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The article explores the concept of the "heartland" in American culture and politics. The term refers to a nebulous region in the Midwest, often associated with small towns, farmland, and traditional values. The heartland has been a significant factor in American politics, with presidential candidates appealing to its Jefersonian ideals and nostalgia for rural America. The article also discusses the genre of "heartland rock," which emerged in the 1970s and focuses on the struggles and aspirations of blue-collar workers. The genre has been both disillusioned and anthemic, reflecting the changing cultural landscape of America. [Extracted from the article]

The voice Dylan deploys in Philosophy is rather like that in his 2004 memoir Chronicles: Volume One - which is to say, chimerical and prone to digression. More illuminating, perhaps, is a passage on Roy Orbison's "Blue Bayou", in which Dylan notes how "songs can be slippery in the studio - they can go right through your fingers. BOOKS & CULTURE For more than 60 years, the voice of Bob Dylan has been a thing of scrutiny and wonder. [Extracted from the article]

The article in Prospect magazine explores the cultural significance of Donald Trump's music preferences, particularly focusing on his relationship with country and rock music. The author delves into the themes and artists that resonate with Trump, highlighting his affinity for songs that evoke resilience, nostalgia, and longing. The analysis includes insights into Trump's emotional connections to certain songs and how they may reflect his unmet needs for love and approval. The article also touches on the political implications of Trump's music choices, suggesting that they symbolize a yearning for a simpler, more patriotic past. [Extracted from the article]

THE CULTURE THE GULTURE Our critics Pop In late May, the BBC unveiled The Gallows Pole, Shane Meadows's prequel-of-a-sorts to Benjamin Myers's novel about a gang of coin-clippers in 18th-century West Yorkshire. The soundtrack for The Gallows Pole was conceived by Meadows's long-running collaborator, music supervisor Lucy Bright. Bright is something of a wonder in the world of film and television music supervision. [Extracted from the article]

This article explores the significance of dancing in politics, particularly in the context of Kamala Harris and Barack Obama. The author highlights how Harris's dancing showcases her musicality and forward momentum, contrasting with Trump's ungainliness. The author also discusses the historical and cultural significance of dancing in the African American community, drawing connections to the power of joy and celebration in pushing a people forward. Ultimately, the article suggests that dancing can be seen as a symbol of freedom, fearlessness, and joy in politics. [Extracted from the article]

Sabrina Carpenter, a former Disney Channel star turned pop singer, has recently gained popularity and success in her career. She has been involved in a rumored rivalry with fellow ex-Disney popstar Olivia Rodrigo, which has garnered attention and media coverage. However, the article suggests that these rivalries between female pop stars are restrictive and reductive, perpetuating male fantasies. Carpenter's latest single, "Espresso," showcases her confidence and unapologetic sex appeal, which is a departure from the introspective singer-songwriter trend of recent years. The article concludes by expressing hope that Carpenter and Rodrigo can resolve their differences through music and unite for the common good. [Extracted from the article]

The article discusses the enduring resonance of the 1980s hit song "Smalltown Boy" by Bronski Beat. The song, which tells the story of a young gay man leaving his small British town for the big city, captured the complexities of being a boy in a small town during a decade that embraced heteronormativity and hypermasculinity. Despite societal progress, such as the success of songs like "Smalltown Boy" and "Relax" by Frankie Goes to Hollywood, there were still challenges and inequalities faced by the LGBTQ+ community. The article reflects on the universal theme of leaving home to find one's identity and the ongoing struggles faced by smalltown individuals today. [Extracted from the article]

In Turner Contemporary, in Margate, the gallery workers were hanging a new exhibition: works by J. M. W. Turner, John Constable and their peers, a collection of rarely seen early-19th-century [...]

The article discusses the relationship between politics and music, refuting the notion that music has lost its sense of politics. It mentions the absence of protest singers in contemporary politics and attributes it to various distractions. However, it highlights the recent involvement of musicians Dave Rowntree and Tom Gray in politics, emphasizing their qualifications and contributions to the music industry. The article also challenges the traditional image of a protest singer and highlights examples of modern-day protest music. It concludes by referencing a rap song that addresses political issues and calls for politicians to prove their commitment to change. [Extracted from the article]