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This book puts forward the concept of “subjective anthropology” and outlines a theoretical system that will allow subjective anthropology to qualify as a new academic discipline in its own right. In an effort to respond to the field's proper role as the science of humanity, subjective analysis has been introduced into the study of anthropology. The book fills two distinct gaps in our knowledge and understanding of modern man, offering detailed descriptions of personality and of groups, while also advancing the theory of “structure and choice.” The book formulates seven basic principles of subjective anthropology and divides anthropology into three major branches: subjective anthropology, cultural anthropology, and biological (or physical) anthropology, which can be further divided into sub-branches. The book pursues three key goals: advancing and developing the theoretical system of subjective anthropology, reconstructing the discipline of anthropology, and establishing a Chinese anthropology with Chinese characteristics, Chinese visions, and Chinese styles.

Nach dem Erscheinen der beiden Vorlesungsbände zur Psychologie (KGA II/13) und zur Ästhetik (KGA II/14) im Rahmen der Kritischen Gesamtausgabe der Werke Friedrich Daniel Ernst Schleiermachers liegen verbindliche und vollständige Textgrundlagen vor, die dazu einladen, sich den anthropologischen und ästhetischen Themen Schleiermachers neu zuzuwenden. Von DER Anthropologie Schleiermachers kann nicht gesprochen werden. Er selbst hat eine solche Disziplin nur randständig und wenig konturiert beschrieben. Gleichwohl durchziehen Menschenbildannahmen sein philosophisches und theologisches Werk. Entsprechend breit fächern sich die Beiträge auf und beleuchten anthropologische Fragen aus pädagogischer, theologischer oder psychologischer Sicht und bauen Brücken zu zeitgenössischen (etwa Friedrich Heinrich Jacobi) oder späteren (Ernst Cassirer) Entwürfen. Ästhetik ist die letzte philosophische Disziplin, die Schleiermacher in den Zyklus seiner philosophischen Vorlesungen aufnahm, wobei er über ihre ethische Fundierung bereits in seinen ersten Hallenser Vorlesungen reflektierte. Die Beiträge zur Ästhetik schlagen einen Bogen von der Urbildtheorie, der Praktischen Theologie und der Musikrezeption Schleiermachers bis hin zur Kunsttheorie von Aby Warburg.

This book focuses on the reconfiguration of aesthetic anthropology into an anthropological problem of cogitation, opening up a fascinating new dialogue between the domains of anthropology, philosophy, and art. Tarek Elhaik embarks on an inquiry composed of a series of cogitations based on fieldwork in an ecology of artistic and scientific practices: from conceptual art exhibitions to architectural environments; from photographic montages to the videotaping of spirit seances; and from artistic interventions in natural history museums to ongoing dialogues between performance artists and marine scientists. The chapters examine the image-work, ethical demands, and aesthetic struggles of interlocutors including artists Mathias Goeritz, Mounir Fatmi, Silvia Gruner, Joan Jonas, and Patricia Lagarde.

Anthropological Theory for the Twenty-First Century presents a critical approach to the study of anthropological theory for the next generation of aspiring anthropologists. Through a carefully curated selection of readings, this collection reflects the diversity of scholars who have long contributed to the development of anthropological theory, incorporating writings by scholars of color, non-Western scholars, and others whose contributions have historically been under-acknowledged. The volume puts writings from established canonical thinkers, such as Marx, Boas, and Foucault, into productive conversations with Du Bois, Ortiz, Medicine, Trouillot, Said, and many others. The editors also engage in critical conversations surrounding the'canon'itself, including its colonial history and decolonial potential. Updating the canon with late twentieth-century and early twenty-first-century scholarship, this reader includes discussions of contemporary theories such as queer theory, decolonial theory, ontology, and anti-racism. Each section is framed by clear and concise editorial introductions that place the readings in context and conversation with each other, as well as questions and glossaries to guide reader comprehension. A dynamic companion website features additional resources, including links to videos, podcasts, articles, and more.

La educación es más que enseñar y aprender, y la antropología es más que realizar estudios sobre la vida de otras personas. Aquí, Tim Ingold propone que ambas, la antropología y la educación, son formas de estudiar y de llevar la vida, con otros. Este provocador libro transciende la exploración sobre la interfaz entre las disciplinas de la antropología y la educación para afirmar su fundamental equivalencia. La educación, sostiene, no es la transmisión de un conocimiento autorizado de generación en generación, sino una manera de prestarle atención a las cosas, abriendo caminos para el desarrollo y el descubrimiento.

This collection of writings from Haitian anthropologist Michel-Rolph Trouillot includes his most famous, lesser known, and hard to find writings that demonstrate his enduring importance to Caribbean studies, anthropology, history, postcolonial studies, and politically engaged scholarship more broadly.

In this work Tim Ingold offers a persuasive new approach to understanding how human beings perceive their surroundings. He argues that what we are used to calling cultural variation consists, in the first place, of variations in skill. Neither innate nor acquired, skills are grown, incorporated into the human organism through practice and training in an environment. They are thus as much biological as cultural. To account for the generation of skills we have therefore to understand the dynamics of development. And this in turn calls for an ecological approach that situates practitioners in the context of an active engagement with the constituents of their surroundings.The twenty-three essays comprising this book focus in turn on the procurement of livelihood, on what it means to ‘dwell', and on the nature of skill, weaving together approaches from social anthropology, ecological psychology, developmental biology and phenomenology in a way that has never been attempted before. The book is set to revolutionise the way we think about what is ‘biological'and ‘cultural'in humans, about evolution and history, and indeed about what it means for human beings – at once organisms and persons – to inhabit an environment. The Perception of the Environment will be essential reading not only for anthropologists but also for biologists, psychologists, archaeologists, geographers and philosophers.This edition includes a new Preface by the author.

This book provides a critical analysis of Hegel's Anthropology, a long-neglected treatise dedicated to the psyche, or “soul,” that bridges Hegel's philosophy of organic nature with his philosophy of subjective spirit. Allegra de Laurentiis recuperates this overlooked text, guiding readers through its essential arguments and ideas. She shows how Hegel conceives of the “sublation” of natural motion, first into animal sentience and then into the felt presentiment of selfhood, all the way to the threshold of self-reflexive thinking. She discusses the Anthropology in the context of Hegel's mature system of philosophy (the Encyclopaedia) while also exposing some of the scientific and philosophical sources of his conceptions of unconscious states, psychosomatism, mental pathologies, skill formation, memorization, bodily habituation, and the self-conditioning capacities of our species. This treatise on the becoming of anthropos, she argues, displays the power and limitations of Hegel's idealistic “philosophy of the real” in connecting such phenomena as erect posture, a discriminating hand, and the forward gaze to the emergence of the human ego, or the structural disintegration of the social world to the derangement of the individual mind. A groundbreaking contribution to scholarship on Hegel and nineteenth-century philosophy, this book shows that the Anthropology is essential to understanding Hegel's concept of spirit, not only in its connection with nature but also in its more sophisticated realizations as objective and absolute spirit. Future scholarship on this subject will recount—and build upon—de Laurentiis's innovative study.

Readings for a History of Anthropological Theory curates and collects many of the most important publications of anthropological thought spanning the last hundred years, building a strong foundation in both classical and contemporary theory. The sixth edition includes seventeen new readings, with a sharpened focus on public anthropology, gender and sexuality, race and ethnicity, linguistic anthropology, archaeology, and the Anthropocene. Each piece of writing is accompanied by a short introduction, key terms, study questions, and further readings that elucidate the original text. On its own or together with A History of Anthropological Theory, sixth edition, this anthology offers an unrivalled introduction to the theory of anthropology that reflects not only its history but also the changing nature of the discipline today.

O livro apresenta os estudos relativos a quatro obras que abordam a temática da antropologia fenomenológica, O problema da empatia; Psicologia e ciências do espírito: contribuições para uma fundação filosófica; Uma investigação sobre o Estado; e A estrutura da pessoa humana. Cada capítulo introduz uma obra, com as principais ideias e, na sequência, um glossário dos conceitos e das definições, em que são referenciadas as páginas das quais foram retirados os conceitos e/ou ideias, facilitando sua localização no texto original.

The first edition of All Tomorrow's Cultures explored the legacy of futures-thinking in anthropology and marked the beginning of a resurgence of interest in anthropological futures. The new edition has been updated to reflect some of the outpouring of work since then, particularly in science and technology studies and in anthropological analyses of indigenous futures. In addition, Collins has updated the final chapter to expand the field of anthropological possibility in an age of both despair and hope.

Don Handelman's groundbreaking work in anthropology is showcased in this collection of his most powerful essays, edited by Matan Shapiro and Jackie Feldman. The book looks at the intellectual and spiritual roots of Handelman's initiation into anthropology; his work on ritual and on “bureaucratic logic”; analyses of cosmology; and innovative essays on Anthropology and Deleuzian thinking. Handelman reconsiders his theory of the forming of form and how this relates to a new theory of the dynamics of time. This will be the definitive collection of articles by one of the most important anthropologists of the late 20th Century.

We inhabit a world of more than humans. For life to flourish, we must listen to the calls this world makes on us, and respond with care, sensitivity and judgement. That is what it means to correspond, to join our lives with those of the beings, matters and elements with whom, and with which, we dwell upon the earth. In this book, anthropologist Tim Ingold corresponds with landscapes and forests, oceans and skies, monuments and artworks. To each he brings the same spontaneity of thought and observation, the same intimacy and lightness of touch, but also the same affection, longing and care that, in the days when we used to write letters by hand, we would bring to our correspondences with one another. The result is a profound yet accessible inquiry into ways of attending to the world around us, into the relation between art and life, and into the craft of writing itself. At a time of environmental crisis, when words so often seem to fail us, Ingold points to how the practice of correspondence can help restore our kinship with a stricken earth.

What does imagination do for our perception of the world? Why should reality be broken off from our imagining of it? It was not always thus, and in these essays, Tim Ingold sets out to heal the break between reality and imagination at the heart of modern thought and science. Imagining for Real joins with a lifeworld ever in creation, attending to its formative processes, corresponding with the lives of its human and nonhuman inhabitants. Building on his two previous essay collections, The Perception of the Environment and Being Alive, this book rounds off the extraordinary intellectual project of one of the world's most renowned anthropologists.Offering hope in troubled times, these essays speak to coming generations in a language that surpasses disciplinary divisions. They will be essential reading not only for anthropologists but also for students in fi elds ranging from art, aesthetics, architecture and archaeology to philosophy, psychology, human geography, comparative literature and theology.

Anthropology is a disciplined inquiry into the conditions and potentials of human life. Generations of theorists, however, have expunged life from their accounts, treating it as the mere output of patterns, codes, structures or systems variously defined as genetic or cultural, natural or social. Building on his classic work The Perception of the Environment, Tim Ingold sets out to restore life to where it should belong, at the heart of anthropological concern. Being Alive ranges over such themes as the vitality of materials; what it means to make things; the perception and formation of the ground; the mingling of earth and sky in the weather-world; the experiences of light, sound and feeling; the role of storytelling in the integration of knowledge; and the potential of drawing to unite observation and description.Our humanity, Ingold argues, does not come ready-made but is continually fashioned in our movements along ways of life. Starting from the idea of life as a process of wayfaring, Ingold presents a radically new understanding of movement, knowledge and description as dimensions not just of being in the world, but of being alive to what is going on there.This edition includes a new preface by the author.

Reflecting on fieldwork for the twenty-first century, anthropologist and artist Susan Ossman invites readers on a journey across North Africa, Europe, the Middle East, and North America. She reveals that fieldwork today is not only about being immersed in a place or culture; instead, it is an active way of focusing attention and engendering encounters and experiences. She conceives a new kind of autoethnography, making art and ethnography equal partners to follow three'waves'of her research on media, globalization, and migration.Ossman guides the reader through diverse settings, including a colonial villa in Casablanca, a Cairo beauty salon, a California mall-turned-gallery, the Berlin Wall, and Amsterdam's Hermitage museum. She delves into the entanglements of solitary research and collective action. This book is a primer for current anthropology and an invitation to artists and scholars to work across boundaries. It vividly shows how fieldwork can shape scenes for experiments with multiple outcomes, from conceptual advances to artworks, performances to dialogue and community making.

In Afterlives of Affect Matthew C. Watson considers the life and work of artist and Mayanist scholar Linda Schele (1942–98) as a point of departure for what he calls an excitable anthropology. As part of a small collective of scholars who devised the first compelling arguments that Maya hieroglyphs were a fully grammatical writing system, Schele popularized the decipherment of hieroglyphs by developing narratives of Maya politics and religion in popular books and public workshops. In this experimental, person-centered ethnography, Watson shows how Schele's sense of joyous discovery and affective engagement with research led her to traverse and disrupt borders between religion, science, art, life, death, and history. While acknowledging critiques of Schele's work and the idea of discovery more generally, Watson contends that affect and wonder should lie at the heart of any reflexive anthropology. With this singular examination of Schele and the community she built around herself and her work, Watson furthers debates on more-than-human worlds, spiritualism, modernity, science studies, affect theory, and the social conditions of knowledge production.

This collection of essays is based on the 2005 Society for American Archaeology symposium and presents research that epitomizes Richard I. Ford's approach of engaged anthropology. This transdisciplinary approach integrates archaeological research with perspectives from ethnography, history, and ecology, and engages the anthropologist with Native partners and with socio-natural landscapes. Research papers largely focus on the U.S. Southwest, but also consider other areas of North America, issues related to museums collections, and indigenous approaches to materials research.

How might we speak of human life amid violence, deprivation, or disease so intrusive as to put the idea of the human into question? How can scholarship and advocacy address new forms of war or the slow, corrosive violence that belie democracy's promise to mitigate human suffering? To Veena Das, the answers to these question lie not in foundational ideas about human nature but in a close attention to the diverse ways in which the natural and the social mutually absorb each other on a daily basis. Textures of the Ordinary shows how anthropology finds a companionship with philosophy in the exploration of everyday life. Based on two decades of ethnographic work among low-income urban families in India, Das shows how the notion of texture aligns ethnography with the anthropological tone in Wittgenstein and Cavell, as well as in literary texts. Das shows that doing anthropology after Wittgenstein does not consist in taking over a new set of terms such as forms of life, language games, or private language from Wittgenstein's philosophy. Instead, we must learn to see what eludes us in the everyday precisely because it is before our eyes. The book shows different routes of return to the everyday as it is corroded not only by catastrophic events but also by repetitive and routine violence within everyday life itself. As an alternative to normative ethics, this book develops ordinary ethics as attentiveness to the other and as the ability of small acts of care to stand up to horrific violence.Textures of the Ordinary offers a model of thinking in which concepts and experience are shown to be mutually vulnerable. With questions returned to repeatedly throughout the text and over a lifetime, this book is an intellectually intimate invitation into the ordinary, that which is most simple yet most difficult to perceive in our lives.

This reader investigates the changing face of the notion of culture, tracing how it emerged in some of the most important and controversial phases of the lively Anglo-American debate on the subject from the late nineteenth century to the mid-twentieth century, including the crucial years of Modernism. Shedding light on the cross-disciplinary approaches that characterized the debate and focusing especially on the legacy of anthropology, the volume presents a selection of some of the most distinguished voices from such assorted fields as literature, linguistics, anthropology, sociology and ethnology, whose interests and areas of enquiry apparently converged and partly overlapped. A selection of primary sources from leading figures such as Matthew Arnold, Bronisław Malinowski, Ruth Benedict, T. S. Eliot, Ezra Pound and Aldous Huxley provide an overview of the crucial issues raised on a wide array of topics: civilization, race, nation, progress, evolution, education, art, science, literature and politics. The primary sources are accompanied by critical essays that offer new insights into these classic texts. This reader will be of use to undergraduate and postgraduate students as well as to scholars exploring the cross-disciplinary or transatlantic nature of the study of culture.

Laura Nader documents decades of letters written, received, and archived by esteemed author and anthropologist Laura Nader. She revisits her correspondence with academic colleagues, lawyers, politicians, military officers, and many others, all with unique and insightful perspectives on a variety of social and political issues. She uses personal and professional correspondence as a way of examining complex issues and dialogues that might not be available by other means. By compiling these letters, Nader allows us to take an intimate look at how she interacts with people across multiple fields, disciplines, and outlooks.Arranged chronologically by decade, this book follows Nader from her early career and efforts to change patriarchal policies at UC, Berkeley, to her efforts to fight against climate change and minimize environmental degradation. The letters act as snapshots, giving us glimpses of the lives and issues that dominated culture at the time of their writing. Among the many issues that the correspondence in Laura Nader explores are how a man on death row sees things, how scientists are concerned about and approach their subject matter, and how an anthropologist ponders issues of American survival. The result is an intriguing and comprehensive history of energy, physics, law, anthropology, feminism and legal anthropology in the United States, as well as a reflection of a lifelong career in legal scholarship.

What constitutes an archive in architecture? What forms does it take? What epistemology does it perform? What kind of craft is archiving? Crafting History provides answers and offers insights on the ontological granularity of the archive and its relationship with architecture as a complex enterprise that starts and ends much beyond the act of building or the life of a creator. In this book we learn how objects are processed and catalogued, how a classification scheme is produced, how models and drawings are preserved, and how born-digital material battles time and technology obsolescence. We follow the work of conservators, librarians, cataloguers, digital archivists, museum technicians, curators, and architects, and we capture archiving in its mundane and practical course. Based on ethnographic observation at the Canadian Centre for Architecture and interviews with a range of practitioners, including Álvaro Siza and Peter Eisenman, Albena Yaneva traces archiving through the daily work and care of all its participants, scrutinizing their variable ontology, scale, and politics. Yaneva addresses the strategies practicing architects employ to envisage an archive-based future and tells a story about how architectural collections are crafted so as to form the epistemological basis of architectural history.

In a time of intense uncertainty, social strife, and ecological upheaval, what does it take to envision the world as it yet may be? The field of anthropology, Anand Pandian argues, has resources essential for this critical and imaginative task. Anthropology is no stranger to injustice and exploitation. Still, its methods can reveal unseen dimensions of the world at hand and radical experience as the seed of a humanity yet to come. A Possible Anthropology is an ethnography of anthropologists at work: canonical figures like Bronislaw Malinowski and Claude Lévi-Strauss, ethnographic storytellers like Zora Neale Hurston and Ursula K. Le Guin, contemporary scholars like Jane Guyer and Michael Jackson, and artists and indigenous activists inspired by the field. In their company, Pandian explores the moral and political horizons of anthropological inquiry, the creative and transformative potential of an experimental practice.

It may seem obvious that the human being has always been present in anthropology. This book, however, reveals that he has never really been a part of it. Theoretical Anthropology or How to Observe a Human Being establishes the foundations and conditions, both theoretical and methodological, which make it possible to consider the human being as a topic of observation and analysis, for himself as an entity, and not in the perspective of understanding social and cultural phenomena. In debate with both anthropologists and philosophers, this book describes and analyzes the human being as a “volume”. To this end, a specific lexicon is built around the notions of volume, volumography and volumology. These notions are further illustrated and enriched by several drawings.

This collection of essays charts the intellectual trajectory of Barbara Glowczewski, an anthropologist who has worked with the Warlpiri people of Australia since 1979. Inspired by the art and struggles of different Indigenous people and other discriminated groups, especially women, she delivers a radical anthropology.

This updated second edition of Mark Moberg's lively book offers a fresh look at the history of anthropological theory. Covering key concepts and theorists, Engaging Anthropological Theory examines the historical context of anthropological ideas and the contested nature of anthropology itself. Anthropological ideas regarding human diversity have always been rooted in the sociopolitical conditions in which they arose and exploring them in context helps students understand how and why they evolved, and how theory relates to life and society. Illustrated throughout, this engaging text moves away from the dry recitation of past viewpoints in anthropology and brings the subject matter to life.

Anthropology's Interrogation of Philosophy from the Eighteenth to the Twentieth Century presents and discusses key aspects of the German tradition of philosophical anthropology from the eighteenth to the twentieth century, centering on the concept of anthropology as a study of the ‘whole, concrete man'(Heinrich Weber, 1810). Philosophical anthropology appears during the last decades of the eighteenth century in the often practically-oriented writings of men such as Ernst Platner, Karl Wezel, and Johann Herder, and is then taken up in the twentieth century by thinkers including Max Scheler, Helmut Plessner, Arnold Gehlen, and Hans Blumenberg. In presenting this tradition, the book serves two primary purposes. Firstly, it introduces English readers in a coherent manner to key aspects of a two-hundred year tradition in German thought. Secondly, the book analyzes in an unprecedented manner, even in German scholarship, the connections between the philosophical debates associated with anthropology at the end of the eighteenth century and ongoing philosophical issues in the twentieth century. Specifically, author Jerome Carroll argues that late eighteenth century anthropology diverges pointedly from traditional,'foundational'approaches to philosophy, for instance rejecting philosophy's quest for absolute foundations for knowledge or a priori categories and turning to a more descriptive account of man's'being in the world.'Notably, by drawing on the epistemological, ontological, and methodological aspects and implications of anthropological holism, this book reads the philosophical significance of classical twentieth century anthropology through the lens of eighteenth century writings on anthropology.

For most of the twentieth century, anthropologists understood themselves as ethnographers. The art of anthropology was the fieldwork-based description of faraway others—of how social structures secretly organized the living-together of a given society, of how a people had endowed the world surrounding them with cultural meaning. While the poetics and politics of anthropology have changed dramatically over the course of a century, the basic equation of anthropology with ethnography—as well as the definition of the human as a social and cultural being—has remained so evident that the possibility of questioning it occurred to hardly anyone. In After Ethnos Tobias Rees endeavors to decouple anthropology from ethnography—and the human from society and culture—and explores the manifold possibilities of practicing a question-based rather than an answer-based anthropology that emanates from this decoupling. What emerges from Rees's provocations is a new understanding of anthropology as a philosophically and poetically inclined, fieldwork-based investigation of what it could mean to be human when the established concepts of the human on which anthropology has been built increasingly fail us.