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4. The role of cultural organisations in matters of equity, diversity, and inclusion.

5. The practices of artist‐entrepreneurs located outside Canada's creative hubs viewed through the lens of the pragmatic sociology of critique.

7. Industries culturelles hors des pôles créatifs en temps de pandémie: trois joueurs clés pour assurer la pérennité.

9. 268. DEVELOPMENT OF A NOVEL ESOPHAGUS-ON-A-CHIP MODEL: A HIGH-FIDELITY PLATFORM FOR DIRECTING PERSONALIZED THERAPY IN ESOPHAGEAL ADENOCARCINOMA

13. Pandemic and Cultural Industries in a Regional Context

14. Pandemia e industrias culturales en un contexto regional

15. Abstract 5959: Dissecting the stromal drivers of gastroesophageal adenocarcinoma chemoresistance

16. Abstract 168: Esophageal adenocarcinoma-on-a-chip; modeling patient specific disease progression and a step towards functional precision oncology

17. Les industries culturelles : l’art de se réinventer pour assurer la pérennité des modèles artistiques

24. Managing projects in creative industries: a compromise between artistic and project management values.

29. PROGRAMMES DE SUBVENTION : L’APPÂT DU GAIN AU DÉTRIMENT DE L’AUTHENTICITÉ ARTISTIQUE ?

42. TRIM5α and TRIMCyp form apparent hexamers and their multimeric state is not affected by exposure to restriction-sensitive viruses or by treatment with pharmacological inhibitors

43. Both TRIM5α and TRIMCyp have only weak antiviral activity in canine D17 cells

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