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Copyright of Kronika is the property of Kronika, Casopis za Slovensko Krajevno Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kronika is the property of Kronika, Casopis za Slovensko Krajevno Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kronika is the property of Kronika, Casopis za Slovensko Krajevno Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Zgodovinski Casopis is the property of Zveza Zgodovinskih Drustev Slovenije and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Članek zarisuje recepcijo gregorijanskega korala v Sloveniji v 19. stoletju. Na podlagi virov opisuje stanje v prvi polovici stoletja ter vpliv prvih poskusov na historistični estetiki utemeljenih reformnih prizadevanj. Podrobno opazuje razmah cecilijanskega gibanja po letu 1877 in na podlagi virov analizira sredstva, vsebino in uspešnost njegovih reformnih prizadevanj.

The paper delves into the concept of superstition in the territory of Slovenia in the 19th century, exploring its formation, evolution, and challenges in historical research on vernacular religiosity. The discussion considers nation-building, editorial process, and the predominant Christian discourse in folklore analysis. The paper explores the coexistence and influence of Christianity and superstition, using examples from the newspaper Kmetijske in rokodelske novice to illustrate various types of superstition. It also discusses how intellectuals promoted education and modernisation through critiquing superstitions. The term "superstition" is pejorative in nature and may does not accurately describe the people actually experienced them. [ABSTRACT FROM AUTHOR]

Copyright of Acta Historiae Artis Slovenica is the property of Scientific Research Centre of Slovenian Academy of Sciences & Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Acta Historiae Artis Slovenica is the property of Scientific Research Centre of Slovenian Academy of Sciences & Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Contributions to Contemporary History / Prispevki za Novejšo Zgodovino is the property of Prispevki za Novejso Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Comparative Literature / Primerjalna Književnost is the property of Slovenian Comparative Literature Association and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Comparative Literature / Primerjalna Književnost is the property of Slovenian Comparative Literature Association and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article outlines the reception of Gregorian chant in Slovenia in the nineteenth century. Using the scarce sources, it describes the situation in the first half of the century and the impact of the first sporadic attempts at a historicist reform. It traces in detail the growth of the Cecilian movement after 1877 and uses sources to analyse the means, content and success of its reform efforts. [ABSTRACT FROM AUTHOR]

Copyright of Kronika is the property of Kronika, Casopis za Slovensko Krajevno Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Zgodovinski Casopis is the property of Zveza Zgodovinskih Drustev Slovenije and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Contributions to Contemporary History / Prispevki za Novejšo Zgodovino is the property of Prispevki za Novejso Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Contributions to Contemporary History / Prispevki za Novejšo Zgodovino is the property of Prispevki za Novejso Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Časopis za Zgodovino in Narodopisje is the property of University of Maribor and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Radovi Zavoda za znanstveni rad Varazdin is the property of Institute for Scientific Work in Varazdin, Croatian Academy of Sciences & Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Razprava predstavi prikazovanja in pojmovanja reformacije in protestantizma od konca 18. do začetka šestdesetih let 19. stoletja. Protestantizem je v Habsburški monarhiji doživel nov razvoj predvsem po tolerančnem patentu cesarja Jožefa II. leta 1781, ko so ponovno oživele slovenske protestantske fare v Prekmurju in edina slovenska kriptoprotestantska skupnost v Zagoričah na Koroškem. Novo prelomnico je prineslo leto 1848, ko je v Avstrijskem cesarstvu pojem enakopravnosti zajel jezike in tudi veroizpovedi. Za slovenski prostor je za ta čas značilen strpen odnos med katoličani in protestanti na kulturnem ter nacionalnem področju. Slomškovo gledanje na kulturni pomen slovenskih protestantov pa tudi še trajajoča nemška jezikovna tolerantnost sta omogočala strpno sožitje. Podrobneje je predstavljena knjiga o Primožu Trubarju avtorja Wilhelma Sillema, ki je izšla leta 1861 in doslej v zgodovinopisju in biografijah Primoža Trubarja (z izjemo Jožeta Rajhmana) ni bila zapažena in upoštevana.

Based on Slovenian folklore from the second half of the 19th century, the paper addresses the unexplored topic of the intermixing of folklore with Catholicism and the role of this folklore in the process of Slovenian nation building. Based on an analysis of articles published in the newspaper Kmetijske in rokodelske novice, the author of the paper reveals an inconsistent discourse with regard to the vernacular Slovenian religiosity: everything associated with Christianity is praised, while non- Christian folklore elements are either praised ("Pagan remnants") or condemned ("superstition"). In the search for enchantment, which is seemingly disappearing due to modernisation, Slovenian intellectuals projected the wonderous into the past and the lower levels of society. Vernacular religiosity in 19th century Slovenian lands is distinctly multilayered and eludes moral evaluations and any attempts to control it. The original contribution of the article is an analysis of the use and reinterpretation of folklore with religious elements in the process of Slovenian nation building and the role of the concept of „enchantment" in the perception of folklore at that time. [ABSTRACT FROM AUTHOR]

Alfred Khom (1825–1893), rojen v Linzu, je deloval v Celovcu, Gradcu, Volšperku, Innsbrucku in na Dunaju. V obdobju 1849–1861 se je uveljavil v Ljubljani kot dirigent, skladatelj, organist, zborovodja in glasbeni učitelj. Sodobne kritike poudarjajo njegovo umetniško občutljivost, idejno ga zaznamuje uveljavitev nadnacionalne biti avstrijske kulturne enovitosti, ki presega jezikovne meje.

The paper explores the role and contribution of the first foreign teachers of French in Montenegro, to their students/rulers – last three sovereigns of the Petrović-Njegoš dynasty, to Montenegrin society as a whole and to the affirmation of Montenegro in Europe. The paper chronologically relates to the period of rule of Petar II Petrović- Njegoš, Danilo I and Nikola I, to whom the aforementioned Romance language instructors did not transfer merely a knowledge of language, but also much other substance formed from different views and perspectives on the world, thus contributing to the emancipation of Montenegrin society. Through their efforts to modernise Montenegro and strengthen its sovereignty, as well as their publications and political engagement during events critical to Montenegrin history, they contributed to its reputation and popularisation throughout Europe. The research is based on facts found by studying archive and library materials, and on analysis of periodical publications, travel writings, and documents of a memoir/autobiographical character, which significantly contributes to the originality of the article, where the conclusions of the new analysis are presented and represent a significant contribution to the findings published so far [ABSTRACT FROM AUTHOR]

The article analyzes the portrayal of the Kolpa as a border river in the leading Slovenian liberal newspaper Slovenski narod from 1868 to 1918. A border river is understood both in terms of the political concept of a border river and in terms of a natural border in a landscape. The differences between these two concepts can occur over long historical periods and can change significantly (e.g. due to floods, changes in the riverbed and the loss or acquisition of the status of a border river). In the period examined, the Kolpa formed an internal border between the Hungarian and Austrian parts of the Habsburg Monarchy. In addition, since the Late Middle Ages it has been a political border between Carniola and Croatia. The article analyzes the following aspects: a) the Kolpa as a border and a political concept, b) the management of the Kolpa (construction and maintenance of bridges, traffic bans, and restrictions), c) the Kolpa as a dangerous river, and d) border disputes. [ABSTRACT FROM AUTHOR]

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Copyright of Zgodovina za Vse is the property of Zgodovinsko Drustvo Celje (The Historical Society of Celje) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Slovenska muzikologija Matjaža Barba, četudi obljublja le kratek prelet, je bistveno več kot le to. Je očrt tega, kar se je s slovensko muzikologijo v zadnjih 800 letih dogajalo, hkrati pa je tudi izjemen vir podatkov in zanimivih dejstev, ki so bila do sedaj malo poznana. Avtor že v predgovoru napiše, da se njegova razprava ne osredotoča na muzikologijo z vidika točke nič (tj. njeno umestitvijo med sedem muz Filozofske fakultete), ampak da želi preučiti njene izvire. Začne v 14. stoletju, pri cistercijanih, v Stični, centru sveta za nastajajoči osnutek slovenskega naroda.

Recepcija Komenskega v slovenski kulturi se začne na začetku 18. stoletja: kapucinski menih Janez Adam Gaiger (Hipolit Novomeški, 1667–1722) pri sestavljanju slovarja Dictionarium trilingue (1712) uporabi slovarski del iz Komenskega dela Orbis pictus. Gre za poustvarjalno recepcijo pri kompetentnem bralcu, ki zaradi rokopisnega značaja Hipolitevega slovarja ni mogla vplivati na podobo slovenske oz. slovensko-nemške dvojezične kulture na Kranjskem v obdobju baroka. Moderna recepcija Komenskega je povezana z delovanjem Slovenskega učiteljskega društva, z začetkom izdajanja specializirane periodike za vprašanja učiteljevanja/pedagogike (Učiteljski tovariš, Popotnik), s slavljenjem 300-letnice rojstva Komenskega in s strokovnim osamosvajanjem pedagogike kot znanstvene discipline, prvi informatorji in prevajalci pa so bili, tudi zaradi jezikovnega znanja, po navadi Čehi, ki so službovali na Slovenskem. Komenský je bil že na začetku moderne recepcije umeščen v slovenski idearij in imaginarij, in sicer na nekonservativni idejni strani. Topogledno je bil tudi presojan pri glavnem ideologu ločitve duhov in kulturnega boja med Slovenci v zadnji tretjini 19. stoletja – goriškem teologu Antonu Mahniču. Slednji ni s stališča katoliškega integralizma presojal le političnih in estetskih fenomenov sedanjosti (npr. literarnih besedil Josipa Stritarja, Simona Gregorčiča in Antona Aškerca), temveč tudi preteklosti, npr. pesništvo Franceta Prešerna, in tako tudi Jana Amosa Komenskega. Recepcija Komenskega v slovenski kulturi ima naslednje tipološke značilnosti: 1) necelovitost (v refleksivno in/ali poustvarjalno prevodno recepcijo prihajajo skorajda izključno Komenskega pedagoška dela, izrazito obrobno filozofska, povsem ob strani pa ostanejo njegova historiografska in teološka dela ter literarno ustvarjanje v češkem jeziku, npr. Komenskega pesništvo in pripovedništvo), 2) recepcijska redukcija (podvrženost posameznemu časovno zamejenemu in tedaj prevladujočemu ideariju ter imaginariju in/ali jezikovno neznanje češkega jezika) in 3) prigodništvo. Temu je pripisati dejstvo, da kljub nespornemu mestu Komenskega kot klasika evropske humanistične misli doslej ni izšla niti ena slovenska knjižna izdaja, ki bi vsebovala spise Jana Komenskega v kritično komentiranem sodobnem prevodu in bi bila uredniško, kolikor je le mogoče, celovit prerez avtorjevega teološkega, filozofskega, pedagoškega in literarnega opusa.

Copyright of Kronika is the property of Kronika, Casopis za Slovensko Krajevno Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

On the case of the literary tale of Fran Levstik, Martin Krpan (1858), the article illuminates Levstik’s political agenda and literary implementation of the outlaw hero, Martin Krpan, for the needs of Slovenia’s nation-building process, a phenomenon that was characteristic of almost all emerging European nations at the time. An analysis of Levstik’s Martin Krpan reveals a unique phenomenon that was tailored to a specific program: namely, the conscious desire to create a national literary character that would constitute a foundation for both further literary creation and the national political struggle. Levstik was the most prominent writer among the emerging Slovenian intellectual class in the second half of the 19th century. The value of his tale resides in its merging of mythical and literary narratives into a functionally connected organism, the simultaneity of “historical” and “non-historical” elements, and the interaction between symbolic and real ambiguities. Levstik’s structure for both his literary-political program and his tale about Martin Krpan originates in historical realities and cultural memory of the 15th and 16th centuries: economic (transportation), social (peasant revolts), and political (defense against the Ottoman Turks). Levstik combines these elements with the fundamentals of folkloric and ethno-symbolic cultural heritage of that period. In Martin Krpan, Levstik skillfully conceals “historical realities” behind metaphors and symbolism, which is typical of myths. In this way, he provides a path toward the realization of national political ambitions. But the “real” myth Levstik created was more than simply that of Martin Krpan and his adventures. It was more than an argument for the historical origin or vocation of a nation, the defense of the civilization, or the demand for political rights or mimetic narrative prose, i.e. the ability to create a virtual real world. The “real” myth of the literary tale was the elevation of the Slovenian language to the essential distinguishing and constitutive element of the Slovenian nation-building process in comparison with the “Other(s).” [ABSTRACT FROM AUTHOR]

Copyright of Contributions to Contemporary History / Prispevki za Novejšo Zgodovino is the property of Prispevki za Novejso Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Prispevek predstavlja pregled znanih lastnikov vzhodnoazijske keramike, posebno porcelana, v Sloveniji v 19. stoletju – natančneje od odprtja Regionalnega muzeja za Kranjsko (kasneje Narodnega muzeja Slovenije) leta 1821 do velikega potresa v Ljubljani leta 1895. Slovenski lastniki porcelana, ali 'navdušenci', ki so predstavljeni v raziskavi, so osebe slovenskih korenin, za katere lahko na podlagi zanesljivih virov potrdimo, da so v svoji lasti imeli keramične ali porcelanaste predmete vzhodnoazijskega izvora ter jih kasneje darovali Deželnem muzeju za Kranjsko. Z vključitvijo analize zbirke Narodnega muzeja in analizo primarnih virov, kot so publikacije, inventarji in slikovno gradivo, raziskujem, kaj nam posamezni predmeti povedo o lastnikih in kako nam lahko pomagajo pri rekonstrukciji zbirateljstva keramike in porcelana vzhodnoazijskega izvora v slovenski zgodovini.

V prispevku je predstavljena podoba Hrvaške v avtobiografskih in spominskih delih Janeza Trdine, natančneje, podoba, moralnost in značaj Hrvatov in Hrvatic, hrvaški živež in oprava, življenje hrvaških kmetov iz središč Hrvaške, hrvaška duhovščina, življenje na Hrvaškem v dobi Bachovega absolutizma in po njegovem padcu, podoba Varaždina, Reke in drugih hrvaških mest ter opis reške čitalnice.

Copyright of Kronika is the property of Kronika, Casopis za Slovensko Krajevno Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

V prispevku se bom osredotočila na razmerje med politiko in moškostjo. Politika je bila v 19. stoletju moški svet in posledično so se razvile specifične oblike politične hegemone moškosti. Na podlagi virov bom identificirala in predstavila razvoj dveh oblik hegemone politične moškosti in politične alternativne moškosti na Kranjskem. Med liberalno in katoliško/konzervativno moškostjo ter alternativno delavsko/socialdemokratsko moškostjo je tako obstajalo kar nekaj razlik v različnih vrednotah, pa tudi v vsakodnevnih praksah (prepoznane v ravnanju s telesom (brkih, bradah, obleki) in ravnanjih (dvoboji in odnos do žensk)). Vsaka je predstavljala drugačno razumevanje v odnosu do sveta in dela, od individualnega do timskega dela, od drznosti do discipliniranosti. Članek temelji na spominih političnih akterjev, objavah iz periodičnih časopisov ter simbolnih prezentacijah moških teles na razglednicah in fotografijah.

Prispevek govori o umetnostnem naročništvu grofov Brandis, tirolske plemiške rodbine, ki je v 18. in prvih treh četrtinah 19. stoletja imela v lasti več posestev na Štajerskem. Avtor analizira pomen članov naročniško precej aktivne rodbine, ki je med drugim zaslužna za barokizacijo mariborskega mestnega gradu in dvorca Betnave, porušitev gradu Gornji Maribor in postavitev klasicistične piramide ter kasneje kapele Brezmadežne na njegovem mestu, temeljito prezidavo dvorca Slivnica in izgradnjo grobne kapele na pobreškem pokopališču.

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Copyright of Contributions to Contemporary History / Prispevki za Novejšo Zgodovino is the property of Prispevki za Novejso Zgodovino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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The contribution offers a brief depiction of mountain guidebooks to the Slovenian Alps from the period between the second half of the nineteenth century and the First World War. Whereas most of the works included in the research are kept in the National Museum of Slovenia in Ljubljana, many are part of private collections and therefore inaccessible. In our examinations of the guidebooks, we focused on the historical, economic, and ethnological descriptions as well as any possible national aspects, and we also provided a detailed presentation of their authors. Special attention was also paid to advertisements published in the guidebooks, the sheer number and variety of which would require a separate research. [ABSTRACT FROM AUTHOR]

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This article describes Valentin Stanič’s activity as a »physician«. He was a Catholic priest. While serving the communities on Banjšice and in Ročinj (1802–1819) he has vaccinated against smallpox several times. Instead of a surgical knife, which he didn’t have, he used thorns to apply the vaccine. He succeeded in inoculating more than 1000 people, most of them children, and in this way protected them not only from death, but also from disfiguration and/or blindness by this dangerous disease. [ABSTRACT FROM AUTHOR]

Copyright of School Chronicle / Šolska Kronika is the property of Slovenski Solski Muzej and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)