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Цель исследования. Охарактеризовать литературные произведения С. Смаль-Стоцкого в исследованиях Франко на фоне времени. Методы исследования. В статье использованы историко-биографические и сравнительные ме- тоды. Научная новизна в том, что анализ работ С. Смаль-Стоцкого в исследованиях Франко на фоне времени сделан впервые. Фигура профессора Степана Смаль-Стоцкого - лингвиста, литературного критика, культуролога выделяется сре- ди известных деятелей национальной и культурной жизни Буковинской области в конце XIX - начале XX века. Ученый был избран депутатом Буковинского сейма и Австрийского парламента, а также заместителем регионального маршала Буковины. Будучи представителем Буковины, С. Смаль-Стоцкий был в основе создания Украинской академии наук в Кие- ве, что стало огромным достижением Украинской Народной Республики. С. Смаль-Стоцкий пользовался большим уваже- нием и авторитетом среди известных политических деятелей. Выводы. Профессор С. Смаль-Стоцкий прежде всего известен как лингвист, автор первой русской грамматики, кото- рая вместе с профессором Т. Гартнером была опубликована в 1893 году. Введение в 1895 году школ Буковины, отличное от русского украинского фонетического правописания, навсегда отвергло попытку москвичей под флагом «всероссийской» партии русифицировать Буковинскую область.Smal-Stotsky in Franko studies on the background of time. Methods of research. The article used historical- biographical and comparative methods. Scientific novelty is that the analysis of the works of S. Smal-Stotsky in Franko studies on the background of time is made for the first time. The figure of Professor Stepan Smal-Stotsky - a linguist, a literary critic, a cul- turologist is notably exudes among the well-known figures of the national and cultural life of the Bukovyna region at the end of the 19th and beginning of the 20th century. The life and activities of this remarkable person were extremely rich and colorful. The sci- entist was elected deputy of the Bukovynian Sejm and the Austrian Parliament, as well as the deputy of the regional marshal of Bukovyna. As a representative of Bukovina, S. Smal-Stotsky was at the root of the creation of the Ukrainian Academy of Sciences in Kyiv, which was a huge achievement of the Ukrainian People’s Republic. Among the first 12 actual members-academicians to the Ukrainian Academy of Sciences in addition to him, entered D. Bahaliy, V. Vernadsky, M. Kaschenko, V. Kosinsky, A. Krymsky, O. Levytsky, M. Petrov, F. Taranovsky, S. Tymoshenko, M. Tugan -Baranovsky, P. Tutkovsky. At the first session of the Ukrainian Academy of Sciences, which took place on November 14, 1918, the professor was elected as a correspondent secretary of the his- torical-philological department and entrusted with the Department of Ukrainian Language (grammar). S. Smal-Stotsky gained great respect and authority among famous political figures. Symon Petli- ura honored the academician "probably above all other contempo- raries," and even considered him "alone candidate for the first president of the Ukrainian Republic".

Маркуляк Лариса. Взаимоотношения в сфере искусства Николая Лысенко и Модеста Менцинского посредством эпистолярия. В статье проанализированы взаимоотношения в сфере искусства двух выдающихся украинских деятелей культуры – Николая Лысенко и Модеста Менцинского посредством эпистолярия. Автор делает выводы, что эти эпистолярные диалоги насыщены разнообразными темами. Здесь можна встретить строчки, которые касаются личных проблем, с которыми Н. Лысенко тонко делится со своим адресатом. Однако, самыми важными темами в эпистолярии мы находим общеукраинские культурологические вопросы, актуальные и сегодня. Ключевые слова: эпистолярий, эпистолярный диалог, биография, культура, взаимоотношения в сфере искусства, деятели культуры, творческий потенциал, общественно-политическая жизнь, культурное пространство. Markuliak Larysa. Artistic Relations Between Mykola Lysenko and Modest Mencinsky Through a Prism of Epistolary. The article analyzes the artistic relations of two outstanding Ukrainian cultural figures – Mykola Lysenko and Modest Mencinsky – through the prism of their correspondence. The author concludes that the epistolary dialogues full of different topics. Here you can find lines that relate to personal problems, with which M. Lysenko delicately shares with his addressee. However, the most important topics in the correspondence turned out to be all-Ukrainian cultural issues, which are still relevant today. However, more pages in the letters are full of emotions for Ukrainian culture. N. Lysenko not only sharpens his gaze on this or that aspect, but also tries to give an answer to them, and very often even finds ways to solve seemingly extremely difficult tasks. We are facing a man endowed with an analytical mind. It is interesting to observe that the addressee of the composer is completely imbued with these questions, which M. Lysenko raises. We can conclude that the letters to the composer M. Mencinsky – the phenomenon is not accidental. Although their personal acquaintance did not happen, however, it becomes clear from correspondence how much these two artistic souls are related. In the person of Modest Mentsinsky, Nikolai Lysenko found his "own" addressee, who unconditionally checked all the sore inner thoughts. And although the composer and the singer never had to meet in life, their written dialogues are full of such deep, colourful, polyphonic content, sometimes it is impossible to achieve this in live communication. This is a unique case of the epistolary relations of two great Ukrainian ones, who took great care of the glory of Ukrainian music in the world, en- riched Europe with the musical culture of their nation. Key words: epistolary, epistolary dialogue, biography, culture, artistic relations, cultural figures, creative potential, sociopolitical life, cultural space.