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123 results on '"Bláha, Jaroslav"'

1. Exprese jako subjektivní prožitek světa IV — Maurice Vlaminck a Béla Bartók.

Author

Bláha, Jaroslav

Abstract

Copyright of Hudební Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2024

2. Exprese jako subjektivní prožitek světa III – Emil Nolde a Sergej Prokofjev.

Author

Bláha, Jaroslav

Abstract

Copyright of Hudební Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2024

3. Na rozhraní věků III - exprese jako subjektivní prožitek světa.

Author

Bláha, Jaroslav

Abstract

Copyright of Hudební Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2024

5. Na rozhraní věků III − Exprese jako subjektivní prožitek světa.

Author

Bláha, Jaroslav

Abstract

Copyright of Hudební Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2024

6. Od zvnitřnění tématu k expresivní uvolněnosti a výrazové naléhavosti.

Author

Bláha, Jaroslav

Abstract

Copyright of Hudební Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2023

7. Zvnitřnění tématu jako cesta k uvolnění formy a obsahu v tvorbě Josefa Suka, Jana Preislera a Antonína Sovy.

Author

Bláha, Jaroslav

Abstract

Copyright of Hudební Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2023

8. Od alegorie generace Národního divadla k subjektivnímu symbolu generace desátých let: Josef Suk − Jan Preisler − Antonín Sova I.

Author

Bláha, Jaroslav

Subjects
IMPRESSIONISM (Art movement), MODERN art, SYMBOLISM in art, ROMANTICISM, FREEDOM of expression, REALISM
Abstract

Copyright of Hudební Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2023

9. Richard Wagner and Honore Daumier. Expresive Realism in Opera and Paintings

Author

Bláha, Jaroslav

Subjects
komická opera, velká opera, opera buffa, realism, expresivní realismus, Opera series, Opera seria, grand opera, leitmotiv, sociálně kritický realismus, buffa opera, hudební drama, realismus, comic opera, Total works, romanticism, romantismus, expressive realism, belcant opera, belcantová opera, socially critical realism, Gesamkunstwerk, musical drama, leitmotif
Abstract

Studie je zaměřena na dovršení reformy opery v hudebním dramatu Richarda Wagnera s důrazem na symbiózu realismu a expresionismu a jednoty souborného díla (Gesamkunstwerku) v procesu od belcantové opery první třetiny 19. století do nástupu velké opery po roce 1830 a obdobné syntézy realismu a expresionismu v závěrečné fázi tvorby Honoré Daumiera, představitele sociálně kritické realismu v malířství 19. století. This study focuses on the culmination of the reform of opera in Richard Wagner's musical drama with an emphasis on the symbiosis of realism and expressionism and the unity of the total artwork (Gesamkunstwerk) from the bel canto opera in the first third of the 19th century until the emergence of the Grand opera after 1830 and the analogous synthesis of realism and expressionism found in the final period of the work of Honoré Daumier, a representative of socially critical realism in 19th century painting.

Published
2021

10. Neapolitan opera of the late baroque period and rococo paintings as starting points

Author

Bláha, Jaroslav

Subjects
aria da capo, opera buffa, recitativ accompagnato, recitar cantando, Neapolitan school, antická mytologie, recitative secco, ariózo, galantní styl, gallant style, bel canto, strophic aria, pozdní baroko, rokoko, opera seria, árie da capo, strofická árie, late baroque, ariosis, recitativ secco, rococo, recitative accompagnato, historická malba, neapolská škola, historical painting, ancient mythology
Abstract

Východiskem tematického bloku zaměřeného na operu a historickou malbu klasicismu a romantismu je pozdně barokní opera neapolské školy. Rozhodující jsou jak změny koncepční – rozdělení původního univerzálního typu dramma per musica na dva výrazně odlišné typy: opera seria a opera buffa. Obdobně i obrazy a fresky s náměty z antické mytologie byly východiskem historické malby od druhé poloviny 18. století do poslední čtvrtiny 19. století. Ještě zřetelnějším předobrazem klasicistní opery byl galantní styl (Galuppi, Pergolesi ad.). The starting point of the thematic block focused on opera and historical painting of the classicism and romanticism periods is the late baroque opera of the Neapolitan school. Both the conceptual changes - the division of the original universal type of dramma per musica into two significantly different types: opera seria and opera buffa - as well as the application of belcant opera in classicism and romanticism are decisive. Similarly, paintings and frescoes with themes from ancient mythology were the starting point for historical painting from the second half of the 18th century to the last quarter of the 19th century. An even clearer prototype of the classicist opera was the gallant style (Galuppi, Pergolesi, etc.).

Published
2021

11. Christoph Willibald Gluck a Jacques Louis David. Opera seria and historical painting of classicism

Author

Bláha, Jaroslav

Subjects
aria da capo, opera buffa, Neapolitan school, classicism, recitative secco, belcanto, galantní styl, gallant style, klasicismus, bel canto, strophic aria, arióza, pozdní baroko, rokoko, árie da capo, recitativní accompagnato, starověké mytologie, strofická árie, late baroque, Opera seria, ariosis, rococo, recitative accompagnato, historická malba, neapolská škola, historical painting, ancient mythology
Abstract

Studie se zaměřuje na reformu operních sérií spjatých s raně klasicistním skladatelem Christophem Willibaldem Gluckem a tomu odpovídající proměny pojetí historické malby v ambivalentních variantách tradiční antické mytologie a současných historických událostí ve vývojových proměnách malby Jacquese Louise Davida. Důraz je kladen na společensko-historický základ pro návrat k ideálům antiky, ale především na proces reformy operních serií a historické malby. The study focuses on the reform of the opera seria associated with the early classicist composer Christoph Willibald Gluck and the corresponding changes in the concept of historical painting in ambivalent variants of traditional ancient mythology and contemporary historical events in the developmental changes of Jacques Louis David's painting. Emphasis is placed on the socio-historical basis for the return to the ideals of antiquity, but especially on the process of reform of opera seria and historical paintings.

Published
2021

12. Wolfgang Amadeus Mozart and William Hogarth. The Marriage of Figaro and the Marriage according to Fashion

Author

Bláha, Jaroslav

Subjects
komická opera, opera buffa, sonátová forma, Neapolitan school, late baroque, classicism, Opera series, městský žánr, Opera seria, socially critical comedy, buffa opera, sonata form, klasicismus, urban genre, comic opera, sociálně kritická komedie, neapolská škola, pozdní baroko
Abstract

Studie je zaměřena na komickou operu vrcholného klasicismu, reprezentovanou Figarovou svatbou W.A. Mozarta a adekvátní změny ve stejnojmenné sociálně kritické komedii P.-A. Beaumarchaise a obdobné změně městského žánru, o kterou se zasloužil William Hogarth. Studie sleduje proces proměny od pozdního baroka do raného (Hogarth) a vrcholného (Mozart, Beaumarchais) klasicismu na modelových dílech. The study focuses on the comic opera of high classicism, represented by W. A. Mozart's The Marriage of Figaro and adequate changes in P.-A. Beaumarchais' socially critical comedy of the same name and a similar change in the urban genre spearheaded by William Hogarth. The study traces the process of transformation from the late Baroque to the early (Hogarth) and high (Mozart, Beaumarchais) classicism on model works.

Published
2021

13. Striktní řád intermezza neoklasicismu. Claude Debussy a Pierre-August Renoir.

Author

Bláha, Jaroslav

Subjects
NINETEENTH century, TWENTIETH century, EIGHTEENTH century, MUSICAL form, CLASSICISM, MUSIC history
Abstract

Copyright of Hudební Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2022

14. Od alegorie k subjektivnímu symbolu a secesní arabesce. Claude Debussy, James MacNeil Whistler a Stefan Mallarmée.

Author

Bláha, Jaroslav

Subjects
MUSIC education, HAZE, SYMBOLISM, POETRY (Literary form), SIGNS & symbols
Abstract

Copyright of Hudební Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2022

15. Od popisnosti realismu a programní hudby k zrakovým a sluchovým dojmům impresionismu. Claude Debussy a Claude Monet.

Author

Bláha, Jaroslav

Subjects
MUSICAL form, MUSICAL interpretation, COMPARATIVE anatomy, REALISM, COMPARATIVE studies
Abstract

Copyright of Hudební Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2022

16. Sonata form in program symphonies by Hector Berlioz

Author

Bláha, Jaroslav

Subjects
programní symfonie, non-music program, individuální kompozice, mimohudební program, tektonika, sonátová forma, idée fixé, expoziční a evoluční hudba, exposure and evolutionary music, tectonics, individual compositions, program symphonies, sonata form
Abstract

Závěrečný článek ročníku 2020 cyklu HUDBA A OBRAZ uzavírá tematický blok věnovaný sonátové formě a kompozici do trojúhelníku jako nejfrekventovanější hudební formě instrumentální hudby a kompozici obrazů v období klasicismu a romantismu. Jestliže první dva články sledovaly vztah schémat kompozice a hudební formy k tektonice jako vnitřním vztahům a vliv tektoniky na výrazné proměny, kterými sonátová forma a kompozice do trojúhelníku prošly na cestě od klasicismu k romantismu, závěrečný článek soustředil pozornost na radikální proměny sonátové formy spojené s genezí programní symfonie, jejíž inkunábulí byla Fantastická symfonie Hectora Berlioze, a na individuální kompozici v obrazech Eugena Delacroixe. The final article in the 2020 MUSIC AND VISUAL ART series closes the segment dedicated to the sonata form and triangle composition as the most frequent form of instrumental music and painting composition respectively in Classicism and Romanticism. The first two articles focused on the relation the composition schemata and musical form have to tectonics as the inner relations and also on the influence of tectonics on the significant changes the sonata form and triangle composition went through on their way from Classicism to Romanticism. The final article describes the radical changes of the sonata form related to the genesis of program symphony, the first example being Symphonie Fantastique by Hector Berlioz, and the individual composition in the paintings of Eugene Delacroix.

Published
2020

17. Sonata forms and triangle compositions in the polarity of classicism and romanticism

Author

Bláha, Jaroslav

Subjects
syntagma, repríza, design, deviation, musical form, antecedent, exposure and evolutionary music, tectonics, hudební forma, kompozice, provedení, sonátová forma, expoziční a evoluční hudba, expozice, paradigm, deviace, reprise, kompozice do trojúhelníku, sonata form, konsekvent, tektonika, composition, triangle composition, exposure, consequent, paradigma
Abstract

Třetí článek ročníku 2020 cyklu HUDBA A OBRAZ tematicky plynule navazuje na předchozí článek zaměřený na klíčová schémata kompozice a hudební formy klasicismu s tím zásadním rozdílem, že akcentuje tektonické aspekty jako dynamické vnitřní vztahy díla oproti statickému půdorysnému schématu kompozice a hudební formy. Na modelových dílech W.A. Mozarta, J-L. Davida, A. Dvořáka a E. Delacroixe názorně demonstruje vliv tektoniky na výrazné proměny, kterými sonátová forma a kompozice do trojúhelníku prošly na cestě od klasicismu k romantismu. The third article of the 2020 article series MUSIC AND PICTURE follows the previous article which was focused on the key composition schemes and musical forms of classicism by framing the tectonic aspects as dynamic inner relations in contrast to the static blueprint-like schema of composition and musical form. Using works of W. A. Mozart, J-L. David, A. Dvořák and E. Delacroix as examples, the article illustrates the influence of tectonics on the great changes that took place in the sonata form and triangle composition on the way from classicism to romanticism.

Published
2020

18. Gallery education as a part of the educational process in the context of visual literacy

Author

Bláha, Jaroslav, Fulková, Marie, Říhová, Kristýna, Fišerová, Zuzana, and Vargová, Petra

Subjects
interpretation of a work of art, vizuální gramotnost, interpretace uměleckého díla, galerijní edukace, kurikulum, visual literacy, art education, curriculum, výtvarná výchova, gallery education, umění, art
Abstract

Článek vznikl na základě audiozáznamu kulatého stolu pořádaného v lednu 2020 na půdě Pedagogické fakulty Univerzity Karlovy v Praze. Sešli se u něj edukační pracovníci a lektoři z předních českých galerií s teoretiky a didaktiky pražské katedry výtvarné výchovy a výtvarnými pedagogy. Setkání sestávalo ze tří teoretických okruhů, kterým byl věnován prostor v diskusi s lektory. Každý teoretický blok byl uveden krátkým přehledem. Názvy kapitol v článku odpovídají jednotlivým diskusním blokům: Galerijní edukace jako součást vzdělávacího procesu; Vztah umění a kurikula; Vizuální gramotnost a interpretace uměleckého díla. The article was created on the basis of an audio recording of a round table. The round table was held at the Faculty of Education, Charles University in Prague in January 2020. Gallery lecturers from leading Czech galleries met with art theorists from the Prague Department of Art Education and art teachers. The meeting was divided into three theoretical areas. These areas were discussed with lecturers. A brief overview was given in the beginning of each theoretical block. The chapters in the article copythe individual discussion blocks with their names: Gallery Education as a Part of the Educational Process; The Relationship between Art and the Curriculum; Visual Literacy and Interpretation of a Work of Art.

Published
2020

19. Axial balance of sonata form and composition into a triangle

Author

Bláha, Jaroslav

Subjects
topic, repríza, design, musical form, intermediate, exposure and evolutionary music, téma, tectonics, hudební forma, kompozice, oblast tématu, provedení, sonátová forma, motive, topic area, expoziční a evoluční hudba, expozice, reprise, kompozice do trojúhelníku, sonata form, tektonika, motiv, composition, triangle composition, exposure, mezivěta, tematická a motivická práce, thematic and motivic work
Abstract

Druhý článek ročníku 2020 cyklu HUDBA A OBRAZ je zaměřen na klíčová tektonická schémata klasicistní hudby a malířství: sonátovou formu a kompozici do trojúhelníku. Po obecné analýze opřené o vizuální schémata sonátové formy a kompoziční analýzy je druhá část článku soustředěna na konkrétní příklady: sonátovou formu 1. věty Mozartovy sonáty C dur KV 545 „Facile“ a kompozice obrazu Jacquese-Louise Davida Sokratova smrt. The second article in the 2020 cycle MUSIC AND PICTURE focuses on the key techtonic schemes of clasiccist music and painting: the form of sonata and triangle composition. After a general analysis based on the visualizations of the sonata form and compositional analysis, the second part of the article focuses on two concrete examples: 1st movement of Mozart's C-dur KV 545 sonata "Facile" and the composition of the Jacques-Louis David painting The Death of Socrates.

Published
2020

20. Sturm und Drang as a manifestation of pre-Romanticism

Author

Bláha, Jaroslav

Subjects
symphony, romantism, pre-romantism, expressive style, classicism, space, shape, citový (expresivní) sloh, prostor, hudebně strukturní čas, musically structural time, klasicismus, krajinomalba, tvar, composition, landscape painting, Sturm und Drang, romantismus, hudební forma, preromantismus, kompozice, form of music, symfonie
Abstract

První článek ročníku 2020 cyklu HUDBA A OBRAZ tematicky navazuje na závěr úvodního článku loňského ročníku z hlediska relativity vztahu mezi klasicismem a romantismem s konkrétním zaměřením vývojovou epizodu spojenou s hnutím Sturm und Drang, jehož obdobou je citový (expresivní) sloh v hudbě a preromantismus ve výtvarném umění. Modelovými příklady této vývojové epizody je 2. věta Haydnovy Symfonie č. 49 f moll La Passione a obraz Vodopád od Huberta Roberta. This year's first article from the cycle MUSIC AND PAINTING is thematically related to the conclusion of the first article of last year regarding the relationship between Clasicism and Romantism, focusing especially on the period connected to the Sturm und Drang movement, which finds its parallel in the ?expressive style of music? and pre-romantism in visual arts. The second movement of Hayden's symphony no. 49 f moll La Passione and the painting Waterfall by Hubert Robert will be used as model cases of this period.

Published
2020

21. Interdisciplinární gramotnost jako komplexní komunikace s realitou

Author

Bláha, Jaroslav

Subjects
collective work (Gesamtkunstwerk), music literacy, vizuální gramotnost, communication, multimedia creation, výklad, visual literacy, Interdisciplinární gramotnost, teorie informace, tvorba multimédií, Interdisciplinary literacy, hermeneutics, sdělení, hermeneutika, hudební gramotnost, kolektivní dílo (Gesamtkunstwerk), metoda srovnání, method of comparison, očekávání, interpretation, information theory, expectations
Abstract

V dnešní době žijeme v multimediálním prostředí, které je přirozenou syntézou různých forem komunikace. Obdobná situace tak nastává v oblasti umění, stejně přirozeným důsledkem postupného narušování a stírání hranic mezi jednotlivými uměleckými formami a jejich syntetického prolínání v multimediálním vyjádření současného umění. Navíc, pokud jsou takové interdisciplinární tendence posilovány v oblasti umělecké produkce a interpretace, musí být respektovány i v procesu komunikace. Kromě široké škály oborově specifických gramotností v doméně umění, jako je vizuální, literární či hudební gramotnost apod., je tedy třeba věnovat pečlivou pozornost také komplexnímu pohledu na současnou výtvarnou scénu. Takový pohled je spojen s interdisciplinární gramotností. Tato souhrnná studie je zaměřena především na teoretická východiska mezioborové gramotnosti a klade důraz na interpretační modely, které úzce souvisí s komparativní analýzou, zejména s aplikovanou teorií informace a hermeneutikou. Nowadays, we are living in a multimedia environment which is a natural synthesis of various forms of communication. A similar situation thus occurs in the field of art, being an equally natural consequence of the gradual disruption and blurring of boundaries between individual art forms and their synthetic fusion in the multimedia expression of contemporary art. Moreover, if such interdisciplinary tendencies are reinforced in the field of artistic production and interpretation, they must be respected in the process of communication as well. Thus, in addition to a wide range of field-specific literacies in the domain of art, such as visual, literary or music literacy, etc., careful attention must also be paid to a comprehensive view of the current art scene. Such a view is associated with interdisciplinary literacy. This summarizing study is focused mainly on the theoretical basis of interdisciplinary literacy and places emphasis on interpretive models that are closely related to comparative analysis, especially with applied information theory and hermeneutics.

Published
2020

24. Richard Wagner A Honore Daumier Expresivní realismus v opeře a malbě.

Author

Bláha, Jaroslav

Subjects
REALISM in art, CRITICAL realism, NINETEENTH century, REALISM, MUSICALS, OPERA
Abstract

Copyright of Hudební Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2021

25. Wolfgang Amadeus Mozart a William Hogarth. Figarova svatba a Svatba podle módy.

Author

Bláha, Jaroslav

Subjects
OPERA, CLASSICISM, COMEDY, SONATA
Abstract

Copyright of Hudební Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2021

27. Christoph Willibald Gluck a Jacques Louis David: Opera seria a historická malba klasicismu.

Author

Bláha, Jaroslav

Subjects
OPERA, MYTHOLOGY, REFORMS, COMPOSERS, CLASSICISM, ANTIQUITIES, ARIA
Abstract

Copyright of Hudební Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2021

29. Neapolská opera pozdního baroka a rokoková malba jako východisko.

Author

Bláha, Jaroslav

Abstract

Copyright of Hudební Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2021

30. Sonátová forma v programních symfoniích Hectora Berlioze.

Author

Bláha, Jaroslav

Subjects
MUSICOLOGY, MUSICAL composition, MUSIC teachers, MUSICAL form, INSTRUMENTAL music, FILM reviewing
Abstract

Copyright of Hudební Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2020

31. Sonátová forma a kompozice do trojúhelníku v polaritě klasicismu a romantismu.

Author

Bláha, Jaroslav

Subjects
MUSICAL form, MUSICAL composition, TRIANGLES, ROMANTICISM, CLASSICISM
Abstract

Copyright of Hudební Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2020

32. Osová vyváženost sonátové formy a kompozice do trojúhelníku.

Author

Bláha, Jaroslav

Subjects
MUSICAL form, TRIANGLES, VISUALIZATION, PICTURES
Abstract

Copyright of Hudební Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2020

35. Galerijní edukace jako součást vzdělávacího procesu v kontextu vizuální gramotnosti.

Author

Bláha, Jaroslav, Fišerová, Zuzana, Fulková, Marie, Říhová, Kristýna, and a hosté, Petra Vargová

Subjects
SOUND recording & reproducing, LECTURERS, ART education, VISUAL literacy
Abstract

Copyright of Výtvarná Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2020

36. Dobrodružství vizuální kultury Kontexty současného umění.

Author

Bláha, Jaroslav and Říhová, Kristýna

Abstract

Copyright of Výtvarná Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2019

37. Struktura jako otevřený systém.

Author

Bláha, Jaroslav

Abstract

Copyright of Výtvarná Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2019

38. The structure of a work of art and music

Author

Bláha, Jaroslav, Šamšula, Pavel, Herden, Jaroslav, and Prokop, Dušan

Subjects
disertace, teorie umění, umělecké dílo, interpretace uměleckého díla
Abstract

Současnou uměleckou scénu ovládá multimediální tvorba. Ta je naprosto přirozeným důsledkem tendencí usilujících o překonání hranic mezi uměleckými druhy, které se prosazovaly již v samotných počátcích avantgardního umění. Razantním způsobem přispěl k zrušení hranic mezi uměleckými druhy dadaismus, především pak curyšský kabaret Voltaire, a celý proces vyvrcholil v druhé polovině 20. století. O to absurdnější je současný stav umělecké komparatistiky, které chybí metodologická základna. Přitom jazyková komparatistika se právem pyšní dokonale propracovanou metodou komparace. Proto také řada prací umělecké komparatistiky vychází z této metodologické základny - po pravdě řečeno v lepším případě, protože většina z nich se tímto problémem nezatěžuje. Ovšem tato "výpůjčka" nerespektuje nejen specifické rysy umělecké komparatistiky ale ani jednotlivých uměleckých druhů (k tomu blíže v úvodní kapitole). Powered by TCPDF (www.tcpdf.org)

Published
2006

39. Sturm und Drang jako projev preromantismu.

Author

Bláha, Jaroslav

Subjects
ART, LANDSCAPE painting, CLASSICISM, SYMPHONY, WATERFALLS
Abstract

Copyright of Hudební Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2020

40. GENEZE A RANÁ FÁZE KLASICISMU.

Author

Bláha, Jaroslav

Subjects
MORPHOLOGY (Grammar), ART history, MODERN art, EYE, MODERN history
Abstract

Copyright of Hudební Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2019

41. MEZI BAROKEM A KLASICISMEM.

Author

Bláha, Jaroslav

Subjects
CLASSICISM, BALLET, BAROQUE art, FESTIVALS
Abstract

Copyright of Hudební Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2019

42. KLASICISMUS JAKO UMĚNÍ „TŘETÍHO STAVU”.

Author

Bláha, Jaroslav

Subjects
ROOT formation, MIDDLE class, ART, MUSIC education advocacy
Abstract

Copyright of Hudební Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2019

43. Od objektivity řadu k subjektivitě prožitku.

Author

Bláha, Jaroslav

Subjects
EIGHTEENTH century, NINETEENTH century, MUSICAL form, CLASSICISM, ROMANTICISM, COMPREHENSION
Abstract

Copyright of Hudební Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2019

44. Pozdní baroko V: Franz Anton Maulbertsch a Georg Friedrich Händel.

Author

Bláha, Jaroslav

Subjects
FAREWELLS, ARTISTS, BAROQUE art, BAROQUE music
Abstract

The article is devoted to the representatives of Late Baroque Franz Anton Maulbertsch (1724-1796) and George Friedrich Händel (1685-1759). It closes a five-year cycle that we have devoted to Baroque art and music. The artistic expression of both artists is an ideal farewell to this period. [ABSTRACT FROM AUTHOR]

Published
2018

50. POZDNÍ BAROKO IV: VÁCLAV VAVŘINEC REINER A JAN DISMAS ZELENKA.

Author

Bláha, Jaroslav

Subjects
SYMBIOSIS, SCULPTURE, COMPOSERS, AUTHORS
Abstract

The author compares the work of the Late Baroque representatives Václav Vavřinec Reiner (1689-1743) and the composer Jan Dismas Zelenka (1679-1745) in the sense of the symbiosis of architecture, sculpture, painting and music, which are characteristic feature of Baroque Theatrum mundi. [ABSTRACT FROM AUTHOR]

Published
2018

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