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Callan Davies presents “strangeness” as a fresh critical paradigm for understanding the construction and performance of Jacobean drama—one that would have been deeply familiar to its playwrights and early audiences. This study brings together cultural analysis, philosophical enquiry, and the history of staged special effects to examine how preoccupation with the strange unites the verbal, visual, and philosophical elements of performance in works by Marston, Shakespeare, Middleton, Dekker, Heywood, and Beaumont and Fletcher. Strangeness in Jacobean Drama therefore offers an alternative model for understanding this important period of English dramatic history that moves beyond categories such as “Shakespeare's late plays,” “tragicomedy,” or the home of cynical and bloodthirsty tragedies. This book will be of great interest to students and scholars of early modern drama and philosophy, rhetorical studies, and the history of science and technology.

Celebrating Elizabeth Bishop as an international writer with allegiances to various countries and national traditions, this collection of essays explores how Bishop moves between literal geographies like Nova Scotia, New England, Key West and Brazil and more philosophical categories like home and elsewhere, human and animal, insider and outsider. The book covers all aspects and periods of the author's career, from her early writing in the 1930s to the late poems finished after Geography III and those works published after her death. It also examines how Bishop's work has been read and reinterpreted by contemporary writers.

Isabella mora numa ilha cercada de lendas e sonha em visitar as terras distantes que seu pai, um cartógrafo, um dia mapeou. Quando sua melhor amiga desaparece, ela decide fazer parte da equipe de busca e, guiada por mapas antigos e o conhecimento que tem das estrelas, viaja pelos Territórios Esquecidos da ilha, repletos de perigos e criaturas horríveis. Mas sob os rios secos e florestas mortas, uma lenda feroz está despertando de seu sono....

The first collection of its kind to bring together scholarly and practitioner perspectives, this book analyses the experiences, skills and techniques of actors when working on television. Featuring eleven chapters by internationally distinguished researchers and actor trainers, this collection examines the acting processes and resulting performances of some of the most acclaimed television actors. Topics include: studio and location realism; actor training for television; actor well-being in the television industry; performance in reality television and British and Irish actors in contemporary US television and film. The book also contains case studies examining the work of Emmy-award-winning actor Viola Davis and the iconic character of Gene Hunt in Life on Mars (BBC, 2006-2007).

How many versions of the truth can there be? In June 2014, Julia White - a beautiful and intelligent young woman - blows up a coffee shop in central London, killing twenty-four people before turning herself in to the police. Apart from publishing a potentially ironic manifesto, she refuses to explain the reasons for her actions. Clare Hardenberg, an investigative journalist, has been commissioned to write a biography of Julia but at the start of the novel she is on her way to prison herself. What has brought her to this point?

Diaries keep secrets, harbouring our fantasies and fictional histories. They are substitute boyfriends, girlfriends, spouses and friends. But in this age of social media, the role of the diary as a private confidante has been replaced by a culture of public self-disclosure.The Private Life of the Diary: from Pepys to Tweets is an elegantly-told story of the evolution – and perhaps death – of the diary. It traces its origins to seventeenth-century naval administrator, Samuel Pepys, and continues to twentieth-century diarist Virginia Woolf, who recorded everything from her personal confessions about her irritation with her servants to her memories of Armistice Day and the solar eclipse of 1927.Sally Bayley explores how diaries can sometimes record our lives as we live them, but that we often indulge our fondness for self-dramatization, like the teenaged Sylvia Plath who proclaimed herself'The Girl Who Would be God'.This book is an examination of the importance of writing and self-reflection as a means of forging identity. It mourns the loss of the diary as an acutely private form of writing. And it champions it as a conduit to self-discovery, allowing us to ask ourselves the question: Who or What am I in relation to the world?

A taut psychological novel exploring the power of other people's convictions. In June 2014, Julia White - a beautiful and intelligent young woman - blows up a coffee shop in central London, killing twenty-four people before turning herself in to the police. Apart from publishing a potentially ironic manifesto, she refuses to explain the reasons for her actions.Clare Hardenberg, an investigative journalist, has been commissioned to write a biography of Julia but at the start of the novel she is on her way to prison herself. What has brought her to this point?

A beautifully written story of friendship, discovery, myths, and magic that the London Times called'reminiscent of fantasy greats such as Philip Pullman and Neil Gaiman.'Legends say that the island of Joya was once a place where songbirds sang in every tree and the islanders were free to come and go as they pleased. That was before the harsh-ruling Governor arrived, and ravens drove out the native birds. Now there are no songbirds, and the people are forbidden to travel beyond the forest that separates them from the rest of the island. But for Isabella, the legends of her island home have always seemed like more than just stories. And when a series of mysterious events shakes the community, it's Isabella—daughter to the island's only mapmaker—who will lead a party of explorers into the forest in search of answers. As the group ventures deeper and deeper into the island, dark secrets begin to surface, and the legends Isabella has listened to all these years show signs of coming to life. Debut novelist Kiran Millwood Hargrave draws on the cultural folklore of the Canary Islands in this richly told story of a girl's quest to map her own place in a world that legends alone have shaped. Advance Praise:'[R]eminiscent of fantasy greats such as Philip Pullman and Neil Gaiman.'--The London TimesFrom the Hardcover edition.

If you need cheering up... If you need guidance... If you want to laugh... If you need courage... Sometimes only a poem will do. In this magical new collection of our best-loved poems, selected and introduced by the creators of the bestselling app iF Poems, discover the joy, solace and beauty of poetry with your family. Whether you're after a poem that is charming, funny, sad, silly, magical, sleepy, long or short, there's something in here for everyone. From Lear's The Owl and the Pussycat to Tennyson's The Charge of the Light Brigade to Eliot's Macavity the Mystery Cat, these are poems to pass down the generations. A favourite poem will stay with you for life, and this beautifully illustrated collection for children aged 0 to 90 is sure to delight and entertain for years to come.

Fathers are central to the drama of Shakespeare's time: they are revered, even sacred, yet they are also flawed human beings who feature as obstacles in plays of all genres. In Problem Fathers in Shakespeare and Renaissance Drama, Tom MacFaul examines how fathers are paradoxical and almost anomalous characters on the English Renaissance stage. Starting as figures of confident authority in early Elizabethan drama, their scope for action becomes gradually more restricted, until by late Jacobean drama they have accepted the limitations of their power. MacFaul argues that this process points towards a crisis of patriarchal authority in wider contemporary culture. While Shakespeare's plays provide a key insight into these shifts, this book explores the dramatic culture of the period more widely to present the ways in which Shakespeare's work differed from that of his contemporaries while both sharing and informing their artistic and ideological preoccupations.