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Avtorja s pomočjo obravnave splošnih značilnosti opustitvenih ravnanj, metodično utemeljene na konceptu narave stvari, poskušata izgraditi temeljni miselni koncept razumevanja nepravega opustitvenega kaznivega dejanja. Določitev splošnih pogojev za podreditev opustitvenih ravnanj storitveno oblikovanim opisom kaznivih dejanj tako izhaja iz pogleda, da je za opustitveno ravnanje bistven obstoj od storilca ločenega tveganja, ki je neposredni vzrok prepovedane posledice. Izhajajoče razmerje med storilcem in tveganjem, v prispevku abstraktno opisano kot razmerje šibkega obvladovanja, temelji na normativni zapovedanosti, objektivni zmožnosti ter storilčevi zmožnosti izvesti ukrep reševanja pravne dobrine oziroma tveganje za pravno dobrino zmanjšati. Tako so zamejeni sestavni deli objektivnega neprava nepravega opustitvenega kaznivega dejanja, ki nespremenjeni veljajo tudi za reševalne ukrepe, podprte z najsodobnejšimi možnostmi presoje tveganj s tehnologijo umetne inteligence. Avtorja na koncu prek koncepta tvega- nja določita lastnosti nujnega storitvenega kaznivega dejanja in način razlage izrecno določenih znakov (predvsem objektivnih in normativnih) v opustitveni izvršitveni različici.

Značajna (stara, vrijedna) stabla osim kulturološke vrijednosti, povećavaju i vrijednost „lokalne“ imovine te utječu na estetske vrijednosti prostora. Cilj rada bio je valorizirati (estetske i funkcionalne karakteristike značajnih stabala na javnim gradskim krajobraznim površinama Šibensko-kninske županije) u cilju izrade katastra značajnog drveća. Terensko istraživanje provedeno je na 10 mikrolokaliteta u razdoblju od 2019.do 2020. godine na području Šibensko-kninske županije. Odabrana značajna stabla (131 jedinki na 10 mikrolokaliteta, odnosno Knin 1 (21), Knin 2 (2), Primošten 1 (6), Primošten 2 (20), Šibenik 1 (9), Šibenik 2 (1) i Šibenik 3 (1), Zaton 1 (16) i Zaton 2 (6), Skradin (49) procijenjena su VTA metodom (Vizualno-kontrolna metoda). Rezimirajući istraživanja dalo se zaključiti da je većina stabala u relativno dobrom stanju. Anketno ispitivanje provedenoje na 102 ispitanika diljem županije. Prosječne ocjene ispitanika o estetskim i funkcionalnim karakteristikama značajnih stabala na javnim gradskim krajobraznim površinama bile su: Šibenik 1 (4,15), Zaton 2 (3,96), Zaton 1 (3,71), Šibenik 2 (3,61), Skradin 1 (3,53), Primošten 2 (3,49), Knin 1 (3,26), Primošten 1 (3,20), Šibenik 3 (3,10) i Knin 2 (2,93)., Significant (old, valuable) trees, in addition to their cultural value, they increase value of the “local” property and also affect the aesthetic values of the environment. The goal of this work was to was to valorize (aesthetic and functional characteristics of significant trees on public urban landscape areas of the Šibenik-Knin County), for the purpose of creation a cadaster of significant trees. Field research was conducted on 10 micro-locations during the period from 2019 to 2020, on the territory of Šibenik-Knin County. Selected significant trees (131 individuals in 10 micro-locations, i. e. Knin 1 (21), Knin 2 (2), Primošten 1 (6), Primošten 2 (20), Šibenik 1 (9), Šibenik 2 (1) and Šibenik 3 ( 1), Zaton 1 (16) and Zaton 2 (6), Skradin (49) were evaluated by the VTA method (Visual control method). When summarizing the conducted research, it was concluded that most of the trees are in relatively good condition. The survey was conducted on 102 respondents across the County. The average ratings obtained from the respondents on the aesthetic and functional characteristics of significant trees on public urban landscpe areas were as follows: Šibenik 1 (4,15), Zaton 2 (3,96), Zaton 1 (3,71), Šibenik 2 (3,61), Skradin 1 (3,53), Primošten 2 (3,49), Knin 1 (3,26), Primošten 1 (3,20), Šibenik 3 (3,10) and Knin 2 (2,93).

Darier's disease is a rare genetic disorder with autosomal dominant inheritance. It is characterized by hyperkeratotic papules in seborrheic areas. Associated abnormalities include nail abnormalities and changes in the mucous membranes. Exacerbation of the disease occurs with exposure to high temperatures, sun, and sweating, resulting in a worsening clinical picture in summer months. The unilateral zosteriform pattern is a rare variant that is clinically manifested by a unilateral outbreak of erythematous keratotic papules without any other associated symptoms. Here we present a 52-year-old male with a zosteriform pattern of Darier's disease. We also discuss the most important clinical and pathohistological characteristics of the disease and various treatment options.

The correlation between the fiber structure and mechanical properties of two different poly(ethylene terephthalate) fiber types, that is, wool and cotton types produced by three producers, was studied. Fiber structure was determinedusing different analytical methods. Significant differences in the suprastructure of both types of conventional textile fibers were observed, although some slight variations in the structure existed between those fibers of the same type provided by different producers. A better-developed crystalline structure composed of bigger, more perfect, and more axially oriented crystallites was characterized for the cotton types of PET fibers. Crystallinity is higher, long periods are longer, and amorphous domains inside the long period cover bigger parts in this fiber type in comparison with the wool types of fibers. In addition, amorphous and average molecular orientation is higher. The better mechanical properties of cotton PET fiber types, as demonstrated by a higher breaking tenacity and modulus accompanied by a lower breaking elongation, are due to the observed structural characteristics.

Izbor lijeka i duljina liječenja bolesnika sa sindromom prostatitisa ovisni su o težini i trajanju prisutnih kliničkih simptoma i znakova i o etiologiji bolesti. U akutnom bakterijskom prostatitisu terapija se započima kao empirijska. Koriste se beta-laktamski antibiotici (Plivini: Ketocef, Novocef, Klavocin, Amoxil, Penbritin), fluorokinoloni (Plivin Cipromed), te kotrimoksazol (Plivin Sinersul). Lijek prvog izbora kroničnog bakterijskog prostatitisa je ciprofloksacin (Plivin CIPROMED), a ako nalaz antimikrobne rezistencije uzročnika dozvoljava, koristi se kotrimoksazol (Sinersul). Liječenje i akutnog i kroničnog prostatitisa kojemu su uzrok Chlamydia trachomatis i urogenitalne mikoplazme provodi se azitromicinom (Plivin Sumamed), doksiciklin (Plivin Hiramicin) te ofloksacinom. Azitromicin se nakon peroralne primjene dobro apsorbira, brzo distribuira po organizmu, postiže visoke koncentracije u tkivima i polako izlučuje iz organizma. Rezultat novih istraživanja farmakologije i farmakokinetike azitromicina jest preporuka da se u bolesnika s kroničnim klamidijskim prostatitisom azitromicin treba primjenjivati periodično - na primjer jedan puta na tjedan.

U okviru likovnih i vizuelnih umetnosti termin secesija označava kulturnu i umetničku epohu, ideju, pokret, model materijalističke i idealističke filozofije. Esenciju ideje i koncepta secesije predstavljala je antagonistička reakcija na zvaničnu i kanonizovanu umetnost tadašnjih evropskih umetničkih akademija. Osnovni koncept ovog rada biće baziran na kritičko-teorijskoj analizi vizuelno-kontemplativne stvarnosti umetnosti srpske secesije. Razmatranje fenomena i ontološke suštine umetnosti srpske secesije zahtevalo je angažovanje integralnog metodološkog pristupa koji je omogućio utemeljenje teorijski dokazivih fenomena, kao i isticanje paradigmatičnih predstavnika. Pojava industrijskog doba i kapitalističkog funkcionisanja svetske privrede menjala je suštinu ontoloških vrednosti čovekovog postojanja. Produkt takvih dešavanja je pojava modernizma kao novog modela globalne svetske kulture u čijem konstituisanju značajnu ulogu ima i umetnost secesije. Umetnost srpske secesije donosila je nove, do tada nepoznate koncepte estetske stvarnosti. Autohtonost umetnosti srpske secesije zasnivala se na autonomnim istorijskim i kulturnim prilikama u kojima se nalazio srpski narod. Morfologija te umetnosti nije imala pravolinijsku i logičnu genezu, već se kretala pulsirajućim impulsima koji su korespondirali sa prošlošću, sadašnjošću i budućnošću. Argumentovana teorijska analiza podrazumevala je definisanje kritičkih stavova o evropskoj i svetskoj secesiji koji su predstavljali fundament za proučavanje umetnosti srpske secesije. Umetnost secesije otkrivala je i korespondirala sa ontološkom suštinom čoveka i savremenog trenutka, pokretala je slojevite idejne, tematske i programske modele koji su produkovali autonomne osobenosti te estetike. Uprkos postojanju teorijskih kontraverzi, kontradiktornosti, dihotomih struktura, stilske heterogenosti i homogenosti, estetskog pluralizma umetnost secesije egzistira kao epoha, stil, moda i estetska norma jednog perioda srpske kulture. In the visual arts, the term secession means the cultural and artistic epoch, the idea, the movement, the model of materialistic and idealistic philosophy. Essence of the idea and concept of Secession was an antagonistic reaction to the popularly and canonised art of European art academies in that piriod. The basic concept of this work will be formed on a critical-theoretical analysis of the visual-contemplative reality of the Serbian Secession Art. Explanation of the phenomenon and the ontological essence of Serbian Secession Art require the involvement of an integrated methodological approach that allowed the theoretical foundation of demonstrable phenomena, as well as emphasizing the paradigmatic representative. The emergence of the industrial age and the functioning of the capitalist world economy has changed the essence of the ontological value of human existence. The product of such events is the emergence of modernism as a new model of global culture in which the constitution has a significant role the Art Secession. Serbian Secession Art brought a new, previously unknown concepts of aesthetic reality. Autochthony of Serbian Secession Art based on autonomous historical and cultural circumstances in which housed the Serbian people. Morphology of that art was not rectilinear and logical genesis, but it was moving in pulsating impulses that corresponded with the past, present and future. Substantiated theoretical analysis implied the definition of critical views of the European and World Secession, which were the foundation for the study of Serbian Secession Art. Secession Art was discovered and corresponded with the ontological essence of the modern man and the moment, driven by the layered conceptual, thematic and program models that produced the autonomous features and aesthetics. Despite the existence of theoretical controversies, contradictions, dihotomih structure, stylistic heterogeneity and homogeneity, aesthetic pluralism Secession Art exists as an epoch, style, fashion and aesthetic standards of the period of Serbian culture.

By changing input warp moisture caused by different conditions or processes the size coat was changed. The warp with a lower input moisture had a higher size coat than the warp with a higher moisture provided that the other influencing parameters remained constant. Though the warp treated in wet conditions before sizing is dried before immersing in the sizing liquor, this drying is not uniform because the speed is not always the same, and the content of water in the warp is not the same after centrifuging the warp on the beam in a wet finishing proces. A great influence on the size coat was evident in a change of dwelling the warp in the size box, in warp thread density, warp tension in the size box, force of squeezing the surplus of size liquor from the warp, in rheologic changes etc.