Search

In the twenty-first century, terms such as globalization, global, and world function as key words at the cusp of new frontiers in both historical writing and literary criticism. Practitioners of these disciplines may appear to be long time intimate lovers when seen from pre and early modern time periods, only to divorce with the coming of Anglophone world history in the twenty-first century. In recent years, works such as Martin Puchner’s The Written World, Maya Jasanoff’s The Dawn Watch, or the three novels that encompass Amitav Ghosh’s Ibis Trilogy, have rekindled a variant of history and literature’s embrace in a global register. This book probes recent scholarship concerning reflections on global history and world literature in the wake of these developments, with a primary focus on India as a site of extensive theoretical and empirical advances in both disciplinary locations. Inclusive of reflections on the meeting points of these disciplines as well as original research in areas such as Neo-Platonism in world history, histories of violence, and literary histories exploring indentured labor and capitalist transformation, the book offers reflections on conceptual advances in the study of globalization by placing global history and world literature in conversation. In great detail, this monograph provides both new facts and fresh insights that contest existing scholarship. By highlighting their competitive, fluid, and dynamic nature, it undermines the historiography viewing these courts as harmonic, hierarchic, and static. Far from being remote, ritualised figures, we find kings and Brahmins contesting with other courtiers for power. At the same time, by stressing continuities with the past, this study questions recent scholarship that perceives a fundamentally new form of Nayaka kingship. Thus, this research has important repercussions for the way we perceive both these kingdoms and their ‘medieval’ precursors.