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The article discusses the Cu Fibers 2024 exhibition at the Wari Watai studio, showcasing textile pieces made from hemp, cotton, and copper. The exhibition focuses on exploring materials and techniques without confining them to specific purposes, emphasizing creativity and experimentation. The exhibition reflects a new era of textiles in India that draws from tradition while responding to contemporary contexts, highlighting the evolving movement in Indian textiles. [Extracted from the article]

The design of a reflective metasurface solely based on flexible textile material is presented for indoor signal coverage enhancement in a specific scenario – reflecting and reallocating radio frequency energy that would have leaked through a large window area. The proposed reflective metasurface design, reflective metasurface is composed of layers of square conductive textile patches and dielectric textile substrates. For the unit cell design, a reflective phase difference of up to 90° can be achieved via varying the size of the conductive patches. Meanwhile, a phase difference of up to 180° can be achieved by the alignment of conductive patches on different textile substrate layers, which is an ideal design philosophy for textile material. The proposed metasurface, consisting of 12 × 12 unit cells, can achieve a main reflected beam pointing in the direction of ±35° and a secondary reflected beam at ±63°. Simulated results show that the reflected beams remain relatively stable under the crumpling conditions often seen for curtains. A prototype of the design was fabricated and tested in a real-world scenario. A maximum signal strength enhancement of 15 dB and an average enhancement of 5.97 dB in a wide range of directions can be achieved with the reflective metasurface applied. [ABSTRACT FROM AUTHOR]

Distortion-minimizing surface parameterization is an essential step for computing 2D pieces necessary to fabricate a target 3D shape from flat material. Garment design and textile fabrication are a prominent application example. Common distortion measures quantify length, angle or area preservation in an isotropic manner, so that when applied to woven textile fabrication, they implicitly assume fabric behaves like paper, which is inextensible in all directions and does not permit shearing. However, woven fabric differs significantly from paper: it exhibits anisotropy along the yarn directions and allows for some degree of shearing. We propose a novel distortion energy based on Chebyshev nets that anisotropically penalizes shearing and stretching. Our energy formulation can be used as an optimization objective for surface parameterization and is simple to minimize via a local-global algorithm. We demonstrate its advantages in modeling nets or woven fabric behavior over the commonly used isotropic distortion energies. [ABSTRACT FROM AUTHOR]

Copyright of Revista de Ensino em Artes, Moda e Design is the property of Universidade do Estado de Santa Catarina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Personal thermal regulation through passive radiative cooling is an effective strategy to achieve sustainable development. Although recent advances have introduced various cooling textile designs, the extensive use of materials unsuitable for common textiles, alongside coating or compositing technologies, not only compromises the wearability and safety of these textiles but also impacts green sustainability. Herein, it is shown that wool is a promising natural material for transferring mid‐infrared human body radiation, but the high absorption in the solar spectrum prohibits wool from achieving satisfactory daytime radiative cooling. Thus the natural wool impregnates zinc ions into the protein chains to form a zinc‐ion woolen (wool‐Zn) fabric. The wool‐Zn fabric can provide humans with a cooling sensation both indoors and daytime outdoors, showing a temperature reduction of 2 °C on human skin indoors and a reduction of 7 °C on artificial skin under direct sunlight, respectively, when covered by wool‐Zn fabrics compared to when covered with cotton. Moreover, the wool‐Zn fabric shows desirable antibacterial properties and durability against washing and abrasion, while maintaining desirable wearability. As a result, the wool‐Zn fabric shows great potential for commercial application in personal thermoregulation and provides an effective avenue toward sustainable energy and environment. [ABSTRACT FROM AUTHOR]

Radio frequency (RF) devices, in which use of high frequency electromagnetic waves, may cause electromagnetic interference (EMI), have been an essential part of the human being due to their large area applications especially as transmitters, receivers, computers, televisions, and mobile phones. However, the pollution caused by RF and/or EMI should not be underestimated. For this reason, studies have been carried out to develop shielding properties against EMI of various products, in particular of wearable fabrics. With this manner, in this study, composite polymer coated textiles were designed and produced by utilizing polyester base fabric, polyvinylidene fluoride coating polymer (matrix) and some additives (fillers) such as expanded graphite (E-GR), bismuth oxide (Bi2O3) and copper oxide micro/nano-particles. The experimental design on the preparation of the samples based on the unary, binary, and ternary combinations of the additives was created to investigate their combined effects on the EMI shielding performances. Samples were characterized by scanning electron microscopy, energy dispersive spectroscopy, fourier-transform infrared spectroscopy, and vector network analyzer. According to the results, it can be inferred that the fillers are homogeneously distributed along the all surface without a chemical interaction with the matrix of continuous and compact composite coatings. Among the samples, the highest EMI performance with 19 dB shielding effectiveness was recorded for the sample containing E-GR and Bi2O3 in which of the 98.74% electromagnetic signals were blocked along 8–12 GHz frequency range. [ABSTRACT FROM AUTHOR]

The present study was focused on the preparation, characterization and application onto cotton fabrics of different topical oil-in-water emulsions based on chitosan, eugenol and copaiba essential oil for potential topical applications. Different amounts of copaiba essential oil (oil phases) and eugenol were used, while the water phase consisted of hamamelis water. The designed formulations were evaluated via optical microscopy and rheological parameters assessment. The textile materials treated with the developed emulsions were analyzed in terms of antibacterial efficiency and in vitro and in vivo biocompatibility. The rheological measurements have shown that the emulsions' stability was dependent on their viscosity and structure of the colloidal systems. The emulsions remained stable at temperatures equal to or below 35 °C, but an increase in temperature led to droplet flocculation and creaming. The emulsion-treated textiles exhibited antibacterial activity against Escherichia coli and Staphylococcus aureus, and in vivo biocompatibility on the skin of guinea pigs without sensitization effects. Our study revealed that eugenol and copaiba essential oil-based emulsions loaded on cotton textile materials could be promising candidates for developing skin-friendly textiles designed for different topical applications. [ABSTRACT FROM AUTHOR]

Liquid crystal elastomers (LCEs) are promising candidates for creating adaptive textile‐based devices that can actively and reversibly respond to the environment for sensing and communication. Despite recent advances in scalable manufacturing of LCE filaments for textile engineering, the actuation modes of various LCE filaments focus on contractual deformations. In this study, manufacture of polydomain LCE filaments with potential scalability by wet‐spinning is studied, followed by mechanical exploitation to program liquid crystal mesogen alignments, demonstrating both contractual and twisting actuation profiles. By plying these LCE filaments into yarns with different twist concentrations, yarn actuation, and mechanical performance is tuned. Yarns plied at 4 twists per cm can generate up to a seven‐fold increase in elastic modulus while maintaining 90% of actuation strain performance from their native filament. The contractual and twisting LCE filaments are then embroidered with varying stitch types to spatially program complex 2D‐to‐3D transformations in "inactive" fabrics. It is shown that a running stitch can actuate up to 15% in strain and create angular displacements in fabric with twisted mesogen alignments. It is envisioned that the wet‐spun polydomain LCE filaments for diverse plied yarn production together with textile engineering will open new opportunities to design smart textiles and soft robotics. [ABSTRACT FROM AUTHOR]

Featured Application: Protection against electrostatic discharge (ESD) is crucial in many industries and everyday life. The results described in this paper have the potential to be helpful for the design process of ESD textiles. The described modeling process, along with the simulator settings leading to convergent results and the provided plots and illustrations, allow for an understanding of the charge decay phenomenon occurring in textiles. This article discusses the important issue of designing textiles for electrostatic discharge (ESD) protection. ESD protective textiles are used to prevent the failure of electronic circuits. They also safeguard human health and life in explosive environments. The textiles are usually made of woven, knitted, or nonwoven fabrics incorporating a grid or strips of conductive fibers within a base material made of cotton, polyester, or blends of these materials. Various testing standards have been developed to evaluate the suitability of textiles for ESD protection. One of the most widely used is the EN 1149-3 standard, which outlines procedures for recording charge decay plots. The procedure can be used to evaluate all types of textiles. This paper discusses models corresponding to the standard developed in the general-purpose COMSOL Multiphysics software. Using the advanced numerical methods of the software, it is possible to graphically present the phenomena occurring during the application of the standard procedure and to determine the influence of the grid and material parameters on the shape of the charge decay plots. Furthermore, this article compares charge decay plots and shielding effectiveness measured in an accredited laboratory with simulation results. [ABSTRACT FROM AUTHOR]

There has been a proliferation of emotion-related interactive textiles in recent years. This research conducted a comprehensive scoping review of the literature on emotion-related interactive textiles design. In total, 75 design studies were identified from their abstracts and analyzed with social network analysis and text mining methods. These studies were categorized into different aims (emotion expression, emotion communication, emotion reflection, emotion regulation, emotional effect, emotional experience, and emotion analysis). This review also analyzed details of prototypes and experimental design, such as textile form, textile function, feedback mechanism, experiment method, evaluation scale, and empirical findings. Then we evaluated these studies based on the relationship of their research aim, textiles, emotion, interaction mechanism, etc. The findings suggest that interactive textiles can aid in emotion presentation, modulation, and creating unique emotional experiences. Interactive textiles, feedback mechanisms, and bodily interaction all serve essential functions and benefit emotional interaction. Last, this review reflected on the critical research directions of emotion-related interactive textiles, including connecting interactive textiles with biofeedback, designing interactive textiles with sensory feedback mechanisms, and increasing bodily interaction for dynamic emotion. Further, this research provided insights into the research gaps, from elaborating on the experiment and exploring the materiality of interactive textiles to concerning privacy and user acceptance. Interactive textiles bridge textiles and emotion together to aid emotional well-being in people's daily lives. [ABSTRACT FROM AUTHOR]

Copyright of Wool Textile Journal is the property of National Wool Textile Science & Technology Information Center and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Weft and warp yarns form single-layer woven fabric structures by connecting with each other in a certain order to form a single surface. Multi-layer fabric structures are defined as fabrics formed by connecting two or more fabrics in a specific sequence within the weaving system. Woven fabric design, along with the developing technology and combined with the designer / artist's perspective and talent, diversifies both technically and with artistic expressions and comes up with new, different productions. Founded in the 19th century, the Bauhaus School is known for its significant influence, especially in terms of weaving design. Multi-layered weavings, which are among the examples produced by the weaving designers in this field, show us how much they can be developed as a design, how they can be transferred as an artistic expression along with their functionality, and inspire today's designers/artists. In the study, while exemplifying the multi-layered woven fabrics made in the past, the material, technique, color and surface appearance characteristics of the new designs that are made nowadays will also be examined. This study, which is based on a descriptive analysis method, also includes written and oral interviews with designers/artists in Turkey. The multi-layered woven designs selected as a result of these interviews will be explained with detailed descriptions. When the multilayer weaving samples subject to the research were examined; it was observed that different techniques, colors and materials created visual diversity on the surface. Structurally and aesthetically, it can be stated that these techniques have differentiated and developed from past to present. In other words, textile design/art appears as a different perspective, structuring and creative solutions in the creation of an artistic object. [ABSTRACT FROM AUTHOR]

The research arose from the need to understand the principles of structural design with textile materials in tensile structures, increasingly used in roofs and enclosures due to their lightness and capacity to cover large spaces. The project sought to determine the key aspects for selecting the appropriate material, considering external and internal conditions. Bibliographic information was used to generate new techniques and materials in order to have a positive impact on the construction industry. The characteristics and properties of textile materials were identified, evaluating their resistance and durability under diverse climatic and environmental conditions. The methodology included identification of structure requirements, evaluation of available materials, strength testing and proper installation of the selected materials. The research helped professionals address challenges and limitations in the use of textile materials in tensile structures, ensuring efficiency, durability and safety. The right combination of textile materials and structures contributed to an efficient and sustainable construction, with technical and aesthetic benefits. [ABSTRACT FROM AUTHOR]

"The Fabric of Our Lives: Reflections From Maria Balshaw" is an article written by Maria Balshaw, the Director of the Whitworth Gallery in Manchester. Balshaw discusses the historical and artistic significance of textiles in Manchester, emphasizing the connection between textiles, place, and identity. She shares her personal experiences with textiles and highlights the role of cloth in shaping personal courage and self-expression. Balshaw also discusses the Tate Galleries' recent expansion to include a greater focus on textiles, recognizing the importance of textiles in modernist, postmodern, and contemporary art. The Tate Galleries are actively acquiring works by diverse artists, challenging traditional categorizations of art history and highlighting the political resistance and cultural heritage embedded in textile practices. [Extracted from the article]

The defining feature of the nuclear-free movement in New Zealand was people power: a groundswell of popular support which achieved a major change in government policy and became a turning point in our national identity. Creative expression was crucial to building visibility for the cause. By looking at the textiles produced at this time, we can both read the history of the movement and understand how New Zealanders saw ourselves and our place in the Pacific. Banners, fabric prints, and t-shirts used conventional protest messaging like peace signs and caricatures of key political figures. But it is the imagery chosen to support these messages which echoes a wider conversation in New Zealand's identity as a Pacific nation. In the 1980s and 1990s, an emerging "Pasifika" movement in craft and fashion adopted Pacific Island imagery to create a unique New Zealand style. Anti-nuclear textile designs formed a part of this, drawing upon the romanticized image of palm-tree-fringed islands, a natural paradise in which grotesque mushroom clouds had no place. This article considers how anti-nuclear textiles are a visible creative record of New Zealand's changing self-identity. [ABSTRACT FROM AUTHOR]

This study focuses on the implementation and evaluation of generative models for the generation of textile designs using Generative Adversarial Networks (GANs). The approach involved developing both unconditional and conditional versions of Wasserstein GANs (WGANs) and Wasserstein GANs with Gradient Penalty (WGAN-GP), as well as adaptations for higher resolution outputs. A diverse dataset of 13,000 textile patterns was compiled, and the models were trained on this data, with architectures designed to optimize image generation in terms of both resolution and feature learning. The training process was analyzed using loss stability assessments, visual evaluation, and accuracy metrics. Results showed that WGAN-GP models demonstrated greater loss stabilization but lower overall accuracy since the discriminator learned faster, while conditional models showed improvement in image fidelity but with some divergence issues during training. Additionally, efforts to upscale output resolution to 256x256 pixels were largely unsuccessful, with significant loss oscillations and poor constructed generated samples. This study concludes with recommendations for further refinement of the model architectures and training strategies to improve the generation of high-quality, high-resolution textile designs. [ABSTRACT FROM AUTHOR]

Purpose: The COVID-19 pandemic has caused irrefutable devastation globally. Yet, academic and trade commentators have claimed that this disruption could have had a silver lining by presenting the fashion industry with the opportunity to reassess and rebuild in a slower, more considered way. Part of this reassessment, some have argued, may have been allowing the industry's pre-COVID sustainability buzz to come to fruition by nudging the fashion industry to go circular. This paper explores if, and how, the COVID-19 pandemic was (not) nudging the industry towards circularity using the case study of circular textiles. Design/methodology/approach: Serial, semi-structured, qualitative interviews were conducted with three buyers and sourcers working for three UK-based fashion retailers. Each participant was involved in three interviews in June 2020 following the UK's first national lockdown. Findings: The research findings suggest that, at the time this research was undertaken, these retailers were focussed on regaining profit, protecting their supply chains and producing "safe" designs whilst cutting back and becoming more risk averse. These actors suggested that, in contrast to the suppositions made by academic and media commentators, the COVID-19 pandemic was acting as a hindrance to circularity, not a helping hand, as retailers were less willing to invest in circular textiles at that time than they were pre-pandemic. Originality/value: This paper offers valuable insight into the COVID-19 pandemic's impact on circular innovation within fashion retail whilst contributing to broader understandings of the principles of the circular economy within textiles and design. [ABSTRACT FROM AUTHOR]

The extreme environment of winter sports significantly impacts the performance of athletes, leading to a need for clothing that meets composite functional requirements such as warmth, comfort, and protection to improve competition performance. Knitted fabrics for ice and snow sports with excellent heat and moisture performance were inspired by the water collection and transmission system used by the Moloch horridus. A bionic design model of multi-state fabric morphology was developed by using a topological derivation method and three-dimensional parametric surface modeling technology. The experimental results showed that the four single-sided three-dimensional fabrics have better moisture management characteristics and it is possible to achieve an excellent thermal insulation performance. The textile design application models based on this new design method can provide a feasible solution for developing high-performance textiles for winter sports. [ABSTRACT FROM AUTHOR]

Pakistan is a country with rich traditions emerging from various faiths which are reflected in the expression of regional folk arts. Pakistan lies in an area where not only earlier known human civilizations flourished but it also witnessed continued march of vanguards of various civilizations from central Asia and Near East. The rich heritage of Pakistan's art and craft has evolved over an extended period of 5000 years. In this duration Pakistan became the crossroad of many splendid cultures and enriched the world with an amazing variety of cultural, religious, linguistic, and artistic expressions. This intermingling of cultures surprisingly influenced all kinds of arts and crafts, including textile arts. Due to diversified talents, interests and inspiration, different regions have their special identity for unique folk textile crafts. In this land, the traditional textile artisans of the Punjab, Sindh, Khyber Pakhtunkhwa, Balochis tan and Kashmir have been pursuing their skills, as they have done for generations. Admitting diverse art heritage of distinctive regions of Pakistan, this paper overviews some historic traditional textiles nurtured here. Design is the backbone of graphic art, design that is a part of art actually a part of our life and personality and influences the enjoyment of everything to do and of everything to select. Textile designs developed from three sources the quality of the fabric the size and type of yarn and the way they are combined if more than one is used. The aim of this paper is to trace the history of textile designing and printing with special reference to khadi. It also explores the challenges of Pakistan's textile industry which has given recommendations to developing it for the progress of industrialization in Pakistan. [ABSTRACT FROM AUTHOR]

Incorporating ideas and concepts into designs can serve as a medium for self-expression or as a basis for generating content that requires extensive effort within a studio environment to establish a distinct identity. Once this identity is cultivated, it has the potential to transform an artist into a renowned and distinguished figure. The process of conceptualizing and executing designs within a studio setting is an on-going pursuit aimed at perfecting one]s artistic style within a specific domain, such as graphic design, fine arts, textile design, ceramic art, theatre arts, sculpture, or handicraft. The utilization of a diverse range of tools is indispensable in the practice of studio art, as each field or specialization causes specific equipment to achieve optimal outcomes. These tools and materials are used to create high-quality work that demands continuous practice and mastery. Through dedicated practice, individuals can refine their skills and attain expertise in their chosen craft. This research paper delves into an exploration of the historical significance of Kanuri Razoaram cap-making in Maiduguri, Borno State, focusing on its various styles and potential contribution to industrialization. Studio practices often strive to produce visually appealing designs that are applied, gifted, or used for personal adornment. The paper proposes the establishment of an industry dedicated to the mass production of Razoaram handcrafted caps in Maiduguri, Borno State, as a solution to further promote and preserve this traditional art form. [ABSTRACT FROM AUTHOR]

Copyright of Motif Academy Journal of Folklore is the property of Motif Yayincilik and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The textile and fashion industries face challenges in pattern diversity, innovation, and the integration of mathematical and symbolic design methods. This study aims to address these issues by improving the diversity, complexity, and adaptability of models while integrating mathematical principles and symbol-based techniques. Basically, research shows that using different mathematical models, like Hamiltonian or fractals, can make our models more diverse and effective. Improving the mathematical skills of designers is essential to overcome the complexities associated with mathematical design methods. The advancement of symbol-based design methodologies promotes cross-cultural adaptability and mitigates limitations in methodology dependency. A holistic approach involving research, education, and technological advancement is vital to driving innovation in textile and fashion design. Algorithms for sacred geometry figures offer new avenues for creating visually appealing designs with spiritual meaning. The fusion of mathematical precision and artistic expression in gold geometric ornaments embody harmony and beauty, tailored to contemporary aesthetics. Integrating sacred figures into clothing and home goods allows designers to offer unique, personalized products while embracing sustainability trends. [ABSTRACT FROM AUTHOR]

In the dynamic world of textile design, where digital tools have revolutionized the process of creating patterns, ARAHNE software programs, ArahPaint, ArahWeave, ArahDrape and ArahView 3D, are recognized as leading CAD/CAM software tailored for professionals. ArahPaint is a software designed for instant drawing in seamless repeats, enabling users to easily view and generate repetitions of their pattern. Specifically optimized for designing and weaving Dobby and Jacquard woven fabrics, ArahWeave software exemplifies how digital technology is reshaping the creative process in the textile industry. The advanced simulation tools of ArahWeave facilitate a highly realistic preview of how seamless pattern will appear when woven into fabric. Users can adjust structural parameters including thread patterns, yarn characteristics, colour schemes, fabric density, and weaves to achieve their desired aesthetic and structural appearance in woven fabric and present a 3D model simulation of their fabric in ArahView 3D. ArahDrape is a texture mapping software designed to help weavers, designers, and retailers enhance the presentation of their fabrics. Like mastering any other skill, using ARAHNE software programs requires dedicating time to learn and practice creating various textile patterns suitable for a range of textile applications. Additionally, users' artistic skills empower them to enhance both the quality and uniqueness of their textile designs. This paper explores the advanced shading techniques of Jacquard woven fabrics, simulated in ArahWeave software. The aim is specifically focusing on the process from inspiration to creating seamless patterns suitable for various Jacquard fabric types, providing solutions to users who wish to transcend the confines of traditional textile design. [ABSTRACT FROM AUTHOR]

Copyright of Arcos: Design, Cultura e Visualidade is the property of Editora da Universidade do Estado do Rio de Janeiro (EdUERJ) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Purpose: The purpose of this study is to present a training system on smart phones to develop fashion and textile concepts among the female students with severe hearing impairment and then to determine the effectiveness of the training system in developing fashion and textile concepts among the female students with severe hearing impairment. Design/methodology/approach: The analytical descriptive methodology and experimental methodology were used to examine the training system in developing fashion and textile concepts among the female students with severe hearing impairment. Findings: The findings of this study indicate that the training system on smart phones was effective in developing fashion and textile concepts among the female students with severe hearing impairment. Research limitations/implications: This study has some limitations such as limited sample size, lack of control group and lack of long-term. Practical implications: This study provides practical implications for educators, researchers and practitioners in terms of using smart phone applications in educational processes for people with disabilities. Social implications: This study has social implications for people with disabilities as it provides them with access to education through smart phone applications which can help them develop their skills in fashion and textile design. Originality/value: This study presents an original model of a training system on smart phones for developing fashion and textile concepts among the female students with severe hearing impairment, which can be used as a reference for other studies related to this field. [ABSTRACT FROM AUTHOR]

This paper explores the intersection of colorimetry and biomimetics in textile design, focusing on mimicking natural plant colors in dyed textiles via instrumental colorant formulation. The experimental work was conducted with two polyester substrates dyed with disperse dyes using the exhaustion process. Textiles dyed with different dye colors and concentrations were measured in a spectrophotometer and a database was created in Datacolor Match Textile software version 2.4.1 (0) with the samples' colorimetric properties. Colorant recipe formulation encompassed the definition and measurement of the pattern colors (along four defined natural plants), the selection of the colorants, and the software calculation of the recipes. After textile dyeing with the lowest expected CIELAB color difference (ΔE*) value recipe for each pattern color, a comparative analysis was conducted by spectral reflectance and visual assessment. Scanning electron microscopy and white light interferometry were also used to characterize the surface of the natural elements. Samples dyed with the formulated recipe attained good chromatic similarity with the respective natural plants' colors, and the majority of the samples presented ΔE* between 1.5 and 4.0. Additionally, recipe optimization can also be conducted based on the colorimetric evaluation. This research contributes a design framework for biomimicking colors in textile design, establishing a systematic method based on colorimetry and color theory that enables the reproduction of nature's color palette through the effective use of colorants. [ABSTRACT FROM AUTHOR]

Copyright of AmeSea International Journal is the property of Africa & Middle East Society for Education through Art and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The development of contemporary art and design is a dynamic reflection of social values, technological advancements, cultural shifts, and evidence of the ever-changing nature of human expression. However, local identities are often not visible, and many works of art and design seem stereotypical with similar appearances. Based on these conditions, it is necessary to conduct research on art creation by exploring local cultural values as an identity. This article describes the process of creating contemporary textile designs sourced from the visual aesthetics of classic batik Kawung motifs, which are full of aesthetic value. The art creation method is carried out by collecting information about the visual aesthetics of classic batik Kawung motifs, exploring ideas based on visual aesthetics in Kawung batik motifs, developing creation ideas through design experiments, and realizing textile designs into fabric prototypes. The results of this study include (1) analysis of basic ornaments of geometry, repetition patterns, and symmetrical compositions in Kawung classic batik motifs, (2) the process of embodiment of contemporary textile design with the concept of transformation geometry through rotation, reflection to create rhythm and composition, as well as translation and dilatation to find the artistic value of shapes, (3) descriptions of the form of contemporary textile design works that have been produced. The study results show that classic batik's aesthetic value is a potential source of ideas for creating contemporary textile designs. Through a formalistic study of Kawung classic batik motifs, a method of making ornaments with transformative geometry techniques was found as a guideline and formulation for creating contemporary textile designs. Local values in the Kawung motif, such as the pattern of rotation, reflection, rhythm, and recomposition of geometric shapes, are still relevant and contextual with the development of the times. Thus, it is essential to use it as a source of inspiration for creating contemporary textile designs with a strong identity.

The development of functional textiles combining conventional apparel with advanced technologies for personal health management (PHM) has garnered widespread attention. However, the current PHM textiles often achieve multifunctionality by stacking functional modules, leading to poor durability and scalability. Herein, a scalable and robust PHM textile is designed by integrating electrical, radiative, and solar heating, electromagnetic interference (EMI) shielding, and piezoresistive sensing performance onto cotton fabric. This is achieved through an uncomplicated screen‐printing process using silver paste. The conductivity of the PHM textile is ≈1.6 × 104 S m−1, ensuring an electric heating temperature of ≈134 °C with a low voltage of 1.7 V, as well as an EMI shielding effectiveness of ≈56 dB, and human motion monitoring performance. Surprisingly, the radiative/solar heating capability of the PHM textile surpasses that of traditional warm leather. Even after undergoing rigorous physical and chemical treatments, the PHM textile maintains terrific durability. Additionally, the PHM textile possesses maneuverable scalability and comfortable wearability. This innovative work opens up new avenues for the strategic design of PHM textiles and provides an advantageous guarantee of mass production. [ABSTRACT FROM AUTHOR]

Heart failure is a severe medical condition with an important worldwide incidence that occurs when the heart is unable to efficiently pump the patient's blood throughout the body. The monitoring of edema in the lower limbs is one of the most efficient ways to control the evolution of the condition. Impedance spectroscopy has been proposed as an efficient technique to monitor body volume in patients with heart failure. It is necessary to research new wearable devices for remote patient monitoring, which can be easily worn by patients in a continuous way. In this work, we design and implement new wearable textile electrodes for the monitoring of edema evolution in patients with heart failure. Impedance spectroscopy measurements were carried out in 5 healthy controls and 2 patients with heart failure using our wearable electrodes for 3 days. The results show the appropriateness of impedance spectroscopy and our wearable electrodes to monitor body volume evolution. Impedance spectroscopy is shown to be an efficient marker of the presence of edema in heart failure patients. Initial patient positive feedback was obtained for the use of the wearable device. [ABSTRACT FROM AUTHOR]

This paper presents the miniaturized and flexible antenna, design on textile material based on the open-ended slot for portable and wearable applications. The jeans substrate is used with an optimized feed position of the miniaturized antenna where the two orthogonal open-ended slots are accomplished on the ground and patch to obtain the dual bandwidth and miniaturization in size. The overall size of the textile antenna is 12 mm × 12 mm with 10 dB bandwidth from 4.9 to 5.05 GHz (Wi-Fi) and 5.7 to 6 GHz (ISM bands) with positive realized gain where the compact size of the antenna covering both important bands for wearable and portable applications. [ABSTRACT FROM AUTHOR]

Copyright of Journal of Academic Social Science Studies is the property of Journal of Academic Social Science Studies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Functional textiles and clothing designed for children should provide a safe and supportive environment, encompassing comfort, safety, health, wellbeing, and cognitive development, as well as fostering interaction and exploration. This study explores the multifaceted nature of functional textiles and clothing for children. It emphasises the importance of comprehensive knowledge about the user and an interdisciplinary approach in the design process. The integration of expertise from diverse fields contributes to a holistic understanding of the challenges and opportunities inherent in creating clothing that satisfies aesthetic demands and promotes the wellbeing of children. Through a study of existing research in functional textiles and a market analysis of children's clothing, this research underscores the importance of practical application of studied materials and technologies in children's fashion, creating innovative and purposeful solutions. This collaborative effort involves working with multidisciplinary teams and applying designers' updated knowledge of functional materials throughout all stages of the design process. The study emphasises the designer's responsibility in articulating the essential knowledge needed to integrate functionality from the beginning of the design process, ensuring that practical considerations are integral to the core attributes of the clothing. The study also proposes a framework that represents the design process for functional children's clothing. [ABSTRACT FROM AUTHOR]