparation and treatment application options
14. Cold Storage?: How it Affects Face- and Back-mounted Chromogenic Prints as Composites.
15. Cyclopentasiloxane (D5) as a Non-Polar Masking Agent for Water-Sensitive Substrates During Polar Solvent Treatment
16. Do's and Don'ts: Cleaning the Acrylic Surface of Face-mounted Photographic Prints.
17. V The Evidence of the Forged Padua Compasso Book Structure
18. VIII Final Thoughts
19. III The Evidence of the Forged Paper
20. Introduction
21. Additional file 1 of Analysis of red chalk drawings from the workshop of Giovanni Battista Piranesi using fiber optics reflectance spectroscopy
22. Analysis of Red Chalk Drawings from the Workshop of Giovanni Battista Piranesi using Fiber Optics Reflectance Spectroscopy
23. Volume I: Printing the Etchings
24. Volume I: The Black Deposit
25. Volume I: The Paper
26. Volume I: Bistre in the Drawing Process
27. Volume I: Watermark Distribution in Selected Copies
28. Volume I: The Signature and Moon Outline Inks
29. Volume I: Modeling the Transfer
30. Calcium Phytate as a Pretreatment for Iron-contaminated Papers Prior to Hydrogen Peroxide Bleaching
31. Eliminating Hydrogen Peroxide Volatiles after Lead White Conversion Treatment Via Sorption Agents
32. From Wine to Print: Reconstruction of Frankfurt Black Pigment and Intaglio Printing Ink
33. The Development of Skill Knowledge in Conservation
34. Retreatment of a Print Damaged by Excessive Sodium Borohydride Bleaching
35. Light Emitting Diodes (LED) for Aqueous Light Bleaching of Paper
36. Calcium Phytate as a Pretreatment for Iron-contaminated Papers Prior to Hydrogen Peroxide Bleaching.
37. Print Facsimile Repairs on Old Master Prints or: What We Can Learn from Schweidler
38. Thomas Hirschhorn’s Collages in the ‘Intensif-Station’
39. Thoughts on Bleaching Guidelines
40. Large Custom Mount for a Drawing on Tracing Paper
41. Honeycomb Panels for Treatment and Vertical Storage of Large Paper Objects
42. Aqueous Washing Treatment Aids: How to Remove Ionic Fixatives from Paper
43. Editorial
44. Stacked Storage System for Large Works on Paper
45. Editorial
46. Electrostatic Removal of Loose Particulate Surface Contamination from Historical Photographs / Elektrostatische Abnahme lose aufliegender partikulärer Verunreinigungen von historischen Photographien / Dissolution électrostatique des particules libres contaminant la surface de photographies historiques
47. Reducing the Risks of Hydrogen Peroxide Bleaching in Presence of Iron Ions in Paper
48. Editorial
49. Historical Note: Aqueous Chlorine Dioxide Bleaching at Christa Gaehde’s Studio in the 1990s
50. Treating a Previously Bleached Artwork on Paper
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