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Becky Garnett and Pete DePasquale are architects who have formed their own practice in Manhattan. They have a history of personal and professional collaboration, and in 2019, Garnett joined DePasquale in his practice. During the pandemic, they moved to Sag Harbor and found inspiration in retrofitting a pony barn into a one-room schoolhouse. They have also worked on projects such as rehabilitating the Atterbury Estate and designing the East End Food Market Hall. Their approach combines historic preservation with contemporary design. [Extracted from the article]

This article provides a glimpse into the studio of artist Philip Soucy, located in Pittsburgh, Pennsylvania. Soucy's studio is an unfinished three-car garage with poor lighting and no temperature control, but it provides enough space for his clay, glazes, and finished inventory. Soucy discusses his journey as a ceramic artist, from earning his BFA and MFA to becoming a full-time artist. He shares his marketing strategies, including selling through his website and partnering with galleries and design shops. Soucy also emphasizes the importance of social media, particularly Instagram, in promoting his work. In his free time, Soucy enjoys spending time with his family, traveling, and finding inspiration for his creative process. [Extracted from the article]

The article discusses the professional certification exam results of the American Guild of Organists (AGO). It highlights the achievements of individuals who have successfully passed the certification exams, emphasizing the commitment to high ethical and professional standards in organ playing. The article also mentions the benefits of AGO certification, such as lifelong learning and clear goals for members to achieve. It concludes by acknowledging the growth of AGO certification exams and the positive impact they have on elevating the profile of organ music and organists. [Extracted from the article]

Dame Magdalene Odundo, a British Kenyan artist, has been commissioned to create ceramic sculptures for the interiors of Houghton Hall, an historic country house in England. Odundo's sculptures, which explore themes of colonial enslavement, abolitionism, and activism, are displayed in five state rooms and include a tabletop display in the Marble Parlour that challenges the venue's gentility. The sculptures, inspired by the human form, use shapes and forms that are universally understood across cultures. Odundo's work at Houghton Hall prompts conversations about the human condition and the history of the house. [Extracted from the article]

Ali and Rob renovated their period property to create a flexible space for entertaining and family life. They faced challenges such as rewiring and stripping floral wallpaper, but ultimately created a functional and stylish home. The kitchen extension, furnished with Ikea pieces and upgraded with statement details, serves as a sociable space for cooking, dining, and dancing. Ali's creative touches, like repurposing a vintage record cabinet as a vanity, showcase her resourcefulness and design flair. The home reflects a blend of practicality and aesthetics, with Ali's styling expertise evident in the festive decorations and thoughtful room designs. [Extracted from the article]

This article highlights six Gulf Island galleries that are recommended for summer visits. The Yellowhouse Art Centre, Terrill Welch Studio, Salt Spring Gallery of Fine Art, Shavasana Gallery, Kim Pollard Gallery, and Peninsula Gallery are all mentioned as places that support local artists and offer a variety of artistic experiences. The article emphasizes the welcoming and laid-back atmosphere of these galleries, providing library patrons with information on where to find local art and cultural experiences. The galleries feature a range of artwork including paintings, sculptures, ceramics, textiles, and photography, and visitors can enjoy the art while taking in the scenic beauty of the islands and interacting with the local community. [Extracted from the article]

Lois Greenfield is a renowned photographer who has spent the last 50 years exploring the expressive potential of movement through her photographs. She captures dancers in moments that defy rational explanations, creating images that represent the constantly shifting nature of our identities. Greenfield's work has redefined the genre of dance photography and has influenced many photographers. Her photographs have been exhibited in museums and galleries around the world, and she has also worked with commercial clients. Greenfield's unique approach to photography has made her a highly respected figure in the field. [Extracted from the article]

This article provides a brief overview of recent events and activities in various chapters of the American Guild of Organists (AGO) in the Southeast region. The chapters hosted student recitals, workshops, and recitals by guest organists, showcasing a range of musical repertoire and talent. The article also mentions a lecture on Mark Twain's connection to the organ industry and a meeting that included a mini-class on accessible music for youth and adults. Overall, the article highlights the diverse and vibrant organ music community in the Southeast region. [Extracted from the article]

The Victorian Woodworkers Association (VWA) was established in 1978 in Victoria, Australia, to support and promote woodworking as a craft and profession. Over the years, the VWA has provided woodwork classes, space for artists in residence, and low-cost insurance coverage for craftworkers. The organization also offers a Vic Wood Scholarship and aims to stay relevant by offering a community-focused environment for members interested in woodworking. The VWA has seen a renewed interest in craft and woodworking, with classes selling out quickly, reflecting a desire to reconnect with hands-on work and the authenticity of woodworking. [Extracted from the article]

This article from Pottery Making Illustrated discusses the process of creating a coffee pour-over set. The author, Stephanie Wilhelm, shares her experience of designing and making pour-over sets, incorporating floral motifs, texture, and cutouts into her ceramics. The article provides step-by-step instructions for throwing the form, trimming the pour-over and cup, altering the form, and designing the surface. It also includes information on glazing and firing techniques. Stephanie Wilhelm is an artist and teacher based in West Chester, Pennsylvania, with experience as an artist in residence at various institutions. [Extracted from the article]

The article centers on the evolving landscape of artist residencies within the creative sector. It highlights how traditional models are adapting to contemporary challenges, such as economic instability and digital transformation. It is reported that residencies themselves are evolving to offer mentorship, business skills development, and interdisciplinary collaboration, addressing social themes and fostering community bonds.

The article takes a look at multicultural art galleries in the Florida Keys. Among these are Duval Street gallery, Sacred Space Gallery, Gingerbread Square Gallery and Salt Gallery. It attributes the success of the gallery owned by photographer Alan Maltz to his relationship with his digital producer and wife Leslie. It highlights efforts of Gallery on Greene owner Nance Frank in promoting Keys and Cuban artists and credits the Peyton Evans Artist Residencies for its role in developing artists.

A personal narrative is presented which explores the author's experience of touring schools as a professional puppeteer under the Artist in Schools Program of the Alaska State Art Council from 1976 to 1990.

The article focuses on the fictional artist-designer Florence Weir, created by artists Julia Holderness and Richard Orjis, who serves as a lens for exploring themes of cultural exchange and the experiences of female artists. Topics include Weir's fictional background and accomplishments in the art world, her role as an alter ego for Holderness, and the broader implications of her story on art-historical narratives and female representation in the early 20 century.

The article features the commissioned artwork "Balarr (To become light)," created by Australian Indigenous artist Jenna Lee for the 2023 art exhibition "Melbourne Now" of the National Gallery of Victoria. Topics discussed include the 2022 residency of Lee at the Kyoto Art Centre in Japan, her collaboration with Japanese lantern-makers in the creation of this project, and the cultural exchange between the First Nations Australian culture and the Japanese culture through this initiative.

The article discusses the legacy of Finnish artist Tom of Finland and the artists who currently live and create in his former home, known as the TOM House. The Tom of Finland Foundation (ToFF) preserves Tom's artwork and supports erotic artists. ToFF hosts an artist-in-residence program at the TOM House, where artists have the opportunity to learn from the foundation's archives and each other. The article features works from the newest class of artists and explores how Tom's legacy continues to impact LGBTQ+ culture. [Extracted from the article]

The article highlights ten innovative installation projects completed in 2024, showcasing advancements in AV technology across various industries. Projects include installations at AdvaMed in Washington, D.C., the University of Nevada, Las Vegas, Austin Energy in Texas, and the Biodesign Institute at Arizona State University. Other installations featured are at the Boston Bruins Heritage Hall, Capital One in McLean, Virginia, The Jacquelyn in Sacramento, California, Jervey Gym at Clemson University, Rose State College in Midwest City, Oklahoma, and Winchester and Rye in Victoria, Minnesota. Each project demonstrates the use of cutting-edge AV systems to enhance user experiences and engagement in diverse settings. [Extracted from the article]

The second, from Isaiah, prefigures not only Christ's suffering and triumph but also my fragile and broken icon panels: "By his bruises, we are healed." The first sign that something was wrong was at the luncheon following my father's memorial Mass at St. Gregory the Great Church in Chicago in February 2020. Like all of us wandering in the darkness of COVID-19, John is bathed in night yet fixes his gaze on the suffering Christ, whose light is reflected in the folds of his snow-white mantle. [Extracted from the article]

Tokyo's bar culture is thriving - and coming up with imaginative alcohol-free cocktails. THE TAXI DROPPED ME a short walk from B AC House b I (tasting menu $83), i a new Tokyo restaurant tucked in the origami folds of a residential neighborhood near the Aoyama Cemetery. "For the customers at my bar, and for many young people, low-alcohol cocktails and mocktails are becoming more popular", Keita Saito said after picking me up from my hotel, the buzzing B Trunk b I (doubles from $333), i for a bar crawl in Shibuya. [Extracted from the article]

The article highlights Tanya Lyons, a glass artist, discussing her artistic journey, training, process and recent accomplishments, particularly focusing on her exploration of change and identity through glass sculptures. Topics include Tanya's artistic background, training, flame working process, recent grants and commissions and reflections on growth as an artist.

This article showcases the work of four artists and provides insights into their inspirations and artistic processes. Philippe Attie's painting, "800-pound Gorilla," reflects his personal experiences of language suppression in Haiti and aims to raise awareness about the consequences of linguistic imperialism. Phoebe-Louise Stewart Carter's self-portrait, "Self Portrait in Winter," was inspired by a reflection of herself in a fur coat and hat, reminiscent of an Anders Zorn self-portrait. Steve Forster's painting, "I'll Fly Away," explores the idea of the present generation inheriting both the beauty and difficulties of the past, with a narrative about America's complicated legacy with race and spirituality. Mara Light's painting, "Girl with a Ruby Earring," pays homage to the work of photographer Rudi Huisman and captures the subject's natural beauty through the interplay of light and shadow. Each artist describes their artistic process, highlighting the importance of ideas, composition, and layering techniques in creating meaningful and evocative artwork. [Extracted from the article]

The given document is an article from SB Magazine, published on February 1, 2024. It provides information about various events that took place in Shreveport-Bossier, Louisiana. The events include the Radiance Technologies Independence Bowl, Ballet After Dark, the Independence Bowl Team Welcome Party, Les Boutiques de Noel, and a Christmas party at The Paddock. These events featured football games, ballet performances, shopping markets, and car showcases. The article highlights the participants, activities, and fundraising efforts associated with each event. [Extracted from the article]

The article offers information on various ceramics residencies and fellowships for artists looking to immerse themselves in focused practice, research, and making. Topics include a guide to this year's offerings, accessible online through the Ceramics Monthly guide, featuring opportunities such as the AIA (Artist-Invite-Artists) residency at Red Lodge Clay Center.

The article explores the artistic journey and techniques of Katrin Magens, a woodcut artist, emphasizing her profound use of contrasts and details, drawing inspiration from travels to create emotionally rich and layered works. Topics include Magens' artistic evolution from graphic design to woodcutting, her immersive experiences during travels and the thematic complexities in her layered artwork.

The article focuses on several cultural projects, including a library, a school, and a museum, showcasing their design and architectural features, along with provides descriptions and highlights of each project with accompanying photographs.

Painter Eleanor Scott Davis fills her family's Raleigh, North Carolina, home with color, pattern, and an evolving collection of art B IF YOU DIDN'T b know Eleanor Scott Davis was an artist before entering the four-bedroom home she shares with her husband and three daughters (ages 9, 7, and 5), you would figure it out as soon as you crossed the threshold of the colorful, light-filled abode. Mix Antiques and Contemporary Art Named after two of her father's sisters who never married or had children of their own, Davis inherited the stylish aunts' collection of antique furniture. "With every collection I release of my own, we try to add a new piece from a different artist", says Davis, an abstract expressionist who is inspired by all the chaos and joy of motherhood. [Extracted from the article]