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1. An Archipelago of Ecological Care

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3. On Reenactment: Concepts, Methodologies, Tools.

11. Introduction

12. The Future of the Studio:From a Female Artists’ Perspective

13. Re-Enacting Ecosystems: Jakob Kudsk Steensen’s Environmental Storytelling in Virtual and Augmented Reality

16. Gauguin 'in drag'. La storia dell'arte decolonizzata in prospettiva 'ecoqueer'

17. The Archives of La Biennale di Venezia as the Seventh Muse: Revisiting (Art) History

18. Represencing Performance, Dance, and Visual Art

22. Re-Presenting Art History:An Unfinished Process

23. The Reactivation of Time

24. Over and Over and Over Again:Reenactment Strategies in Contemporary Arts and Theory

25. Robert Smithson y el paisaje entrópico: los primeros años del Land Art y su legado actual

26. Re-presenting art history : an unfinished process

27. L’opera falsa e l’archivio d’artista. Profili penali

28. Il dipinto come manufatto

32. L'arte come progetto di vita

33. november 23, h. 17. Venezia, Università Iuav, Palazzo Badoer, Aula Tafuri & online Cecilia Alemani (Biennale Arte 2022) 'Il latte dei sogni'. Reimmaginare percorsi e allestimenti discussant: Cristina Baldacci e Angela Vettese https://bit.ly/Alemani_Staging Recordings of previous meetings on the BiTES Biennale Teorie e Storie website, https://sites.google.com/iuav.it/iuavunitadiricercabites/bites

34. La pittura come specchio sul mondo

35. Riattivare la storia

36. From Re- to Pre- and Back Again: Reenactment Strategies in Contemporary Arts and Theory

37. Un viaggio negli abissi (post)coloniali

38. Acque and Mud: Stratification as a Metaphor of Time (Maria Morganti)

39. Cristina Baldacci conversa con Yuki Kihara

40. Obsessions with Retrieving the Past

41. Distorsioni contemporanee in stile Biedermeier

42. (Re)Configuring the Museum as Public Space. The Artist Role According to Marcel Broodthaers and Hans Haacke

43. Anarchia e pathos della pittura contemporanea

44. Fotografia (auto)riflessiva

45. Anacronismi, Appropriazione, Archivio, Atlante, Audience, Barr (Alfred), Boetti (Alighiero), Berger (John), Bois (Yves-Alain), Darboven (Hanne), Deacon (Richard), Delvoye (Wim), Einstein (Carl), Genzken (Isa), Re-enactment, Richter (Gerhard), Riviste d’arte contemporanea, Steyerl (Hito)

46. L’'immagine impossibile' dalle molte possibilità

47. Pittura nel campo espanso: gli assemblaggi di Stockholder

49. Counter-Archive

50. An-/Counter-/Meta-Archives: An Obsession of Contemporary Art