Search

In this paper, we explore urban cultural politics and policy-making in Austria through the conceptual lens of the arena. In relation to this, we apply the methodological toolbox of Adele CLARKE's situational analysis. With a focus on the dynamics of cultural political conflicts and negotiation, we analyze urban cultural policies and programming. A particular focus is placed on a city-wide cultural program in the city of Graz. Via interpretive analysis of interviews and situational mappings, we aim to analytically unpack the continuous and contingent processes of cultural political negotiation with conflictual consensus as a sensitizing concept. With this objective, our analytical engagement is situated at the intersection between radical democratic theory, referring mainly to Chantal MOUFFE and Oliver MARCHART on the one hand, and social worlds and arenas theory by Adele CLARKE on the other. We hope to contribute to a theoretically sensitized and empirically informed cultural policy research effort by operationalizing the notion of conflictuality in constellations of cultural political actors and negotiation processes in cultural policy-making.