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11 results on '"Bosi, Adele"'

2. Inside the History of Italian Coloring Industries: An Investigation of ACNA Dyes through a Novel Analytical Protocol for Synthetic Dye Extraction and Characterization

Author

Serafini, Ilaria, primary, McClure, Kathryn Raeburn, additional, Ciccola, Alessandro, additional, Vincenti, Flaminia, additional, Bosi, Adele, additional, Peruzzi, Greta, additional, Montesano, Camilla, additional, Sergi, Manuel, additional, Favero, Gabriele, additional, and Curini, Roberta, additional

Published
2023
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4. Applying Gel-Supported Liquid Extraction to Tutankhamun’s Textiles for the Identification of Ancient Colorants: A Case Study

Author

Peruzzi, Greta, primary, Ciccola, Alessandro, additional, Bosi, Adele, additional, Serafini, Ilaria, additional, Negozio, Martina, additional, Hamza, Nagmeldeen Morshed, additional, Moricca, Claudia, additional, Sadori, Laura, additional, Favero, Gabriele, additional, Nigro, Valentina, additional, Postorino, Paolo, additional, and Curini, Roberta, additional

Published
2023
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5. #ScienzeABC: pills of digital knowledge to tell the Sciences Applied to Cultural Heritage

Author

DI FAZIO, Melania, Bartolucci, Beatrice, Benedetti, Francesca, Bernabale, Martina, Biribicchi, Chiara, Boccacci, Giulia, Boccaccini, Francesca, Bosi, Adele, Calzolari, Laura, Capriotti, Sara, Chiarucci, Cristina, Kateryna, D'Ayala, Ercoles, Isabella, Giuliani, Laura, Kratter, Matilde, Luca, Marinacci, Masci, Lucrezia, Moffa, Candida, Moricca, Claudia, Porcaro, Marta, Sonaglia, Erica, Stagno, Valeria, Vassallo, Ylenia, Vergelli, Lisa, Favero, Gabriele, Porretta, Daniele, and Medeghini, Laura

Published
2023

8. STUDY OF GERMAN PRINTING INKS FROM THE EARLY 20th CENTURY.

Author

CWIERTNIA, Elke and BOSI, Adele

Subjects
PRINTING ink, FOURIER transform infrared spectroscopy, GAS chromatography/Mass spectrometry (GC-MS), LINSEED oil, RAMAN spectroscopy, RAMAN microscopy
Abstract

Various coulorful printing inks were developed and widely distributed during the 19th and 20th centuries. However, in comparison to artists' paints from that period, printing inks are not studied in depth. This paper provides a first insight into materials in common German printing inks used at the time to understand the artists' opportunities, predict properties such as light fastness and possible colour alterations. The study is based on literature research and the analysis of two printing ink sample books from the 1920s and 1930s. Complementary analytical techniques were employed to characterise the ink samples, namely Fourier transform infrared spectroscopy (FTIR), Raman spectroscopy, Gas Chromatography-Mass Spectrometry (GC-MS) and Scanning Electron Microscopy-energy dispersive X-ray spectroscopy (SEM-EDS). Twenty modern synthetic organic pigments (SOPs) and several traditional pigments as well as metallic pigments were identified in the catalogues. Linseed oil, semi-drying oils and resins (such as Copal and Dammar) were used as binding media. The results will aid decision-making in preservation and conservation of printed works. [ABSTRACT FROM AUTHOR]

Published
2022

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