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Many women confront complex challenges when juggling motherhood with a profession, especially those who are starting their parenting journey for the first time. This case study explores Aisa's experiences as a first-time mother juggling her responsibilities as a caretaker with her desire to pursue a career in the business world. This study examines the complex dynamics, emotional challenges, and coping strategies used by a first-time mother as she tries to balance the demands of motherhood with her career goals through qualitative analysis of participant observations, semi-structured interviews, and field notes. Four themes have surfaced following the comprehensive data analysis. These themes include doubting her role as a mother, putting off her job goals, feeling guilty, and giving up on herself. The results highlight the complex interactions that exist between personal objectives, support networks, and society expectations, shedding light on the challenges that come with trying to strike a happy balance between motherhood and work. This study adds to a better knowledge of the difficulties faced by first-time mothers by providing insights into their lived experiences. It also helps develop strategies for empowering and supporting these women in both family and work settings.

Copyright of Journal of Society & Social Work is the property of Journal of Society and Social Work and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kadın/Woman 2000 is the property of Kadin/Woman 2000 and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Planlama is the property of TMMOB Sehir Plancilari Odasi and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Folklor / Edebiyat is the property of Cyprus International University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Turkish Online Journal of Design, Art & Communication is the property of Turkish Online Journal of Design, Art & Communication and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of RumeliDE Journal of Language & Literature Research / RumeliDE Dil ve Edebiyat Araştırmaları Dergisi is the property of RumeliDE Uluslararasi Hakemli Dil & Edebiyat Arastirmalari Dergisi and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Language & Literature Studies is the property of Turkiye Dil ve Edebiyat Dernegi and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Gazete baskısı yapan web ofset baskı makinelerinde çeşitli markalarda ve çeşitli yapılarda mürekkepler kullanılmaktadır. Bu çalışmada tercih edilen üç farklı markanın CMYK serisi Couldset türünde mürekkeplerin akışkanlıklarının tespiti ve viskozite değerlerinin +25 C derecedeki sonuçları incelenmiştir. Yapılan testin sonucunda üç ayrı mürekkep markasının aynı renk serisi olmasına rağmen göz ardı edilemeyecek şekilde farklı değerler aldıkları görülmüştür. Çıkan değerlerin istenilen aralıkların altında ya da üstünde çıkması halinde gazete kağıdı üzerinde istenilen baskı kalitesi elde edilemeyecektir. Sonuç olarak baskı esnasında kağıt üzerinde yolmalar, tramlarda şişmeler, renk bozulmaları, keskinlik ve kontrastlık kayıpları yaşanacaktır. Yüksek baskı hızna sahip gazete baskı makinesi web ofset baskı makinelerinde baskı hızının yüksek olmasından dolayı hammadde kaybı artıracaktır. Bu tür kalite, zaman ve maddi kayıpların yaşanmaması için mürekkep üreticilerinin üretim standartları oluşturmaları gerekmektedir.

Copyright of Social Sciences Studies is the property of Social Sciences Studies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Selcuk Communication / Selcuk Iletisim is the property of Journal of Selcuk Communication and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The Caucasus has always been a primary region with its geographical features and underground resources. The region, hosting important oil fields and grain regions as well as military road, has been the scene of power struggles continuously by both Russia and other great powers. The Caucasus has been of vital importance especially for Russia, so since the Tsarist period, the region has been tried to be conquered and a permanent dominance seek to be established. The geography of the region aggravated the invasions, also due to the same geographical structure, no unity could be formed against the Russian forces. In that, there are too many ethnic differences and the geographical structure of the region is an obstacle for unification. Occupying the Caucasus in the 19th century, Russia applied assimilation and Russification of the Caucasian peoples policy, in order to be permanent in the regions it seized. In addition to the military struggle within the framework of the Russification policy, Russia wanted to strengthen its dominance by performing especially in the fields of education, religion and culture. However, the Caucasian peoples did not adopt the Russian administration and culture and constantly struggled for independence. With the Bolshevik Revolution, the hopes of independence for the Caucasus blossomed and a short-term independence period was experienced. Though, the real intention of Russia was revealed very soon and Soviet Russia took over the region again. Thus, Russian pressures in the region re-emerged. [ABSTRACT FROM AUTHOR]

Copyright of Recent Period Turkish Studies / Yakın Dönem Türkiye Araştırmaları is the property of Recent Period Turkish Studies / Yakin Donem Turkiye Arastirmalari and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Gender roles constitute the basis of the adoption of the idea that “Women's place is at home”. The roles that society imposes on men and women create social differences and boundaries between the sexes. While marginalizing women, it keeps men at a higher level and causes inequalities between men and women in social life. The city, which is one of the places where inequality and oppression is most evident, sees men as hosts, but welcomes women. From past to present, it will be discussed how the evolution of gender roles in Turkish history is reflected on urban open spaces today. Landscape architects are also responsible for urban open space design with equal accessibility for every segment of society. Landscape architecture branch is responsible for designing that space in a way that every user can use, instead of imposing a gender discrimination on urban open spaces. Every individual is the sole user of public spaces where they can feel safe and free. In this study, the pressures and inequalities created by gender roles that underlie the woman's inability to see herself as a user of the city have been defined. It is aimed to reveal the relationship between the social infrastructure of this situation and the landscape architecture branch, which is one of the environmental design professionals. [ABSTRACT FROM AUTHOR]

The beginning of social relations between individuals dates back to ancient times. Social relations naturally brought some social differences with them. Because each individual's mental faculties, self-confidence, entrepreneurial spirit in the economic context and the ability to communicate with people are not the same. It is possible to say that this social difference has caused the group that has come to the forefront over time to see itself in a different and superior status. The group, which describes itself as a bourgeois and nobleman, either took over the administration of the country itself or intervened from the outside. So, this group influenced and controlled other people over time. They tried to direct all their values, almost down to the freedom of belief of the subgroup. The Qur'an describes this group, which sees itself as irresponsible and above the society, as “mele/leaders” and “mutrafin/the rich”. These circles, which have almost the same qualities and support each other in all matters, were the first to react to the prophets who tried to liberate people in terms of faith and to provide justice in the society in social terms. Not only did they oppose the prophets, they also provoked other people. Therefore, there has been a barricade in front of a revelation-oriented life in society. In this study, the comments and analyzes about “mele’/leaders” and “mutrafin/the rich” in his commentary named in general, the views of some other commentators were discussed. [ABSTRACT FROM AUTHOR]

Copyright of Journal of Social Sciences Institute / Sosyal Bilimler Enstitüsü Dergisi is the property of Bingol University / Rectorate and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Leo Strauss felsefenin, özellikle de İslam-Yahudi felsefesinin, ne olduğu ve onun tarihinin nasıl çalışılması gerektiği hakkındaki tartışmalara katkı yapan düşünürlerden biridir. Daha çok siyaset felsefesi ile ilgili çalışmalarıyla bilinen Strauss’a göre, felsefe ve toplum arasında bir çatışma vardır ve filozoflar eserlerinde hem bu çatışmanın doğuracağı zararlardan kaçınmak hem de felsefi etkinliklerine devam edebilmek için özel bir yazım tekniği kullanırlar. Bu tekniğin ilk izlerini Eflatun’da bulan Strauss, İslam-Yahudi felsefesini şekillendiren filozofların da bu tekniği takip ederek felsefe yaptıklarını düşünmektedir. İslam felsefesi araştırmacılarının büyük çoğunluğu, satır aralarına yazmak olarak bilinen bu tekniğin varlığına ya ihtiyatla yaklaşmakta veya böyle bir yazım tekniğinin varlığını kesin bir şekilde reddetmektedirler. Bu tekniğin varlığı hakkındaki şüphelere rağmen onun dayandığı varsayımların İslam felsefesi araştırmalarında kendilerine hala yer buldukları iddia edilebilir. Nitekim Gazali hakkında yakın dönemde yapılan çalışmaların buna benzer varsayımlardan hareket ettiği görülmektedir. Bu çalışmada, Strauss’un yaklaşımı kısaca tanıtılacak ve bu yaklaşımla Gazali literatürü arasındaki benzerlikler gösterilmeye çalışılacaktır.

After the Russian invasion of Turkestan, there appeared rebellions in different parts of Turkestan at different times, and these movements were suppressed by Russia. The Turkestan Rebellion of 1916, which was one of the riots against the Russian government’s unfair policy and politics, is also of great historical importance. In this study, Tsarist Russia's policy of repression, oppression and punishment on the people of Turkestan was considered in the context of its reasons, character and consequences. Though there was not a particular centre of the Turkestan Rebellion of 1916, the people revolted on the side of those who led them. While there were many reasons for the rebellion in which all Turkestan people participated altogether, which occurred almost everywhere, not only in a certain area of Turkestan, and which ensued from the colonial policy of Russia on the people of Turkestan, the most important reason was undoubtedly the injustices and inequalities suffered by the people. Both while the rebellion was continuing and after it ended, the people of Turkestan were punished for participating in it and many people were imprisoned or killed; also, those who wanted to survive the oppression and persecution were obliged to migrate to different regions. Many people lost their lives during and after this exodus, and those who wanted to return after the end of the uprising were not allowed to come back. After the suppression of the rebellion, the people were subjected to great persecution and oppression, and Tsarist Russia responded with severe punishment to the justified rebellions of the people of the region in the occupied Turkestan territory. [ABSTRACT FROM AUTHOR]

By our reference to the question of the creation of the Qur'an, we mean that verbal term that expresses the debate over whether, in fact, the Qur'an was created or not. This debate arose, especially among the Mu'tazila theological sect, which emerged at the beginning of the second century AH. The question arose in the space approximately under the influence of reason and its dominance, and the impulse of influence from philosophy and theology, the principles of the Mu'tazila led to many serious violations in the Islamic faith. One of the prominent issues in the thought of this sect was the issue of the creation of the Qur'an, wherein they argue that the Holy Qur'an was created the same as other creatures. Analyzing from this thought, they deny that the Qur'an is the word of God that He spoke. This issue intensified and many scholars were persecuted in the era of al-Ma'mun, al-Mu'tasim and al-Wathiq, with the support of the Mu'tazilite judge Ahmed bin Abi Duad. Past and present studies have dealt with the issue of the creation of the Qur'an, but they have not addressed the poetry accompanying it. Accordingly, this paper has tried to trace the origins of this poetry. We have considered the corresponding poetry and the poetry contrary to it. The most prominent poets in the first group were Al-Saheb bin Abbad and Al-Hussein bin Abdul Salam; As for the second group, we stopped at Ali bin al-Jahm, who praised al-Mu'tasim and al-Wathiq with only a few of his poems and ended with poems that had nothing to do with the creation of the Qur'an. Until Al-Mutawakkil assumed the caliphate, he anticipated a victory for the Sunnis. For this reason, he praised the caliph for his role in addressing this issue. Finally, we research the poems of al-Buhturi and those of some religious groups and other poetry that relates to this subject. [ABSTRACT FROM AUTHOR]

Copyright of Kırıkkale University Journal of Social Sciences is the property of Kirikkale University Journal of Social Science (KUJSS) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Bu araştırmanın amacı elektronik tekstil uygulamalarında kullanılan baskı yöntemlerinin incelenmesi ve bu baskı yöntemlerinde kullanılan farklı özelliklere sahip iletken mürekkeplerin işlem şartlarının, avantaj ve dezavantajlarının incelenmesidir. Araştırmada, iletken mürekkepler ile ilgili bir kavramsal çerçeve oluşturularak elektronik tekstiller alanında kullanımı ve önemi literatür açısından incelenmiştir. Çalışmada, gümüş içerikli iletken mürekkeplerin esnek malzemeler üzerine basılmasıyla, radyo frekansı tanımlama, elektromiyografi ve çeşitli sensör tasarımlarının yapıldığı görülmüştür. Serigrafi ve inkjet baskı teknikleri en çok kullanılan baskı teknikleri olarak değerlendirilmiştir.

Bu araştırmanın amacı elektronik tekstil uygulamalarında kullanılan baskı yöntemlerinin incelenmesi ve bu baskı yöntemlerinde kullanılan farklı özelliklere sahip iletken mürekkeplerin işlem şartlarının, avantaj ve dezavantajlarının incelenmesidir. Araştırmada, iletken mürekkepler ile ilgili bir kavramsal çerçeve oluşturularak elektronik tekstiller alanında kullanımı ve önemi literatür açısından incelenmiştir. Çalışmada, gümüş içerikli iletken mürekkeplerin esnek malzemeler üzerine basılmasıyla, radyo frekansı tanımlama, elektromiyografi ve çeşitli sensör tasarımlarının yapıldığı görülmüştür. Serigrafi ve inkjet baskı teknikleri en çok kullanılan baskı teknikleri olarak değerlendirilmiştir.

Copyright of Journal of Faculty of Letters / Edebiyat Fakultesi Dergisi is the property of Hacettepe University Faculty of Letters and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Belgi Dergisi is the property of Pamukkale University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Social Sciences Research / Sosyal Bilimler Arastirmalari Dergisi is the property of ODU Journal of Social Sciences Research and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Society & Social Work is the property of Journal of Society and Social Work and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Bu çalışma, özellikle Japonya ve diğer Uzak Doğu ülkelerinde yükselen ve her geçen küresel boyut kazanan hikikomori fenomenini ele almaktadır. Eğitim, meslek ve aile gibi toplumsallaşma faktörlerinin etkisi altında odalarına kapanan ve yıllarca oradan çıkmayan bireyleri tanımlayan hikikomori, teknoloji ve rekabet temelli modern kültürün bir semptomu olarak yorumlanabilir. Öyle ki bugün Türkiye’de bile sayısız ebeveyn, kendi dünyalarında izole olan, insanlarla iletişime geçemeyen, sorumluluk almayan ve sosyal ağlarda sanal kimlikler edinip; bilgisayar oyunları, elektronik tüketim ve online kumar gibi teknoloji eksenli yönelimler içinde kaybolan çocuklarından şikayet etmektedir. Sayısı özellikle gençler arasında artan hikikomori vakası, hem geri çekilmeyi hem de dış dünyadan kopuşu ifade etmektedir. Hikikomori’nin sonuçları kadar nedenlerini de sorgulamayı amaçlayan bu makale, söz konusu Japon toplumu sorunsalını yerelliğin ötesinde çağdaş dünyaya dokunan bir tür yaygın trend olarak analiz etmektedir. Bu nedenle, bu nitel çalışmanın temel referansları her ne kadar Uzak Doğu’ya ait metin ve filmlere dayandırılsa da, argüman ve çıkarımları, içinde Türk toplumunun da olduğu akışkan ve kırılgan moderniteye dairdir.

Copyright of Black Sea / Karadeniz is the property of Black Sea / Karadeniz and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This study was conducted to investigate printing techniques used in electronic textile applications and to examine the application conditions, advantages and disadvantages of the conductive inks used in these printing processes. This research is a conceptual framework designed to examine conductive inks within the scope of electronic textiles and their importance. In the study, it is seen that by printing of silver doped conductive ink on flexible materials, radio frequency identification (RFID, electromyography (EMG) and variety of sensors are designed. It was evaluated that screen printing and inkjet printing techniques are most familiar printing applications. [ABSTRACT FROM AUTHOR]

Women have been regarded as weak, emotional, caring and thought to be suitable for some jobs and not for the others; due to the biological differences, they have been regarded as the nurturers of the family, the care taker of house. The belief that it is women’s duty to generate the future has made house the only place where she belongs and thus becoming a confined space for not only wives but also unmarried women. The oppression that most women suffer from since the very beginning originates mainly in families and further develops in patriarchal societies. This article revisits the works of Sevim Burak and Ursula K. Le Guin as two authors whose societal and cultural backgrounds, treatment of the novel genre, and narrative styles are completely different from one another. claims that due to their experience of womanhood in patriarchal societies, they explore similar themes in their works. They portray women characters who are systematically oppressed by dominant ideological apparatuses. In this context, this article argues that much as Burak and Le Guin differ in representing the oppression they experience in their peculiar ways, they both consider marriage as a form of individual oppression, which indicates that regardless of the cultural differences, experiences of women are similar in patriarchal societies so are the ways they are included in literature. [ABSTRACT FROM AUTHOR]

Copyright of Journal of Society & Social Work is the property of Journal of Society and Social Work and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of International Social Research is the property of Journal of International Social Research and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Akdeniz Sanat is the property of Akdeniz University, Faculty of Fine Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of International Social Research is the property of Journal of International Social Research and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

When Turkish civilization's culture and art history investigate, it is seen that people utilize raw materials that acquire from different source of nature by using their creative power. People create textile surfaces like knitting, weaving, stitching, dying, brocade by using raw materials according to their life style, living area and talents. From this perspective, handy crafts and traditional textiles come to exist rest upon craftsman's skills and it shows time-depended developing. At the same time, it makes national identity and takes place of world culture area by universalization. In addition, handy crafts and traditional textiles which has cultural object properties, gain different quality from each other by means of indigenous properties. In this context, they take part in geographical indication. The aim of this study is that classifying traditional textiles and determining properties also, demonstrating samples. In this study, literature survey method was carry out. Research data were gained from different survey and visual source. As a result of evaluates, traditional textiles was classified as creating product traditional textile and creating decoration surface textile. It was seen that while product's color, motives and composition are similar, their meanings are different based on regions. [ABSTRACT FROM AUTHOR]

Copyright of Journal of International Social Research is the property of Journal of International Social Research and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Sessizliğin konuşma, konuşmanınsa bir anlaşamama olgusuna dönüştüğü Pinter'ın "the Room" adlı oyununa farklı bir açıdan bakılınca görülenlerin paylaşıldığı bir yazı. Küçük bir odada, iki kişilik bir toplumda karşılıklı çıkar elde etme olgusu etrafında birleştikleri iddia edilen iki insan arasındaki ilişkinin bir yorumu. Pinter'ın karakterlerine yüklediği görev nedeniyle "ne tam ispatlanabilecek ne de inkar edilebilecek" yorumlar. Marksist pencereden bakıldığında bu oda içerisindeki birlikteliğin Bert in (koca) Rose üzerinde uyguladığı baskı, dış dünyaya kapalılığın getirdiği daha iyi olanı görmemişlikten doğan mevcudu kaybetme korkusuyla her şeyi beğenme durumu. Karı koca arasındaki bir ilişkiden çok, patron ve çalışanı arasındaki ilişkiye benzetilen bir ilişki. Rose'a geçmişindeki muhtemelen bugüne göre daha güzel olan durumunu hatırlatmak üzere gelen Riley'nin Bert tarafından öldürülüp bir anlamda tarihin susturulması. Sonuçta iki kişilik bu toplum ve bu toplumdaki baskı rejimi bir şekilde sona eriyor. Rose'un etrafında dönen olayları apolitik olmasından dolayı görememesi fiziksel bir körlüğe dönüşüyor, Bert ise en büyük desteğini kaybediyor.

In Darcy's Utopia (1990), Fay Weldon envisages a utopian world, in which women are emancipated from the socio-economic and political oppression of the patriarchal society. The writer challenges male authority, and reveals the contradictions in the patriarchal system through manipulating patriarchal discourse, which supports the supremacy of men. The present study examines the impact of ideology and discourse on the regulation of the power relations between men and women through referring to the ideas of Foucault, and the second-wave feminists. It aims to show that Weldon subverts male ideology which naturalizes the superiority of men, and argues that power relations are not natural but they are ideologically constructed. The study concludes that the author believes that the oppression of women and their exploitation are ideological. [ABSTRACT FROM AUTHOR]

The development movements initiated together with the declaration of the Republic accelerate the industrialization/ fabrication efforts of both the state and private enterprises. This period, during which the moves for economic development compete with each other, leads the business relations especially between the capitalists, the seniors, the establishment sustainers, the wealthy and the poor working under order, to be shaped within the framework of material and moral exploitation. In the traditional structure of the new social order, where women are not seen or ignored, the need of the people for work, and the patrons for low-wage workers require benefiting from the labor of the needy women and children. This change in social life echoes in literary works, are undertaking witness of the period. Novel of Afrodit Buhurdanında Bir Kadın, published by Reşat Enis in 1937, is about the women struggling for life in a network of capitalist relations. In the work, female workers, whose labor is bought in the working life that is under male domination, find themselves in the sense of being hired also as sexual objects at the same time. Women who submit to their employers' wishes in order to survive, are dragged out of their original identity and forced to degeneration/alienation within the social order. In this study, an efforts to hold in new moral acceptances shaping by economic order, the struggle of the women characters in the Afrodit Buhurdanında Bir Kadın whether or not to become the actresses of the roles that the society determines for them, as well as their adventures of subjectivation/ objectivization will be examined in the context of feminist theory. [ABSTRACT FROM AUTHOR]

Copyright of Journal of Textile & Apparel / Tekstil ve Konfeksiyon is the property of Tekstil ve Konfeksiyon and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of International Journal of Language Academy is the property of Rota Kariyer and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article touches upon the critical, contextual and thematic analysis of Ray Bradbury’s dystopian novel, Fahrenheit 451(1953) to demonstrate how the totalitarian state envisioned in the book impedes imagination and knowledge. The protagonist, Guy Montag plays a pivotal role in reflecting the oppressive structure of the system and the possible consequences of defiance. The misuse of technology and banning of books shape monotype individuals thereby quite relevant to the discussion of the article. Thorough manipulation and control become instrumental in hampering knowledge and imagination. However, ultimately, such a repressive state does not wholly become successful in manipulating all citizens. The divergent individual whose awareness is aroused is turned into an isolated outcast by the system in this dystopian world. Although certain divergent characters cannot succeed in overcoming the system, they are functional in reflecting the failure of the system.

Copyright of Megaron is the property of KARE Publishing and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Textiles & Engineers / Tekstil ve Mühendis is the property of Union of Chambers of Turkish Engineers & Architects, Chamber of Textile Engineers and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anadolu University Journal of Art & Design / Sanat & Tasarım is the property of Anadolu University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Turkish Journal of Police Studies / Polis Bilimleri Dergisi is the property of Turkish National Police Academy and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Baskı; şekil, yazı, grafik ve resimlerin gerçeğe en yakın biçimde, bir yüzey üzerine çoğaltılması ve hızlı olarak aktarılması işlemidir. Nemlendirme sistemli ofset baskı bir düz baskı sistemidir. Suyun mürekkep içerisindeki yağ ile birbirine karışmaması prensibine dayanır. Kalıp üzerindeki baskılı ve baskısız alanlar aynı seviyededir. Bu sebeple kalıp iki farklı kimyasal özellik taşır. İş olmayan kısımların suyu tutup mürekkebi itmesi, iş olan kısımların ise suyu itip mürekkebi tutması, prensibiyle baskı işlemi gerçekleştirilir. Kuru ofset sistemi ise; flekso ile nemlendirme sistemli ofset yöntemlerinin birleşimidir. Bu yöntemde baskı kalıbının rölyefli kısımları görüntüyü düzgün yüzeyli kauçuk baskı silindirine aktarır ve oradan da görüntü basılacak materyale transfer edilir. Nemlendirmek için su kullanımına gereksinim duyulmaz. Yani kalıbın baskıdan önce ıslanması gerekmez. Kuru ofset baskı yöntemi ile resim yada dia pozitifler değil, yalnız el ile yapılan çizimler çok hassas ve ince ayrıntılı tasarımlar, oldukça küçük metinler altı renge kadar basılabilir. Bu çalışmada, her iki tekniğin işlem aşamaları ve üretim sonuçlarının karşılaştırılması konusunda bir değerlendirme yapılmıştır.

Baskı; şekil, yazı, grafik ve resimlerin gerçeğe en yakın biçimde, bir yüzey üzerine çoğaltılması ve hızlı olarak aktarılması işlemidir. Nemlendirme sistemli ofset baskı bir düz baskı sistemidir. Suyun mürekkep içerisindeki yağ ile birbirine karışmaması prensibine dayanır. Kalıp üzerindeki baskılı ve baskısız alanlar aynı seviyededir. Bu sebeple kalıp iki farklı kimyasal özellik taşır. İş olmayan kısımların suyu tutup mürekkebi itmesi, iş olan kısımların ise suyu itip mürekkebi tutması, prensibiyle baskı işlemi gerçekleştirilir. Kuru ofset sistemi ise; flekso ile nemlendirme sistemli ofset yöntemlerinin birleşimidir. Bu yöntemde baskı kalıbının rölyefli kısımları görüntüyü düzgün yüzeyli kauçuk baskı silindirine aktarır ve oradan da görüntü basılacak materyale transfer edilir. Nemlendirmek için su kullanımına gereksinim duyulmaz. Yani kalıbın baskıdan önce ıslanması gerekmez. Kuru ofset baskı yöntemi ile resim yada dia pozitifler değil, yalnız el ile yapılan çizimler çok hassas ve ince ayrıntılı tasarımlar, oldukça küçük metinler altı renge kadar basılabilir. Bu çalışmada, her iki tekniğin işlem aşamaları ve üretim sonuçlarının karşılaştırılması konusunda bir değerlendirme yapılmıştır.