Search

The Craft of Professional Writing, 2nd edition, is the most complete manual ever written for every form of professional (and professional quality) writing. Its chapters range from toasts and captions to every form of journalism to novel writing, book authorship, and screenplays. The book offers techniques for the writing of each form, sample templates, and the advice on navigating a career in each writing field, including public relations and commercial writing, journalism in all media, and self-employment as a freelancer. It also offers sections on the tools of writing, including pacing, editing, pitching, invoicing, and managing the highs and lows of the different writing careers.

In this primer that Publishers Weekly says,'aspiring authors will want to study,'prospective nonfiction authors will learn insight and advice from industry insiders.So many people want to write a book. They dream of holding their work in their hands, seeing their name on the spine. They feel passionate and invigorated, ready to take action. They know it won't be easy; it takes grit, initiative, and commitment. But with the right mindset and the right plan, publishing a book is within every writer's reach.In Hungry Authors:The Indispensable Guide to Planning, Writing, and Publishing a Nonfiction Book, writers and publishing experts Liz Morrow and Ariel Curry offer aspiring authors an engaging, hands-on resource that includes:Hope and optimism about the publishing landscapeA fresh and humorous perspective on the work and business of being a writerA practical roadmap for ideating, planning, writing, and publishing a bookTips and tricks for how to get an agent or publisher's attention, even without a huge platformAccess to dozens of extra resources on the accompanying website, www.hungryauthors.comGood books don't happen by accident. They happen because the author has a plan every step of the way, from their book's structure to the publishing path that's best for them. Any author with a great idea and a boatload of gumption can write and publish an impactful nonfiction book, and Hungry Authors is the tool every writer needs to make that happen.

Providing a wealth of advice surrounding different ways of working, collaborating and thinking about your writing, this illuminating How to guide acts as an essential sourcebook for academics at any career stage. Seonaidh McDonald shares authentic stories, offers countless suggestions and provides key resources to help you progress your academic writing.This indispensable guide equips readers with the strategies they need to start writing, and keep writing. Sections can be navigated sequentially, randomly or by linked ideas, offering a myriad of tools and approaches that can be used to develop key writing skills, such as becoming unstuck, drafting and working with others. They also cover a broad range of contemporary scholastic concerns including a section on improving your writing, a discussion of current institutional barriers to academic writing and an extensive resource list.How to Stop Being Stuck with your Academic Writing acts as an essential resource for scholars struggling with their craft or supporting others with their writing. It will also be of interest to academics of business and other social science disciplines including development studies, economics and management seeking to build more consistency and joy into their writing processes.

The essential guide for Canadian writers seeking to have their work published today.How do you get your writing published in Canada? What are the industry standards for publishable work and how do you reach them? This lively, practical guide shows you how to think more creatively, cultivate a strong writing voice, and make your sentences powerful. It explains the elements of style and offers writing prompts to help you apply what you learn. It gives strategies for finding critique partners and beta readers and for getting useful feedback before you send your drafts to agents or editors. The chapters are packed with up-to-date information about the publishing industry, including how to find an agent, how to submit manuscripts to literary journals, how to query independent presses, and how to apply for writing grants. The Canadian Guide to Creative Writing & Publishing confidently leads you through the process of polishing your writing and finding an audience for your work.

We were all taught the fundamentals of writing well in school. But how do we write effectively in today's hyper-interactive world? When The Elements of Style and On Writing Well were published in 1959 and 1976, the internet hadn't been invented. Since then, there has been a radical transformation in how we communicate. The average adult receives over 100 emails and tens of text messages each day. With all this correspondence, gaining a busy reader's attention is now a competition. Todd Rogers and Jessica Lasky-Fink, both behavioural scientists, offer practical writing advice you can use today. They begin by outlining cognitive facts about how busy people read, then detail six research-backed principles for effective writing: Use fewer words Lower the reading level Use formatting judiciously Make the purpose clear for skimmers Emphasise value for readers Make responding as easy as possible. Including many examples, a checklist, and other tools for the most effective writing, this handbook will make you a more effective communicator. Rogers and Lasky-Fink bring conventional ideas about text-based communication into the 21st century's radically transformed attention marketplace.

“This is a very thorough, detailed resource that is a must-have for anyone considering self-publishing a book” ~Jane Are you interested in self-publishing a book, but fear it is beyond your capabilities? When confronted with the confusing, multifaceted world of publishing, many authors make the assumption they aren't capable of self-publishing, but nothing could be further from the truth! How to Self-Publish a Book: For the Technology Challenged Author is perfect for authors who have finished creating a story, but are intimidated by the next steps. This book's step-by-step, friendly format will make it easy for you to shake off the anxiety of the unknown and find your way safely and quickly to the fun and profits of self-publishing. Many books on publishing focus only on Amazon. This book helps you understand the full range of choices available to all authors. It helps authors understand how to make their book available to as many readers as possible. Author & Technical Trainer Barb Drozdowich, has worked with non-technical authors for years and understands how to break complex topics down using non-technical language. She has traditionally published and self-published of 27 books and understands all of its forms. Barb cuts through all the technobabble to teach you what you need to know to successfully publish your book in a down-to-earth and practical way. Some of the skills you will learn from this book include: How to find an editor & cover designer What an ISBN is and where to get one for the country you live in How to structure and format your book Where you can sell your book, how to set up all the retailer accounts, and how to get paid What to look for in a service provider & where to find freelancers to help This book has a huge appendix filled with articles for further reading, lists of helpful videos, lists of distributors, a multi page glossary and much more. Don't let your struggles with technology hold you back from self-publishing. Let Barb help you to learn the language and move forward into the publishing world with confidence. Pick up a copy and start publishing today.

Herausragende Texte effizient schreiben Die Beantwortung der E-Mails im Posteingang wird Stunden dauern, der Chef will einen schriftlichen Bericht bis mittags und das Sachbuch oder die wissenschaftliche Arbeit warten seit Wochen darauf, weitergeschrieben zu werden: Für viele beruflich Schreibende ist die Schreibblockade Alltag; die Aufgabe, prägnante Texte in kurzer Zeit zu verfassen, eine enorme Herausforderung; dabei auch noch originell und lesemotivierend zu schreiben, erst recht. Psychologin und Schreibcoach Ulrike Scheuermann hat eine ganzheitliche Methode des Schreibcoachings und -trainings entwickelt, die es auch gestressten Berufstätigen erlaubt, ihre schriftliche Kommunikation und ihre Schreibfitness für alle Arten von Sachtexten in kurzer Zeit zu verbessern. In der'Schreibfitness-Mappe'arbeitet sie mit einem besonderen didaktischen Konzept: Auf jeder Doppelseite wird ein Thema behandelt und abschließend auf dazu passende weitere Themen verlinkt - Sie gestalten Ihren Lernweg individuell. So lernen Sie mithilfe von zehn Checklisten und 15 typischen Problemfällen und -lösungen, wo es beim Schreiben hakt und was hilft. Anschließend trainieren 35 übungen effizient und erfolgsorientiert - für Schreiben im Fluss und herausragende Texte.

Please note: This is a companion version & not the original book. Book Preview: #1 The most reliable path toward a successful nonfiction book is to write something so useful that readers can't stop talking about it. This guide teaches you how to do that, by applying the lessons of product designers and entrepreneurs. #2 This guide is designed to be read from start to finish. It covers the foundations of writing a book, from designing your book's foundations for long-lasting recommendability and organic growth to marketing and selling your book. #3 The goal of book marketing is to stop needing to do it. Investing lots of time into active, hands-on marketing is unlikely to sell enough copies per hour to return a meaningful income. The solution is to create something so useful that readers can't help but recommend it. #4 There are many reasons why people write books, and they vary from author to author. Some write to explore, plant a flag, and build a reputation in an interesting space. Others write to increase their earnings via royalties.

The first major book for writers to more effectively engage with complex socio-political issues—a critical first step in creating social changeWriters are witnesses and scribes to society's conscience but writing about social issues in the twenty-first century requires a new, sharper toolkit. Craft and Conscience helps writers weave together their narrative craft, analytical and research skills, and their conscience to create prose which makes us feel the individual and collective impact of crucial issues of our time. Kavita Das guides writers to take on nuanced perspectives and embrace intentionality through a social justice lens. She challenges writers to unpack their motivations for writing about an issue and to understand that “writing, irrespective of genre or outlet, is an act of political writing,” regardless of intention.The book includes essays from a fascinating mix of authors, including James Baldwin, Alexander Chee, Kaitlyn Greenidge, George Orwell, Roxane Dunbar-Ortiz, Gaiutra Bahadur, Jaquira Díaz, and Imani Perry. By including Das's own perspective and those of the featured writers about motivations and approaches to writing about fraught social issues, this book both demystifies the process of engaging social issues on the page, and underscores the intentionality and sensitivity that must go into the work.

Get the Summary of David Kadavy's The Heart to Start in 20 minutes. Please note: This is a summary & not the original book. Original book introduction: Inspiring stories weave these techniques into your memory. From Maya Angelou to Seth Godin. From J. K. Rowling to Steven Pressfield. You'll hear from a Hollywood screenwriter, a chef, and even a creator of a hit board game. Whether you're writing a novel, starting a business, or picking up a paintbrush for the first time in years, The Heart to Start will upgrade your mental operating system with unforgettable tactics for ending procrastination before it starts, so you can make your creative dreams a reality.

All writers begin as readers.This is an ode, a love letter, to the magic of reading. To the spark that's set off when the reader thinks... I can do this too. Some of Australia's top writers take us through these moments of revelation through the dog-eared pages of their favourite Australian books.Ellen van Neerven finds kin on the page with Miles Franklin-winner Tara June Winch. A.S. Patric discovers a dark mirror for our times in David Malouf's retelling of an episode from The Iliad. Ashley Hay pens letters of appreciation and friendship to Charlotte Wood. These and many more writers come together to draw knowledge from the distinctive personal and sensory stories of this country: its thefts and losses, and its imagined futures. Australian fiction shows us what it is possible to say and, perhaps, what still needs to be said.Reading like an Australian writer is an inspirational and heartfelt collection of essays that will enrich your reading of Australian stories and guide you in your own writing.Featuring contributions by Ellen van Neerven, A.S. Patric, Peter Polites, Ashley Hay, Roanna Gonsalves, Nicholas Jose, Julienne van Loon, Tegan Bennett Daylight, Ryan O'Neill, Rose Michael, Jane Rawson, Anna Spargo-Ryan, Felicity Castagna, Nigel Featherstone, Cate Kennedy, Angela Meyer, Fiona McFarlane, Hoa Pham, Maria Takolander, Debra Adelaide, Emily Maguire, Belinda Castles, Irini Savvides, Stephanie Bishop, Beth Yahp and Mykaela Saunders.Reading Like an Australian Writer is supported by the Copyright Agency's Cultural Fund.

The most trusted guide to getting published, fully revised and updatedWant to get published and paid for your writing? Let Writer's Market, 100th edition guide you through the process. It's the ultimate reference with thousands of publishing opportunities for writers, listings for book publishers, consumer and trade magazines, contests and awards, and literary agents—as well as new playwriting and screenwriting sections, along with contact and submission information. Beyond the listings, you'll find articles devoted to the business and promotion of writing. Discover 20 literary agents actively seeking writers and their writing, how to develop an author brand, and overlooked funds for writers. This 100th edition also includes the ever-popular pay-rate chart and book publisher subject index.You'll gain access to: Thousands of updated listings for book publishers, magazines, contests, and literary agentsArticles devoted to the business and promotion of writingA newly revised'How Much Should I Charge?'pay rate chartSample query letters for fiction and nonfictionLists of professional writing organizations

'Maisel has a wonderful voice and A Writer's San Francisco reads like a gritty, fluent love letter. He moves seamlessly between thoughtful descriptions of modern San Francisco and the San Francisco of the'60s and'70s in narratives that bring the city alive on the page. His affection and respect for the city are inspiring to all writers and artists, but also to anyone who has ever spent time in San Francisco and fallen in love with her.'— Chris DeLorenzo, Laguna Writers Workshop San Francisco holds a special place in the history of American literature and in the hearts of creative people everywhere. In thirty-one essays, Eric Maisel takes you on an enchanted journey through one of the world's greatest cities. Walk San Francisco's twisting streets, climb its famous hills, explore bohemian landmarks like City Lights Bookstore, and check out lesser-known neighborhoods. Along the way, Maisel conjures the city's past and present writers, including Twain, Ferlinghetti, and Kerouac, and tells personal stories from his own years as a Bay Area writer, teacher, and creativity coach. Whether you're a San Francisco native, a visitor, an armchair traveler, or an artistic soul seeking inspiration, you'll find lots to inspire you in these pages.

Quick reference guide to the essentials of two of the most highly used writing style guides for college- level students. The 7th edition of the American Psychological Association's publication manual combined with reference to the 8th edition of the Modern Language Association's rules of punctuation, reference citation, structure and format in 6 digital pages filled with the answers you need for these commonly used guidelines. APA is used largely in academics, psychology, communications, business, nursing, social sciences, criminology, education, economics and more. MLA is used for language and literature, foreign language, literary criticism and cultural studies. Having a quick reference handy can speed up the writing and editing process allowing the writer to focus on the quality of the paper, ensuring a better grade if you are a student or a more professionally clean article or paper if writing for publication in your field. For the convenience and benefit of increasing the quality of your writings, the price makes it easy to add this to your writers toolbox. 6 page digital guide includes: APA STYLE 7th Edition What is APA Style? Writing for the Behavioral & Social Sciences Manuscript Structure & Content Writing Clearly & ConciselyThe Mechanics of Style Statistics in TextPaper FormatCiting Sources in the Text with ExamplesReference List with Formatting Samples MLA STYLE 8th Edition What is MLA Style?Research & Writing & Reference WorksPlagiarism & Academic IntegrityResearch Paper FormatCiting Sources in the TextMechanics of Writing with ExamplesWorks Cited List with Examples Suggested uses: Students – Handy reference while writing papers & easily switch between styles Professors/Teachers – Keep handy while writing for academic journals in your subject areaProfessionals – Use while writing academic articles or papers for publication

Fun and innovative exercises and prompts for creative writing students Once Upon a Time in the Twenty-First Century: Unexpected Exercises in Creative Writing is a unique creative writing text that will appeal to a wide range of readers and writers—from grade nine through college and beyond. Successful creative writers from numerous genres constructed these exercises, including poetry, fiction, and creative nonfiction to one-act plays, song lyrics, genre fiction, travel guides, comics and beyond. The exercises use a broad range of creative approaches, aesthetics, and voices, all with an emphasis on demystifying the writing process and having fun. Editor Robin Behn has divided the book into three writing sections: Genres and Forms, Sources and Methods, and Style and Subject. In each section, Behn offers a brief introduction which explains how to get started and specific ways to develop one's writing. Each introduction is followed by extensive exercises that draw on literature from classic to contemporary, as well as other art forms and popular culture. Examples range from Flannery O'Connor and Langston Hughes to Allen Ginsberg and Gertrude Stein, from Jamaica Kincaid and James Joyce to Arlo Guthrie and Harryette Mullen. Integrated within the exercises are apt examples of student writings that have emerged from actual use of the exercises in both the classroom and in writing groups. The book concludes with general advice and direction on how to get published. Based on years of hands-on experiences in the teaching of creative writing in high schools, colleges, and after-school writing clubs, this volume of exercises offers inestimable value to students and teachers in the traditional classroom, as well as a growing number of homeschoolers, those who are part of a writing club or group, and independent writers and learners of all ages.

Not everyone is a natural writer. In fact, most people don't think that much about writing until they're called upon to write something like an office memo or a wedding speech and find themselves paralyzed with self-doubt. Author and writing coach Alan Gelb specializes in helping anxious writers find their voice, drawing upon techniques that can improve anyone's writing, sometimes in a matter of days. His compact and easy-to-use guide demystifies the writing process and shows readers how to sculpt concise sentences, shape well-structured paragraphs, polish a final draft, and combat procrastination. Best of all, readers will see for themselves that writing is not an inborn talent but a skill that can be mastered with a bit of patience and perseverance.

Este libro es más que una manual de redacción, pues este va desde el verdadero principio donde uno se debe colocar para comenzar a escribir: la página en blanco. Este libro nos eneseñará a vencerla y a plasmar sobre ella lo que queremos transmitir. Pues el ejercicio de escribir va más allá de las normas, va hacia la transaparencia del mensaje, hacia la necesidad de expresarse.

Você quer escrever um livro sem muito esforço no menor tempo possível? Você quer escrever um romance de forma mais rápida e eficaz? Você sabia que o dictation software pode ajudá-lo a escrever seu livro até 3 vezes mais rápido? Se você respondeu sim, então este livro é para você! Se você quer aprender a escrever seu romance falando, este livro também é para você! Este guia apresenta estratégias extraordinárias para ditar seu romance tudo a partir do conforto da sua sala de estar sem tocar em um teclado! Aqui estão os tópicos deste livro: •Como começar •Como se preparar e fazer seu esboço •O melhor discurso para aplicativos de texto •Como usar o dictation software para publicar um romance •+ MUITO MAIS! -> Role até o topo da página e clique em adicionar ao carrinho para comprar instantaneamente <- Aviso Legal: Este autor e detentor de direitos não fazem reivindicações, promessas ou garantias sobre a exatidão, integridade ou aplicação do conteúdo deste livro, e se isenta expressamente da responsabilidade por erros e omissões nos conteúdos nele contidos. Este produto é apenas para referência. Gênero: COMPUTADORES / Documentação e Redação Técnica Gênero Secundário: NÃO FICÇÃO JUVENIL / Linguagem / Composição e Escrita Criativa Língua: Português Brasil

The Craft of Professional Writing is the most complete book ever written about the real-life work of being a writer. Covering topics ranging from business writing (advertising, PR) to commercial work (news reporting, feature writing, blogging, non-fiction books) to creative writing (screenplays and novels), as well as advice on pitching, rejection and leading a writer's life, the narrative is filled with anecdotes and illuminating stories, as well as tricks of the trade in each form of writing. For the student, The Craft of Professional Writing is the most wide-ranging and practical textbook on the subject. Designed to be an instructional text for producing professional-level work, it is also a survey of the various writing professions to enable budding writers to make career decisions. For the professional, this book is the ultimate reference work—offering practical tips and advice they can return to again and again to help them through various phases of their career.

Lorsque j'ai découvert le livre de Marthe, je me suis sentie transportée par un plaisir profond de pouvoir écrire mon histoire de façon organisée et encadrée. Plus j'avançais dans ma lecture, plus mon élan et mon besoin d'écrire revenaient avec une telle excitation. Les conseils que j'y ai trouvés m'ont aidée à apprécier le fait de travailler avec plus de directives en plus de dépasser mes peurs du jugement des autres. – Chantal Robillard, auteure, propriétaire Repère de l'ange Voici un ouvrage magnifiquement bien écrit avec sa plume empreinte de sensibilité et de douceur. Marthe partage les rudiments de l'écriture accompagnés de ses expériences d'auteure prolifique. Toutes les étapes à partir du projet d'écrire un livre jusqu'à la concrétisation de celui-ci sont clairement bien présentées. – Danielle Bois, auteure Un ouvrage d'un intérêt capital pour toute personne souhaitant écrire un livre! Il m'a aidée à structurer mon texte. Il m'a donné des assises pour mener à bien mes récits du début à la fin. Jamais écrire n'a été si facile et agréable! – Roxane Laurin, écrivaine Une vraie perle! Cet ouvrage est une ressource indispensable pour nous initier à une bonne technique d'écriture. Marthe nous décrit de façon claire et concise la manière de bien structurer nos projets d'écriture pour en voir le bout. Depuis la lecture de ce livre, j'ai pu enfin mettre un point final à tous mes livres avec beaucoup plus de facilité et de discipline. À lire sans faute! – Isabelle Tremblay, auteure, médium Jamais je ne l'aurais cru. Écris-moi ton histoire! m'a permis de publier deux livres en deux ans! Pour moi, ce livre demeure un outil indispensable afin de rédiger un contenu de qualité, empreint de professionnalisme. Merci, Marthe, par tes enseignements j'ai appris à structurer ma pensée puis mes écrits, chapitre par chapitre, afin de concrétiser mes projets. À lire et à relire! – Chantale Belzile, auteure, thérapeute, conférencière

Designed to mentor writers at all levels, from beginning to quite advanced, The Writer's Portable Mentor offers a wealth of insight and crafting models from the author's twenty-plus years of teaching and creative thought. The book provides tools for structuring a book, story, or essay. It trains writers in observation and in developing a poet's ear for sound in prose. It scrutinizes the sentence strategies of the masters and offers advice on how to publish. This second edition is updated to account for changes in the publishing industry and provides hundreds of new craft models to inspire, guide, and develop every writer's work.

Elements of Indigenous Style offers Indigenous writers and editors—and everyone creating works about Indigenous Peoples—the first published guide to common questions and issues of style and process. Everyone working in words or other media needs to read this important new reference, and to keep it nearby while they're working. This guide features: Twenty-two succinct style principles. Advice on culturally appropriate publishing practices, including how to collaborate with Indigenous Peoples, when and how to seek the advice of Elders, and how to respect Indigenous Oral Traditions and Traditional Knowledge. Terminology to use and to avoid. Advice on specific editing issues, such as biased language, capitalization, and quoting from historical sources and archives. Case studies of projects that illustrate best practices.

Grab it and go! HARBRACE ESSENTIALS WITH RESOURCES FOR WRITING IN THE DISCIPLINES, 3rd Edition answers all of your essential writing questions in one easy-to-navigate, easy-to-carry handbook. Inside, you'll find brief yet thorough explanations of important grammar, style, mechanics and punctuation topics. You'll also find model student papers in a variety of disciplines, extensive MLA citation examples and more.

An essential guide for writers on how to record and use rich detail to enliven their work.The goal of the writer is to live with the keenness of the foreigner. To experience, wide-eyed, the sensations aroused and the events offered up by peculiar surrounds and then to evoke them so brightly on the page that the reader, too, experiences the foreigner's frisson. A time-honored way this is accomplished is through the keeping of a field notebook—through the faithful recording of the this-and-that of life; the atmospheres and incidents; the bells, the beer, the bread.Based on what accomplished nonfiction writer Sara Mansfield Taber learned in her many years of field notebook keeping, Chance Particulars is a unique and handy primer for writers who want to use their experiences to tell a lively, satisfying story. Often, writers try to turn their notes into a memoir, essay, travel piece, or story, only to find that they haven't recorded enough of the concrete, sensory details necessary to create evocative description. To help writers overcome this problem, Taber has composed a true “field notebook for field notebook keepers.” Enhanced by beautiful illustrations, this charming and comprehensive guide is a practical manual for anyone who wishes to learn or hone the crafts of writing, ethnography, or journalism.Writers of all levels, genres, and ages, as well as teachers of writing, will appreciate this useful tool for learning how to record the details that build vibrant prose. With this book in hand, you will be able to recreate times and places, conjure up intricate character portraits, and paint pictures of particular landscapes, cultures, and locales.

This is a practical—and encouraging—how-to book from a long-time teacher of personal and family history writing. Katie Funk Wiebe helps beginning memoir writers get started collecting the stories of their lives. She gives hints for recalling distant memories and tracking down family heirlooms. This is a serious but accessible resource for undertaking your personal or family history writing. In these pages, you'll find:Tips on writing,Exercises to prod the memory,And advice on looking at the broad scope of a well-lived life.As Wiebe writes,'You've been living 24 hours every day, making decisions, objecting to certain ideas, endorsing others, and interacting with family and coworkers,'the author writes.'I plan to convince you that if you took time to reflect, you'd find lots of meaningful stuff going on.'

Vous désirez écrire des nouvelles ou des contes?Vous avez sans doute ce qu'on appelle'un brin de plume'. Vous aimez coucher vos pensées sur le papier et faire des phrases harmonieuses. Et vous ne manquez pas d'idées de situations ou de personnages. Mais voilà : votre tiroir regorge de manuscrits inachevés, car vous préférez toujours recommencer plutôt que de finir un seul récit. Ce manuel peut vous aider. Il explore méthodiquement les cinq techniques que vous devez maîtriser : le scénario, les personnages, les points de vue, les décors et le message. A chaque chapitre, des exercices pratiques vous aideront à progresser sur les voies de l'écriture et des'check-lists'vous permettront de vérifier que vous n'avez rien oublié. Enfin une liste précieuse des concours de nouvelles de langue française vous permettra peut-être de gagner votre premier prix.Une méthode claire et concise qui vous guidera dans l'écriture de vos nouvelles et contesEXTRAIT1. Apprendre à regarderSauf accident, tout le monde voit, mais voir n'est pas regarder. Dans regarder, il y a l'idée d'attention volontaire et soutenue. D'ailleurs, l'origine de ce verbe est claire : “re” signifie réitération et insistance, et “garder” signifie non seulement prendre, mais retenir (avec une mise en mémoire en vue d'une utilisation future).Tout le monde s'imagine qu'il sait regarder. En réalité, il ne s'agit pas ici de porter un regard ordinaire sur les choses, mais un regard technique : un regard qui soit déjà une forme de traitement de l'information recueillie. Une comparaison avec le dessin ou la peinture sera éclairante. A juste titre, on a dit que dessiner ou peindre, c'était “apprendre à voir”. Pas à voir “en général”, mais à voir avec l'intention de reproduire les formes (lignes, ombres, volumes...) et les couleurs (intensités, valeurs, éclats, tonalités...). Dessinateur, peintre, sculpteur et même photographe, chacun d'eux a sa manière spéciale de regarder le monde. C'est d'un talent analogue qu'il s'agit ici, et l'écrivain qui aura fait des études dans ces domaines aura déjà une supériorité sur les autres. Sauf que, en l'occurrence, il devra développer une aptitude spéciale à traduire sa vision en son matériau propre : non plus les traits, mais les mots.À PROPOS DE L'AUTEURLouis Timbal-Duclaux a écrit plus d'une vingtaine de livres sur l'expression écrite professionnelle ou romanesque. Aujourd'hui retraité, il écrit et anime des séminaires.

Les thèmes traités ici sont le roman, la nouvelle, l'essai, le scénario, le théâtre, la poésie.Que vous écriviez déjà ou non, prêtez-vous à l'expérience suivante. C'est un exercice que nous vous proposons depuis longtemps dans Ecrire Magazine. Choisissez un thèmes quelconque, et rédigez un texte s'y rapportant, faisant deux à trois pages. Retravaillez le texte à fond et laissez le reposer quatre ou cinq jours. Réécrivez le en écartant impitoyablement tous les passages qui ne vous satisfont pas. Etes-vous satisfait du nouveau résultat? Gardez maintenant ce texte dans un tiroir, et ne le ressortez qu'un mois ou deux plus tard.Résultat : vous avez la nette impression que c'est quelqu'un d'autre, caché en vous, qui est l'auteur de ce travail que vous redécouvrez, et avec quelle fierté! C'est cela l'écriture, et la plus grande satisfaction qu'un auteur puisse en tirer est de voir à travers elle, comme dans un miroir à multiples facettes, tous les personnages créatifs qui se trouvent à la fois réunis en lui.La démarche de cet ouvrage pratique est de vous faire découvrir les nombreuses facettes de votre talent d'écrivain.EXTRAITLe tout n'est pas de disposer d'un coin calme pour pouvoir écrire. Il faut aussi, et surtout, en avoir le temps. La très grande majorité des gens qui portent en eux un projet d'écriture ont une activité professionnelle qu'ils exercent à plein temps. Et peut-être même ce dilemme constitue-t-il, selon un certain principe lié aux situations contrariantes, le stimulant principal. A l'intéressé(e), alors, de mettre en place une gestion astucieuse de son temps pour insérer la pratique de l'écriture dans sa vie et dans son quotidien.À PROPOS DE L'AUTEURFrançais d''origine camerounaise, Victor Bouadjio est écrivain et directeur des éditions Ecrire Aujourd'hui. Après des études scientifiques à l'Université de Parie XI (Orsay) et aux Etats-Unis, il a enseigné pendant neuf ans dans le secondaire et à l'Université de Nantes (IUT) avant de se consacrer à l'écriture. Il a reçu le Grand Prix de l'Afrique noire en 1990 avec son roman, Demain est encore loin.Il est vice-président des Anneaux de la Mémoire de Nantes.

Writing True Stories is the essential book for anyone who has ever wanted to write a memoir or explore the wider territory of creative nonfiction. It provides practical guidance and inspiration on a vast array of writing topics, including how to access memories, find a narrative voice, build a vivid world on the page, create structure, use research-and face the difficulties of truth-telling.This book introduces and develops key writing skills, and then challenges more experienced writers to extend their knowledge and practice of the genre into literary nonfiction, true crime, biography, the personal essay, and travel and sojourn writing. Whether you want to write your own autobiography, investigate a wide-ranging political issue or bring to life an intriguing history, this book will be your guide.Writing True Stories is practical and easy to use as well as an encouraging and insightful companion on the writing journey. Written in a warm, clear and engaging style, it will get you started on the story you want to write-and keep you going until you reach the end.

Herausragende Texte effizient schreiben Die Beantwortung der Mails im Posteingang wird Stunden dauern, der Chef will einen schriftlichen Bericht bis mittags und das Sachbuch oder die wissenschaftliche Arbeit warten seit Wochen darauf, weitergeschrieben zu werden: Fu¨r viele beruflich Schreibende ist die Schreibblockade Alltag; die Aufgabe, pra¨gnante Texte in kurzer Zeit zu verfassen, eine enorme Herausforderung; dabei auch noch originell und lesemotivierend zu schreiben, erst recht. Ulrike Scheuermann hat eine ganzheitliche Methode des Schreibcoachings und -trainings entwickelt, die es auch gestressten Berufsta¨tigen erlaubt, ihre schriftliche Kommunikation und ihre Schreibfitness für alle Arten von Sachtexten in kurzer Zeit zu verbessern. Die'Schreibfitness-Mappe'zeigt mithilfe von zehn Checklisten und 15 typischen Problemfa¨llen und -lo¨sungen, wo es beim Schreiben hakt und was hilft. 35 U¨bungen trainieren effizient und erfolgsorientiert - fu¨r Schreiben im Fluss und herausragende Texte.

Will Dunne first brought the workshop experience down to the desk level with The Dramatic Writer's Companion, offering practical exercises to help playwrights and screenwriters work through the problems that arise in developing their scripts. Now writers looking to further enhance their storytelling process can turn to Character, Scene, and Story. Featuring forty-two new workshop-tested exercises, this sequel to The Dramatic Writer's Companion allows writers to dig deeper into their scripts by fleshing out images, exploring characters from an emotional perspective, tapping the power of color and sense memory to trigger ideas, and trying other visceral techniques. The guide also includes a troubleshooting section to help tackle problem scenes. Writers with scripts already in progress will find they can think deeper about their characters and stories. And those who are just beginning to write will find the guidance they need to discover their best starting point. The guide is filled with hundreds of examples, many of which have been developed as both plays and films. Character, Scene, and Story is fully aligned with the new edition of The Dramatic Writer's Companion, with cross-references between related exercises so that writers have the option to explore a given topic in more depth. While both guides can stand alone, together they give writers more than one hundred tools to develop more vivid characters and craft stronger scripts.

Q. Is it “happy medium” or “happy median”? My author writes: “We would all be much better served as stewards of finite public funds if we could find that happy median where trust reigns supreme.” Thanks! A. The idiom is “happy medium,” but I like the image of commuters taking refuge from road rage on the happy median. Q. How do I write a title of a song in the body of the work (caps, bold, underline, italics, etc.)? Example: The Zombies'“She's Not There” looped in his head. A. Noooo! Now that song is looping in my head (“but it's too late to say you're sorry...”). Use quotation marks. Thanks a lot. Every month, tens of thousands of self-declared word nerds converge upon a single site: The Chicago Manual of Style Online's Q&A. There the Manual's editors open the mailbag and tackle readers'questions on topics ranging from abbreviation to word division to how to reform that coworker who still insists on two spaces between sentences. Champions of common sense, the editors offer smart, direct, and occasionally tongue-in-cheek responses that have guided writers and settled arguments for more than fifteen years. But Can I Start a Sentence with “But”? brings together the best of the Chicago Style Q&A. Curated from years of entries, it features some of the most popular—and hotly debated—rulings and also recovers old favorites long buried in the archives. Questions touch on myriad matters of editorial style—capitalization, punctuation, alphabetizing, special characters—as well as grammar, usage, and beyond (“How do I spell out the sound of a scream?”). A foreword by Carol Fisher Saller, the Q&A's longtime editor, takes readers through the history of the Q&A and addresses its reputation for mischief. (“It's not that we set out to be cheeky,” she writes.) Taken together, the questions and answers offer insights into some of the most common issues that face anyone who works with words. They're also a comforting reminder that even the best writer or editor needs a little help—and humor—sometimes.

Get the Knowledge Without the College! You are a writer. You dream of sharing your words with the world, and you're willing to put in the hard work to achieve success. You may have even considered earning your MFA, but for whatever reason--tuition costs, the time commitment, or other responsibilities--you've never been able to do it. Or maybe you've been looking for a self-guided approach so you don't have to go back to school. This book is for you.DIY MFA is the do-it-yourself alternative to a Master of Fine Arts in creative writing. By combining the three main components of a traditional MFA--writing, reading, and community--it teaches you how to craft compelling stories, engage your readers, and publish your work. Inside you'll learn how to: • Set customized goals for writing and learning. • Generate ideas on demand. • Outline your book from beginning to end. • Breathe life into your characters. • Master point of view, voice, dialogue, and more. • Read with a'writer's eye'to emulate the techniques of others. • Network like a pro, get the most out of writing workshops, and submit your work successfully.Writing belongs to everyone--not only those who earn a degree. With DIY MFA, you can take charge of your writing, produce high-quality work, get published, and build a writing career.

Quick reference for the writing style guidelines from the American Medical Association for the medical sciences community. The need-to-know essentials of the guidelines in 6 laminated pages, designed for quick access and durability. Suggested uses: oStudents – handy reference while writing papers where AMA is the required or suggested style oProfessors – require students to write in AMA Style to prepare for a future in the science or medical sciences field oAuthors/Editors – reference while writing or editing pieces to be published in the science or medical science fields

Intended for both students and practitioners in public administration who want to communicate more effectively with a variety of audiences, this book offers clear, easy-to-understand guidelines on how to write more clearly, concisely, and coherently, as well as correctly. It covers the basics of good English and applies those basics to general forms (such as memos, letters, and e-mails) and more specific forms (such as newsletters, proposals, budget justifications, and rules) used in the public sector.

Have you ever picked up a volume of theology, read the first page, and decided you would rather scrub the bathroom floor than read another page? Theology does not need to be abstract, dull, boring, tedious, dense, inconsequential, trivial, remote, immaterial, or unimportant. Theology should not leave readers feeling bewildered and lost. Expressing Theology challenges writers of theology to craft engaging, compelling, and beautiful prose that grabs readers'attention and makes reading a pleasure. Expressing Theology provides writers of theology--academics, aspiring, and published--with perspectives and writing techniques to write theology that readers want to read.

Developing narrative nonfiction writers at any stage of their career Write Choices: Elements of Nonfiction Storytelling helps writers cultivate their nonfiction storytelling skills by exploring the universal decisions writers confront when crafting factual narratives. Rather than isolating various forms of narrative nonfiction into categories or genres, Sue Hertz focuses on examining the common choices all true storytellers encounter, whether they are writing memoir, literary journalism, personal essays, or travel stories. Write Choices also includes digital storytelling. No longer confined to paper, today′s narrative nonfiction writers must learn to write for electronic media, which may also demand photos, videos, and/or audio. Integrating not only her own insights and experience as a journalist, nonfiction book author, and writing instructor, but also those of other established nonfiction storytellers, both print and digital, Hertz aims to guide emerging writers through key decisions to tell the best story possible. Blending how-to instruction with illuminating examples and commentaries drawn from original interviews with master storytellers, Write Choices is a valuable resource for all nonfiction writers, from memoirists to essayists to literary journalists, at any stage of their career.

“This is such a pleasure to read. Unlike most books with writing prompts, this one goes in depth with sensitizing you to ground yourself in awareness of where you are and why. Grazie, Linda, for this marvelous work.”—Frances Mayes, author of Under the Tuscan SunIn this engaging creative writing workbook, novelist and poet Linda Lappin presents a series of insightful exercises to help writers of all genres—literary travel writing, memoir, poetry, fiction, creative nonfiction—discover imagery and inspiration in the places they love.Lappin departs from the classical concept of the Genius Loci, the indwelling spirit residing in every landscape, house, city, or forest—to argue that by entering into contact with the unique energy and identity of a place, writers can access an inexhaustible source of creative power. The Soul of Place provides instruction on how to evoke that power.The writing exercises are drawn from many fields—architecture, painting, cuisine, literature and literary criticism, geography and deep maps, Jungian psychology, fairy tales, mythology, theater and performance art, metaphysics—all of which offer surprising perspectives on our writing and may help us uncover raw materials for fiction, essays, and poetry hidden in our environment.An essential resource book for the writer's library, this book is ideal for creative writing courses, with stimulating exercises adaptable to all genres. For writers or travelers about to set out on a trip abroad, The Soul of Place is the perfect road trip companion, attuning our senses to a deeper awareness of place.

The premier source for journalists, now revised and updated for 2015. Does the White House tweet? Or does the White House post on Twitter? Can'text'be a verb and also a noun? When should you link? For anyone who writes--short stories or business plans, book reports or news articles--knotty choices of spelling, grammar, punctuation and meaning lurk in every line: Lay or lie? Who or whom? That or which? Is Band-Aid still a trademark? It's enough to send you in search of a Martini. (Or is that a martini?) Now everyone can find answers to these and thousands of other questions in the handy alphabetical guide used by the writers and editors of the world's most authoritative news organization. The guidelines to hyphenation, punctuation, capitalization and spelling are crisp and compact, created for instant reference in the rush of daily deadlines. The 2015 edition is a revised and condensed version of the classic guide, updated with solutions to problems that plague writers in the Internet age: · How to cite links and blogs · How to handle tweets, hashtags and other social-media content · How to use current terms like “transgender,” or to choose thoughtfully between'same-sex marriage'and'gay marriage'With wry wit, the authors have created an essential and entertaining reference tool.

¡Aprende a escribir el corazón de tu novela! Este manual, repleto de trucos, es diferente a todos los demás. Hay novelistas que escriben para hacerse ricos, buscando la fama. Otros sólo quieren escribir novelas para sobrevivir, dar de comer a su familia y pagar las facturas. Otros escriben para desarrollar su creatividad y les da igual que alguien lea sus libros. Y hay otros escritores que quieren escribir una novela inolvidable, el tipo de libro que acaba convirtiéndose en un clásico, que trasciende el tiempo, que llega al corazón del lector y le cambia la vida. Si eres de los últimos, Escribe el corazón de tu novela es el libro que estabas esperando. En su interior encontrarás: -Los elementos fundamentales que han de aparecer en la primera escena de tu novela, incluso en el primer párrafo. -Cómo acceder al corazón de tu relato, de tus personajes, del escenario, de la trama y de los temas haciendo ejercicios específicos. -Cómo idear la trama, los temas, los motivos, el escenario y personajes ricos por medio de una serie de preguntas que te llevarán más allá de la superficie de la historia. -La pregunta más importante que tienes que responder en la primera escena para escribir una novela inolvidable. -Las tres preguntas que el personaje debe hacerse para que sea creíble y convincente. -El secreto para estructurar las escenas a partir del «momento culminante». No te conformes con una buena novela. Escribe una gran novela… ¡explorando el corazón de tu relato!

Todo usuario inteligente de la lengua tropieza permanentemente con dudas. El Manual de español urgente es una guía ágil y concisa para resolver todas esas cuestiones cotidianas que afean la lengua y dificultan la comunicación. ¿Cuál es el plural de «currículum»? ¿El pasado de «prever» es «previó» o «preveyó»? ¿Son admisibles palabras como «ecologizar», «empoderar» «experticida» o «señalética»? ¿Hay alternativas para «baby shower», «fracking», «selfie» o «stock options»? ¿Es apropiado usar abreviaturas en las redes sociales? ¿Qué palabras se escriben en cursiva? El Manual de español urgente ha sido, desde su publicación en 1985, un referente para quienes tienen el español como instrumento de trabajo y buscan un sitio donde resolver sus dudas y encontrar propuestas que les ayuden a expresarse con precisión y eficacia. Esta nueva edición, actualizada y revisada, es el fruto del trabajo de la Fundéu BBVA en su análisis de los medios de comunicación, materializado en sus recomendaciones diarias, que buscan el equilibrio entre un español vivo y actual -atento al reto de las innovaciones tecnológicas- y la riqueza heredada de sus siglos de historia. No solo periodistas, sino también estudiantes, redactores de informes, responsables de redes sociales, blogueros, publicistas y, en general, cualquier persona que requiera una guía ágil y nada restrictiva para la claridad de su expresión oral o escrita encontrará en este manual una valiosa ayuda que le permitirá volcar sus opiniones, informaciones y reflexiones con precisión, ya sea en un medio tradicional o en internet.

A WRITER'S COMPASSDirection for your writing careerDon't get lost on the publishing path. Just forge ahead with the Writer's Compass. Drawing on decades of professional experience as an author, editor, writing instructor, mentor, and marketing consultant, Elizabeth Lyon helps you navigate the art and craft of writing—with clear, easy-to-follow directions: NORTHGetting Your BearingsUnderstand your purpose and your audience; learn to refine your ideas, select effective titles, and find the best method of organization for any piece SOUTHTroubleshootingUse checklists and guidelines to spot weaknesses and problems in leads, organization, conclusions, and style—and find out how to correct them EASTLearning to MarketMap a successful cover letter, query letter, or proposal, and discover a four-step process to facilitate publication and sales WESTRefining Your VisionBrainstorm to gain perspective on your writing—and how it fits with your values, goals, and dreams

Life Coaching for Writers is a self-help and personal development guide for every writer that will help you to unleash your creative potential. Whether you are a fiction or non-fiction writer, it's not always easy to be creative - life conspires to throw up obstacles, fears and external influences that get in the way of our writing lives. It is aimed at writers who know that they want to write but are struggling to realize their full potential. It is specifically aimed at more experienced writers who have had some successes and want to move from the life of an amateur scribbler to a professional writer.,

Monsters are more than things that go bump in the night...Monsters are lurking in the woods, beneath the waves, and within our favorite books, films, and games--and there are good reasons why they appear so often. Monsters are manifestations of our fears and symbols of our society--not to mention they're a lot of fun--but each should serve a purpose and enhance the themes and tension in your fiction.In Writing Monsters, best-selling author Philip Athans uses classic examples from books, films, and the world around us to explore what makes monsters memorable--and terrifying. You'll learn what monsters can (and should) represent in your story and how to create monsters from the ground up.Writing Monsters includes: • In-depth discussions of where monsters come from, what they symbolize, and how to best portray them in fiction • Informative overviews of famous monsters, archetypes, and legendary creatures • A Monster Creation Form to help you create your monster from scratch • An annotated version of H.P. Lovecraft's chilling story'The Unnamable'Whether you write fantasy, science fiction, or horror, your vampires, ghouls, aliens, and trolls need to be both compelling and meaningful. With Writing Monsters, you can craft creatures that will wreak havoc in your stories and haunt your readers'imaginations--and nightmares.

Crime and Thriller Writing: A Writers'& Artists'Companion is an essential guide to writing in these exciting genres. PART 1 explores the nature and history of the genre and helpsyou get started with ideas, planning and research. PART 2 includes tips by bestselling crime writers: Mark Billingham, S.J. Bolton, Alafair Burke, Lee Child, N. J. Cooper, Meg Gardiner, Tess Gerritsen, Sophie Hannah, Jim Kelly, Laura Lippman, Gayle Lynds, Alex McBride, Val McDermid, Dreda Say Mitchell, Sara Paretsky, Jill Paton Walsh, George Pelecanos, Ian Rankin, Peter Robinson, S. J. Rozan, Guy Saville, Yrsa Sigurðardóttir, Dana Stabenow, Andrew Taylor, Charles Todd and Laura Wilson. PART 3 contains practical advice--from shaping plots and exploring your characters to the meaning of writer's block, the power of the rewrite, and how to find an agent when your novel is complete.

This workbook provides principals with the tools they need to put into practice the concepts outlined in Written Expression: the Principal's Survival Guide, a volume in Eye On Education's hardcover series, The School Leadership Library. The workbook expands the topics covered in the hardcover book and provides additional examples. On the diskette you will find many of the sample documents printed in both the hardcover book and this workbook. You may use these files as templates for your own writing tasks.

The ability to write well correlates highly with the ability to think well—to analyze information, weigh alternatives, and make decisions. Government managers must make instructions and policies clear to employees, give effective presentations, and communicate effectively with the public. In addition, government managers must model clear, effective writing for their staffs. A comprehensive chapter on using social media effectively and appropriately is included.

A COMPANION TO CREATIVE WRITING A Companion to Creative Writing is a comprehensive collection covering myriad aspects of the practice and profession of creative writing in the contemporary world. The book features contributions from an international cast of creative writers, publishers and editors, critics, translators, literary prize judges, and many other top professionals. Chapters not only consider the practice of creative writing in terms of how it is “done,” but also in terms of what occurs in and around creative writing practice. Chapters address a wide range of topics including the writing of poetry and fiction; playwriting and screenwriting; writing for digital media; editing; creative writing and its engagement with language, spirituality, politics, education, and heritage. Other chapters explore the role of literary critics and ideas around authorship, as well as translation and creative writing, the teaching of creative writing, and the histories and character of the marketplace, prizes, awards, and literary events. With its unprecedented breadth of coverage, A Companion to Creative Writing is an indispensable resource for those who are undertaking creative writing, studying creative writing at any level, or considering studying creative writing.

Taking off from The Creative Writer's Survival Guide, John McNally'srelentlessly blunt, bracingly cheerful, and immensely helpful map to being a writer, Vivid and Continuousis an equally blunt, cheerful, and helpful map to learning to be a writer. While acknowledging that many fine books cover such essentials of fiction writing as point of view, characterization, and setting, McNally sets out in this new book—intended as a supplement to beginning fiction-writing classes or as the sole text for upper-level or graduate courses—to solve the tricky second-tier problems that those books cover only in footnotes. Vivid and Continuous takes its inspiration from John Gardner, whose essential truths in On Becoming a Novelist clarified McNally's goal of communicating a “vivid and continuous dream” with his own writing. In fifteen concise, energizing chapters, he dispenses advice gained from almost thirty years of studying, writing, and teaching. How do you avoid the pitfalls inherent in the most common subjects for stories? How do you create memorable minor characters? What about managing references to pop culture without distracting your readers, revising a story to bring its subtext into focus, or exploring the twenty most common craft-related quirks that lessen immediacy for your readers? How do you keep from overdosing on similes and metaphors or relying on too many flashbacks to provide necessary backstory? How do you learn to listen when your story tries to talk to you? Finally, how can you resist “John McNally's Sure-Fire Formula for Becoming Funnier in 30 Days”? McNally cites many novels and short stories as examples that best illustrate the lessons he wants to impart, the writer's life, or the writer's craft, as well as his own favorite authors'novels and short story collections. Exercises at the end of each chapter reinforce its point and serve as practical catalysts for new writings and directions. Just blunt enough to get your attention but not blunt enough to crush you, challenging but not discouraging, personal but not ego-ridden, snarky but not mean, John McNally will prompt you to think more deeply about a variety of issues that will push you toward writing more meaningful, more accomplished work.

The ability to write well correlates highly with the ability to think well—to analyze information, weigh alternatives, and make decisions. Government managers must make instructions and policies clear to employees, give effective presentations, and communicate effectively with the public. In addition, government managers must model clear, effective writing for their staffs. A comprehensive chapter on using social media effectively and appropriately is included. Contents: Succeeding as a Writer in Today's Government Workplace • Getting Started: The Planning Stage • Drafting: Writing it Down • Editing: Using the Right Voice and Tone • Editing: Writing with Clarity and Conciseness • Editing: The Final Phase • Emailing the Right Message • Writing Effective Letters • Preparing Reports • Other Forms of Government Workplace Writing • Using Social Media About the Author Judith Gillespie Myers, PhD, has taught writing skills to thousands of government employees. Her publications include Essentials of School Management, Banishing Bureaucratese: Using Plain Language in Government Writing, Plain Language in Government Writing: A Step-by- Step Guide, and How to Select and Use Learning Tools. Dr. Myers received her doctorate from American University in Washington, D.C.

Publication Consultants specializes in publishing the works of writers worldwide. We've been in the publishing business since 1978. We're not only publishers, we're writers, and know many problems confronting writers. How to solve those problems and bring writer's work to market is our business. We welcome this opportunity to become acquainted with you and your work. Publication Consultants produces books and publications of any size, number of pages, and variety of binding and covers. We think there is more to book publishing than just putting ink on paper. Our services include design, typesetting, printing, binding, conversion, and all necessary steps to publish your book, both as a printed book and an. We take your book from conception to completion and bring your work to market with one of five different programs.