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24 results on '"Assemblage (Art) -- Exhibitions -- Criticism and interpretation"'

1. ANTHONY LEPORE

Author

Barcena, Bryan

Subjects
Assemblage (Art) -- Exhibitions -- Criticism and interpretation, Arts, visual and performing
Abstract

EVER SINCE CLAUDE MONET recorded gray smokestacks on the riverbanks at Argenteuil, France, industrial modernity has stood at the heart of artistic production. Think Diego Rivera's 'Detroit Industry Murals,' 1932-33, [...]

Published
2024

2. A Defiant Show by a Latin Artist

Author

Stein, Mark A.

Subjects
Assemblage (Art) -- Exhibitions -- Criticism and interpretation, General interest, News, opinion and commentary
Abstract

El Museo del Barrio is presenting a retrospective of Raphael Montañez Ortiz's works to honor the 88-year-old artist and reinforce the institution's roots. This article is part of our latest [...]

Published
2022

3. Georges Adeagbo: BARBARA WIEN

Author

Madseti, Kristian Vistrup

Subjects
Assemblage (Art) -- Exhibitions -- Criticism and interpretation, Arts, visual and performing
Abstract

Georges Adeagbo is a one-trick artist. But the outcome of that trick is endlessly variable. His method consists of making assemblages of objects: mostly books, magazines, newspaper articles, record covers, [...]

Published
2020

4. 'Matthew Barney: the CREMASTER cycle'; Solomon R. Guggenheim Museum, New York. (Reviews)

Author

Smith, Roberta

Subjects
Experimental films -- Exhibitions -- Criticism and interpretation, Assemblage (Art) -- Exhibitions -- Criticism and interpretation, Installations (Art) -- Exhibitions -- Criticism and interpretation, Arts, visual and performing, Exhibitions, Criticism and interpretation
Abstract

Other ambitious young artists might have been content go to the studio, tack up a poster of Harry Houdini, a postcard of Robert Smithson's Spiral Jetty, and the famous image [...]

Published
2003

5. Robert Bittenbender: LOMEX

Author

Schwasky, Barry

Subjects
Assemblage (Art) -- Exhibitions -- Criticism and interpretation, Arts, visual and performing
Abstract

Looking at Robert Bittenbender's assemblages and works on paper, you'd almost think that there is still some kind of bohemia in New York, that somewhere out there a few artists [...]

Published
2018

6. In the galleries: Disrupting and denaturing the concept of comfortable at home

Author

Jenkins, Mark

Subjects
Assemblage (Art) -- Exhibitions -- Criticism and interpretation, Homeowners, Billboards, Marketing, Signage, Property rights, Painters (Artists), Business, Computers and office automation industries, Telecommunications industry
Abstract

Byline: Mark Jenkins A man's home is his castle, says a maxim coined back when women rarely had property rights. The adage posits a sense of security, a feeling that's [...]

Published
2020

7. Malcolm Le Grice: No Idea

Author

Payne, Simon

Subjects
Assemblage (Art) -- Exhibitions -- Criticism and interpretation, Collage -- Exhibitions -- Criticism and interpretation, Motion pictures
Abstract

MALCOLM LE GRICE NO IDEA Richard Saltoun Gallery, London May 29-July 10, 2015 Malcolm Le Grice's recent exhibition at the Richard Saltoun gallery in London included a number of collages [...]

Published
2015

8. 'Paperless': SOUTHEASTERN CENTER FOR CONTEMPORARY ART

Author

Lubin, David M.

Subjects
Modernism (Art) -- Exhibitions -- Criticism and interpretation, Assemblage (Art) -- Exhibitions -- Criticism and interpretation, Art, Modern -- Exhibitions -- Criticism and interpretation, Arts, visual and performing
Abstract

Paper manufacturing consumes 35 percent of harvested trees in America, while 40 percent of our total annual waste consists of paper and paper products. We all hoped that digital communication [...]

Published
2012

9. Documents 13: VARIOUS VENUES, KASSEL, BANFF, CAIRO, AND KABUL

Author

Birnbaum, Daniel

Subjects
Assemblage (Art) -- Exhibitions -- Criticism and interpretation, Installations (Art) -- Exhibitions -- Criticism and interpretation, Drawing -- Exhibitions -- Criticism and interpretation, Arts, visual and performing
Abstract

WHAT WOULD IT MEAN to think that things could have stories as troubled as those of people? Many of the objects in this year's Documenta--among them engines, a beehive, a [...]

Published
2012

10. Rashid Johnson: Hauser & Wirth

Author

Richard, Frances

Subjects
Assemblage (Art) -- Exhibitions -- Criticism and interpretation, Painting, Modern -- Exhibitions -- Criticism and interpretation, Sculpture, Modern -- Exhibitions -- Criticism and interpretation, Arts, visual and performing
Abstract

Suppose that there are three kinds of grooves. One you make by raking an implement through a semiresistant substance. One takes hold when a great song plays. And one you [...]

Published
2012

11. Diango Hernandez: NICOLAS KRUPP CONTEMPORARY ART

Author

Latimer, Quinn

Subjects
Found objects (Art) -- Exhibitions -- Criticism and interpretation, Assemblage (Art) -- Exhibitions -- Criticism and interpretation, Painting, Modern -- Exhibitions -- Criticism and interpretation, Arts, visual and performing
Abstract

Diango Hernandez has in the past noted, both slyly and acutely, his own 'tropical sensitivities.' Certainly they could be discerned in the Dusscldorf-bascd Cuban artist's quietly exhilarating exhibition in Basel, [...]

Published
2012

12. Jimmie Durham: Fondazione Volume!

Author

Drake, Cathryn

Subjects
Assemblage (Art) -- Exhibitions -- Criticism and interpretation, Arts, visual and performing, Exhibitions, Criticism and interpretation
Abstract

At the opening of Jimmie Durham's 'Templum: The Sacred, the Profane, and Other,' the suffocating perfume of burning incense permeated the dark cavelike space at the gallery, furnished with natural [...]

Published
2007

13. Tamer Cats at Modern Art's High Gates

Author

Johnson, Ken

Subjects
Sculpture -- Criticism and interpretation -- Exhibitions -- United States, Assemblage (Art) -- Exhibitions -- Criticism and interpretation, General interest, News, opinion and commentary
Abstract

A short story by Franz Kafka reads in its entirety, ''Leopards break into the temple and drink to the dregs what is in the sacrificial pitchers; this is repeated over [...]

Published
2010

14. Openings Urs Fischer

Author

Gingeras, Alison M.

Subjects
Assemblage (Art) -- Exhibitions -- Criticism and interpretation, Arts, visual and performing, Exhibitions, Criticism and interpretation
Abstract

Urs Fischer is not Matthew Barney. The autonomous, if decidedly 10-fi, objects Fischer crafts are the very antitheses of the spectacular 'sets' Barney creates to further his self-generated mythology. Barney's [...]

Published
2003

15. Evelyne Axell: BROADWAY 1602

Author

Wise, Lloyd

Subjects
Assemblage (Art) -- Exhibitions -- Criticism and interpretation, Painting -- Exhibitions -- Criticism and interpretation, Arts, visual and performing
Abstract

Cut short by a fatal car crash in 1972, Evelyne Axell's career burned fast and bright. At the age of twenty-eight, the Belgian artist abandoned a promising career in acting [...]

Published
2012

16. Harry Dodge

Author

Burton, Johanna

Subjects
Assemblage (Art) -- Exhibitions -- Criticism and interpretation, Video art -- Exhibitions -- Criticism and interpretation, Arts, visual and performing
Abstract

WALLSPACE Intro to Logic, freshman year, college. I recall these sentences on the blackboard: 'God is love. Love is blind. Stevie Wonder is blind. Therefore Stevie Wonder is God.' The [...]

Published
2012

17. Flavio Favelli: CARDI BLACK BOX

Author

Tagliafierro, Marco

Subjects
Found objects (Art) -- Exhibitions -- Criticism and interpretation, Assemblage (Art) -- Exhibitions -- Criticism and interpretation, Collage -- Exhibitions -- Criticism and interpretation, Arts, visual and performing
Abstract

Entering the gallery, one came across a series of three-dimensional collages, assemblages of found furniture, dismantled and reassembled lamps, old majolica, glassware, and memorabilia of the recent past, including gadgets [...]

Published
2012

18. Haim Steinbach: Sonnabend Gallery

Author

Griffin, Tim

Subjects
Assemblage (Art) -- Exhibitions -- Criticism and interpretation, Arts, visual and performing, Exhibitions, Criticism and interpretation
Abstract

It perhaps should come as no surprise that Haim Steinbach's practice has seemed increasingly relevant during the past decade, a period in which the rituals around commercial objects have become [...]

Published
2007

19. Victor Grippo: Camden Arts Centre

Author

Williams, Gilda

Subjects
Assemblage (Art) -- Exhibitions -- Criticism and interpretation, Arts, visual and performing, Exhibitions, Criticism and interpretation
Abstract

An atmosphere of hushed stillness permeated this exhibition of nearly colorless sculptural work by the late Argentinean artist Victor Grippo. The silence was gradually broken as one became aware of [...]

Published
2007

20. Tomas Saraceno: Tanya Bonakdar Gallery

Author

Schwendener, Martha

Subjects
Assemblage (Art) -- Exhibitions -- Criticism and interpretation, Arts, visual and performing, Exhibitions, Criticism and interpretation
Abstract

Gardens that fly, aircraft powered by the sun, cities that change and meld like drifting clouds, gravity as a 'physical psycho-social relationship.' These are some of the ideas with which [...]

Published
2006

21. Stephan Dillemuth: Galerie Christian Nagel. (Cologne)

Author

Smolk, Noemi

Subjects
Assemblage (Art) -- Exhibitions -- Criticism and interpretation, Postmodern art -- Criticism and interpretation -- Exhibitions, Arts, visual and performing, Exhibitions, Criticism and interpretation
Abstract

Standing on a white pedestal was a chair titled Charles Eames fur Vegetarier (Charles Eames for vegetarians; all works 2002), put together with twigs found in the woods. A vitrine [...]

Published
2003

22. Jake and Dinos Chapman: White Cube. (London)

Author

Archer, Michael

Subjects
Assemblage (Art) -- Exhibitions -- Criticism and interpretation, Arts, visual and performing, Exhibitions, Criticism and interpretation
Abstract

Is there any mileage left in the idea of art as an oppositional practice, a set of moves made against the prevailing culture and its norms from outside its territory? [...]

Published
2003

23. Gabriel Orozco: Galerie Chantal Crousel. (Paris)

Author

Maldonado, Guitemie

Subjects
Assemblage (Art) -- Exhibitions -- Criticism and interpretation, Arts, visual and performing, Exhibitions, Criticism and interpretation
Abstract

Translated from French by Jeanine Herman. The gallery was transformed into a sort of marketplace: On metal trestles topped by worn planks, terra cotta objects were arrayed in fairly large [...]

Published
2003

24. Santiago Cucullu: Franklin Art Works. (Minneapolis)

Author

Briggs, Patricia

Subjects
Installations (Art) -- Exhibitions -- Criticism and interpretation, Assemblage (Art) -- Exhibitions -- Criticism and interpretation, Arts, visual and performing, Exhibitions, Criticism and interpretation
Abstract

In Santiago Cucullu's recent solo exhibition, wall sculptures constructed from paper table skirting (the disposable kind you find at 'party paper' outlets) acted as a minimalist counterpoint to giant contact-paper [...]

Published
2003

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