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Le but de cette contribution est d’interroger les problématiques essentielles liées à l’exploitation des corpus dans le repérage des noms propres et, en particulier, des appellations commerciales diffusées dans le français courant. Après un aperçu des possibilités de détection semi-automatique des noms propres dans le discours, nous focaliserons notre attention sur le repérage des appellations commerciales à partir de quelques indices de « lexicalisation »., The purpose of this contribution is to examine the essential issues related to the exploitation of corpora in the identification of proper names and, in particular, of commercial designations disseminated in everyday French. After a brief overview of the possibilities of semi-automatic detection of proper names in speech, we will focus our attention on the identification of trade names based on some indications of "lexicalization".

Legal translation entails a basic knowledge of the legal systems involved, familiarity with the relevant terminology and competency in the specific legal writing style of the target language. Apart from terminological lacunae and lexical gaps, the translator has to consider not only the textual conventions in the source language that are often culture-dependent and may not correspond to conventions in the target culture, but also the linguistic structures found in the source language that may have no equivalent structures in the target language. In this this regard, the EU carries this process to new heights for a number of reasons: it is a novel creation; law plays a central part in the existence of the EU, and law is expressed in words; EU is a multilingual organisation bringing together specialists from different national cultures who work together in their own environment, sometimes referred to as the ‘Brussels bubble’. The comparative analysis of a corpus of EU Directives on criminal justice (2004-2012) and their Italian version illustrates that the Italian text adopts literal translation of words and phrasemes which may lead to ambiguous/erroneous interpretation of the target text and cause problems to an Italian legal audience if only translational equivalents are used.

Questo articolo intende esaminare l’importanza dell’abbigliamento e dei vestiti in Balzac, in particolare le diverse tenute del personaggio Vautrin fin dalla sua prima apparizione nel “Père Goriot” (1834), passando per le “Illusions perdues” (1835-1843) e fino a “Splendeurs et misères des courtisanes” (1838-1847); frattanto, Vautrin ha preso anche a calcare le scene in una pièce omonima rappresentata nel 1840. Attraverso uno studio che tiene conto dell’analisi della descrizione e delle sue implicazioni psicoanalitiche, si mostra come l’uso del vestito serva da tramite alle “dé-robades” della diegesi. This article aims to examine the importance of clothing in Balzac, especially the different accoutrements of the character of Vautrin from his first appearance in the " Père Goriot " (1834), through the "Illusions perdues" (1835) -1843) and up to " Splendeurs et misères des courtisanes" (1838-1847); meanwhile Vautrin became the character of a homonymous pièce represented in 1840. Through a study that takes into account the analysis of the description and its psychoanalytic implications, it is shown how the use of clothing serves the diegetic "dé-robade". Cet article se propose d’examiner l’importance de la tenue vestimentaire chez Balzac, en particulier les différents accoutrements du personnage de Vautrin dès sa première apparition dans le “Père Goriot” (1834), en passant par les “Illusions perdues” (1835-1843) et jusqu’à “Splendeurs et misères des courtisanes” (1838-1847); entre-temps Vautrin est aussi monté sur les planches dans une pièce homonyme représentée en 1840. A travers une étude qui tient compte de l’analyse de la description et de ses enjeux psychanalytiques, l’on montre comment l'emploi du vetement sert de truchement à la "dé-robade" diégétique.