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Copyright of ABI Technik is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Colloquia Germanica is the property of Narr Francke Attempto Verlag GmbH & Co.KG and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

With the task of remembering, the archive stores knowledge and thus enables the canon to forget this knowledge. What has been forgotten there can only be (re)remembered if someone decides to visit the archive. The canon, on the other hand, presents selected knowledge for everyone as something that must be remembered. The example of gender bias in the educational science debate on classics makes it clear that the circulation of knowledge is strongly determined. The active examination of forgotten knowledge/persons in the archive offers the opportunity to participate in the negotiation of knowledge in a reflexive and power-critical way. [ABSTRACT FROM AUTHOR]

Copyright of Lublin Studies in Modern Languages & Literature / Lubelskie Materialy Neofilologiczne is the property of Maria Curie-Sklodowska University, Department of German & Applied Linguistics and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Der vorliegende Text setzt sich mit den Comics von SeSar auseinander, in denen er cinephile Interessen mit Praktiken verbindet, die klassischerweise mit der Fankultur assoziiert werden. Anhand seiner Comics lassen sich deshalb bis heute in der wissenschaftlichen Wahrnehmung dominierende Unterschiede zwischen Cine­philen und Fans hinterfragen. Im Zentrum steht zu diesem Zweck das Fallbeispiel FK e il Dr. Caligari (1986), welches darüber hinaus auf seine Gedächtnis- beziehungsweise Archivfunktion hin untersucht wird und von einer im Zentrum der Cinephilie verorteten Erinnerungsarbeit zeugt.

This article is about the establishment of Instagram in (business) archives. Compared to the two older social networks Facebook and Twitter, the photo and video platform is used the least in archives, although the number of users is constantly increasing. One reason for the reluctance to use Instagram could be that archivists do not have any reference points in the form of concepts, guidelines and exemplary ideas for Instagram posts. To counteract this situation, Instagram posts were developed and implemented as part of the bachelor thesis "Instagram in Wirtschaftsarchiven" using the example of the historical archive of the Ostdeutscher Sparkassenverband (OSV), which appeared on the OSV account from July to December 2021. The strategy development, the examples of implementation and the most important results of this practical examination are to be presented in this article. [ABSTRACT FROM AUTHOR]

frida, der „Verein zur Förderung und Vernetzung frauenspezifischer Informations- und Dokumentationseinrichtungen in Österreich“ feiert 2022 das 30-jährige Bestehen. Im Kontext dieses Jubiläums wurde auch das vorliegende Themenheft der Mitteilungen der Vereinigung Österreichischer Bibliothekarinnen & Bibliothekare herausgebracht. In diesem Text werden Stationen der vergangenen – ersten – 30 Jahre des feministischen Netzwerks frida berichtet. Neben den verschiedenen Aktivitäten sollen hier insbesondere die einzelnen Frauen* sichtbar gemacht werden, die das Netzwerk durch ihr persönliches Engagement ausgemacht haben und ausmachen.

The results of surveys in the European project ALMPUB on the role of archives, libraries and museums for democracy in the digital age show that these information and cultural heritage institutions enjoy an extraordinarily high level of trust among the population compared to other social institutions. The article elaborates the consequences of this observation and concludes that information institutions in the broad sense have a high social responsibility. It is stated that the complementary topic of "trust and responsibility" still has research and reflection desiderata in information science. [ABSTRACT FROM AUTHOR]

Purpose - The aim of the questionnaire survey was to map the awareness of the academic sphere about the existence and use of web archives and find out how researchers would like to use archival data in their research. The conclusions of the research study will serve as a basis for designing further research activities of the National Library of the Czech Republic. Design/Methodology/Approach - In order to find out the needs of users of web archives the method of quantitative questionnaire was chosen. The process of making the questionnaire was preceded by research that focuses on survey of user needs abroad and definition of the target group. The survey included scientists experienced with web archives as well as those who have not participated in a similar project. The questions were structured into several areas focused on who the respondents are and what is their knowledge about web archives. We also asked about the way and intention of using the web archive and about data literacy. With the request to distribute the questionnaire to the widest possible range of respondents from the academic sphere, universities and colleges, public research institutions, regional and scientific libraries and members libraries of the Association of university libraries were targeted. All of the 146 responses were processed and evaluated. Results - The study summarizes the results of a unique survey in the Czech environment, places them in the context of foreign research on the needs of web archive users and suggests further possibilities for research on these archival data. It summarizes general information about the respondents, their awareness of web archives and its use as well as about experiences working with archive data and about requirements for the Czech Webarchive. Originality/Value - The survey of user needs in the form of an extensive questionnaire survey happened for the first time in the Czech environment and thus made it possible to map the use of web archives. Although the web archive of the National Library of the Czech Republic continuously deals with how it can provide its data and services to users within the framework of legislation, the results of the questionnaire survey provided a unique treasure for the further development of services and functionalities. [ABSTRACT FROM AUTHOR]

In this article, we propose a reading of the film Los puños Frente al canón, recently made available in the digital collection of the Cineteca Universidad del Chile, which refers to the constitution of the Chilean labor movement from the retake of the archives. Filmed in 1975, the documentary directed by Orlando Lubbert and Gastón Ancelovici remained inaccessible for many years, was restored and shown in Chile in 2010 and became accessible online in 2020. Overall, the film tells the story of its emergence and development of the Chilean worker's movement through the montage of archival images. We also seek to reflect on the return to this movement during the years of the dictatorship, by the directors, during the period in which they were subjected to exile. [ABSTRACT FROM AUTHOR]

Copyright of Mitteilungen der Vereinigung Österreichischer Bibliothekarinnen & Bibliothekare is the property of Vereinigung Oesterreichischer Bibliothekarinnen und Bibliothekare and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Die Möglichkeit, Reproduktionen von Archivalien direkt aus dem Online-Katalog heraus zu bestellen, besteht im Landesarchiv Baden-Württemberg seit November 2020. Dieses neue Angebot wird sehr viel und gerne genutzt. Da es nicht um den Verkauf konventioneller Produkte, sondern im Grunde um Dienstleistungen aus öffentlicher Hand geht, ergeben sich ganz besondere Anforderungen, was die Funktionalitäten der Webapplikationen, die Arbeitsabläufe in den Archivabteilungen und die Bezahlung bzw. Gebührenberechnung betrifft. Die Darstellung der Lösung des Landesarchivs und der Bericht über die bisherigen Erfahrungen sind Thema dieses Beitrags. Since November 2020, reproductions of archival material can be ordered directly from the online catalog. This new service is very popular. Since it is not a case of selling conventional products, but a service provided by the public sector, particular requirements need to be met regarding the functionalities of the web applications, the workflows in the archive and the payment or calculation of fees. This article presents the State Archive's solution as well as previous experiences. [ABSTRACT FROM AUTHOR]

The continuing education programme in Archival, Library and Information Science at the Universities of Berne and Lausanne (CAS/MAS ALIS) has an international and interdisciplinary approach. The programme developed from an Archival and Information Science Certificate into a Bologna-compliant archival and library science postgraduate programme that is established in Switzerland, in great demand and of high quality; it is constantly being renewed.The article provides an overview of the history, context, and offerings of the programme, addresses the question of interdisciplinarity and the complementarity of archives and libraries, and outlines future perspectives. [ABSTRACT FROM AUTHOR]

The Arolsen Archives' crowdsourcing project #EveryNameCounts began in 2020 as a school campaign and within a few months grew into a worldwide initiative. Through the work of volunteers, millions of records of concentration camp documents are captured. On the one hand, this data basis optimizes the search in the online archive of the Arolsen Archives and, on the other hand, makes research based on mass data possible in the first place. The work of the volunteers goes far beyond mere data collection. A digital monument is being created. [ABSTRACT FROM AUTHOR]

Copyright of Studia Paedagogica is the property of Masaryk University, Faculty of Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Historische Zeitschrift is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Výtvarná Výchova is the property of Charles University Prague, Faculty of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Aufgrund einer gesetzlichen Vorgabe ist der öffentlich-rechtliche Rundfunk in der Schweiz verpflichtet, seine Sendearchive der Öffentlichkeit zugänglich zu machen. Dies geschieht auf verschiedenen Wegen, vor allem aber über die eigenen Online-Portale. Nach der Klärung rechtlicher, technischer und finanzieller Fragen publizieren SRF und die anderen Sender der SRG kontinuierlich Archivinhalte. Große Bestände sind über die regionalen Mediatheken (Play SRG) abrufbar. An speziellen Konsultationsstationen in öffentlichen Institutionen können nahezu die gesamten audiovisuellen Archivinhalte recherchiert werden. Auf verschiedenen Social Media Plattformen betreiben alle Sender erfolgreich Archivkanäle. Zusätzliche Initiativen, wie öffentliche Veranstaltungen oder das neue Biografie-Tool SRF Timelines befördern zudem die Sicht- und Erreichbarkeit der Archivinhalte. Die komplexe Frage heterogener Metadaten wird derzeit versucht, mittels einer zentralen Datenbank zu lösen. Due to a legal requirement, public broadcasting in Switzerland is obliged to make its broadcast archives accessible to the public. This is done in various ways, but above all through their own online portals. After legal, technical and financial issues had been clarified, SRF and the other SRG broadcasters continuously publish archive content. Large stocks are available from the regional media libraries (Play SRG). Almost all of the audio-visual archive content can be researched at special consultation stations in public institutions. All broadcasters successfully operate archive channels on various social media platforms. Additional initiatives, such as public events or the new SRF Timelines biography tool, also make the archive content more visible and accessible. Attempts are currently being made to solve the complex question of heterogeneous metadata using a central database. [ABSTRACT FROM AUTHOR]