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This paper presents an experiment on the effect of light on the perception of paintings. The experiment was performed in a test-room where a typical museum exhibition set-up was simulated. Two different paintings were shown to 44 participants, under different light scenes obtained by using tuneable LED (Light Emitting Diode) wallwashers. To set the light scenes, the following parameters were modified: correlated colour temperature of the lighting, illuminance on the painting and the colour of the background wall. Participants answered a questionnaire to assess the perception of the paintings' colours, the lighting conditions and the pleasantness of the exhibition set-up. The results demonstrated that illuminance is the parameter mainly affecting perception, for both paintings. However, correlated colour temperature and wall colour, as well as the combination of the three different considered parameters, can more or less influence perception depending on the chromatic composition of the painting. [ABSTRACT FROM AUTHOR]

This paper reports the results of measurements performed in a test room to investigate the impact of using different wall colours and light scenes on indoor lighting quality. Eye level spectral irradiances were measured for a user located inside the room and seated at a desk. These measurements allow the use of the Irradiance Toolbox, which makes it possible to calculate equivalent illuminances for the photopigments in the human eye. Moreover, the CIECAM02 colour appearance model was used to investigate the variations in hue and chroma values of the different wall colours when changing the light scene. The results demonstrate that there are significant variations in eye level spectral irradiance distributions, photoreceptor stimulation and hue and chroma values with different combinations of wall colours and light scenes. [ABSTRACT FROM AUTHOR]

The study presented in this paper aims to evaluate if and how the environment affects the circadian impact of a light source by predicting circadian stimulus (CS) resulting from the exposure to different light scenes, using equations reported in studies by Rea et al. The main findings are: (1) Above 600 lx at eye level the increase of CS is little; (2) Between 50 lx and 200 lx at the eye level an increase of only 50 lx determines a significant increase of CS; (3) Light sources with correlated colour temperatures between 2900 K and 4200 K have similar impacts on the circadian system according to the calculation method used; (4) Even an almost neutral environment affects the circadian impact of a light source. [ABSTRACT FROM PUBLISHER]

In order to evaluate the circadian effects of light, an approach based only on a circadian sensitivity function makes it possible to easily obtain efficiency functions and action factors. However, it does not take into account the circadian human response to light stimuli, which is not linear. Non-linear models are more sophisticated and accurate but they are not easy to apply. In this paper a proposal for an easy way to evaluate the potential ‘circadian effects’ of light sources is presented. Although the model is quite simple, results are in good agreement with those obtained by means of one of the most accurate non-linear models. [ABSTRACT FROM AUTHOR]

In this paper a system for obtaining the luminous intensity distribution of a small light source, based on high dynamic range imaging, is described. The system uses a dark room, a lambertian screen and a video-luminance-meter mounted on a workbench. The luminous intensity distribution of the light source is derived from the illuminance map on the screen by applying the photometric inverse law. The geometry of the system is presented and the measurements’ uncertainties are estimated. Finally, an application to a LED source is presented. [ABSTRACT FROM PUBLISHER]