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Many writers dream of having their work published by a respected publishing house, but don't always understand publishing contract terms – what they mean for the contracting parties and how they inform book-publishing practice. In turn, publishers struggle to satisfy authors'creative expectations against the industry's commercial demands. This book challenges our perceptions of these author–publisher power imbalances by recasting the publishing contract as a cultural artefact capable of adapting to the industry's changing landscape. Based on a three-year study of publishing negotiations, Katherine Day reveals how relational contract theory provides possibilities for future negotiations in what she describes as a ‘post negotiation space'.Drawing on the disciplines of cultural studies, law, publishing studies and cultural sociology, this book reveals a unique perspective from publishing professionals and authors within the post negotiation space, presenting the editor as a fundamental agent in the formation and application of publishing's contractual terms.

Students are expected to research and write, but they aren't always taught how to do these things well. The Writer walks through Nijay K. Gupta's approach to and best practices for becoming an effective and efficient writer in biblical studies. He handles a wide spectrum of issues from idea conception to research and note-taking to book proposals and contracts to working with publishers and more. Gupta shares his own publishing autobiography, offering the chance for aspiring writers to learn from the ups and downs of his experiences.

Im Rahmen des Projekts Duncker & Humblot reprints heben wir Schätze aus dem Programm der ersten rund 150 Jahre unserer Verlagsgeschichte, von der Gründung 1798 bis zum Ende des Zweiten Weltkriegs 1945. Lange vergriffene Klassiker und Fundstücke aus den Bereichen Rechts- und Staatswissenschaften, Wirtschafts- und Sozialwissenschaften, Geschichte, Philosophie und Literaturwissenschaft werden nach langer Zeit wieder verfügbar gemacht – und zwar sowohl gedruckt als auch in elektronischer Form. Einige Titel sind bereits erschienen. Täglich kommen weitere hinzu. Bis Ende des Jahres wird das »Duncker & Humblot reprints«-Programm auf ca. 1.500 Bände anwachsen. Möchten Sie regelmäßig über Neuerscheinungen aus dem reprints-Programm informiert werden? Dann abonnieren Sie unseren E-Mail-Benachrichtigungsdienst.

A TIMES BOOK OF THE YEAR'A small masterpiece. There is something funny, notable or awe-inspiring on every single page'Jenny Colgan, Spectator A joyful celebration of books – the perfect gift for bibliophiles, word lovers and anyone who's ever wondered, should you judge a book by its cover? We love the words in books – but what about the words on them? How do they work their magic? Penguin Books blurb wizard Louise Willder joyfully divulges what those 100-or-so words can tell us about literary history, the craft of writing, authors from George Orwell to Zadie Smith, genres from children's fiction to bonkbusters, cover design, the dark arts of persuasion and even why we read. She also answers burning questions such as: • Should all adjectives be murdered? • Is blurbing sometimes maybe lying? • Which classic novel was nearly called The High Bouncing Lover? • What are the worst blurbs of all time?‘The bookiest book about books you'll ever read – I loved it'Lucy Mangan ‘Truly delightful...I couldn't have had more fun'Benjamin Dreyer ‘Very funny, erudite and profound. A delight!'Nina Stibbe

Providing a concise toolbox for publishing professionals and students of publishing, this book explores the skills needed to master the key elements of social media marketing and therefore stay relevant in this ever-competitive industry.Taking a hands-on, practical approach, Social Media Marketing for Book Publishers covers topics including researching and identifying actionable insights, developing a strategy, producing content, promotion types, community building, working with influencers, and how to measure success. Pulling from years of industry experience, the authors'main focus is on adult fiction publishing, but they also address other areas of the industry including children's, young adult (YA), academic, and non-fiction. The book additionally brings in valuable voices from the wider digital marketing industries, featuring excerpts from interviews with experts across search engine optimisation (SEO), AdWords, social platforms, community management, influencer management, and content strategists.Social Media Marketing for Book Publishers is a key text for any publishing courses covering how to market books, and should find a place on every publishers'bookshelf.

A Brilliant, Buoyant Guide to Publishing Your Book Hundreds of thousands of books come out every year worldwide. So why not yours? In The Book Bible, New York Times bestseller and wildly popular Manhattan writing professor Susan Shapiro reveals the best and fastest ways to break into a mainstream publishing house. Unlike most writing manuals that stick to only one genre, Shapiro maps out the rules of all the sought-after, sellable categories: novels, memoirs, biography, how-to, essay collections, anthologies, humor, mystery, crime, poetry, picture books, young adult and middle grade, fiction and nonfiction. Shapiro once worried that selling 16 books in varied sub-sections made her a literary dabbler. Yet after helping her students publish many award-winning bestsellers on all shelves of the bookstore, she realized that her versatility had a huge upside. She could explain, from personal experience, the differences in making each kind of book, as well as ways to find the right genre for every project and how to craft a winning proposal or great cover letter to get a top agent and book editor to say yes. This valuable guide will teach both new and experienced scribes how to attain their dream of becoming a successful author.

The latest edition of the bestselling guide to all you need to know about how to get published, is packed full of advice, inspiration and practical information. The Writers'& Artists'Yearbook has been guiding writers and illustrators on the best way to present their work, how to navigate the world of publishing and ways to improve their chances of success, for over 110 years. It is equally relevant for writers of novels and non-fiction, poems and scripts and for those writing for children, YA and adults and covers works in print, digital and audio formats. If you want to find a literary or illustration agent or publisher, would like to self-publish or crowdfund your creative idea then this Yearbook will help you. As well as sections on publishers and agents, newspapers and magazines, illustration and photography, theatre and screen, there is a wealth of detail on the legal and financial aspects of being a writer or illustrator.New articles for 2022:Peter James Becoming a bestselling author: my writing storyFemi Kayode Shelf space: a debut writer's journey to claim his placeSam Missingham Building your author brandJonathan Myerson Audio dramatist or novelist?Ed Needham Setting up and editing a new magazineIngrid Persaud The winning touch: the impact of winning an awardCathy Rentzenbrink Reading as a writerSallyanne Sweeney What a debut novelist should expect from an agentDavid Wightman Getting books to market: how books are soldJonathan and Louise Ford Managing your finances: a guide for writers

This handbook will prepare you to take the lead in executing your own publicity plan. It is designed to guide you, step-by-step, through the process of making a success of your book. It's jam-packed with the essential tools, ideas, and resources you'll need to achieve that goal, from an independent publisher who has provided a launching pad for authors like Ilya Kaminsky, Aimee Nezhukumatathil, Jennifer Michael Hecht, Maggie Smith, Matthew Zapruder, and 250 others.You'll learn the essentials for book marketing as an indie author in a digital age:Develop your author image and brand across social channelsCreate an engaging social media presenceGrow your audience and meaningfully connect with themBuild an attractive, searchable website—no coding skills neededLaunch a publicity campaign that gets you reviewsEnsure your book is on bookstore and library shelvesPractice mindful literary citizenshipLearn from Tupelo authors (who were in your shoes not too long ago!)All authors desire to get their books into the hands of as many readers as possible. Though it is a publisher's role to aid and assist authors in marketing and publicity for every book, the role of any publisher necessarily takes a back seat to your all-important efforts. Nobody else can do this essential work as effectively as you can.Thoroughly and joyfully embrace the notion of self-promotion, knowing that it's the book--your book--you're breathing life into. You wouldn't have written and published your book if you didn't believe in it, and in yourself, as a writer with important artistic talent to share. Your publisher believes in you. Your family and friends believe in you. Your current readers believe in you. And future readers will believe in you.

'Coup de sang'd'un éditeur - qui reçoit cinq cents manuscrits par an - autant que déclaration d'amour aux écrivains. Ouvrage de pédagogie, également, à l'attention de ceux qui'se fantasment écrivains', comme l'a écrit si joliment une journaliste, cette Lettre, enrichie de réponses d'auteurs et de considérations sur l'édition, devrait figurer dans les bibliothèques de tous ceux qui ont un penchant pour'livresse': auteurs comme libraires, bibliothécaires, étudiants des formations'métiers du livre'ou tout simplement lecteurs impénitents...

In Creative Writing Scholars on the Publishing Trade: Practice, Praxis, Print, Sam Meekings and Marshall Moore, along with prominent scholar-practitioners, undertake a critical examination of the intersection of creative writing scholarship and the publishing industry.Recent years have seen dramatic shifts within the publishing industry as well as rapid evolution and development in academic creative writing programs. This book addresses all of these core areas and transformations, such as the pros and cons of self-publishing versus traditional publishing, issues of diversity and representation within the publishing industry, digital transformations, and possible career pathways for writing students.It is crucial for creative writing pedagogy to deal with the issues raised by the sudden changes within the industry and this book will be of interest to creative writing students and practitioners as well as publishing students and professionals.

Después de meses o años de arduo trabajo, por fin has completado tu primera novela. Ahora te preguntas: ¿qué hago con ella? Publicar no es fácil, y para un autor que empieza aún menos. Esta guía analiza todos aquellos aspectos que la mayoría de escritores primerizos desconocen: cómo funciona una editorial; cuál es el papel de un editor y el de un agente literario; cómo enviarles tu obra (y tener posibilidades de que la lean). Analiza los pasos del proceso de edición, sin olvidar las nuevas posibilidades que se abren hoy en día ante los autores, desde la autopublicación al micromecenazgo. Y, no menos importante, se ocupa del marketing del escritor, para que este aprenda a identificar su público potencial, cultive su presencia digital y saque el máximo provecho de las redes sociales. El camino a la publicación es un manual utilísimo, animoso y a la vez, realista, escrito desde la larga experiencia profesional de su autora, un completo kit de herramientas para hacer realidad el sueño de publicar.

This engaging study provides new perspectives on the lives and work of two major figures in American poetry and publishing in the second half of the twentieth century: Robert Giroux (1914–2008), editor-in-chief of Harcourt, Brace and Company and later of Farrar, Straus and Giroux, and John Berryman (1914–1972), Pulitzer Prize–winning poet and Shakespearean scholar who also received a National Book Award and a Bollingen Prize for Poetry. From their first meeting as undergraduates at Columbia College in New York City in the early 1930s, Giroux and Berryman became lifelong friends and publishing partners. Patrick Samway received unprecedented access to Giroux's letters and essays. By incorporating either sections or whole letters of the correspondence between Berryman and Giroux into this book, Samway makes available for the first time a historical account of their relationship, including revealing portraits of their personal lives.As Giroux edited over a dozen books by Berryman, his letters to the poet were often filled with editorial details and pertinent observations, emanating from his genuine affection for his friend, whose talent he never doubted, even as Berryman endured prolonged periods of hospitalization due to his alcoholism. Giroux gave Berryman the greatest gift he could: sustained encouragement to continue writing without trying to manipulate or discourage him in any way. But Giroux also had a deep-seated secret desire to surpass the essays written about Shakespeare by Berryman, as well as the book on Shakespeare written by their mutual professor Mark Van Doren. Giroux's volume, The Book Known as Q: A Consideration of Shakespeare's Sonnets, was finally published in 1982. Samway's fascinating account of a gifted but troubled poet and his devoted yet conflicted editor will interest fans of Berryman and all readers and students of American poetry.

There is a certain perception from the outside that the publishing industry is a near insurmountable fortress, with gatekeepers and naysayers manning the turrets looking for any way to fire a flaming arrow at the dreams of an aspiring writer. Funny You Should Ask, based on the popular Writer's Digest column of the same name, assists to deconstruct, inform, and illuminate the path to publication and beyond, all while dispelling the rumor that those in the industry are better than thou. And even though each writer's publishing journey is like a game of PLINKO--you can drop the chip in the same slot every time and get a different result--there are still common constructs and confusions that can be shared and explored together in order to help inform all writers. From understanding the nuts and bolts of a query letter, to learning how to process the soul-searing envy of watching someone else's career flourish, to how to talk to your editor, veteran literary agent Barbara Poelle covers the approach and execution of the common and uncommon bumps along the traditional publishing path. Includes • More than 100 questions answered including expanded answers to topics that didn't get the full treatment in a column • Writing exercises, submission checklists, and publishing BINGO for every publishing milestone

Everything you've ever wanted to know about publishing—but were too afraid to ask—is in this funny, candid guide featuring advice from 150 contributors, including Anthony Doerr, Roxane Gay, and Rebecca Makkai. “Anyone who's trying to get a book published or is in the process of being published should consider this guide required reading.” —BuzzFeed There are countless books on the market about how to write better but very few books on how to break into the marketplace with your first book. Cutting through the noise (and very mixed advice) online, while both dispelling rumors and remaining positive, Courtney Maum's Before and After the Book Deal is a one-of-a-kind resource that can help you get your book published. Discover words of wisdom from over 150 contributors throughout the industry, including:• Bestselling authors Anthony Doerr, Roxane Gay, Lisa Ko, R. O. Kwon, Rebecca Makkai, and Ottessa Moshfegh • Cult favorites Sarah Gerard, Melissa Febos, Mitchell S. Jackson, and Mira Jacob • Agents, film scouts, film producers, translators, disability and minority activists, and and editors Together, they offer advice and share intimate anecdotes about even the most taboo topics in the industry, answering common questions ranging from the logistical to the existential: • Are MFA programs worth the time and money? • How do people actually sit down and finish a novel? • Did you get a good advance? • What do you do when you feel envious of other writers? • Why the heck aren't your friends saying anything about your book? The definitive guide for anyone who has ever wanted to know what it's really like to be an author, Before and After the Book Deal will help you find a foothold in the publishing world and navigate the challenges of life before and after publication with sanity and grace.

The latest edition of the bestselling guide to all you need to know about how to get published, is packed full of advice, inspiration and practical information. The Writers'& Artists'Yearbook has been guiding writers and illustrators on the best way to present their work, how to navigate the world of publishing and ways to improve their chances of success, for over 110 years. It is equally relevant for writers of novels and non-fiction, poems and scripts and for those writing for children, YA and adults and covers works in print, digital and audio formats. If you want to find a literary or illustration agent or publisher, would like to self-publish or crowdfund your creative idea then this Yearbook will help you. As well as sections on publishers and agents, newspapers and magazines, illustration and photography, theatre and screen, there is a wealth of detail on the legal and financial aspects of being a writer or illustrator.

Der Band beleuchtet die Beziehung des Dichters Vjačeslav Ivanov (1866–1949) zu den Verlagen J. C. B. Mohr (Paul Siebeck) und Benno Schwabe im Zeitraum 1928–1949. Der Briefwechsel enthält an die 300 größtenteils erstmalig edierten Zeugnisse. Daraus ergeben sich zahlreiche Informationen zu Ivanovs Leben und Werk, zur Geschichte des deutschsprachigen Verlagswesens und zur russischen Exilkultur. Die Archivalien spiegeln die Beteiligung von Literaten und Übersetzern wie Martin Kaubisch, Stephan Kuttner, Edwin Landau, Käthe Rosenberg, Evsej Schor, Fedor Stepun an der Vermittlung der Werke Ivanovs wider. Ferner werden auch Rezensionen zu Ivanovs Werk von Hans Barth, Alfred Bem, Heinrich Fels, Fred Höntzsch, Emil Medtner und Friedrich Muckermann erstmals gesammelt und wiederabgedruckt.

A light-hearted book about books and the people who write them for all lovers of literature. Do you know: Which famous author died of caffeine poisoning?Why Alice's Adventures in Wonderland was banned in China?Who was the first British writer to win the Nobel Prize in Literature?What superstitions Truman Capote kept whenever he wrote?Who the other Winston Churchill was? A treasure trove of compelling facts, riveting anecdotes, and extraordinary characters, For the Love of Books is a book about books—and the inside stories about the people who write them. Learn how books evolved, what lies behind some of the greatest tales ever told, and who's really who in the world of fiction. From banned books to famous feuding authors, from literary felons to rejected masterpieces, from tips for aspiring writers to stand-out book lists for readers to catch up on, For the Love of Books is a celebration of the written word and an absolute page-turner for any book lover. Read all about it!

Update Culture and the Afterlife of Digital Writing explores “neglected circulatory writing processes” to better understand why and how digital writers compose, revise, and deliver arguments that undergo sometimes constant revision. John R. Gallagher also looks at how digital writers respond to comments, develop a brand, and evolve their arguments—all post-publication. With the advent of easy-to-use websites, ordinary people have become internet writers, disseminating their texts to large audiences. Social media sites enable writers'audiences to communicate back to the them, instantly and often. Even professional writers work within interfaces that place comments adjacent to their text, privileging the audience's voice. Thus, writers face the prospect of attending to their writing after they deliver their initial arguments. Update Culture and the Afterlife of Digital Writing describes the conditions that encourage “published” texts to be revisited. It demonstrates—through forty case studies of Amazon reviewers, redditors, and established journalists—how writers consider the timing, attention, and management of their writing under these ever-evolving conditions. Online culture, from social media to blog posts, requires a responsiveness to readers that is rarely duplicated in print and requires writers to consistently reread, edit, and update texts, a process often invisible to readers. This book takes questions of circulation online and shows, via interviews with both writers and participatory audience members, that writing studies must contend with writing's afterlife. It will be of interest to researchers, scholars, and students of writing studies and the fields of rhetoric, communication, education, technical communication, digital writing, and social media, as well as all content creators interested in learning how to create more effective posts, comments, replies, and reviews.

„Die private scheisse von millionen menschen muss endlich ihre konsequenzen haben“ – als sich diese Forderung Bernward Vespers während des „Deutschen Herbstes“ erfüllt, ist der Autor bereits tot. Das Buch allerdings, in dem der denkwürdige Satz zu finden ist, der Romanessay Die Reise, erscheint ausgerechnet im Sommer jenes fatalen Jahres 1977. Seither wird Die Reise immer wieder als „Nachlass einer ganzen Generation“ beschworen. Die Rezeptionsgeschichte des Textes ist jedoch geprägt von vereindeutigenden und reduktiven Lesarten. Diesen stellt der vorliegende Band aktuelle Forschungsbeiträge gegenüber, die sich Vespers Schaffen in nüchterner Weise und aus methodisch heterogenen Perspektiven annähern.

Every book has a story of its own, a path leading from the initial idea that sparked it to its emergence into the world in published form. No two books follow quite the same path, but all are shaped by a similar array of market forces and writing craft concerns as well as by a cast of characters stretching beyond the author. Behind the Book explores how eleven contemporary first-time authors, in genres ranging from post-apocalyptic fiction to young adult fantasy to travel memoir, navigated these pathways with their debut works. Based on extensive interviews with the authors, it covers the process of writing and publishing a book from beginning to end, including idea generation, developing a process, building a support network, revising the manuscript, finding the right approach to publication, building awareness, and ultimately moving on to the next project. It also includes insights from editors, agents, publishers, and others who helped to bring these projects to life. Unlike other books on writing craft, Behind the Book looks at the larger picture of how an author's work and choices can affect the outcome of a project. The authors profiled in each story open up about their challenges, mistakes, and successes. While their paths to publication may be unique, together they offer important lessons that authors of all types can apply to their own writing journeys.

The internet has transformed the ways in which scholars and scientists share their findings with each other and the world, creating a scholarly communication environment that is both more complex and more effective than it was just a few years earlier.'Scholarly communication'itself has become an umbrella term for the increasingly complex ecosystem of publications, platforms, and tools that scholars, scientists, and researchers use to share their work with each other and with other interested readers. Scholarly Communication: What Everyone Needs to Know® offers an accessible overview of the current landscape, examining the state of affairs in the worlds of journal and book publishing, copyright law, emerging access models, digital archiving, university presses, metadata, and much more. Anderson discusses many of the problems that arise due to conflicts between the various values and interests at play within these systems: values that include the public good, academic freedom, the advancement of science, and the efficient use of limited resources. The implications of these issues extend far beyond academia. Organized in an easy-to-use question-and-answer format, this book provides a lively and helpful summary of some of the most important issues and developments in the world of scholarly communication -- a world that affects our everyday lives far more than we may realize.

Writers talk about their work in many ways: as an art, as a calling, as a lifestyle. Too often missing from these conversations is the fact that writing is also a business. The reality is, those who want to make a full- or part-time job out of writing are going to have a more positive and productive career if they understand the basic business principles underlying the industry. The Business of Being a Writer offers the business education writers need but so rarely receive. It is meant for early-career writers looking to develop a realistic set of expectations about making money from their work or for working writers who want a better understanding of the industry. Writers will gain a comprehensive picture of how the publishing world works—from queries and agents to blogging and advertising—and will learn how they can best position themselves for success over the long term. Jane Friedman has more than twenty years of experience in the publishing industry, with an emphasis on digital media strategy for authors and publishers. She is encouraging without sugarcoating, blending years of research with practical advice that will help writers market themselves and maximize their writing-related income. It will leave them empowered, confident, and ready to turn their craft into a career.

A collection of essays from today's most acclaimed authors—from Cheryl Strayed to Roxane Gay to Jennifer Weiner, Alexander Chee, Nick Hornby, and Jonathan Franzen—on the realities of making a living in the writing world.In the literary world, the debate around writing and commerce often begs us to take sides: either writers should be paid for everything they do or writers should just pay their dues and count themselves lucky to be published. You should never quit your day job, but your ultimate goal should be to quit your day job. It's an endless, confusing, and often controversial conversation that, despite our bare-it-all culture, still remains taboo. In Scratch, Manjula Martin has gathered interviews and essays from established and rising authors to confront the age-old question: how do creative people make money? As contributors including Jonathan Franzen, Cheryl Strayed, Roxane Gay, Nick Hornby, Susan Orlean, Alexander Chee, Daniel Jose Older, Jennifer Weiner, and Yiyun Li candidly and emotionally discuss money, MFA programs, teaching fellowships, finally getting published, and what success really means to them, Scratch honestly addresses the tensions between writing and money, work and life, literature and commerce. The result is an entertaining and inspiring book that helps readers and writers understand what it's really like to make art in a world that runs on money—and why it matters. Essential reading for aspiring and experienced writers, and for anyone interested in the future of literature, Scratch is the perfect bookshelf companion to On Writing, Never Can Say Goodbye, and MFA vs. NYC.

This volume engages critically with the recent and ongoing consolidation of'world literature'as a paradigm of study. On the basis of an extended, active, and ultimately more literary sense of what it means to institute world literature, it views processes of institutionalization not as limitations, but as challenges to understand how literature may simultaneously function as an enabling and exclusionary world of its own. It starts from the observation that literature is never simply a given, but is always performatively and materially instituted by translators, publishers, academies and academics, critics, and readers, as well as authors themselves. This volume therefore substantiates, refines, as well as interrogates current approaches to world literature, such as those developed by David Damrosch, Pascale Casanova, and Emily Apter. Sections focus on the poetics of writers themselves, market dynamics, postcolonial negotiations of discrete archives of literature, and translation, engaging a range of related disciplines. The chapters contribute to a fresh understanding of how singular literary works become inserted in transnational systems and, conversely, how transnational and institutional dimensions of literature are inflected in literary works. Focusing its methodological and theoretical inquiries on a broad archive of texts spanning the triangle Europe-Latin America-Africa, the volume unsettles North America as the self-evident vantage of recent world literature debates. Because of the volume's focus on dialogues between world literature and fields such as postcolonial studies, translation studies, book history, and transnational studies, it will be of interest to scholars and students in a range of areas.

Keep your friends close. Keep your enemies closer. Keep your publisher closest of all. If you are interested in being published, you should do all you can to make the publishing business interested in you. But how? You've already written a good book, so what else do you have to do to give yourself the edge with agents and publishers? Sex, Lies & Book Publishing is your field guide to the nature of publishing - the unspoken rules and conventions deciding which books get published and which don't based on the way the industry and its denizens think and act. It is an up-to-date insider's guide to an often mysterious business, and an invaluable resource for any author seeking an agent and, ultimately, a publishing deal. Sex, Lies & Book Publishing lifts the lid on the publishing world today, and the people who work in it - from the occasionally eyebrow-raising private lives of book editors, to the ways they judge new fiction and non-fiction and prepare it for publication. This guide is packed with trade secrets you won't read anywhere else, including some which publishers might just prefer went unprinted.

À la fin du XIXe siècle aux États-Unis, la littérature d'écrivains noirs était encore placée sous le signe du soupçon, et ses auteurs demeuraient des exceptions. En publiant son premier recueil de nouvelles en 1899 dans l'une des plus grandes maisons d'édition de l'époque, Charles W. Chesnutt (1858-1932) allait devenir un « pionnier » de la littérature noire du XXe siècle. Redécouvert aux États-Unis dans les années 1960, méconnu en France, cet auteur figure aujourd'hui parmi les classiques de la littérature des États-Unis. Son accès à la publication dans une société profondément discriminatoire, au moment où l'édition américaine se constituait en véritable industrie et voyait se transformer la relation éditeur-auteur, nous pousse à interroger la complexité des relations entre éditeurs blancs et auteurs noirs. Cette histoire particulière éclaire plus largement un pan du développement de l'histoire de l'édition aux États-Unis, entre 1880 et 1910.Ancrée dans une double tradition française et anglo-saxonne, empruntant à Gérard Genette et Pierre Bourdieu aussi bien qu'au bibliographe Donald McKenzie, cette étude au croisement de l'Histoire du livre et des études africaines américaines propose de retracer le trajet et la formation de cet écrivain africain-américain depuis son désir d'écriture, sa formation, l'apprentissage d'une profession, jusqu'à la matérialisation de son texte, et la vente de ce premier livre. Au terme de cette trajectoire, c'est bien le passage par lequel The Conjure Woman devint livre qui se dévoile, révélant les mécanismes de la métamorphose du texte en objet de lecture.

Transform Your Blog into a Book!The world of blogging changes rapidly, but it remains one of the most efficient ways to share your work with an eager audience. In fact, you can purposefully hone your blog content into a uniquely positioned book--one that agents and publishers will want to acquire or that you can self-publish successfully.How to Blog a Book Revised and Expanded Edition is a completely updated guide to writing and publishing a saleable book based on a blog. Expert author and blogger Nina Amir guides you through the process of developing targeted blog content that increases your chances of attracting a publisher and maximizing your visibility and authority as an author.In this revised edition you'll find: • The latest information on how to set up, maintain, and optimize a blog • Steps for writing a book easily using blog posts • Advice for crafting effective, compelling blog posts • Tips on gaining visibility and promoting your work both online and off • Current tools for driving traffic to your blog • Strategies for monetizing your existing blog content as a book or other products • Profiles of bloggers who received blog-to-book deals and four new'blogged-book'success storiesWhether you're a seasoned blogger or have never blogged before, How to Blog a Book Revised and Expanded Edition offers a fun, effective way to write, publish, and promote your book, one post at a time.

Nada le gusta más a un escritor que relatar las tragedias de otros escritores. Qué peripecias sufrieron hasta la publicación o después, qué jugarretas les hicieron el editor o la familia, qué enfermedades, qué pérdidas sufrieron (se entiende que el escritor feliz, triunfador y amado es un personaje de ficción). Pero pocas veces este interés algo morboso se transforma en el libro extraordinario que está usted a punto de abrir. Porque para ello hace falta un escritor que lea (y esta obra es, por encima de todo, la demostración de fuerza de un escritor que lee). Y hace falta reflexionar a fondo sobre el futuro de la literatura, y sobre lo que nos enseñan los libros que no tenemos en la estantería: los censurados, tachados, quemados, prohibidos. Los que no escribieron los autores silenciados, bloqueados, dementes o suicidas. Y, con perdón, los que se plagiaron, se piratearon o se robaron. Este libro tachado no pretende ser una historia de la literatura, pero es la historia que un lector no puede dejar de leer.

The Ultimate Guide to Getting a Literary Agent!If you dream of scoring the best possible deal with a traditional publisher and seeing your book in print, you need literary representation. Filled with practical, straightforward advice and insider tips, Get a Literary Agent is a one-stop resource for writers of both fiction and nonfiction. You'll learn how to: • Research agents and target the best ones for your work • Navigate the submission process--from best practices to possible pitfalls • Craft a polished query letter and pitch your work effectively • Assemble a book proposal like a pro • Form a lasting partnership with your agent You'll also gain the advice of more than 100 literary agents who share their secrets for securing representation. If you've ever wondered what a literary agent can do for you--and why you need one--this invaluable guide provides the answers.

Join the New Adult Fiction revolution!From Sylvia Day's Bared to You to Jamie McGuire's Beautiful Disaster, new adult fiction has arrived--and it's hotter than ever. But there's more to this category than its 18-to-26-year-old characters: The success of your story depends on authentically depicting the transition of your young protagonists from teenhood to adulthood. With Writing New Adult Fiction, you'll learn how to capture the spirit of freedom, self-discovery, and romance that defines the new adult experience. • Create memorable characters that act and sound like new adults. • Sculpt a distinct personality for your fiction with POV, voice, tone, and word choices. • Build a unique, captivating plot that satisfies your audience from beginning to end. • Learn tools for revising effectively and efficiently in a speed-driven market. • Weigh the options for your path to publication: traditional, indie, and hybrid. The new adult category is filled with opportunities to break in with distinct plots and original characters. Make your mark by writing a novel that's fresh, unique--and wholly new adult!

Competition to publish in the top journals is fierce. This book provides entrepreneurship researchers with relevant material and insights to support them in their efforts to publish their research in the most prestigious entrepreneurship outlets.This essential guide to publishing in entrepreneurship brings together a wealth of contributors, all of whom have published in the leading entrepreneurship journals. Based on their experiences as researchers and editors, they bring useful hands-on advice and insight into the research publication process.Both fledgling and experienced entrepreneurship faculty members will find this an essential resource as they strive towards publication in A-ranked entrepreneurship or management journals.

In a globalised world, megacorp publishing is all about numbers, about sameness, about following a formula based on the latest megasuccess. Each book is expected to pay for itself and all the externalities of publishing such as offices and CEO salaries. It means that books which take off slowly but have long lives, the books that change social norms, are less likely to be published. Independent publishers are seeking another way. A way of engagement with society and methods that reflect something important about the locale or the niche they inhabit. Independent and small publishers are like rare plants that pop up among the larger growth but add something different, perhaps they feed the soil, bring colour or scent into the world.Bibliodiversity is a term invented by Chilean publishers in the 1990s as a way of envisioning a different kind of publishing. In this manifesto, Susan Hawthorne provides a scathing critique of the global publishing industry set against a visionary proposal for organic publishing. She looks at free speech and fair speech, at the environmental costs of mainstream publishing and at the promises and challenges of the move to digital.

Most publishers keep a''slushpile''- the stack of unsolicited manuscripts which contains a large percentage of preposterous or frightening book proposals, which might just conceal that one jewel of a bestseller or classic novel lying near the bottom. Authors discovered via the slush pile include Roddy Doyle, J. K. Rowling and Philip Roth. Stephanie Meyer sent 15 query letters about her teenage-vampire saga and got nearly 10 rejection letters; one even arrived after she signed with an agent and received a three-book deal from Little, Brown. Kathryn Stockett's The Help was turned down 60.

Translation is subject to a complex and unique set of legal rules that govern its various practical and intellectual aspects. These rules derive from very different legal areas, such as intellectual property and labour law. While useful from a strictly legal point of view, the heterogeneity of sources operates as a major hurdle in terms of understanding the overall legal framework within which translation operates.This book offers a general overview of the legal rules applicable to different aspects of translation, allowing translators and other interested parties to form a broad and coherent picture of the rules applicable in this area. It draws on the provisions of the main legal systems of the world, as well as the basic international agreements relevant in this area, thus offering both a comparative perspective of the legal issues involved and a guide to relevant national legal rules. In addition to a description and analysis of the legal issues and rules involved, the book also presents hypothetical cases, with a discussion of the problems they pose and possible solutions. It explains the theoretical structure of the rules under discussion as well as their practical implications.The language and methodology of the book are sufficiently accessible to allow lawyers, translators and those who require translation work but do not have a formal legal background to follow the arguments presented.

'Perseverance is much more important than talent. Because so many talented people fall by the wayside.'--James MichenerThe history of writing is full of authors striving to succeed in a hyper-competitive publishing world, contending with agents, editors, publishers, critics, and sometimes the greatest challenge of all - overnight success. For all of the extaordinary changes that have recently taken place, however, there are a few things that remain the same. Getting published still requires persistence, preparation, and smarts, as well as an understanding of how the business works, where it's been, and where it's going.An Insider's Guide to Publishing pulls back the industry curtain for millions of published and aspiring authors, revealing Hemingway's famous feuds, Poe's raving madness, Capote's vengeful wit, and much more. With clever insights and dark humor to spare, David Comfort, a thirty-year veteran of the publishing trenches, explores the achivements and faultures of literary masters and editorial workaholics to show readers how they, too, can: • Use their creativity and composure to overcome publishing pitfalls. • Work with agents, editors, publishers, and critics like a pro. • Deal with rejection - and success - while avoiding the madhouse. • Navigate the pros and cons of both traditional and self-publishing.An Insider's Guide to Publishing shares the wicked wit and wisdom of some of the craziest and most ambitious authors and editors of all time - proving that even the talented need luck, pluck, persistence, and the inside scoop on this rapidly changing industry in order to succeed!

Research publications have always been key to building a successful career in science, yet little if any formal guidance is offered to young scientists on how to get research papers peer reviewed, accepted, and published by leading scientific journals. With What Editors Want, Philippa J. Benson and Susan C. Silver, two well-respected editors from the science publishing community, remedy that situation with a clear, straightforward guide that will be of use to all scientists. Benson and Silver instruct readers on how to identify the journals that are most likely to publish a given paper, how to write an effective cover letter, how to avoid common pitfalls of the submission process, and how to effectively navigate the all-important peer review process, including dealing with revisions and rejection. With supplemental advice from more than a dozen experts, this book will equip scientists with the knowledge they need to usher their papers through publication.