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Acoustic context effects, where surrounding changes in pitch, rate or timbre influence the perception of a sound, are well documented in speech perception, but how they interact with language background remains unclear. Using a reverse-correlation approach, we systematically varied the pitch and speech rate in phrases around different pairs of vowels for second language (L2) speakers of English (/i/-/I/) and French (/u/-/y/), thus reconstructing, in a data-driven manner, the prosodic profiles that bias their perception. Testing English and French speakers (n=25), we showed that vowel perception is in fact influenced by conflicting effects from the surrounding pitch and speech rate: a congruent proximal effect 0.2s pre-target and a distal contrastive effect up to 1s before; and found that L1 and L2 speakers exhibited strikingly similar prosodic profiles in perception. We provide a novel method to investigate acoustic context effects across stimuli, timescales, and acoustic domain., Comment: Accepted to INTERSPEECH 2024

Transcritical flows in free surface hydrodynamics emulate black hole horizons and their timereversed versions known as white fountains. Both analogue horizons have been shown to emit Hawking radiation, the amplification of waves via scattering at the horizon. Here we report on an experimental validation of the hydrodynamic laws that govern transcritical flows, for the first time in a free surface water channel using an analogue space-time geometry controlled by a bottom obstacle. A prospective study, both experimental and numerical, with a second obstacle downstream of a first one is presented to test in the near-future the analogous black hole laser instability, namely the super-amplification of Hawking radiation by successive bounces on a pair of black and white horizons within cavities which allow the presence of negative energy modes necessary for the amplification process. Candidate hydrodynamic regimes are discussed thanks to a phase diagram based on the scaled relative heights of both obstacles and the ratio of flow to wave speed in the upstream region., Comment: 19 pages, 19 figures

Vocal arousal, the non-linear acoustic features taken on by human and animal vocalizations when highly aroused, has an important communicative function because it signals aversive states such as fear, pain or distress. In this work, we present a computationally-efficient, real-time voice transformation algorithm, ANGUS, which uses amplitude modulation and time-domain filtering to simulate roughness, an important component of vocal arousal, in arbitrary voice recordings. In a series of 4 studies, we show that ANGUS allows parametric control over the spectral features of roughness like the presence of sub-harmonics and noise; that ANGUS increases the emotional negativity perceived by listeners, to a comparable level as a non-real-time analysis/resynthesis algorithm from the state-of-the-art; that listeners cannot distinguish transformed and non-transformed sounds above chance level; and that ANGUS has a similar emotional effect on animal vocalizations and musical instrument sounds than on human vocalizations. A real-time implementation of ANGUS is made available as open-source software, for use in experimental emotion reseach and affective computing.

The "bag-of-frames" approach (BOF), which encodes audio signals as the long-term statistical distribution of short-term spectral features, is commonly regarded as an effective and sufficient way to represent environmental sound recordings (soundscapes) since its introduction in an influential 2007 article. The present paper describes a concep-tual replication of this seminal article using several new soundscape datasets, with results strongly questioning the adequacy of the BOF approach for the task. We show that the good accuracy originally re-ported with BOF likely result from a particularly thankful dataset with low within-class variability, and that for more realistic datasets, BOF in fact does not perform significantly better than a mere one-point av-erage of the signal's features. Soundscape modeling, therefore, may not be the closed case it was once thought to be. Progress, we ar-gue, could lie in reconsidering the problem of considering individual acoustical events within each soundscape.

This paper describes research on the technological evolution of glazed ceramics with a metallic lustre decoration starting from their emergence in the Near East until the Hispano-Moresque productions. That research covers the main known Islamic production sites and periods: Abbasid (Mesopotamia); Fatimid (Egypt); Timurid, Mongol, and Safavid (Iran); Ayyubid and Mamluk (Syria); Nasrid and Hispano-Moresque (Spain). It was allowed by the access to more than hundred full preserved objects or fragments supplied by French national museums (Mus\'ee du Louvre DAI, Mus\'ee national du Moyen Age, Mus\'ee national de C\'eramique). The characterisation of the composition and structure of the ceramics and of their decoration is mostly done through non-destructive analyses methods. The thickness and metal content of the surface lustre layers are quantified thanks to ion beam analyses performed on a particle accelerator: PIXE (particle-induced X-ray emission) for the terracotta and glazes composition and RBS (Rutherford backscattering spectrometry) for the thickness and metal content of the lustre surface layers. The preliminary results show that the features of the decorated ceramics have undergone dramatic variations when transmitted from a production to another, not only, as expected, in the composition of terracotta and glazes, but also in the thickness, the structure and the composition distribution of the lustre layers., Comment: 23 pages ; non-destructive IBA analyses of more than 120 objects (fragments or entire objects) from all origins in the Islamic world and from 9th century to 18th century