The hand ax, one of the oldest weapons and stone age inventions of mankind, has a history of approximately 1.5 million years. These hand axes, which have a purpose of being made beyond their functions rather than their functionality, have started to be made-described in a double-headed form, containing an intense symbolism, especially since the Iron Age. The double-headed ax, of which different examples emerged in different civilizations and cultures in the process, has found use in a wide geography as both an object and an element of decoration, first as a goddess, then as a god and king-hero weapon. In this study, the double-headed ax was considered as one of the important symbols (symbols) of the sacred phenomenon in the process of transforming from an image to an object, and at the same time, it was evaluated as one of the most important signs-reflections in intercultural interaction, especially in Anatolia. This article is a hermeneutic and phenomenological study on the relationship and symbolic origin of the double-headed ax, the first examples of which began to be seen in the Prehistoric period, but encountered with different names in many civilizations and cultures of the ancient world. Accordingly, a descriptive methodology based on cataloging the double-headed ax samples was not preferred in the text. Examples of double-headed axes in different cultures are included in the text only to emphasize the incidence and spread of the object-form. In addition, the connection of the double-headed ax with the halberd, which has a special place in Turkish mysticism and especially in Bektashi culture and is defined as the dervish dowry, has been tried to be established in the context of the symbolism emphasized in the article. This article consists of five parts. In the First section, the emergence of the first ax samples and its form, in the Sample section, the double-headed ax samples in different cultures and related cases are mentioned. Symbolic Origin section, the relationship of the double-headed ax form with the sky is tried to be justified. Bektashism and Teber section, this sky-centered symbolic language, in particular the Sufi thought Bektashi belief-phenomenon, the dimensions of the phenomenon shaped by its own practices and its connection with halberd are emphasized. In the evaluation and conclusion, the subject is interpreted with a holistic perspective, especially in the context of the relationship between language, name and meaning, and also, the concept of intercultural interaction with the double-headed ax is emphasized. [ABSTRACT FROM AUTHOR]