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2. Editor’s Introduction
3. Fourth Cinema Genre Mash-Up: Coming-of-Age Drama and Sketch Comedy in Reservation Dogs
4. About the Contributors
5. Index
6. Part V: Black Auteurs Defying Dominant Norms
7. Chapter 7. Burbanking Bigger and Bette the Bitch: Native Son and In This Our Life at Warner Bros
8. Chapter 9. Adapting Black Masculinity in Melvin Van Peebles's The Story of a Three Day Pass
9. Chapter 11. Devil in a Blue Dress: Aesthetic Strategies That Illuminate Invisibility and Continue Black Literary Traditions
10. Preface
11. Chapter 10. Black Autonomy On Screen and Off: Gordon Parks's The Learning Tree (1969) and Shaft (1971)
12. Chapter 2. Glimmers of Hope, Dreams Deferred, and Diminished Desires: Early African American Literary Figures and the Cinema Industry
13. Chapter 8. Frank Yerby and the Art and Discipline of Racial Sublimation
14. Chapter 5. Imagining the Haitian Revolution in Lydia Bailey: Kenneth Roberts's 1947 Novel and Darryl F. Zanuck's 1952 Film
15. Chapter 6. Refusing to Be Somebody's Damn Maid: An Examination of Space in Billie Holiday's Autobiographyand Biopic Lady Sings the Blues
16. Part IV: Black Literature's Challenge for Screen Adaptations
17. Part III: Hollywood's Problematic Reconstructions
18. Chapter 3. The Devil's Wanga: Representations of Power and the Erotics of Black Female Planters in The Love Wanga (1936) and The Devil's Daughter (1939)
19. Chapter 4. Filmic Migrations of the Carmen Figure: Karmen Geï and Its Implications for Diasporic Black Female Decolonization
20. Part II: Colonial Anxieties and Reclaimed Identities
21. Title Page, Copyright
22. Part I: Black Literary/Film Adaptations in Scholarlyand Historical Contexts
23. Chapter 1. Introduction: Cinematic Adaptations Representing Blackness
24. Acknowledgments
25. Contents
26. Editor's Introduction
27. Looking Back, Thinking Forward: A Digital Humanities Assessment of Equity, Diversity, and Representation in Twenty Years of Publishing in Cinema Journal and JCMS
28. Media Dialogues: A Scholarly Roundtable
29. 1. Foodways as an Ideological Approach
30. Cover
31. Acknowledgments
32. 2. Food and Film Industries: A Filter for the Food We See in Films
33. Title Page, Copyright Page
34. Introduction: The Cultural and Material Politics of Food Representations in Film
35. 3. Foodways Syntax: Utopian Films’ Use of Food to Create Community
36. 4. Foodways Structured to Convey Disorder and Dysfunction
37. 6. Food as Threat and Promise: Genre and Auteur Analysis
38. Back Cover
39. 5. When Humans Are the Food Product: An Ideological Look at Cannibal Films
40. 9. Food as a Window into Personal and Cultural Politics
41. Works Cited
42. 7. Foodways in Documentary Films: Consumer Society in a Wider Frame
43. Notes
44. Index
45. 8. The Politics Surrounding Documentaries’ Depiction of Foodways
46. Frontmatter
47. Cover
48. Index
49. 4. Ostensive Signs and Performance Montage
50. Appendix: Case Study of Romeo and Juliet
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