Search

For many European museums, caring for their collections 'in perpetuity' was implied or stated explicitly in their founding acts. However, as heritage science has developed as a discipline, the reality of eternal lifespans began to be questioned, and work on lighting guidelines led to a target lifespan of 500 years being adopted by many museums. This is often not feasible for the ephemeral materials more frequently found in contemporary artworks, which can break down quickly. Furthermore, for contemporary artworks with relevance to particular social or political circumstances, keeping them into the distant future may not feel essential. These factors, coupled with concerns about the financial and environmental impact of storing and caring for an ever-expanding volume of heritage material, have sparked new conversations about collection lifespans. This paper discusses lifespans for contemporary art, referring to the collection belonging to the National Galleries of Scotland (NGS), and outlining several potential approaches. A nuanced and honest approach is arguably required, which should include exploring the artist's intent, identifying the critical elements of each artwork, and deciding how to manage change, while factoring in stakeholder perspectives and resourcing considerations. Such an approach would involve accepting the reality and inevitability of shorter lifespans for some artworks and could be considered the epitome of environmental sustainability. [ABSTRACT FROM AUTHOR]

Copyright of Tourism & Management Studies is the property of Escola Superior de Gestao, Hotelaria e Turismo, Universidade do Algarve and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper examines and discusses potential factors that may trigger authenticity in animated immersive environments. Our discussion draws upon three forms of authenticity, categorized as objective, constructive or symbolic, and existential authenticity. To explore these ideas, we present three case studies drawn from the authors' own research deploying immersive media in different contexts (educational, historical, and political). The aim is to interrogate how authenticity is conceived and constructed on three levels -- authenticity of narrative, authenticity of environment, and authenticity of action -- during the design and production process. We start by defining the concept of authenticity with reference to previous work within the fields of journalism and tourism, and then explore its specification in animated virtual reality through the case study discussion. One important conclusion from our analysis is that authenticity markers are needed to enable users to verify the information presented and trust the educational content. [ABSTRACT FROM AUTHOR]

Basándome en la explicación que hace Jean-Paul Sartre de la violencia, sostengo que no solo la mala fe es inevitable en la práctica, sino que una mala fe limitada es necesaria para la autenticidad. Aunque violar la libertad de otros es mala fe, es imposible no violar nunca la libertad de alguien. Además, y de manera fundamental, la estructura ontológica del para-sí implica que este solo puede ser auténtico en el modo de no ser auténtico. Tratar de evitar por completo la mala fe es, en sí mismo, un acto de mala fe, porque es un intento de constituirse como esencialmente auténtico, pero el para-sí no tiene esencia preexistente. Sin embargo, al reconocer la total responsabilidad de uno por elegir la mala fe, se limita su alcance. Esta mala fe limitada es, de hecho, necesaria para la autenticidad, un proyecto vivido en situaciones concretas y no una ley moral categórica que prohíbe la mala fe.

Con el paso del tiempo, los procesos de enseñanza y de aprendizaje de una lengua extranjera se han venido ajustando a los de una segunda lengua, a pesar de las sustantivas diferencias contextuales en que ellos se desarrollan. Factor de importante incidencia en la homogeneización de las dos disciplinas lo constituye el material didáctico y de evaluación implementados sin distingo alguno en ambos procesos. Lo inadecuado de tal procedimiento demanda de las entidades gubernamentales, de la mano de sus instituciones de educación superior, la formulación de políticas lingüísticas auténticas, la concepción de material didáctico autóctono de base, en apoyo del particular escenario sociocultural en que se enmarca la formación en lengua extranjera. La presente exposición busca suscitar, asimismo, consideraciones en torno al concepto de internacionalización (en estrecha relación con la problemática planteada), sobre la base del respeto por la alteridad y su diversidad cultural.

El artículo analiza la intervención llevada a cabo en el alcázar del conjunto fortificado de La Guardia, de origen islámico, con sucesivas trasformaciones en época cristiana y en el periodo renacentista, en el que cambia su uso a residencia señorial. Después de un periodo de intervenciones inconexas con criterios dispares, algunas de ellas sin acabar, el castillo se encontraba sin uso y con difícil acceso por sus condiciones de mantenimiento. La intervención se ha basado en la conservación de lo existente, poniendo en valor su compleja estratificación, consecuencia de las diversas mutaciones, añadidos y superposiciones históricas, y a la vez en la adecuación de espacios y recuperación de accesos y recorridos para permitir su uso cultural, compatible con la visita turística.

Brand authenticity is important to customers, as they prefer genuine and real products, and further research is needed to shed light on what underlies perceptions of authenticity and what may influence them in order to better theorise and operationalise authenticity in the field of marketing. Since authenticity was not found to be unidimensional, multidimensional scales were structured to explain brand authenticity, resulting in the 3-dimensional approach, which corresponds to the CBBA (Consumer-Based Brand Authenticity) scale in its improved form, which is the most appropriate for the beer product, since it has been used in studies related to the food and beverage industry, in addition to being used in Mexico. Nevertheless, the CBBA is not the only model that has been used, according to the literature review, three theoretical perspectives are used, in this case the subjective one is the most widely accepted among the models tested, as is the case of the CBBA. Therefore, the first purpose is to validate the authenticity factors that make up the CBBA (Consumer-Based Brand Authenticity) scale in three different brand beers: Tecate, Corona, and XX, and the second purpose is to explore consumers' perception of authenticity, through a longitudinal study applying a questionnaire in the northeast of Mexico (Victoria City, Tamaulipas) in two periods of time, being a non-experimental and descriptive investigation. The questionnaire was composed on 21 items, including nine questions for the quality commitment dimension, seven questions for the legacy dimension and five questions corresponding to the honesty dimension. It was applied with 5-point Likert scale. In order to answer both objectives, statistical analyses were carried out using SPSS software version 21 and R studio software version 1.3.1093 through several stages: First, an Exploratory Principal Component Analysis (PCA) was calculated, and at the same time the KMO (Kaiser-Meyer-Olkin), Bartlett's sphericity test, Sperman's rho and Cronbach's alpha were calculated. Then an exploratory factor analysis (EFA) was calculated. After the factor analyses, MIRT (Multidimensional Item Response Theory) was calculated and finally we used the Mann-Whitney U test, in two independent samples (174 people for each sample), which corresponds to a non-probabilistic convenience sample of 348 young consumers in total. The results indicate that the CBBA scale could be validated in two of its factors: quality commitment and inheritance, unlike previous research that considered three factors as quality commitment, sincerity and inheritance. Regarding the second objective, it was shown that for Mexican consumers, the authenticity of beer is perceived in terms of quality and the relationship between the brand and its history (heritage). The original contribution lies in the application of MIRT and the longitudinal scope of the study, while the results show that the exploratory factor analyses and the Mann-Whitney U test were consistent, but the application of MIRT was not favourable. The implications of the research include the construction of a scale to support the assessment, planning, understanding and testing of product authenticity and the analysis of its impact on the consumer. In addition to considering a prior diagnosis of the company in relation to the authenticity of the brand and its products. However, more attention should be paid to the variable of sincerity. As for future lines of research, more longitudinal studies should be conducted in Mexico and Latin America, since the responses per item of the scale tested were not consistent, in addition to considering different industries and cultures to continue testing the scale. analysed. Finally, the study is limited to one area and one product, the brands Tecate, Corona and XX, so it is necessary to continue the research in different industries and cultures. [ABSTRACT FROM AUTHOR]

This study introduces distinct types of validity and reliability evidence of the Authenticity Scale (AS) in a sample from Brazil and Portugal. It consists of an online survey with 1,077 Brazilian citizens and 622 Portuguese citizens. The study tested the model with three correlated factors (self-alienation, authentic living, and accepting external influence), the unidimensional model, and the bi-factor model. The model with three correlated factors was retained, with the three subscales demonstrating moderate to good reliability. Multigroup confirmatory factor analysis suggested scalar invariance across culture, gender, age, education, occupation, and Covid-related concern and impact. The items were assessed by graded response model (GRM), which suggested that the three subscales are not able to distinguish respondents with high authenticity traits. GRM and descriptive statistics indicated that the rating-scale is inappropriate, particularly for authentic living subscale, which is affected by ceiling effect. Associations with presence of meaning showed additional validity evidence. Despite the limitations, the AS is an effective measure to assess authenticity across different groups. Potential modifications for the improvement of the AS are discussed. [ABSTRACT FROM AUTHOR]

The purpose of this article is to address some of the most significant aspects of multiculturalism in Chile, taking into account the limitations and possibilities of Indigenous tourism, as well as its relationship with the Mapuche people. In the first part we review the relationships or points of contact between neoliberalism and multicultural policies. In the second part, we examine the problem of the representation of difference in the framework of Indigenous policy that has been institutionalised during the post-dictatorship and in relation to policies for the promotion of Indigenous tourism. Finally, in the last section, we analyse the development of Indigenous tourism seen from a regional perspective. [ABSTRACT FROM AUTHOR]

How do tourists and Shuar project staff understand, negotiate and contest notions of authenticity and Indigeneity in the context of volunteer tourism? In this article I examine infrastructure as a privileged site for projections of authenticity and Indigeneity in an Indigenous tourism project in the Ecuadorian Amazon. While referring to the same physical infrastructure and services, such as running water, electricity, sanitary installations, houses and roads, for voluntourists and Shuar it represents divergent visions of Indigenous life. A focus on the mundane reality of infrastructure lends itself to teasing out differing yet intersecting notions of authenticity and Indigeneity as negotiated and contested in the Indigenous volunteer tourism project, while further highlighting how an anthropological perspective can add hosts' visions and perspectives to the discourse in volunteer tourism studies. [ABSTRACT FROM AUTHOR]

In the last fifteen years, so called 'intercultural universities' have emerged in the Latin American continent. They are characterized by their proposition of an 'alternative' higher education, which is based on the revitalization of local and Indigenous knowledge as well as in close research collaborations between the universities and the surrounding communities. However, the intercultural universities generate not only knowledge, but negotiate also the concepts of 'interculturality' and 'Indigeneity' within the academic community and with external actors. In this article, I discuss these processes of negotiation by describing particularly the role of the national state, the Indigenous community as well as the continental and international entities. I analyse 'intercultural' compromises, but I focus also on the possible limitations of an 'alternative' higher education. This way, I also seek to demonstrate that Indigenous authenticity manifests as 'intercultural authenticity'. This contribution is based on ethnological field research carried out in Ecuador and Mexico, during which I cooperated especially with the Pluriversidad "Amawtay Wasi". [ABSTRACT FROM AUTHOR]

Copyright of Cuestiones de Filosofia is the property of Universidad Pedagogica y Tecnologica de Colombia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Culturas Midiáticas is the property of Programa de Pos-Graduacao em Comunicacao and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

La Conferencia de Nara sobre autenticidad marcó un punto de inflexión en la historia de la conservación moderna, con el reconocimiento del relativismo cultural. El recorrido para llegar a este no fue fortuito, sino que se trató más bien de una construcción teórica del concepto de autenticidad, influenciada por distintos factores. Así, el objetivo de este estudio fue comprender el grado de incidencia que estos tuvieron en un marco temporal de 30 años, en el que expertos cuestionarían la naturaleza del concepto, a partir de su grado de operatividad en ciertos casos de conservación emblemáticos, como el Santuario de Ise (Japón) y el canal Rideau (Canadá). Esto propició que la noción de autenticidad, ceñida al material histórico, se ampliara a la consideración de aspectos intangibles, que no solo serían precursores del relativismo cultural, sino también de la diversidad de bienes a ser contemplados, como parte de la Lista del Patrimonio Mundial.

Depuis quelques années, on observe dans les sociétés occidentales le rétrécissement de la liberté d’expression découlant des mesures sanitaires et des discours bienveillants tenus par les universités. Dans ce contexte, les valeurs cardinales du travail social sont mises à mal : congruence, authenticité et réflexion sur la pluralité de points de vue de la pensée critique. Trois postures se dégagent alors au sein du corps professoral : 1) une adhésion totale à la pensée unique en portant le masque de l’authenticité et celui de la pensée critique; 2) une attitude assumée contre la pensée unique en enseignant sans masques la pluralité de points de vue et le lien authentique; 3) une posture oscillant entre les deux premières. En guise de conclusion, l’auteur défend un travail de reliance ancré dans l’introspection, la réflexion et une pensée critique qui favorise le maintien des liens authentiques et congruents avec les destinataires des interventions.

El presente artículo propone una relación entre la exhortación pindareana de “llegar a ser quien se es” –interpretada aquí como autenticidad–, y el fenómeno del amor en el contexto de la analítica existencial del Dasein expuesta en Ser y tiempo. Siguiendo lo que el propio Heidegger sostiene décadas más tarde en los Seminarios de Zollikon: el Cuidado, correctamente comprendido, no es distinto del amor. Con el fin de fundamentar la lectura propuesta del amor en su clave de autenticidad, nos detendremos en cuatro escenas: Píndaro, Nietzsche, San Agustín y Heidegger. Esta “puesta en escena” busca poner de relieve, y hacer clara, la co-pertenencia entre autenticidad y amor, planteando de este modo que cualquier desarrollo filosófico que pretenda hacer un análisis sistemático sobre el amor, debiese tomar en consideración necesariamente la voluntad que encontramos en los amantes de que su amado o amada llegue a ser quien verdaderamente es. Al mismo tiempo, esta prerrogativa tiene implicancias ontológicas que no podemos omitir, tanto para nuestra interpretación de nosotros mismos, como para el problema de la mencionada prerrogativa respecto al tránsito que habría entre el ser y el no-ser –o entre el no-ser-todavía y el llegar-a-ser, lo cual –sin dejarnos llevar por las distinciones metafísicas clásicas, como las de potencia y acto–, sugiere un modo particular de desocultamiento, y un modo particular de ποίησις.

Una cosa notable en el discurso sobre el flamenco, sea en publicaciones o las redes sociales, es la presencia de polémicas, a veces feroces y mordaces, en torno a temas como el de tradición-contra-innovación, la definición del flamenco y sus perímetros, y el papel de sitios o comunidades específicas en el desarrollo y el estado actual del género. Creo que en el fondo de muchas de estas controversias hay una cuestión básica: ¿Es el flamenco un arte universal, o es algo inherentemente embebido en capas de sentido y sentimiento sociales, vinculados a comunidades específicas, sean de etnicidad, barrio, o hasta familia? De hecho, el flamenco es un género raro en el sentido de que ha crecido y florecido en ambas maneras y contextos, de una manera que ha enriquecido el arte, y al mismo tiempo ha impulsado polémicas, confusiones, y mistificaciones.

In Freedom. A Civil Pamphlet, Carlos Pereda raises a central dilemma in relation to the possible interpretations of the overdetermined value of freedom --either freedom is understood as authenticity or it is assumed as autonomy. The simplest model of the first alternative posits a hierarchical structure of desires and is often linked to the early work of Harry Frankfurt. In the analysis that follows, I will try to show that the introduction of the notion of love allows us to consider the Frankfurtian perspective as a version that overcomes the dilemma between autonomy and authenticity by advancing in a third way: the idea of freedom as self-realization, that is, as the development of the capacity to love that allows people to outline and pursue certain final ends. [ABSTRACT FROM AUTHOR]

En una carta del 12 de septiembre de 1939, Sartre declara a Beauvoir: “Mi querido Castor... jamás sentí tan intensamente que usted es yo mismo… aquí hay más que amor”. ¿A qué se refería Sartre con eso de "más que amor"? Este artículo es un intento de responder a este interrogante por medio de la reconstrucción de las distintas formas del amor según el pensamiento de la pareja existencialista. Este objetivo se alcanza por medio del análisis de la crítica al amor romántico inauténtico en El ser y la nada y El segundo sexo, seguido por el examen del amor auténtico en Cahiers pour une morale.

Copyright of Revista de Antropología Social is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Pensamiento, Palabra y Obra is the property of Universidad Pedaggica Nacional and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Sinfonia Virtual is the property of Sinfonia Virtual and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

El discurso de la arquitectura sobre la identidad cultural en el Perú se ha elaborado históricamente bajo imprecisiones encasilladas en estilos que banalizaron las culturas del pasado o promovieron reproducciones inauténticas, devenidas igualmente de tardías propuestas latinoamericanas. Sin embargo, hurgando en una serie de discursos enunciados durante el siglo xx, es posible establecer condiciones de pertenencia, permanencia y reconocimiento para redireccionar la inestable actualidad temática de una arquitectura que intenta construir un espacio propio en el mundo globalizado. En tal sentido, una muestra constituida por la ideología de seis autores será discutida en clave hermenéutica y humanística a través de propuestas esencialistas, constructivistas, pragmáticas y experienciales; modelos que intentan eludir la constante dependencia y alienación, para otorgarle vigencia al concepto al erigir desde la autenticidad y la apropiación, la plenitud de su universo simbólico.

There are numerous excellent papers on probiotics and food supplements’ authenticity and safety, but this article is unique compared to the others. It summarizes judicial events regarding the authenticity of a probiotic formulation (the De Simone Formulation (DSF)) commercially available under the trademark VSL#3® until 2016. In 2019, the U.S. District Court found the distributors of the “new” VSL#3® liable for having sold an untested “copy product” different from the DSF. The jury required one of the distributors to pay the owner of the DSF $15 million dollars, and the District Court entered judgment in this amount. The District Court’s monetary judgment was affirmed by the U.S. Court of Appeals in 2021. This article arises from this judicial affair to examine the rules and regulations protecting patients and doctors from misrepresentations and the potential role of class actions brought by consumers to dissuade companies from taking advantage of regulatory deficiencies.

Copyright of Avances is the property of Instituto de Informacion Cientifica y Tecnologica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Planning Education & Research is the property of Sage Publications Inc. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

El propósito del estudio es analizar la Ética de la autenticidad y el ejercicio profesional del contador público desde los postulados de Charles Taylor. Metodológicamente la investigación se aborda desde el paradigma cualitativo con un enfoque hermenéutico, el diseño de la investigación requiere de la interacción del sujeto comprensor (investigador) y el objeto comprendido. Por ello, se distinguen dos momentos para la comprensión necesaria en la interpretación: revisión sistemática de la literatura y la fusión entre la percepción del investigador y lo que se pretende comprender, la información se recolectó utilizando un guion de entrevista a informantes claves. Los resultados indican que el contador público ante todo es un agente humano con una potente voz interior, y con la posibilidad de construir un horizonte de sentido, que le permita alcanzar los ideales de humanidad tan escindidos en la actualidad. En síntesis, la apuesta a la ética de la autenticidad está en recuperar con ahínco las fuentes olvidadas de la interioridad, de escuchar en medio de la exacerbada racionalidad instrumental la voz interior, tener la capacidad de discernir entre lo que es o no correcto. Se destaca que para el desarrollo de la profesión contable se deben considerar tres aspectos fundamentales: reconocer la existencia humana; existencia honesta y el respeto por la verdad.

My purpose is to analyze the relationship between the concepts of happiness and authenticity. In this analysis, I establish a connection between the two in such a way that to be happy, one must be authentic; something that leads to authenticity is the path to happiness. For this to be true, happiness must have a profoundly individualistic meaning, which is not evident but is part of the current hegemonic discourse, that is, of capitalist ideology. To argue this, I analyze the concept of capitalist ideology, and, in addition, I mention some of the concepts of happiness of yesteryear and contrast them with the idea of happiness put forward by current positive psychology. This paper concludes that not only is happiness today part of the capitalist ideology, but also authenticity as the path to it. This leads to individual authenticity strengthening the dominant discourse and away from any sense of rupture. The final considerations are to question the concept of happiness in positive psychology and raise the need to seek alternative paths outside capitalist ideology. [ABSTRACT FROM AUTHOR]

Copyright of Cuadernos de Filología Clásica: Estudios Griegos e Indoeuropeos is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Brasileira de Pesquisa em Turismo is the property of Associacao Nacional de Pesquisa e Pos-Graduacao em Turismo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Estudios Sociológicos is the property of El Colegio de Mexico AC and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Uni-Pluri/Versidad is the property of Universidad de Antioquia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Doxa Comunicación is the property of Fundacion Universitaria San Pablo - CEU and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Loggia, Arquitectura & Restauración is the property of Universidad Politecnica de Valencia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of CECIL Cahiers d'etudes des cultures ibériques et latino-américaines is the property of Revue Cahiers d'etudes des cultures iberiques et latino-americaines (CECIL) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Based on the conception of psychic temporality as the manner in which psychic processes create their own time management, and the concept of the Psychoanalytic Clinical Fact, the author studies the illusions and disillusions in a social group. The theoretical developments of John Steiner, Irma Pick and Ignês Sodré are utilized to investigate the emotional experience of members of social groups in which different generations live together in the same time period: one younger and with illusions about facing fears and uncertainties of the future, and an older one who must deal with the same uncertainties and mourn losses. When facing the painful reality of this difference, they consequently try to abolish it. Loss of authenticity would occur, based on some acceptance of external reality and some acceptance of oneself, originally the result of an alpha function capable of transforming the emotional suffering of the child into the real figure of the mother. In this sense, the encounter with psychoanalysis is not only initially authentic, but a continuous process. [ABSTRACT FROM AUTHOR]

Introducción: Este texto es una aproximación a la experiencia de la entrevista como técnica de investigación social aplicada y el desarrollo de las actitudes humanistas. Objetivo: Reflexionar en torno a la entrevista, con especial énfasis, no tanto en el aspecto metodológico y el aprendizaje de la técnica como tal, como en su aspecto relacional, humano y social. Metodología: Para ello se contempla la opinión de un grupo de estudiantes universitarios formándose en investigación social, y con objeto de complementar se presenta también el testimonio de las personas entrevistadas. Se cuenta así con un acercamiento amplio a la experiencia de la aplicación de entrevistas, ya que entrevistadores y entrevistados aportan su percepción y valoración, si bien el análisis gira en torno a las actitudes de quien aplica la entrevista. Resultados y discusión: Entre los resultados destaca la actitud humanista de las personas entrevistadoras en general y la valoración positiva sobre ese punto según las entrevistadas. Conclusión: Se puede decir que se observa autenticidad, escucha, aceptación, empatía, confianza, comodidad e incluso agradecimiento.

El artículo desarrolla ante qué escenarios y de qué forma la autoridad electoral podría controlar el contenido de propaganda y de otro tipo de manifestaciones, cuando estas no se corresponden con la verdad o cuando transgreden los marcos de corrección dados por las normas nacionales e internacionales. Sobre esa línea, se propone una adaptación de la prueba del umbral desarrollada por el Plan de Acción Rabat a fin de que sirva de guía para los ejercicios de control que, en esta materia, deben hacer los organismos electorales.

¿La dinámica del turismo no es más que una farsa?, ¿los viajeros juegan al como si creyeran en la autenticidad de la etnicidad escenificada? El presente documento plantea una reflexión de corte teórico acerca de aquellos turistas que saben bien que están al tanto de que las escenificaciones étnicas con las cuales se encuentran en contextos turísticos son creadas para su disfrute, pero que, aun así, se involucran en ellas con cierta fascinación. Después de exponer la propuesta de Eric Cohen acerca del turista recreativo, aquí se argumenta que dicha idea crea un problema teórico: una perspectiva ontológica del turista como sujeto cínico. Ante ello, se proponen los conceptos de interpasividad e ilusiones sin sujeto como una posible ruta de reflexión.

Este trabajo realiza un análisis de contenido textual y audiovisual del spot principal de la campaña “Mediterráneo en vivo”, lanzada en 2016 por la Agència Valenciana de Turisme. Bajo el eslogan “No me enseñes más postales” y mediante la mirada turística, se configura la imagen de un destino donde predominan lo experiencial, lo sensorial y lo subjetivo. Se trata de una imagen compatible con una tendencia detectada desde el ámbito de los estudios turísticos: la imbricación de las prácticas de dicho sector en redes más amplias de discursos, prácticas y movilidades. Se plantea la hipótesis de que, en este caso, la campaña presenta un importante potencial identitario en clave interna, gracias al desplazamiento de la idea de autenticidad desde su sentido más etnográfico a su sentido más psicológico.

El objetivo de este trabajo es articular un diálogo tentativo entre las propuestas del psicoanálisis relacional en torno a la naturaleza de la contratransferencia y el uso de esta en la promoción del cambio terapéutico y ciertos desarrollos humanistas-existenciales acerca de la autenticidad y la autodevelación del terapeuta. En primer lugar, se repasa la evolución del concepto de la contratransferencia en psicoanálisis, para luego ahondar en ciertas propuestas relacionales a propósito del abordaje clínico de la misma. En segundo lugar, se revisan los conceptos de autenticidad y autodevelación en la tradición humanista-existencial, enfatizando sus coincidencias con el pensamiento relacional contemporáneo.

En este artículo, analizo discursivamente el caso del «rescate» de la extinta lengua muchik en la región peruana de Lambayeque. Propongo que se han configurado dos ideologías lingüísticas en el intento de la recuperación de la lengua. La primera es la ideología de la autenticidad, según la cual este idioma es representado como el idioma legítimo de los actuales descendientes de los legendarios mochicas y que es preciso traer del pasado para recuperar la esencia del pueblo muchik. La segunda es la ideología de la mercantilización, que instrumentaliza esta lengua como una etnomercancía al concebirla como un bien cultural atractivo para el consumo turístico. Esta investigación está enmarcada teóricamente dentro de la lingüística sociocultural y el construccionismo social. Ha seguido una metodología de tipo cualitativo, de aproximación interpretativa, y ha empleado el análisis del discurso como herramienta principal para el análisis de los datos.

This article presents an investigation about authenticity in mathematical modeling activities that is mediated by the question: How to characterize authenticity in mathematical modeling activities? The investigation of this question aims to structure a design for authenticity in modeling activities. The survey includes two parts. Initially, a design is structured from a theoretical framework regarding this theme in the area of Mathematical Modeling and integrates six attributes that qualify the authenticity in these activities, being able to give them a greater or lesser level of authenticity depending on their identification in the activity. The second part consists of an empirical research in which students develop modeling activities whose authenticity is analyzed in relation to the attributes. The investigation is characterized as qualitative research, associating analytical movements through which the articulation between theory and information about authenticity takes place, using interpretative analysis criteria. Structured design is innovative in relation to what the literature already recognizes regarding the identification of authenticity in mathematical modeling activities. The analysis of the modeling activity carried out indicates that design offers an effective way of inferring authenticity, pointing out that authentic modeling activities must be guided by an extra-school reality while meeting the desires of a school reality. [ABSTRACT FROM AUTHOR]

Copyright of eHumanista is the property of Professor Antonio Cortijo-Ocana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)