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Five'sensation'novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of'sensation'fiction and articles contributing to contemporary debate.

Five'sensation'novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of'sensation'fiction and articles contributing to contemporary debate.

Five'sensation'novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of'sensation'fiction and articles contributing to contemporary debate.

Five'sensation'novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of'sensation'fiction and articles contributing to contemporary debate.

Five'sensation'novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of'sensation'fiction and articles contributing to contemporary debate.

This book is a study of the best-selling writer for children Enid Blyton (1897-1968) and provides a new account of her career. It draws on Blyton's business correspondence to give a fresh account of a misunderstood figure who for forty years was one of Britain's most successful and powerful authors. It examines Blyton's rise to fame in the 1920s and considers the ways in which she managed her career as a storyteller, journalist and magazine editor. There is discussion of her most famous series including the Famous Five, the Secret Seven, Malory Towers and Noddy, but attention is also given to lesser-known works including the family stories she published to acclaim in the 1940s and early 1950s, as well as her attempts to become a dramatist. The book also discusses Blyton's fluctuating critical reputation, how she and her works were received and how Blyton the person has fared at the hands of biographers and the media.

Beginning with Victoria's enthronement and an exploration of sensationalist accounts of attacks on the Queen, and ending with the notorious case of a fin-de-siècle killer, Victorian Crime, Madness and Sensation throws new light on nineteenth-century attitudes toward crime and'deviance'. The essays, which draw on both canonical and liminal texts, examine the Victorian fascination with criminal psychology and pathology, engaging with real life cases alongside fictional accounts by writers as diverse as Ainsworth, Stevenson, and Stoker. Among the topics are shifting definitions of criminality and the ways in which discourses surrounding crime changed during the nineteenth century, the literal and social criminalization of particular sex acts, and the gendering of degeneration and insanity. As fascinated as they were with criminality, the Victorians were equally concerned with solving crime, and this collection also focuses on the forces of law enforcement and nineteenth-century attempts to'read'the criminal body as revealed in Victorian crime fiction and reportage. Contributors engage with the detective figure and his growing professionalization, while examining the role of science and technology - both at home and in the Empire - in solving cases.

This New Casebook explores the enduring significance of George Eliot's novels The Mill on the Floss (1860) and Silas Marner (1861). Eliot's radical cultural politics and the arrestingly original fictional strategies that characterise two of her most popular novels are explored from a variety of perspectives - feminist, historicist, structuralist and psychoanalytic.

Five'sensation'novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of'sensation'fiction and articles contributing to contemporary debate.

Given the popular and scholarly interest in the First World War it is surprising how little contemporary literary work is available. This five-volume reset edition aims to redress this balance, making available an extensive collection of newly-edited short stories, novels and plays from 1914–19.

Given the popular and scholarly interest in the First World War it is surprising how little contemporary literary work is available. This five-volume reset edition aims to redress this balance, making available an extensive collection of newly-edited short stories, novels and plays from 1914–19.

Given the popular and scholarly interest in the First World War it is surprising how little contemporary literary work is available. This five-volume reset edition aims to redress this balance, making available an extensive collection of newly-edited short stories, novels and plays from 1914–19.

Given the popular and scholarly interest in the First World War it is surprising how little contemporary literary work is available. This five-volume reset edition aims to redress this balance, making available an extensive collection of newly-edited short stories, novels and plays from 1914–19.

Given the popular and scholarly interest in the First World War it is surprising how little contemporary literary work is available. This five-volume reset edition aims to redress this balance, making available an extensive collection of newly-edited short stories, novels and plays from 1914–19.

British Theatre and the Great War examines how theatre in its various forms adapted itself to the new conditions of 1914-1918. Contributors discuss the roles played by the theatre industry. They draw on a range of source materials to show the different kinds of theatrical provision and performance cultures in operation not only in London but across parts of Britain and also in Australia and at the Front. As well as recovering lost works and highlighting new areas for investigation (regional theatre, prison camp theatre, troop entertainment, the threat from film, suburban theatre) the book offers revisionist analysis of how the conflict and its challenges were represented on stage at the time and the controversies it provoked. The volume offers new models for exploring the topic in an accessible, jargon-free way, and it shows how theatrical entertainment of the time can be seen as the`missing link'in the study of First World War writing.