Search

The question of genre may be unimportant when writing or reading fiction, but the marketplace continues to draw those dividing lines. Moreover, there are tropes and techniques to be learned from each discrete genre of fiction. The creative portion of this thesis consists of the first four chapters of Brian Beise’s novel, Brawn. The introductory essay discusses the divisions of literary and genre fiction, and describes how borrowing elements from various genres informed the writing of Brawn.