The niqab, the main subject of this article, is the garment worn by some Muslim women that conceals the face of its wearer, leaving only eyes visible. The Niqabi, as the wearer of the niqab is called, gives rise to high anxiety in the West. She generates an intense repugnance, a repugnance, I shall argue, that is paradoxically about desire. We need to ask why the niqab unsettles and who is unsettled by it and to ask these questions in a historically specific and contextualized way, keeping a sharp look out for the violence unleashed by bans. I suggest that in the West the niqab generates a deep anxiety surrounding knowing and possessing the woman who is covered. Bans on the niqab express a command to Muslim women to yield to racial and sexual superiority, and what is unbearable is her refusal to yield to the Western gaze. To make my case around possession, and to show its racialized, gendered, and sexualized dynamics, I offer an argument in two parts. First, I turn to legal cases banning the niqab, focusing primarily on the fantasamatic scenes of their legal geographies. Together these cases show that the primary legal logic on which bans rest--the idea, for instance, that an uncovered face is necessary for social interaction, is flimsy at best. The illogic that characterizes bans pushes me in the direction of psychoanalysis. Second, in an effort to understand what is at stake in these legal moments when law abandons logic, I reflect on the nature of the subject whose coherence cannot withstand the sight of a covered woman. The sexual nature of the responses to the Muslim woman wearing the niqab, the command to her to yield to the white masculine gaze, demands that we consider desire. Bans seek to reroute desire, damming up its flow and removing from sight the object of desire. I draw on Meyda Yegenoglu's exploration of colonial fantasy to explore the psychoanalytic basis to bans, emphasizing how the veil and niqab are experienced by many as obstacles to the visual control of Muslim women. I then turn to Susan Schweik, who considers the historical example of the banning of unsightly beggars. Schweik explores the scopic regime underpinning bans--that is, the removal from sight of anyone who threatens a subject's coherence. I suggest that we consider unveiling along these psychoanalytic and spatial lines, tracing the ways in which the subject is made racially and sexually superior through removing from sight the woman who refuses to yield to his or her gaze. [ABSTRACT FROM AUTHOR]