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An interview with Alexandre Kantorow, a French pianist, is presented, where he discusses his experiences performing at the opening of the Olympic Games, his thoughts on the controversy surrounding the event and his evolving approach to sound in his music recordings.

An interview with Sheku Kanneh-Mason, a classical musician, is presented, where he discussed his journey as a symbol for change and inclusion in classical music, alongside his multifaceted musical heritage, while sharing insights into his latest album releases and upcoming performances.

An interview with William Christie, the founder of Les Arts Florissants, is presented, where he discussed his upbringing influenced by music, the impact of his parents and grandmother, and his dual identity as both American and French.

The article highlights the activities and significance of the Orchestre Français des Jeunes (OFJ), with a focus on its residency at the Saline royale d'Arc-et-Senans in Doubs.

An interview with Anne Fontaine, a filmmaker, is presented, where she discussed her latest film "Bolero," which delves into the intimate mechanisms of musical creation, exploring their connections with the composer's psyche and his emotional bonds with those around him.

An interview with Nathalie Stutzmann, a celebrated contralto turned esteemed conductor, is presented, where she discusses her transition into conducting, her experiences directing renowned orchestras.

An interview is presented with the musician John Eliot Gardiner on topics including an information on his career; and his participation at the head of his ensembles, in the coronation of King Charles III.

An interview is presented with a conductor Klaus Mäkelä on topics such as rumours that Concergebouw would refuse to allow him to combine two positions as musical director in Europe; and the diversification of logic of the competition still adapted within orchestras.

The article offers reviews of several albums including "Symphonies Nos. 1 and 8", by Pierre Monteux with the Vienna Philharmonic Orchestra, "Tristan und Isolde" by Nilsson Birgit, and "Etudes Symphoniques and Papillons" by Robert Schumann, performed by Nelson Freire.

An interview with Cecilia Bartoli is presented including talks about the other scenes show bad will, but mentioned two of the best subsidized theaters on the planet, where maintaining a double orchestra does not pose the slightest financial problem.

An interview with Jonas Kaufmann and Ludovic Tezier is presented including talks about the album which is essentially devoted to the great Verdian duos, some in their original French version but sticking to the Italian repertoire as tempted to include other composers, notably Germanic ones.

The article focuses on the extensive tour conducted by the Orchestra of the Royal Opera of Versailles in China, highlighting the importance of cultural exchanges between France and China amidst geopolitical tensions.

An interview is presented with a conductor Barbara Hannigan on her engagements as a conductor for concerts, and an information on call for social justice at Mahler.

An interview is presented with a conductor Esa-Pekka Salonen on his project and concerts.

The article focuses on Rome, ancient city, heiress of Troy since the mythical union of Aeneas and Lavinia as daughter of the Wolf who saved their descendants, Romulus and Remus it has continued to expand around its seven hills: Aventine, Capitol, Crelius, Esquiline, Palatine, Quirinal and Viminal.

An interview is presented with harpsichordist Emmanuelle Haim in which takes the one, rare in a life led beating drum, to turn around on her extraordinary journey.

An interview is presented with a pianist Maria Joao Pires on topics such as her concerts, and her love for the music.

The article presents an interview with tenor Benjamin Bernheim in which she discusses protection of young singers and status of interpreter to that of public figure.

An interview with conductor Gustavo Dudamel is presented on topics include Dudamel's participation in the debate initiated by a group of artists and administrators from the Paris Opera on issues of ethnic and cultural diversity within the theater and his contact with the teams of youth orchestras.

The article provides a personal journey through significant musical experiences, highlighting pivotal recordings that shaped the author's relationship with music.

A interview with a conductor, Débora Waldman is presented.

An interview with Italian conductor Riccardo Muti is presented with topics like he discusses impact of COVID-19 pandemic led to the closure of cultural places and also how music education and culture affected by the pandemic, and he explains the importance of technology in streaming audio.

The article informs about works and efforts of Peter Gelb, executive director of Metropolitan Opera from New York, on the flagship of the liberal Anglo-Saxon world, has the same economic and social shock absorbers; and concert with colleagues from Lincoln Center and Carnegie Hall.

An interview with Joyce DiDonato is presented including focuses on opening song to the universal harmony that Eden wants to be, was it idea to replace the trumpet with the human voice in The Unanswered question delves.

The article informs on the opera "Norma" by Vincenzo Bellini.

The article informs on the impact of the COVID-19 pandemic on music industry and Operas, and mentions about the cancellation of festivals and concerts due to the same.

The article presents an interview with pianist Alexandre Tharaud, who discusses working with pianist Alfred Brendel; musical world consuming the pianist with gluttony; and not resisting social obligations.

The article offers news briefs related to music from January to August 2020 including closure of performance venues in Wuhan, China, cancellations of shows in Korea South and Japan Prime Minister Shinzo Abe recommends the cancellation of major public events such as the Olympic Games.

The article presents an interview with Emilie Delorme, director at Conservatoire de Paris in Paris, France, on solution for teaching during the COVID-19 pandemic.

The article interviews French tenor Roberto Alagna where he discusses repetitions of the opera shows, his views on artistic insufficiency, and sign of a loss of centrality of a singer to the opera.

The article presents an interview with operatic soprano Véronique Gens who discusses who discusses his works with music choirs, influence of internet on casting and how he is promoting young talent.

The article focuses on the works of Teodor Currentzis, founder of the MusicAeterna ensemble and discusses his concerts, his participation in music festivals and his music exhibitions.

The article presents the author's views on the existence of Western classical music in China, and discusses emergence of artists in international music sector, music in 20th century and classical repertoire of artists.

The article focuses on the pivotal role that specific music albums played in shaping the author's musical journey and preferences, from early childhood memories to adulthood, highlighting the emotional and transformative power of music.

The article presents a brief note on the unfathomable secrets of six masterpieces, deciphered and revealed by some of composer Ludwig van Beethoven's greatest performers.

The article profiles the professional life of French countertenor Philippe Jaroussky.

The article reports that music conservatoires and their staffs have been deeply weakened for ten years in France.

The article presents a note on the Opera de Vienne, an Austrian opera house and opera company based in Vienna, Austria.

The article presents an interview with Antonio Pappano, the boss of the Accademia di Santa Cecilia, who discusses carapace designed by Renzo Piano for his orchestra and his upcoming visit to the Festival of Saint-Denis.

The article presents information on how the Concentus Musicus Wien orchestra survive after the death of its founder to Nikolaus Harnoncourt.

The article presents a brief note on the career of opera singer Juan Diego Florez.