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This research looks to investigate the designs of ancient bows depicted on ancient Greek pottery. The goal is to show that the bows most commonly shown are not native to the Greek mainland but rather are from both Scythia and Egypt. This has been done by examining a number of vases, pyramid friezes, and modern bow reconstructions. The common use of the Scythian design for archer characters in scenes of myth implies a familiarity with archery primarily through the Scythian mercenaries. The Egyptian acacia deflex bow design, while rare in vase depictions, directly corresponds to images on pyramids. The Egyptian angular composite bow appears in a rare case on a Greek vase, but its depiction is consistent with modern historical reconstructions. Through showing these non-native bow origins, this paper hopes to further demonstrate the worldly influences to archaic Greece.

This article introduces the idea of sustainable transformation at a time when sustainability science is crucial to the future development of the tourism industry. Here, we discuss background topics including sustainability, social-ecological systems, technology and innovation, resilience, and transitions, how each relate to each other, as well as how they interface with the new science of transformation. Based on a comprehensive overview of the literature, we developed the Tourism and Sustainable Transformation Framework and applied it to the current problems around food waste produced in restaurants, with the ultimate goal of reducing food waste in these establishments altogether. The framework is general enough to apply to any sector in tourism, or indeed any industry, and is built according to the value that the UN places on transformation as a prominent theme in their Sustainable Development Goals. [ABSTRACT FROM AUTHOR]

In 2016, the Detroit Institute of Arts' Day of the Dead Ofrenda program was at a turning point. An opportunity arose to transition the popular public program to an annually scheduled exhibition which would provide increased staff support, a larger budget, and dedicated gallery space, among other resources, ensuring that this community-based project would continue for generations. In this case study, we share a brief history of the program, provide overviews of the museum's visitor-centered practices and the supported interpretation model, and describe how the 2016 exhibition was planned and developed. We conclude with visitor attendance, satisfaction and engagement data, and reflections by some of the participants, which shed light on the impact of the exhibition, its importance, and the opportunities that lie ahead for the project. Our hope is to inspire other museum professionals to explore interpretive engagement and visitor-centered exhibition practices to create more engaging and participatory experiences for visitors. [ABSTRACT FROM AUTHOR]