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This article examines the theory of mind proposed by the esteemed Islamic philosopher, Mulla Sadra Shirazi, through a phenomenological lens. We specifically focus on how Mulla Sadra's framework addresses the question of the individual human mind and its intricate relationship with the body. While Mulla Sadra presents concepts that resonate with some of Husserl's 'monadological-phenomenological' reflections, we argue that strict adherence to phenomenological methodology precludes acceptance of the metaphysical implications he draws concerning the individual mind's connection to the totality of existence, including a presumed divine reality. Nonetheless, our comparative analysis with Mulla Sadra's thought illuminates key aspects of Husserlian monadology and highlights the limitations of a rigorously phenomenological approach to purely metaphysical inquiries. [ABSTRACT FROM AUTHOR]

The concept of “monad” in phenomenology, particularly in Husserl’s thought, is both intriguing and controversial. On one hand, the use of the term seems obvious, given its grounding in research on intersubjectivity; on the other, it presents problems related to its metaphysical connotations, risking the suggestion of a solipsism that Husserl himself sought to avoid. Husserl retrieves the monad, typically associated with Leibniz’s metaphysics, to explore subjectivity as a dynamic and complex unity, moving beyond a static view of consciousness. In this context, the monad is seen as a way to express the relationship between ego, cogito, and cogitatum, opening up a deeper understanding of experience. Despite recent critiques, it is unclear whether Husserl’s monadology can genuinely evade the metaphysical implications tied to Leibniz’s concept. Therefore, it is essential to interpret Husserl’s monad primarily in epistemological terms, using it to address metaphysical questions without reaching definitive answers. A schematic evaluation of the concept of the monad in Husserl may shed light on its meaning, limits, and implications within the phenomenological context. [ABSTRACT FROM AUTHOR]

Sellars has taught us that we do not have direct epistemic access to sense data. Therefore, the latter cannot work as the bedrock of our knowledge. At the same time, through the myth of genius Jones, Sellars has tried to explain how we become able to rationally refer to sense data. What is more, it even seems that, following Jones' teachings, the Rylean folk have become able to observe sense data. How could this be possible if sense data are merely mythical entities? By making use of some ideas and reflections from Husserl on perceptual experience, categorial intuition, and knowledge, I suggest a way to overcome the riddle. My solution, however, will partially contrast with Sellars' idea that sense data are, in the end, something internal to the subject. [ABSTRACT FROM AUTHOR]

We provide a phenomenological explanation of the particular function mental images play in the realization of enjoyment and their significance for human freedom on the basis of the idea, drawn from Sartre, that images are not things but rather a way consciousness behaves towards objects. The mental image's matter, which consists of affectivity, knowledge, and kinaesthetic operations, allows imagination to conjure up an unreal item to satiate a desire. However, by foreshadowing enjoyment in the imaginary, the mental image urges consciousness toward a change in the world that would make that enjoyment real. This is accomplished through the development of tools, which rely on the ability to overcome not just a given situation but also courses of goal-oriented behaviour that have already been prepared by the environment. Through this creation, consciousness exerts its freedom within reality, and marks the world as meaningful. [ABSTRACT FROM AUTHOR]

In the present article, we aimed at describing the diagnostic process in Psychiatry through a phenomenological perspective. We have identified 4 core concepts which may represent the joints of a phenomenologically oriented diagnosis. The "tightrope walking" attitude refers to the psychiatrist's ability to swing between 2 different and sometimes contrasting tendencies (e.g., engagement and disengagement). The "holistic experience" includes all those intuitive, nonverbal, and pre-thematic elements that emerge in the early stages of the clinical encounter as an emanation of the atmospheric quality of the intersubjective space. The "co-construction of symptoms" regards the hermeneutic process behind psychiatric symptoms, involving both the patient as a self-interpreting agent and the clinician as a translator of his/her experience. Finally, by the "evolving typification" we mean that the closer the relationship becomes with the patient, the more specific and nuanced becomes the typification behind psychiatric diagnosis. Each of these concepts will be accompanied by an extract from a clinical case deriving from one of the authors' most recent clinical experiences. [ABSTRACT FROM AUTHOR]